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American Progressive Rock Band 1973-1980 from Pittsburgh, PA. Complex and long tracks featuring a wide assortment of instruments. File under Camel, Genesis, Yes, King Crimson, or perhaps any Canterbury Progressive rock groups of the 70's. -
Reissued on 150 gram virgin vinyl. Exact repro of the front/back artwork, includes a full color printed inner sleeve housing the record itself. Limited to 250 copies. -
Audience 9.6 - Do you want to hear the pinnacle of what can be done recording from the audience? Here it is. Even the staunchest soundboard purist would be hard-pressed to thumb this down. Outstanding, simply put. The Kinks Universal Amphitheatre Los Angeles, CA June 25, 1978 Disc 1 01 You Really Got Me Intro 02 Life On The Road 03 Sleepwalker 04 Mr. Big Man 05 Waterloo Sunset 06 Misfits 07 Permanent Waves 08 Hay Fever 09 Lola 10 Celluloid Heroes Disc 2 11 Well Respected Man 12 Death Of A Clown 13 Sunny Afternoon 14 Trust Your Heart 15 You Really Got Me 16 Slum Kids 17 Demon Alcohol 18 Rock & Roll Fantasy 19 All Day And All Of The Night 20 Live Life 21 Hello John Dalton 22 Juke Box Music -
Soundboard 9.5 - A great addition to anyone's collection. It features Steve Vai on guitar, who was part of Franks "Rockin' Teenage Combo" from approx 1980 - 82. -
New York 1978 Audience 9.3 - What a wild, out of control ride this is! Not only perhaps one of the most engaging live Kinks bootleg recording (or at least in the top 5), It also may just be one of THE coolest bootleg audience recording of any band. Why? Why such praise? It captures an intangible quality, that thing you can’t accurately describe with words…it’s a statement of sorts. We have a foundation rock band (first British wave) who have always been sort of disregarded but who refuse to pack it in, and here is why. These guys were punk before punk was a thought, and here they are a decade and change removed from their 60’s heyday, playing the birth place of US punk and they STILL can out punk the punks. Brilliant! Magical. A MUST! Buffalo 1978 Audience 8.7 - A very clear recording, good solid mid range and leaning toward emphasis on the high end which gives cymbals the little bit of crispiness that makes them heard and not washed out. Drums are highlighted and have a great sound too. The Kinks New Century Theater, Buffalo, NY May 27, 1978 Band line-up Ray Davies – lead and backing vocals, rhythm guitar, keyboards Dave Davies – lead guitar, backing and lead vocals Gordon Edwards – keyboards, piano, backing vocals Mick Avory – drums, percussion Jim Rodford – bass, backing vocals John Beecham - trombone Nick Newall - saxophone Disc 1 01 Intro 02 Life On The Road 03 Sleepwalker 04 Mr. Big Man 05 Permanent Waves 06 Hay Fever 07 Waterloo Sunset 08 Celluloid Heroes 09 Misfits 10 Lola Disc 2 11 A Well Respected Man 12 Death of a Clown 13 Sunny Afternoon 14 Trust Your Heart 15 You Really Got Me 16 Slum Kids 17 Alcohol 18 Rock-n-Roll Fantasy 19 All Day & All of the Night 20 Live Life 21 Jukebox Music The Kinks Central Park New York, NY September 8, 1978 Disc 3 01 You Really Got Me (Theme) 02 Sleepwalker 03 Life On The Road 04 Mr. Big Man 05 Permanent Waves 06 Hay Fever 07 Lola 08 Misfits 09 Celluloid Heroes 10 Sunny Afternoon Disc 4 11 Trust Your Heart 12 You Really Got Me 13 Slum Kids 14 Alcohol 15 Rock And Roll Fantasy 16 All Day And All Of The Night 17 Live Life 18 Twist and Shout 19 Juke Box Music -
Osaka 2019 SDBRD 9.4 - This is how you do it if you want to become rock stars. I don’t mean the performance, I mean record yourself and let the tape out so you get bootlegged. Anyway, it’s Led Zeppelin 2.0 for the uninitiated. -
Sale!
All known live recordings plus selections from Morgan Studios 1969 - 10 Discs Disc 1: Konserthallen Liseberg Liseberg Nojespark Goteborg, Sweden June 18, 1969 1. -Well All Right 2. -Sleeping In The Ground 3. -Sea Of Joy 4. -Under My Thumb 5. -Can't Find My Way Home 6. -Do What You Like 7. -Presence Of The Lord 8. -Means To An End 9. -Had To Cry Today Disc 2: Madison Sq. Garden New York, NY July 12, 1969 1. -Had To Cry Today 2. -Can't Find My Way Home 3. -Sleeping In The Ground 4. -Well All Right 5. -Presence Of The Lord 6. -Sea Of Joy 7. -Do What You Like 8. -Means To An End Disc 3: **Milwaukee Community College Milwaukee, WI July 26, 1969 1. -Had To Cry Today 2. -Can't Find My Way Home 3. -Sleeping In The Ground 4. -Well All Right 5. -Presence Of The Lord 6. -Do What You Like 7. -Sunshine Of Your Love Disc 4: Almeda County Coliseum Oakland, CA August 14, 1969 1. -Well All Right 2. -Presence Of The Lord 3. -Sea Of Joy 4. -Means to An End 5. -Do What You Like BONUS 6. -Instrumental Jam (first studio session with EC, Winwood, & Baker 7. -Cant Find My Way Home (un-released- studio alternative) Disc 5: Fairgrounds Arena Santa Barbara, CA August 16, 1969 1. -Well All Right 2. -Can't Find My Way Home 3. -Had To Cry Today 4. -Sleeping In The Ground 5. -Crossroads 6. -Presence Of The Lord 7. -Means To An End 8. -Do What You Like 9. -Sunshine Of Your Love Disc 6: Hemisphere Arena San Antonio, TX August 20, 1969 1. -Well All Right 2. -Can't Find My Way Home 3. -Had To Cry Today 4. -Sleeping In The Ground 5. -Crossroads 6. -Presence Of The Lord 7. -Means To An End 8. -Do What You Like 9. -Sunshine Of Your Love Disc 7 Blind Faith - Chicago International Amphitheater Chicago, IL July 27, 1969 1. -Had To Cry Today 2. -Can't Find My Way Home 3. -Crossroads 4. -Do What You Like Part 1 5. -Do What You Like Part 2 Disc 8 UCLA, Pauley Pavilion, Los Angeles, California August 26th 1969 1. -Announcement 2. -Well Allright 3. -Can't Find My Way Home 4. -Had To Cry Today 5. -Sleeping In The Ground 6. -Crossroads 7. -Presence Of The Lord 8. -Means To An End 9. -Do What You Like 10. -Drums Solo - Do What You Like - Band Intro Disc 9 Blind Faith Unknown Venue 1. -Well All Right 2. -Presence Of The Lord 3. -Sea Of Joy 4. -Means To An End 5. -Do What You Like 6. -Sleeping In The Ground 7. -Under My Thumb Disc 10 BLIND FAITH Rehearsals Morgan Studios, London, Feb. 1969 Excellent mono/stereo studio recordings repitched and remastered 01. -Well Alright (take 1) 02. -Untitled #1 (version 1) 03. -Sleeping In The Ground 04. -Untitled #2 05. -Well Alright (takes 8 & 9) 06. -Untitled Blues # 1 07. -Sea Of Joy 08. -Untitled # 1 (version 2 & 3) 09. -Well Alright (take 14) -
Sale!
10 Discs featuring live and studio tracks November 15, 1966 Klooks Kleek, London, England Disc 1 01. -Hey Lawdy Mama 02. -Sleepy Time Time 03. -Crossroads 04. -Stepping Out 05. -Sweet Wine 06. -Meet Me In The Bottom 07. -N.S.U. BBC Rhythm and Blues - 1966-12-09 08. -Cat Squirrel 09. -Train Time 10. -Hey Lawdy Mama 11. -I'm So Glad 12. -Tommy Vance with session info. BBC Band Beat - 1967-10-21 13. -Strange Brew 14. -Tales Of Brave Ulysses 15. -We're Going Wrong 16. -Tommy Vance with session info. BBC Saturday Club - 1967-05-03 17. -Steppin' Out 18. -Swlabr 19. -The Politition 20. -Tommy Vance with session info. Disc 2 BBC Saturday Club & Simon On Sunday between Nov 1966 - Oct 1967 01. -From Four Until Late 02. -I Feel Free 03. -N.S.U. 04. -Take It Back 05. -Born Under A Bad Sign 06. -Outside Woman Blues 07. -Alan Freeman with session info. Ricky Tick Club London, UK. April 22, 1967 08. -Sunshine Of Your Love 09. -Hey Lawdy Mama 10. -Sweet Wine 11. -Rollin' And Tumblin' 12. -Spoonful 13. -Sitting On Top Of The World 14. -Toad Disc 3 The Lost Session: Disraeli Gears Demos Ryemuse Studios, London, on March 15, 1967 01. -Blue Condition - studio rehearsal 02. -Blue Condition 03. -SWLABR - studio rehearsal 04. -SWLABR - studio rehearsal 05. -SWLABR - backing track 06. -SWLABR 07. -Hey Now Princess - studio rehearsal 08. -Hey Now Princess - breakdown 09. -Hey Now Princess 10. -Take It Back - studio rehearsal 11. -Take It Back - backing track 12. -Take It Back - studio rehearsal 13. -Take It Back 14. -Clearout - breakdown 15. -Clearout 16. -Weird Of Hermiston - studio rehearsal 17. -Weird Of Hermiston - backing track 18. -Weird Of Hermiston - studio rehearsal 19. -Weird Of Hermiston 20. -We're Going Wrong - studio rehearsal 21. -We're Going Wrong 22. -Clearout - backing track Disc 4 Detroit Grande Ballroom Detroit, Michigan October 15, 1967 1. -Tales of Brave Ulysses 2. -NSU 3. -Sitting On Top of the World 4. -Sweet Wine 5. -Rolling and Tumbling 6. -Spoonful Disc 5 Detroit Cont'd 1. -Steppin' Out 2. -Train time 3. -Toad 1968-11-04 Rhode Island Auditorium Providence, RI 4. -Spoonful 5. -Toad Disc 6 Montreal, Canada June 11, 1968 1. -Introduction 2. -Tales of Brave Ulysses 3. -Sunshine of Your Love 4. -Sittin' On Top of the World 5. -N.S.U. 6. -Train Time 7. -Steppin' Out 8. -Toad Disc 7 Brandeis University, Waltham, MA. Sept. 10, 1967 1. -Tales Of Brave Ulysses 2. -Sunshine Of Your Love 3. -N.S.U. 4. -Sitting On Top Of The World 5. -Stepping Out 6. -Traintime Disc 8 Brandeis cont'd 1. -Toad 2. -Spoonful 3. -Sweet Wine 4. -Tales Of Brave Ulysses 5. -Sunshine Of Your Love June 15, 1968 Oakdale Music Theatre, Wallingford, CT. 6. -White Room 7. -Politician 8. -I'm So Glad 9. -Sitting On Top Of The World Disc 9 Oakdale Music Theatre Cont'd 01. -Crossroads 02. -Sunshine of Your Love 03. -Train Time 04. -Spoonful 05. -Toad Disc 10 Fresh Cream Outtakes & Acetates (July - August 1966 Rayrik Studios, Chalk Farm, London, England + September - November 1966 Ryemuse Studios, Mayfair, London, England) 01. Cat’s Squirrel 02. Beauty Queen 03. Rollin’ And Tumblin’ 04. Coffee Song 05. Toad 06. Sweet Wine 07. I Feel Free 08. I Feel Free 09. I Feel Free 10. I Feel Free 11. Wrapping Paper 12. Wrapping Paper 13. You Make Me Feel 14. You Make Me Feel 15. Sleepy Time Time 16. Sweet Wine 17. I’m So Glad 18. Wrapping Paper 19. From Four Until Late 20. Cat’s Squirrel -
Pro Radio Broadcast 9.1 - Legendary WCBN live broadcast when the band were peaking and sounding so good. What happened? -
Soundboard 9.5 - Ass-kicking greatness! -
Aud 8.4 -
Audience 8.3 -
SDBRD 9.8 - Almost absolutely perfect, like you get both guitars in their own space so you can hear what each player is doing perfectly. This is how I prefer to listen to ACDC! -
FM Broadcast 8.8 - Once you get past the first song which has some channel dropouts, it’s all systems go full tilt boogie for reals. This is just flat out awesome! -
SDBRD pre-FM source 9.4 - Legendary for the pristine sound quality but let’s not forget that the late 70’s was ACDC at their best. This is one for the books. -
Aud 8.5 and PRO RADIO 9.6 - The Brisbane is a raucous, loud, crashing kind of show/recording that gives one a sense of sitting on the side of the stage and watching them. The BBC material is awesome! -
SDBRD 8.9 - I would have rated this higher but I am not thrilled with the way it is mixed – to my ears too dry and thin. It is perfectly clear, very bright and slamming though, but I need more “atmosphere” and this recording is a PURE board feed. I mean, it’s awesome don’t get me wrong. -
Audience 8.7 - This is a very bright and clear recording from close to the stage. Loads of electrifying atmosphere – you literally are planted right in between the tapers close to the stage and you really sense that. -
Audience 8.6 - A decent capture here, it sure sounds like a master source was used, there’s no tape noise at all and all the highs are perfectly intact. -
Audience 8.8 - A solid recording all the way through. Jamming! -
Audience 8.5 - Lively sound for the live portion, the demos are “studio” pro. -
Soundboard 8.4 - Somewhat compressed but everything is evenly mixed. -
Soundboard 8.4 - A bit compressed, some obvious nr was used in mastering but still not too bad with everything evenly mixed. -
Audience 7.5 - Vocals are very up front, overall it’s clear but music is not “full” sounds a little behind in the mix. Add mid band compression and this one would smoke. -
Audience 8.5 - 1st night ... What a treat! Really well recorded although not dynamically perfect. It is strong and very clear, and what a show it is! Get this! -
Disc 1 & 2 - Audience 8.6 Disc 3 - Audience 8.9 Great sound mix here and frequency range ... you can crank this one! -
Audience 8.1 - Small club sound, a little bit muffled but guitars, vocals and harmonica and even piano come through fine and all in all I think once your ears adjust you can enjoy this. A wild night of rock and roll for sure! -
Audience 9.1 - Excellent dynamics, bass is tight, a good warm and clear recording! -
Soundboard 9.3 - One of the absolute best of the early Aerosmith recordings. Brilliant! -
Soundboard 9.2 -
Hard blues rock band formed in 1975 in Houston, TX. Featured vocalist BB. Watson who left Houston to pursue a career in Nashville as a C&W singer. He had some fleeting success, eventually came back to Houston and worked with Michael Knust (Fever Tree) and Keith York (Albatross, Rare Breed) for a stint and also attempted to reunite the Rare Breed (those sessions contained on this CD). Rare Breed also featured the guitar of Robert Hampton before he joined Hooker. These are all the known recordings. -
FM Broadcast 8.8 - A fantastic early document! -
Pro Sound 9.2 -
FM Broadcast 9.3 - Crisp and airy, with hardly any complaints but if I were to do so, I would have toned down the guitars actually as I found sometimes they were actually too up front…some people would prefer that though. A great one no matter. -
Formed in Dallas, TX. in 1970, they were very active gigging and recording (several 7" singles) and built a good size following by the time of their pinnacle in 1976. Their lead guitarist, Randy Nunnally, had even attracted the attention of National act Ted Nugent and was asked to join Ted as his guitarist for a tour. Unfortunately, at that same time, Randy was diagnosed with ALS and went downhill pretty fast, passing away a few short years later. This CD contains music found on their 7" singles as well as a fantastic live radio broadcast. All of the original master tapes were lost in a fire, this is all the music that could be found. The CD is dedicated to the memory of the late, great Randy Nunnally. -
Incredible early collection featuring performances from 1973 taken from master tapes and never sounding better, and more complete. Simply the best Aerosmith early live collection ever produced. -
Hard rock group from Houston active during the mid 70's and were primarily known as a covers band, playing many of the well known clubs in town. They recorded a handful of original songs in 1975, and disbanded following some unfortunate incidents while on the road. A single 7" record was released, however, and gained enough traction that rhythm guitarist Jimmy Lee Dean decided to continue on and recruit new members (the era known as Jeremiah MK II). This version of the band recorded a full length LP which never saw the light of day as the manager absconded with the master reels soon after the sessions, and nobody heard from him since. Eventually, we rediscovered these masters and attempted to transfer them in the studio but the tapes had severely degraded, the material, such as it is, is also contained on this collection. A 40th Anniversary reunion concert occurred in 2014, and excerpts from that show are included on the 2nd disc. All known recordings of this band are included in this package. -
Incredible early collection featuring performances from 1974 taken from master tapes and never sounding better, and more complete. Simply the best Aerosmith early live collection ever produced. -
Incredible early collection featuring performances from 1975 taken from master tapes and never sounding better, and more complete. Simply the best Aerosmith early live collection ever produced. -
Dallas, TX. based hard rock/jazz fusion group heavily influenced by Jean Luc Ponty and Mahavishnu Orchestra. Enjoyed a brief but fruitful life span between the years 1975 and 1977, and having at least two significant line-up changes. Bassist Roy Vogt would later go on to find much success touring with legendary singer Englebert Humperdinck and teaching and recording many compositions in Nashville, most notably with guitarist extraordinaire Stan Lassiter. -
Incredible early collection featuring performances from 1976 taken from master tapes and never sounding better, and more complete. Simply the best Aerosmith early live collection ever produced. -
Houston heavy hard rock band that released an EP in 1978 that is highly collectible now. A band that drew influence from Judas Priest and UFO. -
Pro 9.0 - Both are excellent, bright, snappy recordings. Goes without saying if you don’t have this you should get it! -
CD 1 - Audience 9.6 CD 2 - Audience 8.8 CD 3 - Audience 8.9 Hot crisp and sweet recording. -
Audience 8.3 - Nothing overtly wrong here, but it is a tad on the hot side with a very tiny amount of break up in the highs where it is maybe pushing so hard, this could be tape limitation. It’s a good recording nonetheless. -
Audience 9.7 - Superb in every detail. -
Audience 8.0 - Crisp and loud mids/highs with a little lacking in bottom but very enjoyable nonetheless. The band sometimes sounds a little unsure, but the energy is great. -
Studio Quality 9.5 - Demo Sessions from "No Parole From Alcatrazz ".