Audience 9.6 - What makes this such an excellent recording imho is that the sound is not only really balanced, but mix-wise it is also superb. I mean, the punch of the bass, the crispness of the drums, the airiness of the keys, guitar right in the pocket…fuck what else do you want? It’s just excellence and your ears be the judge but mine are pretty spot on usually so…yeah, get this one. |
-
-
Audience 8.5 - A decent recording that stays pretty much in the middle of the spectrum in a mildly compressed fashion…so highs are not too high and lows are not boomy. That does take away some of the dynamics of the sound, but at least you get reasonably decent sonic clarity. 10cc Venue: Koseinenkin Hall, Tokyo, Japan Date: 4 Oct 1977 Disc 1 1 -The Second Sitting For The Last supper 2 -You've Got a Cold 3 -Honeymoon With B Troop 4 -Wall Street Shuffle 5 -People In Love 6 -Band intro 7 -Art For Art's Sake 8 -Ships Don't Disappear In The Night (Do They) 9 -I'm Mandy Fly Me 10 -Marriage Bureau Rendezvous 11 -Good Morning Judge Disc 2 1 -Feel The Benefit 2 -Waterfall 3 -The Things We Do For Love 4 -I'm Not In Love 5 -Modern Man Blues Eric Stewart - Vocals, Guitar, Grand Piano & Keyboard Graham Gouldman - Vocals, Guitar & Bass Guitar Rick Fenn - Backing Vocals, Guitar & Bass Guitar Tony O'Malley - Backing Vocals (lead on AFAS), Piano & Keyboard Stuart Tosh - Backing vocals, Drums & Percussion Paul Burgess - Drums & Percussion -
Soundboard 9.3 - A great recording of a great hair metal band (I mean, they could play!) in their prime. I used to brush it off when I was a young man, but now I appreciate great musicians not matter how they dress or act. Good is good. -
Audience 8.6 - A recording that is very clear and bright but lacks low end…but do not take that as saying this recording is too thin. It’s got just enough in the middle and bottom to allow you to attenuate the recording to your liking and in that regard you will find yourself going with this one often. It’s not a one and done show at all. GREAT find and appreciated a little bit more being that it’s a Grace Under Pressure tour gig which for some reason there’s not a plethora of excellent recordings from this tour. -
Audience 8.4 - A recent discovery, and man what a good one. A very strong recording for the time, minimal errors although maybe a touch hot on the upper end of the bandwidth but not enough to harm. The sound is pretty direct and forceful, if even a touch of rawness that harkens back to his really early days with Taste. -
Audience 8.2 - A recent re-mastering has helped this old tape IMMENSELY. I mean, it took it from a 7.3 to an 8.2 which is significant. For that reason alone, people who have had this one should now upgrade. -
Audience 8.8 - Spacious and lush, a full spectral sound range to wrap your ears around. This is what I would call a fully immersive live recording and it’s all thanks to a fan with great gear and a passion for preservation. Great stuff! -
Audience 8.0 - One of those “back to the clubs” gigs where you assume, because Zep were so loud, that any recording of them in a small club would sound like crap. This one is not crap, you can clearly enjoy each member as the separation of instruments is actually very good, in fact the bass notes are distinct here. The mix is good, the sound is decent, the performance is very good. I see no reason why not to have this. -
Audience 8.8 - A recording that features a pretty wide dynamic range giving you a real feel for the event as it happened.
-
Discs 1 & 2 Soundboard 9.3 - Sounds to be professionally recorded possibly for a radio broadcast, but aside from very minor tape noise (I am nitpicking here), this tape is brilliant and has survived the passing of time in grand shape. Disc 3 Soundboard 9.6 - Superb, in almost every way!