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Audience 8.6 - A very clear, surprisingly so, open air recording made with what sounds like really decent gear. Every now and then the volume fluctuates but it sounds to me like they are fiddling with the levels, it usually gets back up to proper levels after a second or two and it’s not on every song.
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CD 1 - FM Radio Broadcast 8.8 - A bit of tape hiss is present but this is a great great show! Lovely performance and decent sound. CD 2 - Audience 7.9 - A tape that went from a dismal 7.2 rating to a very decent 7.9 thanks to some painstaking mastering and restoration work. It was unbelievably hissy but that was mostly removed without sacrificing anything. Comparison was made and the results speak for themselves.
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Audience 9.0 and Audience 8.6 - The Fillmore West show is a revelation. This has been floating around mislabeled as Winterland 69, and in horrible quality. This is the actual venue, and comes from the original master and sounds incredible! The Boston show is also real nice sounding, with an immediate sound, with some minor tape artifacts present. A great two-fer here, vintage ’69. Free never sounded so good!
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Foghat 7.4 ~ Robin Trower 7.5 ... Interesting concept, including the opening act and headliner in a 2 disc set - but it makes sense to me and it works spectacularly here. The quality is decent, I rate conservatively, you can really sink your ears (and teeth) into both sets but I give the slight edge to Trower's set as he was headlining and therefore probably got better service from sound guy.
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Audience 8.8 - A very atmospheric recording that gives you an amazing sense of space and proximity to the action. The music has room to move around, so it’s a natural sounding recording and the listening experience benefits greatly. Sometimes at full volume when the band is really cooking, the music gets a little bunched up but the tapers were good with levels so it does not offend and I appreciate that. This is a real gem!
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Pro Video Source 8.5 - These sound like they were taken from video tape sources and have the telltale compression characteristics. These are actually several different broadcasts during the year 1976, with the final four tracks coming from UC Santa Barbara, which is also the best sounding of the batch.