Dunstable 1976 Soundboard 9.5 - Every Hawkwind collector surely must have this already in their collection, it’s just too damn good. So few recordings of such an eclectic band, so yeah, this has to be considered a MUST HAVE, and it’s equally cool to find it paired here with another soundboard tape.

Croyden 1977 Soundboard 9.2 -A respectable board tape, the mix does heavily favor guitar, keys are present more during passages where they are supposed to be in the lead. Vocals are out front, also where they need to be. So, it’s a workable mix, not perfect but definitely good for the casual and hard-core fan.

Hawkwind UK 1976-1977 Disc 1 Dunstable, UK. 09-30-1976 1. Paradox 2. Chronoglide Skyway 3. Hassan I Sabbah 4. Brainstorm 5. Wind Of Change 6. Steppenwolf 7. Uncle Sam's On Mars 8. Time For Sale 9. Magnu 10. Welcome To The Future Disc 2 Fairfield Hall Croyden, UK. 09-25-1977 1. Brainstorm 2. High Rise 3. Robot 4. Wind Of Change 5. Jack Of Shadows

Stereo Soundboard 9.6 - A fantastic and interesting tape, the live mix sometimes pans in stereo giving it a unique flavor. The drums and keyboards are placed superbly in the mix, vocals very strong, but it does lack some low end, not that it is thin or too bright, that is not the problem here at all it’s just that I think the bass may have been so loud through the P.A. that it didn’t need to pass through the board feed so you do hear it but it’s not super deep. Still, a great one for the collection and certainly if you like hard psychedelic rock but the kicker here is the appearance on 4 tracks by John Cipollina.

Man Keystone Berkeley, CA August 9, 1976 Disc 1 01. -Let The Good Times Roll 02. -7171-551 03. -A Hard Way To Die 04. -The Welsh Connection 05. -Something Is Happening 06. -The Ride And The View 07. -You Are Out Of Your Head 08. -Born With A Future Disc 2 09. -C'Mon 10. -Many Are Called But Few Get Up 11. -Babe, I'm Gonna Leave You* 12. -A Hard Way To Live* 13. -Romain* 14. -Bananas* * with John Cipollina

Audience 8.9 - Great atmosphere and really what I would call an "in-the-pocket" live mix. Frank really shines as the band introduce new songs to an audience they hope responds well because these versions are played with some serious intention. Frank's solos are spot on, he's not missing notes or going way off on meaningless tangents and that makes for some spellbinding moments. A very worthwhile listen...a keeper!

Frank Zappa Broome County Arena Binghamton, NY. 1-May 1974 Disc 1 01 Band Intros 02 Cosmik Debris 03 Pygmy Twylyte 04 Idiot Bastard Son 05 Cheepnis 06 Penguin In Bondage 07 RDNZL 08 Montana 09 Dupree's Paradise Disc 2 10 It Can't Happen Here 11 Hungry Freaks Daddy 12 You're Probably Wondering Why I'm Here 13 How Could I Be Such A Fool? 14 I Ain't Got No Heart 15 I'm Not Satisfied 16 Wowie Zowie 17 Let's Make The Water Turn Black 18 Harry You're A Beast 19 Orange County Lumber Truck 20 Oh No 21 Son Of Orange County 22 More Trouble Every Day 23 Camarillo Brillo

Audience 8.7 - It's not the clearest, deepest of recordings but it is not boomy, muddy, irritating, or ruined by shouting morons either. It gets the job done, and what's more it's one of those shows where another guitar legend just happens to be there and just happens to get on stage and jam at the end...this guitar legend is none other than Jeff Beck so there is that.

Audience 9.2 - After the first two songs things really smooth out and it's just a wonderful sounding tape that delivers the essential elements - dynamics, clarity, and atmosphere. Well done!

Audience 9.4 - I really found this to be a real gem. First, I think it starts with a respectful but enthusiastic Japananese audience and then because of the immaculate source tape. The recording, while maybe light on bottom end just a touch, is crisp and clean and features a flawless midrange. Drums have an extremely "live" feel, you almost just kind of look off to your left and right to make sure a drummer isn't there in your living room!

Audience 9.0 - A big sound here, and I mean it can be asbig as you want because there's just enough headroom here to add volume without fear of too much of any one thing to take away from other frequencies. It's an even sounding mix, with maybe just a little more emphasis on the massive bass/guitar attack. But even then, you still get all the vocals and drums you need...its a well rounded recording giving you sense of venue as one more benefit that comes with audience recordings.