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Audience 8.3 - This is as good as I have ever heard this show sound. Possibly from a very low generation tape source or master because there is no hiss, and it is pretty clear although not super dynamic. The band was in top form during this European series of concerts. -
Audience 8.5 - If you call yourself a fan of The Who and you do not have this yet, just put down the sandwich and get this one right now. Holy guacamole Batman this friggin’ RULES! Is it perfect? Nope. Is it crystal clear? No, but it is RIGHT smack dab in your face with LOADS of electric atmosphere. Even the excited shrieks of the girls will give your spine a little tingle. This is what collecting live music is all about. Soundboard purists will be missing something amazing if they never give this rough, not so perfect audience recording a listen. This is The Who raw, live, intense, and exciting and it simply will fry your brain! -
Audience 8.8 - This is a significant recording mainly from a historical sense, but for all the wrong reasons too. Yes it is the infamous gig where 11 people died outside the venue waiting to get in. The band were not informed until after the show, so they play their set oblivious, and it is a fine set. It’s eerie now to hear this knowing what transpired earlier, thankfully it is actually a very fine recording. This is one of those things I have to encourage everyone to check out for all the RIGHT reasons though…but yeah there’s that. -
Audience 8.9 - A fine recording that seems to originate from John’s side of the stage because guitar, while there, is kind of behind the action which allows you to pay attention to the bass work, and really will surprise you just how much of a second guitar that bass was at times. I also like the slight change of "Can’t Explain" they do here – this is a great show. This is also a very good recording so get it! -
Audience 7.3 - A rough document that reminds me a little bit of the Boston 1969 tape. There’s a lot of inherent noise within the bandwidth of the poor old analog tape trying to capture the sheer power of the Who in 1969, but you know it does manage to get enough that you can adjust and start to get into it. It’s raucous, yup, but so was the band! -
Frankfurt 1972 - Audience 7.1 - Vocals buried but this is so cool, such an early show – guitar is smokin’ hot! Berlin 1973 - Audience 8.4 -
Soundboard 9.0 and Audience 8.6 -
Soundboard 8.4 -
Soundboard 9.0 - Fierce! -
Soundboard 9.3 -
Audience 8.6 - The tape starts off kind of funky, and the band, or I should say, Phil Lynott, is having difficulty with the sound of his bass. Things get progressively better, until what you have is a pretty darn good show and recording. -
Soundboard 9.8 - What makes this so great is not only the excellent live mix but also the performance itself. So few Thin Lizzy recordings out there to begin with, so when we get one this good, you know, it’s something to treasure. -
Audience 7.7 - A tape that barely holds itself together due to the volume, must have been taped very close to the main PA’s. It actually is not distorted though, but it’s a balls out blaster of a tape and kind of cool in that respect. Vocals come through nicely – guitars and bass are pretty front and center here. -
Audience 6.9 - Well, here's the rub: Great band, great time (1971), great place (Bern, Switzerland), but not great recording. I mean, what you really need anyway is the guitar here, and at least you get some of that! The problem is mainly a lo-fi experience but to be fair to this capture you do hear it all on stage. I am too harsh really, I think if you just give it a chance it gets better to your ears. I mean, it's TOAD man! How many live recordings are there? Two? Whatever it is this is still essential. -
Audience 7.2 - Kind of flat but surprisingly clear (Portchester auds tend to be notoriously distorted). -
Soundboard 9.8