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Audience 7.7 - This show does not overwhelm the listener in any dynamic range but what it does is capture in relatively good quality all the way through with no surprises. It’s very good, but does not call to your attention that much. Still if you are collecting them all, this one will be a great addition!
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Audience 8.6 - With the exception of a little bit of mid range distortion (probably due to taper being right in front of the PA on Jimmy’s side of the stage), this recording can best be summed up as “explosive” - this is an over the top electric and completely wild unhinged show by a lean and hungry band. Essential!
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Audience 7.3 - Starting off rough, this EXPLOSIVE concert gets clearer until it is mildly satisfactory but that isn’t the real story here – the band is only on their 2nd show of the new year and they are roaring like hungry lions. Earthshaking intensity, which the poor taper struggles to capture properly. Should be in your collection for posterity. Remastered and upgraded!
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Audience 7.5 - Kind of middle of the road as far as dynamics in the recording, but the big plus is that every instrument is heard, with nothing rising above or falling underneath the mid-range ceiling. Pushing volume up really high will bring some of the inherent sonic limitation into the picture, which is lurking about but not intruding until you push it. What you can really get into here is the absolutely packed set list, and a more extended Good Times Bad Times than was typical at the time. Really, this is something even the average Zep fan might find interesting.
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Stockholm 1968 - Audience 8.7 / London 1968 - Audience 8.2 Both fantastic considering the time period, and the significance cannot be understated. That being said, the London material suffers from some artifacts present either in the master or in the transfer to digital. My guess is that it probably originated from an acetate or from an AM Radio Broadcast taped onto a cheap cassette deck but it is still decent enough to get into.