-
Audience 8.8 - A historic concert showcasing the full orchestra, this was to be the final evening for them as it was all dismantled due to financial disaster. The recording is quite good though, vocals have marvelous presence, and the music comes through pretty well with some cluttering (we are talking about dozens of instruments here) in the center, but you will appreciate this in many ways. A real find for the collector,...pretty much indispensable.
-
Sale!Audience 9.0 - Ok, so here’s the deal with this one – skip past the first song because it’s toast, the levels were not set and the distortion is off the charts. After that the taper readjusts levels and off we go to a really nice, atmospheric and clear recording of a powerful show.
-
Sale!Audience 8.7 - This recording makes the band sound like they are in a smaller venue, when I know they aren’t.
-
Audience 8.8 - A great, atmospheric and electrically charged show! Not a lot of heaviness to the bottom, but there is a roundness there, a pleasant to the ears mid rangy kind of sound with a lot of articulation on the high end (not shrill!) which causes the slide work from Duane to fill the hall and make for tons of electricity. Collectors will love this one. Now, one small thing to report, there is sometimes some minor static on the tape (barely noticeable) but it’s no bother. Get this!
-
Sale!Audience 8.1 - I was expecting the worst when I became aware of this recently surfaced show, but to my surprise it isn’t all that bad. It’s lacking some depth and low end but it is clear, and close, and shows some detail. It’s a fine recording, and if you have a subwoofer, well there ya go.
-
Sale!Soundboard 9.7 - Perfection in every way, and let me tell you, you will be completely engrossed in this concert and in the songs themselves. RIP Eddie Money.
-
Sale!Soundboard 9.8 - Another example of why collectors consider these two shows (this and the previous night) as Zeppelin at the absolute top of their game. Thankfully captured from the board in mind numbingly good quality both sonically and mix-wise.
-
Soundboard 9.4 - What a great year for Santana, really it all came together 71-72 and they were smart to record a number of shows in preparation for the live album release that became known as "Lotus" (the Japan 1972 show which is great). Any one of these other ’72 shows could have been the album as they are all stellar.
-
Sale!Audience 8.9 - Just the right amount of sonic clarity and separation of instruments with “live atmosphere” to make for a realistic listening experience. Sounds much like what you could have expected having been there. This was also the last show of the tour. Excellent!
-
Audience 9.4 - This is just one of those very lucky evenings where all the elements came together for a great result – good taper location, excellent house sound, excellent music performed. Each instrument is articulate and exists within its own frequency so there’s no overcrowding, it’s a joy to listen to!
-
Sale!Soundboard 9.7 - From the very beginning you know you are in for quite a thrill ride with this one. As good as it gets, highly recommended!
-
Audience 8.5 - There are some shows where the ratings numbers cannot tell the story. This is certainly the best example of that. I overlooked this show in the past, I did not, could not, get past the “wall of sound” factor. Now, thanks to modern mastering techniques, this recording has morphed into a real gem. Is it better? Yes! Is it perfect? No. But, perhaps while some would still find it too much to handle, other will find it to be a ton of fun. The tapers were real close to the mains, but managed to keep levels just low enough to prevent the dreaded distortion, but in so doing got a tape without dynamics, or at least one dynamic which is SUPER loud intense power – which if you are a hard core Rush fan, will REALLY tickle your fancy when you pop this on the stereo. It’s almost like a heavy metal concert! Unbridled fury, simply an intense concert and intense recording, let yourself get into it, and your ears will adjust and you will find that the audio frequency range here is comfortable to the ears even though it’s off the charts in massiveness.
-
Heyoka - The Spirit of Revelation 2-LP. Gatefold cover colored vinyl limited edition double album filled with incredible late 70s progressive hard rock from this unheralded Texas group. Mention the name Heyoka to any self respecting rock music aficionado in the state of Texas and chances are they remember this legendary 70s hard rock band. Without a doubt this band was one of the greatest unsigned bands ever to originate from Texas. Opening for every major touring act that passed through San Antonio, including Rush’s first tour of America, this band even had a song featured on MTV in the early 80’s, before it got unceremoniously banned. They featured two guitarists, a singer that played flute, keyboards, and a crack rhythm section. The music is reminiscent of Jethro Tull and Kansas, but retaining a unique quality all its own that will take the listener on a musical journey evoking Native American imagery under the mystical guide of Black Elk. All tracks recorded between the years 1977 and 1986, almost all previously unissued. For those into classic era Rush, Kansas, Jethro Tull, Thin Lizzy and the like. An absolute must-have release! This double album collection features bonus tracks not found on the CD version! Also comes with a 12 x 24 color poster! (m/m/m) THIS RECORD IS NOW OFFICIALLY OUT OF PRINT! This copy (on the website) is the last. TRACKS: Side A: 1. Thunderdreamer 2. Wooden Birds 3. The Quest 4. And The Pessimist Fled Side B: 1. Metamorphosis 2. The Monotony of Change 3. Change My Ways 4.Danger Stranger* Side C. 1. The Trilogy: I Passage II Restrictions III Revelations Side D. 1. Taking Notes/Feel It* 2. It’s All Gonna Be Alright 3. Video Madness 4.Disco Sux * bonus tracks only on vinyl version
-
Audience 8.5 - This band, while known as a blues band, played at rock and roll volume. That is why most of their 70’s recordings are either muddy or distorted. This one is creeping up to the very edge of distortion but it does not cross over – it does max out the headroom of the tape though. Look at the rating, it’s a very, very good recording considering the scarcity…and the amazing set list! Come on, if you are a fan, dive into this one!
-
Audience 7.4 - Pretty average recording of a rare gig not seldom traded. The good news for collectors is that it has been remastered to reveal more in the tape (more music that is). It’s just really loud, and it distorts, you have to appreciate that it was recorded at all, now that we know just how scarce these early 80’s recordings are. On the plus side, there are moments where it is much clearer - like the guitar solo and mellower parts. I would recommend this to the collector who focuses on classic DLR era Halen, to have the best version wrapped up in eye-popping packaging. This show is complete, every second captured for posterity.
-
CD 1-2 - Audience 8.7 - Most Who collectors may already be familiar with this set, sounds like a good tape source is used and it is complete (hence the title) . But wait a minute – we have the second show now too – how is it? CD 3-4 - Audience 8.2 - Somebody tried heroically to remaster this and I have to say, knowing what it used to sound like, they did a great job. Still some noise artifacts present, but man they did bring out a LOT from this unappreciated recording. Kudos to the sound guy! Worth having this set now.
-
Audience 8.7 - So it’s kind of in the middle of the venue and so you sacrifice a little clarity in the low mid but man, somebody did know what they were doing here. It’s very clear in the upper end, there’s no real boominess or echo either. It’s the best middle of the floor aud tape I think I have ever heard, and the best part is the band is really cooking. I think you will be happy with this.
-
Audience 9.1 - Coming from the original master tape, this show circulated online claiming 1st generation source and let me tell you, just toss that one out because ladies and gentlemen prepare to ENTER THE PALLADIUM and be blown away! After adjusting position during first song, the rest of the show (with just one or two minor dropouts) really soars to great heights both sonically and performance-wise. A crisp, airy but tight sound very close up front and no distortion, tape noise, or artifacts. Simply put, if you are a Rush fan, you need this.
-
Audience 7.8 - Everyone knows of this one, it’s one of the MUST HAVE’S for Rush fans but that doesn’t mean it is perfect audio – there’s a bit of distortion (not too much) and some phasing here and there, and other little flaws but man oh man, just do yourself a favor and get it because it is one of the painfully few times the band performed The Necromancer and here it is in reasonably good quality and it does KILL in every sense of the word. Again, a MUST have!