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Both Shows: Early Show - Audience 7.2 - The lesser of the two shows, but the performance is strong, you’ll know they mean business after the first 30 seconds of Immigrant Song! Late Show - Audience 7.7 - Several notches cleaner and stronger than the early show, but both are worth your time. -
Both Nights Vastly improved because you now get as complete a show as possible with the two source merge using the audience and the soundboard sources. The second show is pretty decent audience, around 7.8 really but it’s very interesting to get the back to back performances to hear the differences. -
Both shows are really good, around 8.5 with the second version coming in a touch higher to me. Some annoying clapping along at times but that is the Japanese audience for ya. Most of the time they are VERY well behaved. -
CD 1 and 2: Madrid - Aud 7.8 - Focus on the guitars here, so less than stellar but good for listening to the amazing guitar interplay which is superb during this show CD 3 and 4: Niagara Falls - Aud 8.4 - A remastered version of a pretty good gig, sound is very bright and lively, and that helps convey the manic energy of the band and audience, who respond overwhelmingly. Both shows offer benefits to the Priest fans. -
All Studio Quality 9.7 -
Pro Studio 9.8 -
Audience 9.3 - Good dynamic capture of one of the better performances. A must have! -
2 Shows from Edinburgh: First show - Audience 8.0 (Clear, but a little thin) & Second show - Audience 7.8 -
CD 1 - Boston 1974 = Audience 8.7 ~ CD 2 - Seattle 1975 = Audience 8.8 ~ CD 3 - Nashville 1976 = Audience 7.5 ~ CD 4 - Cleveland 1984 = Soundboard 9.4 ..... One heck of a collection here! -
Soundboard 9.6 -
Soundboard - All shows ranging from 8.7 to 9.3 in sound quality. All shows have been Remastered! -
All Pro Soundboard 9.6 - Stunning quality! -
CD 1 & 2 - Audience 8.9 - Very strong presence, taper had great seats and knew how to operate his levels, so, have fun because the band never sounded better! CD 3 & 4 - This show received a nice remastering which helped bring the middle up and cut out a lot of the tape hiss so what you get now is a smoother sound, and good punch in the mids while offering great solid kick drum, vocals, and guitar with keys being placed perfectly in accompaniment. Just get past the first song where taper finds his position and you are good to go. -
Audience 9.3 - You could not ask for a better break than having this marathon ass kicking show recorded so well. -
Waltham 1967 - Audience 7.4 Boston 1968 - Audience 7.9 -
4 Shows - Soundboard 9.8 - Never heard these sound better. Wow!