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Audience 8.4 - Let’s face it, ever since the movie came out, recordings like these take on new significance. I just find it fascinating to hear, knowing the back story a little more. This is a very decent recording with primary focus on vocals and drums, with guitar and bass a little behind them but present enough to be able to enjoy this. You can turn the volume up, levels are good - the taper was careful! -
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Audience 8.9 - A really cool recording in that keys, drums and bass sound right next to you but guitar swirls above them, and over your head, and around your ears… VERY nice atmosphere and picked up extremely well by the taper. -
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Audience 8.5 - This tape sounds very low generation if not direct from a master, very articulate high end but missing a good solid low end – that does not kill it though. It’s got a good amount of hall atmosphere without actual reverb effect which is fine. Listening to this, I realize that the Turbo tour was really damn good, a lot of good songs and great playing.
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FM Broadcast 9.4 - Excellent atmosphere (better than a pure, dry soundboard) and the band, what can I say, just great as always. -
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Soundboard 8.8 - This recording, while being very clear and obviously recorded for a broadcast, is somewhat dated sounding…in a really good way. It sounds like a relic lost in time, but the band is good and tight. It’s the beginning of the 80’s, and their sound would soon get more FM friendly, here it’s still got that “proto metal” edge to it. -
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Soundboard 9.3 - Takes a minute to get a mix, but then it’s off to the races. Interesting to hear this very early period of the band. Very much a good o’l fashioned American hard rock band. -
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Audience 9.4 - Soundboard that manages to include enough audience to make me think this was a total pro recording meant for something else besides being shelved. -
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Audience 8.8 - A surprising tape! Never knew of this one, it’s quite good and clear! -
Soundboard 9.4 - A good stereo board of a criminally underrated band. You will hear plenty of Celtic themed rock material, but also a band with a wide palette of ideas. Great stuff! -
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Audience 8.8 - A solid and punchy recording that delivers bass and vocals in super detail. Drums come through real nice too, guitars and keys, while not as up front in this mix are still present in a stereo pan where they sit nicely because it gives the recording a balance. It’s easy on the ears and maybe more accurately replicates what you would have been hearing had you been sitting in the tapers seats. -
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Audience 7.7 - Most of the unauthorized recordings of Uriah Heep with John Lawton as lead vocalist are only of fair audio quality. John's vocals are clear through most of the recording. The recording is a bit cut-up in places but the big upside is an unusual setlist featuring some tunes from Heep's Firefly album. Also John's bluesy vocals shine throughout. -
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Audience 8.4 - Decent, maybe a little bit thin (needs more low end) but all highs are really there, so a bit of compression is not going to hurt this if someone wants to re-master it. A good one for the collection nonetheless. -
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All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen. DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Your purchase includes a print out of the track listing for the complete set. -
Audience 8.7 - A surprisingly good recording, honestly when I first came upon this title I thought to myself it must be crap sound ‘cause I’d never heard of it before. Not so! It’s pretty good. -
Soundboard 9.0 - Aside from a weird high frequency buzz that lasts for a few minutes at the beginning, and one or two minor tape faults this is a crisp, airy recording that EVERYONE is going to LOVE! Good bite on the guitar which seems to have a lot more “space” in the recording, yet maintains definition when it isn't too buried. Keyboards are really pronounced which helps this tape. Several cuts exist here and there, but it’s still a very interesting tape! -
Soundboard 9.5 - Excellent in just about every way, including the performance itself. Great stuff!