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Audience 8.9 - Terrific! A real sonic treat not to be missed. -
Aud 7.6 - Exciting brutal live sound with bristling, tangible electricity that will send hairs on your neck to shivering. Not pro, not perfect, but has that manic excitement and energy that makes the gig. -
Soundboard 9.6 - Crisp and airy, a real sonic delight. -
Soundboard 8.9 - Great recording that is guitar centric with vocals a little behind the action. The June 15th fragment is a funky SDBRD feed with guitar panned hard right and vocals hard left. It’s also a bit harsh or I should say “biting” but it’s still a joy to hear. Jeff sounds incredible! -
Soundboard 8.9 - Interesting set list here, some material that may be considered “deep cuts” played. -
Audience 8.5 - Certainly has to be considered as one of the clearest of the ’68 aud recordings out there. The other great thing about this one is the performance is very good, Jeff is on point throughout the gig. -
Volume 1: Audience 8.4 - Very clear, especially Jeff, with Rod pushed to the background. Tends toward “shrill” with the cymbals but because it is a “hot” show with decent clarity we overlook some of the minor gripes. -
Volume 2: Audience 8.2 - Sounds like taper attended the first two nights and had different seats each time because this one, while pretty strong, shows a rather overloaded bass signal that does not distort the tape as much as it crowds the sound field in the middle. This places guitar secondary in the mix, and vocals third. Drums sound good. The overall mix is what I would call decent for 1969 audience but not as clear as the first night. -
Aud 8.4 - A very good, clear tape for the time (includes Corn Exchange and Saville Theater 67 both excellent). Only problem is, the taper recorded less than 1 minute on almost every song except for a Red House. Kind of infuriating. (Red House is complete and smokes! It seems this was recorded by someone who interviewed Hendrix, so he probably just wanted small pieces to embellish his interview tape to be broadcast at his college station or something). -
Aud 7.3 - Most of the 1970 audience tapes are horrible, barely audible sludge fests, this one is not. You actually can hear Jimi! His guitar, singing, and the band rise enough above the noise to actually provide a decent listening experience. Not great, but not the typical hot mess either. -
Volume 3: Audience 7.6 - Bass is pumping at the expense of everything else unless the music pauses now and then which makes guitar front and center for a moment. It’s somewhat muddy, but you do hear everything happening, and the ears do adjust. It’s the worst of the three night stand. Good, at times, and worth having nonetheless. -
Aud 7.0 - Distant and muddy, but Jimi’s guitar thankfully cuts through the murkiness. If you are collecting, than you know good quality 1970 shows are in limited supply, but at least this one sort of features the guitar more or less. -
Aud 7.4 - Thankfully this is not too much of a muddy mess, I give an average rating not because it is that bad, mainly because it is kind of distant but someone mastered it and kicked up the levels so it sounds closer. -
Radio Broadcast 8.3 - A professional recording that could be better with some final mastering. Right now it sounds like it needs some multi-band compression but it is technically a good sounding tape. -
Studio Quality Sound 9.2 -
Radio Broadcasts 8.7 - Contrary to what the title states, there is no Utica show, it was broadcast out of Utica but recorded elsewhere, two shows, two different dates – and the title should more technically be “Utica 1969/70” since the recordings date from those two years. -
Aud 6.9 - A smoking hot show marred by sub par recording quality. That being said, collectors will want this due to the scarcity of live recordings during this part of the 1968 Tour (notwithstanding the excellent Ottawa show now legitimately released). -
Studio Quality 9.2 -
Aud 7.2 - Thin, like a small transistor cassette deck recording but surprisingly the narrow bandwidth allows Jimi’s guitar to penetrate and come to the center, so you are treated to a Jimi fest on this tape. Lo Fi, yes, but it’s the Jimi show with a cutting guitar sound with that tell tale stadium echo that gives it a nostalgic vibe. I kind of like this tape. Really interesting capture! -
Aud 8.2 - At times this really shines, at times a little crowded too, but really a wonderful piece of history. One of the better audience tapes of the time period for sure. -
Aud 7.1 - Cacaphony, yes – but wait a minute! There’s something more here, and it kicks ass. Jimi is SHREDDING this gig and the tape gets all JIMI all the time. This is the Jimi show folks, the tape delivers on that end and is rewarding for the listener in the end. -
Aud 6.8 - Muffled, and a short tape clocking in at under 30 minutes. But, you know what? I still think you should have this if you are a collector, the tape itself is presented as it was recorded and for a historical document it is interesting. -
Aud 6.9 - Distant, with only Jimi’s singing and a booming bass audible, except for when Jimi is soloing and then you hear his leads bouncing almost like quadraphonic around the venue. Now, that does add some cool atmospherics, but this tape is for the hard core. Lastly, I can say at least this – Red House sounds much better, and I am sure if someone remastered this tape it would bring out a lot more good stuff so it is salvageable IMHO. -
Aud 8.8 - Utterly fantastic! Early experience, very good sound, total grooviness abounds. -
Radio Broadcast 8.8 - Aww yeah! -
Aud 8.7 - with reel to reel, Jimi recorded numerous private jam sessions throughout his short career. This is one, and it’s decent but there’s a bit of hiss present. -
Aud 6.9 - Not very good, but I think someone has mastered this nonetheless because a lot of the mid band muck is gone, and you can hear Jimi sing! You get his guitar next in this mix, and at times the sun peaks from behind the clouds. I think, if you are a collector, this is of historical importance due to Jimi’s connection with the Southern blues. -
Aud 9.0 - One of THE BEST audience tapes yet to be officially released by Dagger. You just have to have this if you collect Jimi. -
Aud 8.3 - Sometimes a touch subdued, but overall quite a thrill ride. A very clear tape with some great low end to it. Jimi seems just a little buried vocal wise but you will not care because the guitar is extremely satisfying since it rings out clear during solos. A great tape in many ways really. -
Soundboard 9.0 -
Aud 7.3 – 7.5 - This recording ranges due to the fact that it is a 3 source merge. When it is at a 7.5 or even higher, it is pretty good stuff, like Red House for instance really shines. The weaker parts of the show just lack some definition and clarity but you can hear everything on stage, with some atmosphere too. Overall it is a special show, you get that sense from the bands performance. -
SDBRD 9.0 and Aud 7.8 - What you have here are two big upgrades. The first is a well travelled sdbrd that had problems that were never addressed, but should have been. Mainly, hiss and uneven volume. Those have been fixed here, and the results are spectacular! The second show was not terrible but got little respect mainly because of terrible tape noise. Thanks to modern technology, that has been fixed. Now, this tape is MUCH easier to listen to, even though it still gets cluttered during very loud passages. -
Aud 8.3 - A loud tape, but surprisingly clear and enjoyable. Comes from a very low gen or master source, very crisp in every frequency, as if optimized for a commercial release – must be a remaster because I do not remember this being so good. -
Aud 7.2-7.5 - A fluctuating rating because I can hear the potential for this tape as it depends on what he is playing where it is average and where it is pretty decent. Tape noise is a factor, and that can be removed (modern technology). Otherwise, Jimi is present, especially his singing. -
Studio quality with some tape hiss 8.7 -
Aud 7.4 - Lo-Fi sound to be sure but the upside is that it’s not a sludge wall of sound mess here. Guitar is reasonably clear and louder than everything else by far as it sort of cuts right through this tapes’ audio spectrum. Drums peak through the haze next followed by distinguishable bass notes, and Jimi is remarkably clear as far as hearing every word he sings. Let your ears adjust to the narrow bandwidth and you are going to enjoy this show a lot more. It has many good qualities to offset a lack of sonics. Less loud songs shine through the clouds. -
Aud 7.5 - A very decent and clear recording from perhaps a little further back in the hall than one would prefer, but guitar is prominent, then drums and bass with Jimi vocals a little bit behind the noise. Also, I am glad the sound has a little separation, enough to discern everything that is going on, so big plus there! -
Aud 7.1 - Here’s an interesting situation, a marginal recording that is clear and audible. How can that be? It’s a transistor cassette deck recording, but the capture is centered, and the band is actually clear, just lo-fi. A recent remastering really brought out some of the music and to my ears lifted this tape out of “curiosity only” and into actual collectable status. -
Pro Studio Quality 9.3 features Stephen Stills and other luminaries of the time. A nice artifact! -
Pro Studio 9.7 -
Pro Studio 9.4 -
Pro Studio 9.5 -
Soundboard 8.6 - A little noisy and compressed but still hot and a great show. -
Aud 8.3 - Now Hendrix collectors all know that good quality 68 tour recordings are in short supply, so when they pop up, well it’s a no-brainer…so we have two no-brainers here for you. Both are very decent, and the Vancouver in particular is very cool in both sound and performance. -
Audience 8.7 - An immersive experience. Great presence, you can place yourself in the seat at the arena practically. No distortion, just clean energy and sound. -
Audience 8.0 - Very loud up front tape which gets a little crowded during intense jams but is actually my kind of audience recording. It seems to be more exciting and electrified when it is so close to the stage as long as it doesn’t distort I love it. -
Audience 8.7 - Comfortable on the ears, with a true stereo mix making this a choice headphone experience. -
Soundboard 8.8