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Soundboard 9.0 -
Audience 8.8 - Feb 13, 1988 -
Soundboard 9.7 - Sound quality is top notch. Also features 3 bonus tracks taken from a 1976 official unreleased album entitled "Impossible Album". -
Soundboard 9.0 -
Audience 8.9 -
Soundboard 9.5 - A great addition to anyone's collection. It features Steve Vai on guitar, who was part of Franks "Rockin' Teenage Combo" from approx 1980 - 82. -
Audience 8.7 - 9.2 - Compilation of 5 shows, all from 1988 (see back cover) -
Audience 9.3 - This is the second night at the Auditorium in Chicago (3-4-88). -
Audience 8.4 - I’ve heard many tapes from this venue and none of them sounded good, except for this one. It has a very good spectrum, the highs are very intact and it has a solid mid range, is not annoying at all, in fact this recording is satisfying! I think the weakness is maybe it gets a little brittle sometimes but not in any kind of distracting way really. -
Soundboard 9.5 - Super clean sound, this could very easily be officially released and would be awesome if it were. A MUST! -
Audience 9.0 - This is the first of 2 nights at the Auditorium in Chicago (3-3-88). Sting (The Police) does a song with Frank (Murder by Numbers) which makes for an added, rare surprise. -
Audience 8.9 -
Audience 7.7 - Gives you a pretty good idea of what going to a Roxy Music show would have been like in these early days. Not a super duper crystal clear expertly mixed experience, but not a terrible sounding amateur recording and one can only applaud the tapers for making the effort. Does this help? -
Soundboard 9.5 - In the history of eclectic rock bands has there ever been anything else like Roxy Music? So, sit back and enjoy this crisp, expertly mixed concert ‘cause it smokes! -
Pro 9.0 - Everything in this set is very good to excellent, sounds mostly all Soundboard too. What a peculiar band, interesting, intense, angular (see title). -
Audience 8.3 - Whenever you come across any 70’s ZZ Top, your instantly going to ask “how does it sound”? because we all know how rough most of them are – but this one reveals layers of the band previously lost in a dense fog of distortion and volume – an articulate bass. Billy’s tone is lovely as ever but only his solos soar above the rhythm section who are LOUD but not distorted. One to pick up!