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Audience 7.8 - Wonderful recording if just a touch on the compressed side (maybe FM radio?), still this is lovely! -
SDBRD 8.8 - Good quality broadcast with some static in places, maybe some old school FM radio compression but nothing that really offends the ears. This is quite good. -
Audience 8.5 - Recorded by French radio, so you would think maybe soundboard or at least multiple stage mics right? Naw, this sounds almost like a bootleg, a REALLY good bootleg recording, but the old reel to reel tape shows signs of degredation…still this is quite good with some flaws here and there. -
CD 1: Soundboard 9.3 CD 2: Audience 8.8 -
CD 1: New Paltz: Soundboard 9.2 CD 2: Stockholm Soundboard 8.9 -
Audience 8.4 - Some tape hiss present, and recorded from maybe midway back in the hall but if you turn up the volume a bit, this actually is very decent quality. Having relatively low recording levels means, essentially, they were conscience of overloading and distortion so they protected against that. You can turn the volume up as loud as you can stand, and it sounds better and better! -
Boston 1975 - Soundboard 8.7 & Village Gate, NYC 1975 - Soundboard 9.3 -
Audience 8.7/8.9 - Both recordings are really well done with the clear edge going to the 1975 stuff because it is a little bit more clear, although the synths and moogs and other keys are pushed way out front in the mix which is great because those sounds are otherworldly and mega heavy! A spot of mic dropout can be heard and it could easily have been edited out but it’s kept on the there but thankfully lasts only 2 seconds…otherwise what a show this is! Fantastic and mind blowing! Lard Free Paris, France 1974-09-08 and Paris, France 1975-10-02 Disc 1 01 -Improvisation 1 02 -Improvisation 2 03 -Improvisation 3 04 -Improvisation 4 Disc 2 1. -Improvisation 1 2. -Improvisation 2 -
UK experimental prog, world, jazz, funk, rock, all rolled into a very cohesive jelly roll of talented players. Eclectic yet accessible...worth exploring! Imported from UK CD is new, never played. -
UK experimental prog, world, jazz, funk, rock, all rolled into a very cohesive jelly roll of talented players. Eclectic yet accessible...worth exploring! Imported from UK CD is new, never played. -
Audience 9.3 - Vocals are spot in to the point you would swear the gal is in your living room. -
Audience 8.8 - Good and clear recording here! -
Sale!
Audience 9.1 - Truly an immersive listening experience, literally you are in the crowd close to the stage but the sound is probably better than what your ears were hearing at the show simply because massive volume tends to ruin your ability to decipher anything remotely close to “music”. This tape allows you to hear the actual music, and mayhem too! Sounds like it was a real blast to have been there. -
Brand New - Sealed Sound quality on all releases on this label is excellent. Live In New York 1982 & Nashville 1984. -
Audience 7.0 -
Soundboard 9.8 - There would be no reason why a professionally recorded Kraftwerk show should sound anything less than near perfect because let’s face it, unless you are a complete moron, it would be hard to screw up their mix. It’s pretty basic, and because of that what you have here is pretty darn good. Kraftwerk l'Olympia Paris, France February 28th, 1976 Personnel: Ralf Hütter: Minimoog Model D, Vako Orchestron, mixer Karl Bartos: Electronic Percussion Wolfgang Flür: Electronic Percussion, photo-electric light-activated drum cage Florian Schneider-Esleben: ARP Odyssey, Votrax VS-6 "talking typewriter", electronic flute-synth device, mixer Disc 1 1. Tuning & Radioactivity 2. Airwaves 3. The Voice of Energy & Die Sonne, Der Mond, Die Sterne 4. Kometenmelodie 5. Tongebirge & Tanzmusik Disc 2 6. Autobahn 7. Mitternacht Notes on the show: Yet another AMAZING find that's now just come to light. This is a master tape from the France Inter archive of the FULL l'Olympia show! We only had 21 mins from the 'Somewhere in Europe' LP and then 38 mins from a rebroadcast in 2015. This is the complete show from a radio programme called "We're Going Out Tonight" with no radio DJ talking over the music or tuning. Very likely recorded before being broadcast on the radio. Of special note is Florian's use of the Votrax VS-6 "Talking Typewriter" as Karl put it in his memoir for "Die Sonne, Der Mond, Die Sterne."