Audience 9.1 - Small club with great sound. One of those recordings that completely envelopes you with good, clearly defined sound that occasionally swirls above you giving you additional atmospherics. Killer!

Audience 9.5 - This is what happens when professional equipment is brought in by an audience member who knows what he is doing. Could be released officially, it’s so good.

Audience 8.2 - Clear recording with some interesting “wide” vocal panning that is probably an effect from the hall, but it’s cool!

Audience 9.1 - More intimate setting, good stage mix, all clear and powerful.

Audience 8.4 - The situation with this recording is that although it is really clean, like master quality clean, the clarity gets a little lost when the band is at full volume. And that is because it is incredibly “live” and atmospheric and does not focus the audio directly into the mic. So, it’s very much an experience that immerses you but lacks super tight sonic clarity but a VERY nice recording otherwise. For 1975, it’s a great capture.

Audience 8.7 - This is just a dandy, with that large hall sound but NO annoying reverb or echo, just vibe. File alongside Boston 76, which is one of the very best of the tour.

Audience 7.2 - I would have preferred the guitar higher in the mix, so what happens is before the band starts playing, the audio sounds perfect, then when they start, the levels change and sound, for whatever reason, sounds weak, or it is the mix. It’s weird, because the drums sound fine, the bass is present, and then vocals but where is the keyboard and guitar? They are there, you can hear them, but they are too far back.

Pro Radio 9.3