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Audience 9.2 - I would have given this a higher rating but for some occasional volume fluctuations. Minus those, this is a "raise the hair on your back" type of recording. I can't explain it, some tapes just have it, this unquantifiable element, it's a lot to do with the band being recorded as much as it is in how they were recorded, and where exactly the taper sat, and what he used to record - so you take all that and factor it in to what is happening to you as you listen to an event that took place decades ago...that comes to life again and you are right there. As I listened to this, my neck hairs stood up. The Kinks Universal Amphitheatre Los Angeles, CA August 17, 1979 01 Sleepwalker - Tired Of Waiting For You 02 Life On The Road 03 Where Have All The Good Times Gone 04 Permanent Waves 05 Misfits 06 Lola 07 Low Budget 08 (Wish I Could Fly Like) Superman 09 Catch Me Now I'm Falling 10 You Really Got Me -
Audience 8.8 - A well made recording that does straddle the fence a bit. There's some narrowness in how well defined the extreme ends are in both low and high end, meaning your middle frequencies are spot-on, clear, and defined but when you get to the real high end it gets crinkly up there. It does not damage the listening experience but could if you really crank up the volume. The taper does some adjusting it seems, as the show progresses it sounds like the tonality, or levels...something changes slightly...I don't know what really happens but sometimes this show is dialed in and sounds really great and then just ever so slightly it gets less defined or maybe it is my imagination. Either way, this is a really decent recording. The Kinks Crawford Hall University Of California Irvine Irvine, CA February 13, 1976 01 Education 02 The First Time We Fall in Love 03 I'm In Disgrace 04 Headmaster 05 The First Time We Fall in Love (Reprise) 06 The Hard Way 07 The Last Assembly -
Audience 9.0 - The only thing keeping this from attaining legendary status is the slight distortion present in a very specific middle to upper band in the frequency range. It's not a deal-breaker, it's in a place where you still get all the richness of the low end and the detail in the high end. The taper obviously used very good gear, so maybe the microphone he used and the location in the venue perhaps limited the recording in a way, because this is still a damn good tape but could have been a bona-fide must have. Emerson, Lake & Palmer Charleston Civic Center Charleston, WV November 23, 1973 Disc 1 01 Introduction 02 Hoedown 03 Jerusalem 04 Toccata 05 Tarkus 06 Benny the Bouncer 07 Take A Pebble Disc 2 08 Lucky Man 09 Piano Improvisation 10 Take A Pebble (Reprise) 11 Karn Evil 9 1st - 3rd Impression 12 Pictures At An Exhibition -
Soundboard 10 - This is a rare "10" perfection rating that is not given out unless and until a recording stops you dead in your tracks and commands your undivided attention. You know it when you hear it, and this is about as good as it can get short of you being placed in the optimal spot at the venue and even then you may not be getting something as good as this! Kansas Live at The Uptown Theatre Chicago, Illinois USA 1980-10-28 & 29 01 - Icarus (6:18) 02 - Paradox (4:20) 03 - Cheyenne Anthem (3:49) 04 - Dust In The Wind (5:59) 05 - Miracles Out of Nowhere (6:50) 06 - Loner (3:03) 07 - Anything For You (4:03) 08 - Don't Open Your Eyes (4:08) 09 - Got To Rock On (3:58) 10 - No One Together (6:07) 11 - Hold On (4:14) 12 - Relentless (9:21) 13 - Portrait (5:43) 14 - Carry On Wayward Son (5:43) The Band: Kerry Livgren - guitar, vocals Steve Walsh - keyboards, vocals Phil Ehart - drums Dave Hope - bass, vocals Robbie Steinhardt - violin, viola Rich Williams - guitar, vocals -
Audience 9.0/9.2 - Two very good captures that convey a lot of information, most notably the popularity of the band at such an early stage of their careers, and that the Japanese used very high quality taping gear and knew instinctively how to stealth record a rock show. This is good for historical purposes in that these recordings always eventually take on much more significance with the passage of time. This is my argument for why artists should relax their stances against "bootlegging" because while your moment may be on the surface a commercial venture, in the long run it is a milestone not just for the artist in their career but in the overall culture and therefore should be, if possible, preserved. End of rant.
Judas Priest Japan Tour 1978 Disc 1 Nagoyashi-Kokaido Nagoya, Japan August 3, 1978 1. Intro 2. The Great Gates Of Kiev 3. Exciter 4. White Heat, Red Hot 5. The Ripper 6. Sinner 7. Beyond The Realms Of Death 8. Better By You, Better Than Me 9. Victim Of Changes 10. Diamonds And Rust 11. Genocide 12. Starbreaker 13. Tyrant Disc 2 Festival Hall Osaka, Japan August 5, 1978 1. The Great Gates Of Kiev 2. Exciter 3. White Heat, Red Hot 4. The Ripper 5. Sinner 6. Beyond The Realms Of Death 7. Better By You, Better Than Me 8. Victim Of Changes 9. Diamonds And Rust 10. Genocide 11. Starbreaker 12. Tyrant -
Soundboard 9.7 - Possibly the best live Boston in existence. It just does not get much better Than this. Boston The Spectrum Philadelphia, PA. December 18, 1976 1. Introduction 2. Rock And Roll Band 3. Shattered Images (Help Me) 4. More Than A Feeling 5. Peace Of Mind 6. Something About You 7. Smokin' 8. Guitar Solo 9. Foreplay 10. Long Time 11. Television Politician 12. Don't Be Afraid -
Audience/Soundboard 8.6-9.0 - The majority of the set is very good, audience quality tapes that have a decent enough sound where you can take it easy and not strain yourself trying to hear George rip his leads. I would say the lone exception though might be the Amsterdam tape which is less clear, but even here it's not a trainwreck at all. The board tape from France is good to have, obviously Dokken is clearly the top of the heap when it comes to the 80's "hair" metal bands although I hate to classify them there because they were class musicians first.
Dokken The Important Years 1983-1988 ARCO Arena Sacramento, CA December 28, 1983 Breaking The Chains Tour Disc 1 01. Paris Is Burning 02. Going Down Under 03. Young Girls 04. In The Middle 05. Hit And Run 06. Nightrider 07. George Lynch Guitar Solo 08. Live To Rock, Rock To Live 09. Breaking The Chains Jaap Edenhal Amsterdam, Netherlands March 09, 1986 10. Unchain The Night 11. The Hunter 12. When Heaven Comes Down 13. It's Not Love 14. Into the Fire 15. Lightnin' Strikes Again Disc 2 Chapiteau Reims,France April 25, 1986 01. Unchain The Night 02. Tooth And Nail 03. Into the Fire 04. In My Dreams 05. It's Not Love 06. Alone Again 07. When Heaven Comes Down 08. Lightnin' Strikes Again 09. Just Got Lucky Disc 3 Civic Arena Pittsburgh, PA. June 15, 1988 01. Tooth And Nail 02. Just Got Lucky 03. Burning Like A Flame 04. Into The Fire 05. Heaven Sent 06. It's Not Love 07. George Lynch Solo 08. Mr. Scary 09. Standing In The Shadows 10. Alone Again -
Audience 8.7 - This is a show that just came onto my radar, I can't believe I'd never heard it before. What I was expecting and what I got were two wildly different things...and I mean, it is a good thing. It's a good tape! It also happens to be the gig where the iconic photo of Ozzy lifting Randy was taken, and being able to now hear that show is kind of cool.OZZY OSBOURNE Rosemont Horizon Chicago, Illinois January 24th, 1982 *** "Diary of a Madman" tour *** 01. Intro 02. Over The Mountain 03. Mr. Crowley 04. Crazy Train 05. Revelation (Mother Earth) 06. Steal Away (The Night) 07. Suicide Solution 08. Randy Rhoads Solo 09. Drum Solo 10. Goodbye To Romance 11. I Don't Know 12. No Bone Movies 13. Believer 14. Flying High Again 15. Iron Man 16. Children Of The Grave 17. Paranoid -
Soundboard 9.7 - All excellent, all must haves imho. What you get sound-wise is a rich, deep tone, the Berlin tape in particular which features emphasis on the bass which is massive but detailed. The music here is more progressive than Samba, and Carlos does sometimes resort to familiar guitar runs but he also flashes a lot of other tricks and convinces the listener that he’s not a one-trick pony at all. Best I can tell here is that Devadip Ochestra is a decent attempt to take what Mahavishnu Orchestra did and accent it in different ways. Well done Carlos!
The Devadip Orchestra Disc 1 Deutschlandhalle Berlin, Germany November 8, 1978 01 Swapan Tari 02 Ocean Floor 03 Arise Awake 04 Light Versus Darkness 05 Jim Jeannie 06 Gardenia 07 Jharna Kala Ekeberghallen Oslo, Norway November 13, 1978 08 Swapan Tari 09 Ocean Floor 10 Arise Awake 11 Light Versus Darkness 12 Jim Jeannie 13 Gardenia 14 Jharna Kala Disc 2 Groenoordhal Leiden, Holland November 17, 1978 01 Swapan Tari 02 Arise Awake 03 Light Versus Darkness 04 Jim Jeannie 05 Gardenia 06 Oneness 07 Jharna Kala Carlos Santana: guitar/percussion David Margen: bass Graham Lear: drums Chris Rhyne: keyboards Russell Tubbs: flute/sax
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Soundboard 8.8 - This is a soundboard that is not without flaws, not serious flaws, but indeed somewhat noticeable ones. So, it’s one of those mixes where guitar sounds at times amazing, up front, and gloriously loud…and at others it seems like it was ran through an on-board processor of some kind and ends up more compressed and lower in the mix. Rock The Nation is cut at the tail end of Ronnie’s solo, and the drum intro for I Got The Fire begins, so that was a little bit of a jarring edit that could have been smoother. Overall this is a tape, and show, that will sit nicely in the collection seeing as how there are so few Gamma sdbrds, or live tapes at all.Gamma Phoenix Theater Petaluma,CA 30-Nov-1980 01 Ready For Action 6:08 02 Thunder and Lightning 5:39 03 Razor King 11:59 04 Rock the Nation 3:47 05 I Got the Fire 3:56 06 Four Horsemen 7:11 07 No Tears 12:32 Davey Pattison: Vocals Ronnie Montrose: Guitars Jim Alcivar: Keyboards Glenn Letsch: Bass Denny Carmassi: Drums
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Audience 9.3 - This is, to my ears, sort of a return to the edgy hard rock of Taste. The distorted guitar (wonderful tone!) and punchy rhythms really hint more to his very early period and are ideally suited for the mid 80’s where maybe pure, raw blues was not as widely consumed as before. This show, and recording, really highlight the gut punch effect where straight forward guitar/bass/drums is the formula that works.
Rory Gallagher Oldenwaldring, Schaafheim Germany 18. Juli 1987 Disc 1 01. -Announcement 0:41 02. -Ansage - Moonchild 7:04 03. -Double Vision 7:37 04. -I Wonder Who 12:09 05. -Nadine 9:58 06. -Walkin' Blues 6:04 07. -Continental Op 9:57 08. -I Ain't No Saint 8:25 Disc 2 09. -Out On The Western Plain 6:08 10. -Want Ad Blues 5:34 11. -Tattoo'd Lady 5:50 12. -When My Baby She Left Me 7:23 13. -Shadow Play 7:15 14. -Bad Penny 4:28 15. -Bullfrog Blues - Dizzy Miss Lizzy 7:57 16. -Messin' With The Kid 4:50 17. -Knock On Wood - La Bamba 8:02 18. -Long Tall Sally 4:30 19. -Don't Start Me Talkin' 3:35 Track 01 - 18 Schaafheim Track 19 Mainz, Sendezentrum "Tele Illustrierte" 13. November 1987 1.Gen/TV (He plays live in the show)
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Audience 9.0 - A strong recording from what sounds like the center row, maybe halfway back but not as diffuse as you might think for being in that spot. Yes, maybe the guitar and bass aren’t separated the way you would prefer, but this was the sound of Rush in 2015, and on this show it is Geddy’s vocals that receive the most prominence. Overall it’s a very good recording with atmosphere and power.
Rush Air Canada Centre Toronto, On. Canada 2015-06-17 Disc 1 101 - Intro 102 - The Anarchist 103 - Clockwork Angels 104 - Headlong Flight 105 - Far Cry 106 - The Main Monkey Business 107 - One Little Victory 108 - Animate 109 - Roll the Bones Disc 2 110 - Distant Early Warning 111 - Subdivisions 201 - Intro 202 - Tom Sawyer 203 - Red Barchetta 204 - The Spirit of Radio 205 - Jacob's Ladder 206 - Cygnus X-1 Book II - Hemispheres Part I - Prelude 207 - Cygnus X-1 208 - Closer to the Heart Disc 3 209 - Xanadu 210 - 2112 211 - Encore - Mel's Rock Pile starring Eugene Levy 212 - Lakeside Park 213 - Anthem 214 - What You're Doing 215 - Working Man
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Audience 9.1 - What a find! This tape exudes raw power, and hearkens back to the original sound and style of the band much more so than what would be just a year and a half later. Does that mean it’s a raw blues rock show? No, but there is a lot of that here, and more than that it’s the TONE of the band. Gritty, mean, raw but tight…fierce! The quality of the tape is VERY good…well worth snagging!Fleetwood Mac Long Beach Arena Long Beach, CA April 15, 1973 01 Introduction and Tune-Up 02 The Green Manalishi (With The Two Prong Crown) 03 Oh Well 04 Get Like You Used To Be 05 "Land Watch" (Night Watch) 06 Same Old Blues 07 In The Country 08 Rattlesnake Shake
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Pro Recording 9.4 - This is actually recorded from the audience, or the pit, or somewhere within the hall with professional equipment possibly for broadcast or posterity but it is obviously not an amateur job. The dynamics and atmosphere are excellent, and to my ears it just seems like the band wanted to record this gig for whatever reason.
Rick Wakeman November 16, 1981 Guildhall Preston, UK Disc One (70:34) 1) War Games? (10:29) 2) King Arthur Medley (12:10): a) Arthur b) Lancelot and the Black Knight 3) Sea Horses (5:17) 4) Julia (6:11) 5) Three Wives (13:12): a) Catherine of Aragon b) Anne of Cleves c) Catherine Howard 6) The Proles (5:30) 7) Journey to the Center of the Earth - Part 1 (17:45) Disc Two (60:16) 1) Danielle (4:30) 2) The Probe (4:05) 3) Chamber of Horrors (7:03) 4) The Hymn (3:14) 5) Anne Boleyn (29:04) 6) Robot Man (4:57) 7) Journey to the Center of the Earth - Part 2 (7:23) a) The Battle b) Hall of the Mountain King
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Audience 9.7 - Brilliant, clear, deep, good atmosphere, and even though it is pushing the meters it still has some headroom so crank this one up and hear for yourself why I always say a great audience tape beats a soundboard.
Don Henley Pacific Amphitheatre Costa Mesa, CA October 1, 1989 Disc 1 01 Drivin' With Your Eyes Closed 02 Dirty Laundry 03 The End Of The Innocence 04 Building The Perfect Beast 05 If Dirt Were Dollars 06 The Last Worthless Evening 07 Sunset Grill 08 New York Minute Disc 2 09 Shangri - La 10 Hotel California 11 Life In The Fast Lane 12 The Boys Of Summer 13 All She Wants To Do Is Dance 14 I Will Not Go Quietly 15 Band Introduction 16 Desperado
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Gainesville 1978 Soundboard 9.5 - A professional straight board feed recording that is as clean and balanced as you’d ever want – but very occasionally there may be a slight tape drop out (rarely), and the sound is almost too good…meaning it could use some ambience and atmosphere but if you only want to hear this as a musical performance rather than event, this is damn near perfect.
Cincinnati 1989 Audience 9.7 - A soaring, elegant recording that captures this event in spectacular quality. Guitars seem to float over your head and wrap around your ears as they seem to pan across the room, drums filling the spaces and adding immediacy. When the audience claps and responds it’s as if it is a part of the show how it blends in and seems so respectful. Overall man this is a frighteningly good recording and performance and is pretty much in the “must have” range IMHO.
Pat Metheny Group 79/89 Disc 1 Spring Jazz Festival Lake Alice Field, University of Florida Gainesville, Florida 1979-03-30 01-Phase Dance (Pat Metheny, Lyle Mays) 7:35 02-Circus Music (Pat Metheny, Lyle Mays) 6:10 03-PM speaks 1:01 04-Unity Village (Pat Metheny) > The Windup (Keith Jarrett) 13:08 05-The Epic (Pat Metheny, Lyle Mays) 14:35 06-Jaco (Pat Metheny) 4:21 07-PM speaks and tuning 0:54 08-San Lorenzo (Pat Metheny, Lyle Mays) 11:08 09-Re-tuning and PM speaks again 1:39 10-Wrong Is Right (Larry Coryell) 7:53 11-American Garage (Pat Metheny, Lyle Mays) 4:43 Pat Metheny, guitars Lyle Mays, piano, synthesizer, electric organ, autoharp Mark Egan, bass guitar Danny Gottlieb, drums Disc 2 Taft Theatre Cincinnati, Ohio September 22, 1989 1. –Phase Dance 2. -Have You Heard? 3. -Every Summer Night 4. -Hermitage 5. -Better Days Ahead 6. -Farmer’s Trust 7. -Spring Ain’t Here 8. -Straight On Red 9. -Are You Going With Me? Disc 3 10. -The Fields, The Sky 11. -Are We There Yet? 12. -Vidala 13. -Slip Away 14. -Letter From Home 15. -Beat 70 16. -Band Introductions 17. -Minuano (six-eight) Pat Metheny - Guitars Lyle Mays - Keyboards Steve Rodby - Bass Paul Wertico - Drums Pedro Aznar - Voice, Guitar, percussion Armando Marcal - Percussion
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Stockholm 1975 FM Broadcast 9.2 - Clear and bright, the only thing my ears notice that could detract is the slight overcrowding in the upper mid frequency but typically that only seems to happen when there’s furious on stage jamming (which I guess when it is this band, that is a lot), but this is minor, this is a great recording and a pleasure to listen to!
Millersville 1975 Audience 8.9 - This is a hot tape! Maybe lacks a little mid-band clarity, but this, again, is kind of being nitpicky seeing as how there’s a lot of soundboard tapes of this band (not so much from ’75 though). This show has seen very little circulation, if any at all, but it deserves to be in every collection and thankfully it is presented here alongside another great sounding show. Yes!
THE MAHAVISHNU ORCHESTRA The Forgotten Tapes 1975 Disc 1 KULTURHUSET STOCKHOLM, SWEDEN 1975-02-07 1. -Eternity’s Breath 2. -You know, you Know 3. -Sanctuary Disc 2 1. -Introduction 2. -If I can See - Be Happy 3. -Cosmic Strut 4. -Vision Is a Naked Sword Disc 3 State College Millersville, PA. April 19, 1975 01. -Eternity's Breath Pt's 1 & 2 02. -Sanctuary 03. -Vision Is A Naked Sword 04. -Introduction LINEUP: John McLaughlin: el-guitar Ralph Armstrong: el-bass Michael Walden: drums Phil Herschey: cello Bob Knapp: tp, flh, fl, perc Russell Tubbs: as, ss, perc Jean Luc Ponty: el-violin, violin Carol Shive, Steven Kindler: violin
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Audience 9.3 - Excellent, clean, and good concert hall vibe on this one. It’s Japan, and the crowd has a penchant to clap during some songs but the recording mitigates it to the point you barely even notice. My guess is that the mics were raised over the crowd in order to achieve that.Lynyrd Skynyrd Festival Hall Osaka, JP January 18, 1977 01- Workin' For MCA 02- I Ain't The One 03- Saturday Night Special 04- Whiskey Rock-A-Roller 05- That Smell 06- Travelin' Man 07- Ain't No Good Life 08- Gimme Three Steps 09- Call Me The Breeze 10- T For Texas 11- Sweet Home Alabama 12- Free Bird Lineup: Ronnie Van Zant - Lead Vocals Gary Rossington - Guitar Allen Collins - Guitar Steve Gaines - Guitar Leon Wilkeson - Bass Billy Powell - Piano Artimus Pyle - Drums Cassie Gaines - Backing Vocals Leslie Hawkins - Backing Vocals Jojo Billingsley - Backing Vocals
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Audience 8.9 - This is what I consider the best audience tape from the Somewhere In Time Tour. It’s got loads of atmosphere but not at the expense of the “directness” of the PA to the mic. It’s a realistic sound, this tape replicates exactly what your ears heard coming out of the PA at this show…without artifacts to detract. Get this!
Iron Maiden City Hall Sheffield, South Yorkshire, England 15 October 1986 Disc 1 01 -Intro - Blade Runner Theme 02 -Caught Somewhere in Time 03 -2 Minutes to Midnight 04 -Sea of Madness 05 -Children of the Damned 06 -Stranger in a Strange Land 07 -Wasted Years 08 -Rime of the Ancient Mariner 09 -Guitar Duel - Walking in the Air 10 -Where Eagles Dare 11 -Heaven Can Wait 12 -Phantom of the Opera Disc 2 13 -Hallowed Be Thy Name 14 -Iron Maiden 15 -The Number of the Beast 16 -Run to the Hills - Band Introduction 17 -Running Free 18 -Sanctuary
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Radio Broadcast 9.5 - Sparkling! This is THE one to have in my opinion – the sound is really good and very vibrant. One can truly appreciate what made this band so special, despite their lack of commercial success (as it that is a measure of talent anyway).Spooky Tooth Neue Welt Berlin, Germany October 22, 1970 01 Something To Say 5:48 02 I Am The Walrus 6:52 03 The Wrong Time 4:35 04 I Wanna Be Free 3:21 05 Son Of Your Father 5:01 06 Better By You, Better Than Me 4:23 07 Leave The Kids Alone 5:22 08 Soulful Lady 9:18 Mike Harrison - keyboards, vocals Luther Grosvenor - guitar John Hawken - keyboards, vocals Steve Thompson - bass Mike Kellie - drums
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Audience 8.9 - A great effort here by the taper, it’s got a little bit of that “just about to break” quality, where the limits of the tape are just about reached…yet it holds together. This gives the recording an unmistakable intensity, and for that I rate this highly and say it will be most enjoyable to the listener. Roger Waters Great Woods Mansfield MA 22 Aug 1987 DISC 1 1-01 kaos 1 1-02 tempted 1-03 radio waves 1-04 kaos 2 1-05 welcome to the machine 1-06 kaos 3 1-07 who needs information 1-08 money 1-09 kaos 4 1-10 in the flesh 1-11 have a cigar 1-12 pigs 1-13 wish you were here 1-14 mother DISC 2 2-01 kaos 5 2-02 four minutes - molly's song - doreen chanter 2-03 me or him 2-04 powers that be 2-05 setbreak - phone calls 2-06 kaos 6 2-07 going to live in LA 2-08 sunset strip 2-09 kaos 7 2-10 pros and cons of hitch hiking 2-11 kaos 8 2-12 if 2-13 every strangers eyes DISC 3 3-01 not now john 3-02 abitw1 3-03 happiest days 3-04 abitw2 3-05 nobody home 3-06 home 3-07 kaos 9 3-08 four minutes 3-09 tide is turning 3-10 band intro 3-11 crowd 3-12 breathe 3-13 brain damage 3-14 eclipse 3-15 kaos goodnight Roger Waters: Bass, Vocals Graham Broad: Drums Paul Carrack: Keyboards Doreen Chanter: Vocals Mel Collins: Saxophones Andy Fairweather-Low: Guitars Katie Kissoon: Vocals Jay Stapley: Guitars Jim Ladd: The DJ -
Audience 8.8 - Previously available as a single track, Watcher Of The Skies was merely a taste of a tantalizing recording that has now been painstakingly restored from the original master cassette and it reveals much more than collectors could have imagined. A really good tape it is, with a nice intimate clarity (relative to the overall mix) of vocals, and a satisfying “thwack” of the drums…I found myself mesmerized by this show and especially a sparkling rendition of “Supper’s Ready”.Genesis Great Hall, York University York, England, UK February 21st, 1973 01 -Watcher of the Skies 02 -The Musical Box 03 -Get 'Em Out By Friday 04 -Supper's Ready 05 -The Return Of The Giant Hogweed 06 -The Knife
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Soundboard 9.8 - A professionally made recording that saw a digital only release. This takes that stellar download and presents it in uncompressed, lossless form for you to enjoy. Nothing quite like this mesmerizing blend of Eastern trance psychedelic and Krautrock, the band never lost a step and sound like they traveled through a worm hole in time/space to leap from 1974 to 2013.Agitation Free Kesselhaus Berlin, Germany April 3, 2013 Disc 1 1. -You Play For Us Today 06:37 2. -Sahara City 03:47 3. -In The silence Of The Morning Sunrise 06:36 4. -Shibuya Nights 08:13 5. -First Communication 06:03 6. -Dialogue & Random 02:23 7. -Ala Tul 06:46 8. -Laila 08:38 Disc 2 9. -Nomads 08:02 10. -A Quiet Walk 07:41 11. -Das kleine Uhrwerk 05:15 12. -Malesch 05:27 13. -Drifting 03:34 14. -Rücksturz 05:56 15. -InDaJungl 08:39 16. -Interstellar Overdrive 07:34
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Audience 8.5 (discs 1 & 2) FM Broadcast 8.7 - Well this is odd, you have an “in the pit” audience tape that actually delivers a good, fun trip because it is immersive despite not being a full bodied audio like you want – it is definitely worth it for the ride though…but that brings us to the FM broadcast of the show…how is it that I find myself enjoying the audience tape more? Yes the FM is cleaner and all, but it’s very limited and not quite like an AM broadcast but for goodness sake where’s the bass and drums? It’s clearly the Tony and Ian show here – I think someone ought to matrix these together because then you might have something. Black Sabbath Thamembe Arena Reading, UK 1983-08-27 Disc 1 101 Supertzar 102 Children Of The Grave 103 Hot Line 104 War Pigs 105 Born Again 106 Supernaut 107 Drum Solo 108 Rock And Roll Doctor 109 Disturbing The Priest 110 Keep It Warm Disc 2 201 Black Sabbath 202 The Dark 203 Zero The Hero 204 Guitar Solo 205 Digital Bitch 206 Iron Man 207 Smoke On The Water 208 Paranoid Disc 3 301 Hot Line 302 War Pigs 303 Black Sabbath 304 The Dark - Zero The Hero 305 Digital Bitch 306 Iron Man 307 Smoke On The Water 308 Paranoid -
Audience 9.0 - A really fine attempt to capture a loud metal band in a small club. Thankfully it seems the taper came prepared, he found his spot and delivers a stable recording of the entire show. Fates Warning Webster Theater Hartford, CT November 22, 2013 Disc 1 01 Ozzy Intro 3:35 02 The Second Intro 3:16 03 One Thousand Fires 8:00 04 Life in Still Water 5:09 05 One 4:15 06 A Pleasant Shade of Gray, Part III 4:18 07 Another Perfect Day 4:21 08 Down to the Wire 4:23 09 A Pleasant Shade of Gray, Part VI 4:15 10 Pieces of Me 3:59 Disc 2 11 I Am 5:27 12 The Eleventh Hour 8:06 13 Point of View 4:59 14 Firefly 5:41 15 Wish 4:17 16 A Pleasant Shade of Gray, Part XI 3:55 17 Through Different Eyes 4:10 18 Monument 6:12 19 Encore Break 1:56 20 Still Remains 13:25 21 Outro 0:25 Total 1:44:04 Band Ray Alder - Vocals Jim Matheos - Guitar Mike Abdow - Guitar Joey Vera - Bass Guitar Bobby Jarzombek - Drums -
Soundboard 9.4 - A newly remastered version of the matinee soundboard show in all it’s glory restored – with bonus material from Seattle, this is well worth re-examining because I found it to be a really pro job, and you don’t have to suffer through the inferior audience tape thrown in because quite honestly there would be no point at all. George Harrison Live In Los Angeles 1974 (matinee) Los Angeles Forum 12.11.1974 Disc 1 01 -Hari's On Tour (Express) 02 -While My Guitar Gently Weeps 03 -Something 04 -Will It Go Round In Circles 05 -Sue Me Sue You Blues 06 -Zoom, Zoom, Zoom 07 -Naderdani 08 -Cheparte 09 -I Am Missing You 10 -Dispute And Violence 11 -For You Blue 12 -Band Introductions 13 -Give Me Love (Give Me Peace On Earth) 14 -In My Life 15 -Tom Cat 16 -Maya Love Disc 2 Center Coliseum Seattle. Washington 4th November 1974 (matinee) 01 -Nothing For Nothing 02 -Dark Horse 03 -Outa Space Billy 04 -What Is Life 05 -My Sweet Lord -
Audience 9.4 - I love recordings like this! Super loud but not distorted, and right in your face like your sitting on Rory’s side of the PA. It is like the sound is ripping the cloth off the speaker and filling the entire room with fury. Killer! Rory Gallagher The Agora Columbus, Ohio 11/13/82 Disc 1 1. -Shinkicker 2. -Double Vision 3. -Moonchild 4. -I Could've Had Religion 5. -Follow Me 6. -Bad Penny 7. -Jinx 8. -Big Guns 9. -Tattoo'd Lady Disc 2 1. -Philby 2. -Wayward Child 3. -Brute Force & Ignorance 4. -Shadow Play 5. -Drinkin' Down The Bourbon 6. -Bo Diddley 7. -Messin' With The Kid -
Soundboard 9.4 - A lovely capture that was broadcast over the air but this sounds like a pre-broadcast tape and it’s excellent. I especially like how the atmosphere of the event was maintained, it’s not a sterile sounding mix. Dr. John with The Meters "Mardi Gras Mambo" St. Bernard Civic Center New Orleans, LA, USA March 5, 1973 01 Mardi Gras Day (instrumental intro) 7:28 02 Gris-Gris Gumbo Ya Ya 4:49 03 Let The Good Times Roll 3:39 04 Right Place, Wrong Time 3:14 05 Iko Iko 3:47 06 Huey "Piano" Smith Medley: High Blood Pressure Don't You Just Know It Well I'll Be John Brown Jockomo 5:47 07 I Been Hoodood 4:55 08 Loop Garoo 6:05 09 Wang Dang Doodle 5:22 * 10 Junko Partner 4:45 11 Qualified 5:25 12 I Walk On Guilded Splinters 4:51 13 Mess Around 3:42 14 Mardi Gras Day 15:30 Dr. John: guitar, keyboards, vocals The Meters Art Neville: keyboards, vocals Leo Nocentelli: guitar George Porter Jr.: bass Joseph "Zigaboo" Modeliste: drums Cyril Neville: percussion, vocals -
Soundboard 9.4 - Having received a refreshing facelift, this old and trusty board sounds more alive and vibrant than ever before…and that is great news because these early period Santana shows are essential listening experiences. This one is a must! Santana Waikiki Shell Honolulu, HI, USA May 22, 1970 01 -Se A Cabo (3:49) 02 -Black Magic Woman - Gypsy Queen (4:55) 03 -Savor (3:26) 04 -Jingo (4:33) 05 -Oye Como Va (4:46) 06 -Toussaint L'Overture (4:02) 07 -Evil Ways (4:02) 08 -Treat (5:57) 09 -Gumbo (4:47) 10 -Waiting (4:20) 11 -Hope You're Feeling Better (4:18) 12 -Conquistador Rides Again (3:59) Carlos Santana - Lead Guitar Gregg Rolie - Vocals, Keyboards David Brown - Bass Guitar Michael Carabello - Percussion, Backing Vocals Jose "Chepito" Areas - Percussion, Backing Vocals Michael Shrieve - Drums -
Soundboard 9.4 - A biting and aggressive sounding recording that really works great for the 1994 version of Black Sabbath. I personally enjoy rediscovering this band because after Mob Rules I kind of lost track of their career. Black Sabbath The Sting New Britain, CT 1994-02-08 Disc 1 101 -Supertzar 102 -Time Machine 103 -Children Of The Grave 104 -Children Of The Sea 105 -I Witness 106 -The Mob Rules 107 -Into The Void 108 -Psychophobia 109 -Black Sabbath Disc 2 201 -Neon Knights 202 -Immaculate Deception 203 -The Wizard 204 -Cross Of Thorns 205 -Symptom Of The Universe 206 -Headless Cross 207 -Paranoid Hammersmith Odeon London, UK 1994-04-13 208 Iron Man 209 Sabbath Bloody Sabbath -
FM Broadcast 9.6 - The one show to get if you are looking to add the Roger Waters KAOS tour to your collection. Spotless! Roger Waters Coliseum De Quebec Quebec, CAN November, 7, 1987 Disc 1 1. -Radio waves 2. -Welcome To The Machine 3. -Money 4. -In The Flesh 5. -Have A Cigar 6. -Pigs 7. -Wish You were Here 8. -Mother 9. -Get Your Filthy Hands Off My Desert 10. -Southampton Dock 11. -If 12. -The Powers That Be 13. -The Fish Report With A Beat 14. -KAOS Q & A Disc 2 1. -Molly's Song 2. -Another Brick In The Wall (Pt.1) 3. -The Happiest Days Of Our Lives 4. -Another Brick In The Wall (Pt.2) 5. -Breathe 6. -Brain Damage 7. -Eclipse 8. -Get Back To Radio (demo) 9. -Radio Waves (12" remix) 10. -Going To Live In LA 11. -Money 12. -4 Minutes (video edit) 13. -The Tide Is Turning (video edit) 14. -Towers Of Faith 15. -Folded Flags