Soundboard 9.4 - As always the performance is stellar, and even during the early 80’s Prince had a great sense of tone and did not plasticize his guitar sound. There are some tasty and snarling moments that make you think “what was the audience thinking during this solo?”  You know, the early 80’s typical Prince fan probably had no interest in fuzzed out Hendrix style soaring guitar solos mixed in with their pop/soul/funk music. Prince and the Revolution First Ave. Minneapolis, MN. August 3, 1983

1. Let's Go Crazy
2. When You Were Mine
3. A Case Of You
4. Computer Blue
5. Delirious
6. Electric Intercourse
7. Automatic
8. I Would Die 4 U
9. Baby I'm A Star
10. Little Red Corvette
11. Interlude #1
12. Purple Rain
13. Interlude #2
14. D.M.S.R.

Audience 8.6 - This is a very good recording where all I can say is I wanted more guitar…but Bonzo is furious and drums sound heavy, bass is POUNDING without booming, and Plant rides it all with a reasonably clear and present vocal that kind of seems like it’s floating like cream above the sound. All in all I have to say this is pretty righteous for a 1972 aud. tape. Recommended! LED ZEPPELIN BALTIMORE CIVIC CENTER BALTIMORE MARYLAND JUNE-11-1972 CD 1 1 -IMMIGRANT SONG 2 -HEARTBREAKER 3 -OUT ON THE TILES INTRO - BLACK DOG 4 -SINCE I'VE BEEN LOVING YOU 5 -STAIRWAY TO HEAVEN 6 -GOING TO CALIFORNIA 7 -THATS THE WAY 8 -TANGERINE 9 -BRON-Y-AUR STOMP CD 2 1 -DAZED AND CONFUSED (THE CRUNGE - WALTERS WALK - MARS THE BRINGER OF WAR, ECT.) 2 -WHAT IS AND WHAT SHOULD NEVER BE 3 -MOBY DICK CD 3 1 -WHOLE LOTTA LOVE (BOOGIE CHILLEN'- I NEED YOUR LOVE TONIGHT - HELLO MARY LOU - HEARTBREAK HOTEL - GOING DOWN - GOING DOWN SLOW - THE SHAPE I'M IN) 2 -ROCK AND ROLL 3 -COMMUNICATION BREAKDOWN

Long Beach 1978 Audience 9.3 - This recording could easily pass as a KBFH radio broadcast it is very well done, but my only complaint is one that probably has nothing to do with the tape itself but rather the stage mix. If you are a guitar guy, you will want more guitars in the mix – that being said you are going to be getting breathtaking keyboards, vocals, and solid drums and a bass that is there holding it together but not booming or rumbling. All in all, this one is quite different than other bootleg tapes of the era, it has a professionalism to it that you won’t hear often. I say this is probably a must have for Styx collectors. Oakland 1978 Audience 8.4 - Sadly, what tries to be a very good recording just doesn’t quite reach that status due mainly to what I believe is the wrong style of microphone used. To my ears, it sounds like a condenser mic, and consequently the audio is bunched up into the middle frequency leaving indistinct instrument separation. That being said, it’s “trying” to be very good and in spots it really is – mainly during quieter passages where you can tell the taper did bring pretty good gear. Almost but not quite, but still qualifying as a good addition to a Styx fan’s collection (and great as a “bonus” concert in this set). Styx Long Beach Arena Long Beach, CA January 27, 1978 Disc 1 01 The Grand Illusion 02 Lorelei 03 Mademoiselle 04 Fooling Yourself 05 Suite Madame Blue 06 Crystal Ball 07 Light Up 08 Lady Disc 2 09 Man In The Wilderness 10 Come Sail Away 11 Midnight Ride 12 Miss America 13 Born For Adventure Oakland Coliseum Arena Oakland, CA. October 19th 1978 Disc 3 1. -Great White Hope (7:01) 2. -Lorelei (6:39) 3. -I'm Okay (6:24) 4. -Fooling Yourself (The Angry Young Man) (5:42) 5. -Suite Madame Blue (9:58) 6. -Crystal Ball (7:50) 7. -The Grand Illusion (4:58) Disc 4 1. -Renegade (10:59) 2. -Lady (4:25) 3. -Blue Collar Man (Long Nights) (6:15) 4. -Come Sail Away (9:40) 5. -Miss America (10:08) 6. -Midnight Ride (11:00)

SDBRD 8.8 - A rollicking good time is what you are going to get here, maybe not the ideal sound mix (although it gets better), but this is a band that despite all outward appearance is quite talented musically (and seem to be quite natural performing live on stage).  You will love the music and even the on stage banter…perhaps this band was the role model for Steel Panther? Ha ha! The Sweet Give us a wink world tour February 8, 1976 Toronto 01 The Ballrom Blitz 02 The Six Teens 03 Restless 04 No You Don't 05 Fox On The Run 06 Burn On The Flame 07 Set Me Free 08 Man With The Golden Arm 09 Action + AC/AC 10 Sweet F.A.

Soundboard 9.5 - Two tapes have surfaced and both are very strong. The tapes are so good they should be officially released. A good one, rare and certainly worth the time and effort. THE GROUNDHOGS - Quinn Abbey, UK 1971 Disc 1 1. -Mistreated 2. -Split part 1 3. -Cherry Red 4. -Split part 2 5. -Groundhog Blues 6. -Still A Fool 7. -Garden 8. -Eccentric Man Disc 2 WMC Studios, CA, June 8, 1972 1. -Eccentric Man 2. -Music Is The Food Of Thought 3. -Still A Fool 4. -Split part 1 5. -Groundhog Blues 6. -Cherry Red - Split part 2 Tony McPhee - guitar, vocals Pete Cruickshank - bass Ken Pustelnik - drums

Audience 9.6 - This is a special set, not just because it also contains the complete soundcheck but because it is stunning quality and off the hook performance. Like I have said before, I think this is the best Dweezil ever sounded. Zappa Plays Zappa House of Blues Cleveland, Ohio July 3, 2009 Disc 1 01 Intro / Crowd 02 I'm the Slime 03 Montana 04 Wind Up Workin' in a Gas Station 05 Village of the Sun 06 Instrumental 07 Instrumental 08 Instrumental 09 Black Page No. 1 10 Black Page (Melody) 11 Inca Roads 12 Pygmy Twilight 13 Bamboozled by Love 14 Instrumental Disc 2 15 Instrumental 16 Instr / Drum Solo 17 Lucille 18 Outside Now 19 Titties 'n Beer (Fragment) 20 Cosmik Debris 21 Peaches en Regalia 22 Trouble Every Day 23 Encore applause 24 Zombie Woof 25 Don't Eat the Yellow Snow 26 Willie the Pimp 27 Outro / Crowd Disc 3 ZPZ soundcheck (same date, venue, source) 01 guitar 02 guitar 03 guitar 04 guitar 05 instrumental 06 Wind Up Workin' in a Gas Station 07 Discussion 08 San Ber'dino 09 San Ber'dino II 10 San Ber'dino III 11 Trouble Every Day 12 Pygmy Twilight 13 Discussion 14 Penguin in Bondage 15 Inca Roads (jam) 16 St. Alphonzo's Pancake Breakfast 17 guitar 18 guitar 19 guitar 20 guitar

Soundboard 9.3 & Audience 9.1  - The ’66 show is remarkably clear, they were smart enough to make sure to close mic the instruments! The ’73 show is famous for how good and clear it is for an audience tape. It’s very immersive, a great tape by all accounts. The Rolling Stones International Center Honolulu, Hawaii 7-28-66 Disc 1 1. Introduction - Not Fade Away 2. The Last Time 3. Paint It Black 4. Lady Jane 5. Mothers Little Helper 6. Get Off Of My Cloud 7. 19th Nervous Breakdown 8. Satisfaction - Outroduction HIC Arena Honolulu, HI 1973-01-21 09. Brown Sugar 10. Bitch 11. Rocks Off 12. Gimmie Shelter 13. It's All Over Now 14. Happy Disc 2 1. Tumbling Dice 2. Sweet Virgina 3. Dead Flowers 4. You Can't Always Get What You Want 5. All Down The Line 6. Midnight Rambler 7. Live With Me 8. Rip This Joint 9. Jumping Jack Flash 10. Street Fighting Man 11. Radio Ad Band Members: Mick Jagger- vocals, harmonica Keith Richards - guitar, vocals Mick Taylor - guitar Bill Wyman - bass Charlie Watts - drums Nicky Hopkins - piano, organ Bobby Keyes - saxophones Jim Price - trumpet, trombone

Audience 8.5 - Here is perhaps one of the best captures from the tour (not quite as good as Oakland or LA but this tape has some real power).  This recording seems to be rather close to the PA, but there’s no distortion. Tape is not overly wide ranging from high to low but there’s plenty of meat and a good amount of dynamics nonetheless. Certainly this is one to get. The Rolling Stones 1969.11.11 Phoenix Coliseum Phoenix, Arizona 01. -Jumping Jack Flash 02. -Carol 03. -Sympathy For The Devil 04. -Stray Cat Blues 05. -Prodigal Son 06. -You Gotta Move 07. -Love In Vain 08. -Under My Thumb 09. -Midnight Rambler 10. -Live With Me 11. -Gimme Shelter 12. -Little Queenie 13. -Brown Sugar (*) (*) Live At Altamont Speedway 1969.12.06

Audience 8.6 - What this old tape delivers in terms of sonic clarity and atmosphere for such a vintage ZZ Top performance has to rank it at the top of the list of must-haves for ANY collector of this band’s music. Yes, it is nothing short of a revelation, uncovering a lot of the muck, dirt, mud and distortion that most, if not all, of the early and mid ‘70’s bootlegs seem to have present. That is not to say this tape is “excellent” or even “great” as far as how it would be measured in a laboratory, but the lab is your own ear, and your mental tape measure for previous examinations of early Top.  What I am saying is, this tape allows you to hear not just Billy’s immense tone, but also the notes played on bass, and they are separate just enough to let you get a bona fide realistic feel for what this concert sounded like – you can sense position, size (of venue), PA, crowd, pretty much all of the elements of a gig in a VERY reasonably well documented way by taper. Some hiccups, nothing major or too distracting and thankfully brief, and some between song hollering near the mic but music comes through without much frustration and man, that tone!  Oh, and it must have been a really good night for the guys, they are playing fluidly and in high spirits. Kudos to whoever remastered this gem, or I should say whoever remastered this tape created a real gem. ZZ Top Overton Park Shell, Memphis, Tennessee (Memphis Country Blues Festival) 1971-04-25 Disc 1 1) Every Day I Have The Blues 2) Somebody Else Been Shaking Your Tree 3) Neighbor Neighbor 4) Just Got Back From Baby's 5) Whiskey 'N' Mama 6) Rattlesnake Shake 7) Goin' Down To Mexico Disc 2 8) Instrumental Improvisation 9) Memphis Blues 10) Little Queenie 11) It's My Time 12) Drums & Bass Solo 13) Brown Sugar 14) Jailhouse Rock

Audience 8.5/8.4 - Both of these recordings are very good in not only the general fidelity but they also seem to be low gen. They are both clear and not muddy, although one is slightly clearer in the middle frequency. It seems as though these shows have been worked on with some audio tools, but with a light touch, it is greatly appreciated by these ears!  Both shows are very worthwhile, and being the period before the more extravagant sets, kind of easier to sit through. The Kinks "The Ides of March" Disc 1 Emerson Gymnasium Case Western Reserve University Cleveland, OH. March 11, 1972 1. Top of the Pops 2. Brainwashed 3. 20th Century Man (Beginning tease) 4. Get Back In The Line 5. Waterloo Sunset 6. Apeman 7. Sunny Afternoon 8. Band Intros 9. Muswell Hillbillies 10. Acute Schizophrenia Blues 11. Your Lookin Fine 12. Alcohol 13. Skin & Bones 14. Lola 15. You Really Got Me 16. All Day And All Of The Night 17. Applause (Encore Break) 18. Til The End Of The Day 19. Victoria Disc 2 Chicago Auditorium Chicago, IL March 12, 1972 1. -Intro 2. -Till The End Of The Day 3. -Your Looking Fine 4. -Apeman 5. -Get Back In Line 6. -Acute Schizophrenia Paranoia Blues 7. -Muswell Hillbillies 8. -Sunny Afternoon 9. -Demon Alcohol 10. -Skin And Bones 11. -Lola 12. -Jam - One Night With You 13. -You Really Got Me - All Day And All Of The Night 14. -Victoria 15. -Louie Louie

Audience 8.4 - This tape starts off rough but gradually opens up and ends up quite listenable especially considering this originates from an early tour stop in England 1980. These tapes are few and far between, so grab it is my advice. One thing I noticed, the sound timbre is rather eerie, a spooky kind of effect I can’t explain and it is magnified by the fact that Randy’s guitar is clearest in the mix. I could not help myself while listening to ponder what may have been, such an advanced musical sensibility that would have only gotten better. OZZY OSBOURNE - "1980 Sunderland" Mayfair Theater, Sunderland, England October 28th, 1980 Ozzy Osbourne - Vocals Randy Rhoads - Guitar Bob Daisley - Bass Lee Kerslake - Drums 01 -Intro 02 -I Don't Know 03 -You Lookin' at Me 04 -Crazy Train 05 -Goodbye to Romance 06 -No Bone Movies 07 -Mr. Crowley 08 -Revelation (Mother Earth) 09 -Suicide Solution 10 -Randys Solo 11 -Lees Drum Solo 12 -Iron Man 13 -Children of the Grave 14 -Steal Away 15 -Paranoid Notes: When Ozzy left Black Sabbath in 1979 I honestly thought it could be the last we saw of him. Sure, he was a great, mad front man in Sabbath, but I really didn’t see him as a solo act. Ozzy always struck me as crazy, fearless, yet almost child-like. He fitted well within the Sabbath context, and as part of a group; but on his own? How wrong I was. Nobody could have predicted just how successful his career would turn out to be. But it was obvious from the first time I saw him in concert and heard him play his new songs that Ozzy was going to be OK, more than OK in fact. The new album had some great tracks in “Crazy Train”, “Goodbye to Romance”, and “Mr. Crowley”, and he included Sabbath favorites “Iron Man”, “Children of the Grave”, and “Paranoid” in the live show, so how could he not be great? Oh, and Randy Rhoads was simply an incredible guitarist, just as good as his legend suggests. The tour called at Newcastle City Hall, Newcastle Mayfair and Sunderland Mayfair.  The line-up of Blizzard of Ozz was Ozzy (of course) on vocals, the late and truly great guitarist Randy Rhoads, Bob Daisley (Rainbow) on bass, Lee Kerslake (Uriah Heep) on drums and local lad Don Airey on keyboards (replaced by Lindsey Bridgewater for the tour). Support came from those excellent Welsh rock heroes Budgie.

Audience 8.8 - A great atmospheric recording – I think I have figured it out though – so people used to go to concerts and party, with the musician on stage performing just an excuse to be with hundreds of other pot smoking, over-hyped hippies. What I am trying to say is that the audience is a little too into it…in my opinion. Great show though. Artist: Neil Young Date: 1973-03-17 Location: Seattle, WA Venue: Seattle Center Coliseum Source: Audience Band Members: Neil Young - guitar, vocals, harmonica, piano The Stray Gators Ben Keith - pedal steel guitar Jack Nitzsche - piano, vocals Tim Drummond - bass Johny Barbata - drums Setlist: 01. Intro 02. Sugar Mountain 03. Tell Me Why 04. Old Man 05. Heart Of Gold 06. Time Fades Away 07. Band Introduction 08. L.A. 09. Lookout Joe 10. Don't Be Denied 11. Are You Ready For The Country? 12. Last Dance 13. Yonder Stands The Sinner 14. New Mama (very end cut) 15. Southern Man 16. Cinnamon Girl 17. Alabama Length: 100:37 Notes: This is a very good to excellent sounding recording. This recording has been available for years now but this is the first time the master reels have ever been properly digitized. This show captures Neil Young and his backing band The Stray Gators touring in support of his Time Fades Away album. This is a good show but Neil is plagued with guitar problems and spends about a quarter of show tuning his guitar. Also of note David Crosby and Graham Nash join Neil onstage for Old Man.