• Sale!

    PINK FLOYD – Lyon 1972 (2CD)

    Original price was: $23.49.Current price is: $22.00.
    Audience 8.5 - A loud and brassy sound with a little tiny amount of overload somewhere in the upper mid frequency which, if you were to choose where to have it, would be there. So, that all sounds bad, but not really…this is a very satisfying listening experience because the actual tone and ambience of this recording is amazingly realistic and gives a sense of the venue (which gives a “time-trip” feeling to it). I rather like it a lot.
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    URIAH HEEP – Karlstad, Sweden 1977 (1CD)

    Original price was: $16.49.Current price is: $15.00.
    Audience 7.7 - Most of the unauthorized recordings of Uriah Heep with John Lawton as lead vocalist are only of fair audio quality. John's vocals are clear through most of the recording. The recording is a bit cut-up in places but the big upside is an unusual setlist featuring some tunes from Heep's Firefly album.  Also John's bluesy vocals shine throughout.
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    UFO – Reading Festival 1980 (2CD)

    Original price was: $23.49.Current price is: $22.00.
    Audience 8.4 - Decent, maybe a little bit thin (needs more low end) but all highs are really there, so a bit of compression is not going to hurt this if someone wants to re-master it.  A good one for the collection nonetheless.
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    QUEEN – Ultimate Rare Cuts (6CD) Complete Set

    Original price was: $72.50.Current price is: $65.00.
    All Studio and/or pro live. Most of it is excellent quality, very little I would say is less than excellent. Interesting how it was compiled though, the producers opted to chronologically list the tracks according to their release date, not by actual performance date. That makes for an interesting listen.  DISCLAIMER – to preserve the look of the original 6 volume set, I had to use materials available to me which were a little below the usual high standards we maintain with Wolfpodscd releases. Your purchase includes a print out of the track listing for the complete set.
  • Audience 8.7 - A surprisingly good recording, honestly when I first came upon this title I thought to myself it must be crap sound ‘cause I’d never heard of it before. Not so! It’s pretty good.
  • Soundboard 9.0 - Aside from a weird high frequency buzz that lasts for a few minutes at the beginning, and one or two minor tape faults this is a crisp, airy recording that EVERYONE is going to LOVE! Good bite on the guitar which seems to have a lot more “space” in the recording, yet maintains definition when it isn't too buried. Keyboards are really pronounced which helps this tape. Several cuts exist here and there, but it’s still a very interesting tape!
  • Soundboard 9.5 - Excellent in just about every way, including the performance itself. Great stuff!
  • Audience 8.6 - The best part of this tape to me is the richness of the bottom end, nice and round, deep, very very nice. The rest is good too, just maybe not as articulate as the bass sound, with some audience chatter during the show, and a spacious but not reverb drenched atmosphere. One of the great ones!
  • Soundboard 8.7 - Signs of age on the old tape, it’s not from a master source but you know, it’s early Metallica in soundboard quality! You don’t have to be a metalhead to be able to appreciate what this band did, and listening to a decently mixed board allows you to hear more of the musicality and musicianship.
  • Audience 8.8 - A large hall with a lot of atmosphere but the recording thankfully was handled with care by the tapers. Not super close, but not nosebleed, levels are perfect, and the stereo effect is nice. Audio quality is decent, giving you a pretty solid idea of what you would have been hearing with your own ears if you were there.
  • Soundboard 9.6 - Very very clean and quiet, a pure board feed and not a lot of atmosphere but I don’t think anyone is going to mind. It’s a good time period for Elton, with major focus on ballads but still plenty of rock and roll to keep you satisfied.
  • Audience 9.2 - Very clear and a good amount of atmosphere to give you a real sense of what it was like to be there. I also like how the bass and guitar sound, some tasty tonality to sink your ears into.
  • Audience 8.4 - Somewhat one-dimensional and a touch thin but it’s pretty darn clear, with a pronounced emphasis on guitar (cool!).  Historically I guess you place this high on the priority list as it is their last show, but as a collector you get it because it’s one of the better sounding recordings.
  • Audience 7.4 - A scratchy, distant, and cluttered recording of an energetic show (band and audience). Is it worth getting? It’s on the ragged edge if you ask me, but as a completist you will find that it is not unlistenable muck, thankfully. It is interesting to hear a veteran touring band giving it 100% effort even if the city is other than New York, LA or Chicago. Just another tour stop, in the deep south no less, but there’s Rush giving their fans their all, night after night. God Bless Rush!
  • Audience 8.4 - A great find here!  So few Power Windows tour shows out there, and this one, while not a “great” recording, is pretty clear and has a lot of atmosphere. Does sound maybe midway in the venue, so you get a little of that “wash” or stadium “verb” effect but to my delight the bass notes are distinct and not just a boominess. It’s maybe the guitar that is slightly lost, with Geddy also being a touch behind the sound rather than in front. Overall, it is still a good listen and well worth having.

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