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Audience 8.6 - I don’t quite know what to make of this tape – it is very clear but with some kind of slight crispness in the middle to high band that suggests the microphone being used was not up to the task. That being said, it’s still a pretty good recording, and with a class mic it would have been a 9.0 or better. Well worth getting, that is my final assessment. Band: Jeff Beck with Jan Hammer Group Date: Dec 8, 1976 Venue: Where House, New Orleans Disc #1 01) Darkness / Earth In Search Of A Sun 9:00 02) You Know What I Mean 4:38 03) Freeway Jam 7:54 04) Goodbye Pork Pie Hat 5:09 05) Earth(Still Our Only Home) 5:59 06) Drums, Keyboard Solo - Earth(Reprised) 7:43 07) Scatterbrain 7:40 Disc #2 01) Bass Solo 4:41 02) Come Dancing 8:23 03) She's A Woman 5:31 04) Diamond Dust 7:20 05) Full Moon Boogie 7:42 06) Blue Wind / Train Kept A Rollin' 4:49 Total time 01:26:38 Jeff Beck (with Jan Hammer) Tour Jeff Beck(guitar) Jan Hammer(keyboards) Fernando Saunders(bass) Steve Kindler(violin,synthesizers and guitars) Tony Smith(drums) -
Soundboard 9.5 - Superb clarity and attenuation, especially where the high end is concerned. Very lifelike, no sign of radio compression which suggests this tape to be pre-FM broadcast. Genesis Hammersmith Odeon London, UK June 10, 1976 Band: Tony Banks: keyboards (pianos, synths, organ, Mellotron,) 12-string guitar, backing vocals Phil Collins: lead and backing vocals, drums, percussion Steve Hackett: lead guitars Mike Rutherford: basses, guitars, vocals Bill Bruford: drums, percussion Setlist: Disc 1 01 Dance On A Volcano 6:45 02 The Lamb Lies Down On Broadway 4:44 03 Fly On A Windshield 2:38 04 The Carpet Crawlers 6:43 05 The Cinema Show 12:30 06 Robbery, Assault And Battery 6:28 07 White Mountain 7:26 08 Firth Of Fifth 9:48 09 Entangled 6:43 10 Squonk 6:54 Runtime: 70:43 Disc 2 11 Supper's Ready Intro 1:25 12 Supper's Ready 24:37 13 I Know What I Like 7:05 14 Los Endos 6:51 15 It - Watcher Of The Skies 6:40 Runtime: 46:41 Total Runtime: 1:57:25 -
Audience 8.7 - Electric and palpable, from the band on down to the audience members, a solid gig and a pretty enjoyable recording with a terrific bass response especially. In the pantheon of Yes shows, I’d have to rate this performance as transcendent, and a great reminder of what Patrick Moraz contributed in his brief tenure. YES June 19, 1976 (Colt Park - Hartford, Connecticut) Disc 1 1.1. -Announcer Introduction 1:48 1.2. -Apocalypse 1:58 1.3. -Siberian Khatru 9:19 1.4. -Sound Chaser 10:11 1.5. -I've Seen All Good People 7:25 1.6. -Gates Of Delirium 23:01 Total Time 53:42 Disc 2 2.1. -Long Distance Runaround 1:39 2.2. -Moraz Solo 3:44 2.3. -Clap 3:49 2.4. -Harp Solo 3:59 2.5. -Heart Of The Sunrise 11:31 2.6. -Ritual 26:15 Total Time 50:57 YES Jon Anderson – Lead Vocals, Acoustic Guitar, Harp & Percussion Chris Squire – Bass Guitars, Backing Vocals and Percussion Steve Howe – Lead Guitars, Backing Vocals and Percussion Alan White – Drums & Percussion Patrick Moraz– Keyboards -
Audience 8.4 - A lo-fi but pretty decent and clear recording. I would not expect there to be many high-end live tapes floating around due to the fact that most people probably did not know who this guy was. Collectors will appreciate having this, a very uncommon thing and worthy of investigation. Wizzard - Sant Monica 1974 Venue - Civic Centre Place - Sant Monica State - California Country - USA Date - 6th October 1974 DISC ONE 01 - Ball Park Incident 02 - Brand New 88 03 - Angel Fingers 04 - Forever 05 - Gang Bang 06 - This Is The Story Of My Love 07 - California Man 08 - Goin' Down The Road DISC TWO 01 - She'll Be Gone 02 - You can dance The rock 'n' Roll 03 - See My Baby Jive 04 - Locomotive 05 - Buffalo Station 06 - Get On Down To Memphis -
Audience 8.5 - A really fine document of a superb time for the band…young, hungry, full of spit and vinegar and quite frankly at the top of their game. The playing is transcendental, a band completely in sync with each other. The tape is noise free, and while most of the time it sounds a touch on the dull side, it does brighten up and you know it’s probably because the taper got bold and moved closer to the stage. For what it is, it is quite good! Aerosmith Renziehausen Park bandshell McKeesport, PA 10/6/74 01 Introduction - Tuning 02 S.O.S. (Too Bad) 03 Somebody 04 Banter - Tuning 05 Lord of the Thighs 06 Woman Of The World 07 Banter - Tuning 08 Pandora's Box 09 Dream On 10 Same Old Song & Dance 11 Walkin' the Dog 12 Train Kept a Rollin' (with drum solo) Steven Tyler - vocals, harmonica Joe Perry - guitar, vocals Brad Whitford - guitar, vocals Tom Hamilton - bass Joey Kramer - drums -
Audience 8.2 - A scrappy document, immersed in the audience, band playing a large hall…but thankfully I can hear everything. Not much clarity when they are at full swing but I would say this tape still has its charms and collectors, if they don’t have it, may want to add it to the collection. Incidentally the band returned again to play Philly later the same year, and that show exists and is pretty decent sounding. Aerosmith The Spectrum Philadelphia PA October 9, 1977 -Back In The Saddle -S.O.S. (Too Bad) -Big Ten Inch Record -I Wanna Know Why -Lord Of The Thighs -Lick And A Promise -Get It Up -Walk This Way -Sweet Emotion -Dream On -Dream on cont'd -Walkin' The Dog -Sick As A Dog -Draw The Line -Same Old Song And Dance -Train Kept A Rollin' -Get The Lead Out Notes: The band out on their "Draw The Line" tour playing new tunes before the record was out! Ah the old days! Band debuts "Get It Up" here, a whip-cracker of a tune...In fact that whole Draw The Line album rocks. People slag on it, but that "first side" is pure rock and roll genius, just has a flow and the rest is good too. If that LP came out today, people would shit their pants in joy. But I digress...this show is from the taper and solid quality. This is the show where Tyler and Perry got hit with an M-80 as they returned for the encore, so alas, there is no encore. But we also do not hear any fireworks blast as the tape simply shuts off after the Train Kept A Rollin'/Get The Lead Out jam. The band would return to the same venue just weeks later. -
Audience 8.4 - A fine document albeit not without limitations. Sound is generally clear, the mix is heavily in favor of Keith’s rhythm guitar, although Mick Taylor is not absent. Mick Jagger is audible, not clearly, but he is audible. Bass sounds pretty good, Charlie is there too but not distinctly. It’s not muddy, really, it’s not close, it’s not far – this is a very good “average” tape if that makes any sense. The Seattle portion (included in this set) is maybe in the 8.7 range, this source being a bit better than the other version we offer here. BTW I think the Midnight Rambler version here is one of the best of the tour. The Rolling Stones Pacific Coliseum, Vancouver, Canada 1972-06-03 Center Coliseum, Seattle, WA 1972-06-04 (2nd show) CD1 __Vancouver__ 01 Brown Sugar 02 Rocks Off 03 Gimme Shelter 04 Bitch 05 Tumbling Dice 06 Happy 07 Honky Tonk Women 08 Loving Cup 09 Torn And Frayed 10 Sweet Virginia 11 You Can't Always Get What You Want 12 Ventilator Blues CD2 13 Midnight Rambler 14 All Down The Line 15 Bye Bye Johnny 16 Rip This Joint 17 Jumping Jack Flash 18 Street Fighting Man __Seattle__ 19 intro 20 Brown Sugar 21 Bitch 22 Rocks Off 23 Gimme Shelter 24 The Loveliest Night Of The Year 25 Happy 26 Tumbling Dice CD3 27 Love In Vain 28 Sweet Virginia 29 Loving Cup 30 Band intro 31 You Can't Always Get What You Want 32 All Down The Line 33 Midnight Rambler 34 Midnight Rambler 35 Bye Bye Johnny 36 Rip This Joint 37 Jumping Jack Flash 38 Street Fighting Man Total Time: 2h:57m:28s. -
Audience 8.7 - A very well recorded show by all accounts. The sound is round, and has nice timbre. I hear everything clearly, bass sounds warm, guitars are raw and jangly…basically this sounds like the Stones in a club and it’s anything but a club! That is saying a lot, to get a stadium recording to sound closer to you. Well done taper! The Rolling Stones October 24, 1981 Citrus Bowl Orlando, FL CD 1: ----- 1. Under My Thumb [03:51] 2. When The Whip Comes Down [05:36] 3. Let's Spend the Night Together [04:30] 4. Shattered [04:20] 5. Neighbours [04:35] 6. Black Limousine [03:46] 7. Just My Imagination (Running Away with Me) [08:38] 8. Twenty Flight Rock [02:29] 9. Let Me Go [04:12] 10. Time Is on My Side [03:36] 11. Beast of Burden [06:58] 12. Waiting On A Friend [04:47] 13. Happy Birthday [01:00] 14. Let It Bleed [06:55] 15. You Can't Always Get What You Want [07:24] CD 2: ------ 1. intro [00:32] 2. Little T&A [04:07] 3. Tumbling Dice [05:07] 4. She's So Cold [04:34] 5. All Down The Line [03:58] 6. Band intro [00:56] 7. Hang Fire [03:16] 8. Star Star [04:23] 9. Miss You [05:43] 10. Start Me Up [04:52] 11. Honky Tonk Women [03:42] 12. Brown Sugar [03:46] 13. Jumping Jack Flash [08:26] 14. (I Can't Get No) Satisfaction [06:35] -
Audience 8.5 - Interesting tape, it’s very clear concerning Mr. Jagger! I kind of like this kind of tape, because it’s a realistic sound, like probably what your own ears would have picked up had you been there. I really get a sense of the venue, and the mood of the day. The band sound really hyped, it feels they are playing with a sense of urgency and anger. The sound does sometimes slightly fade out but it comes right back and it is not very frequent. Overall it’s a really fun show to hear! Rolling Stones Sept. 28, 1973 Olympiahalle, Munich early show. 1. -Brown Sugar 2. -Gimme Shelter 3. -Happy 4. -Tumbling Dice 5. -Star Star 6. -Dancing With Mr. D 7. -Angie 8. -You Can't Always Get What You Want 9. -Midnight Rambler 10. -Honky Tonk Woman 11. -All Down The Line 12. -Rip This Joint 13. -Jumpin' Jack Flash 14. -Street Fighting Man Setlist: ( 69:32) -
Audience 8.6 - This recording does not possess great dynamic range, but it is nice and clear and features some biting guitar and thankfully present vocals. It’s a good ’76 tape and worthy of the collection for sure. Aerosmith Cow Palace San Francisco, CA August 28, 1976 1 -Rats In The Cellar 2 -Dream On 3 -Lord of the Thighs 4 -Last Child 5 -Walk This Way 6 -Sick As A Dog 7 -Same Old Song and Dance 8 -Train Kept A Rollin' 9 -Toys In The Attic -
Audience 8.7 - This show features the return to the Spectrum, a venue they had recently played and for some reason decided that they needed to schedule another show there (perhaps they felt the last show there was below par?). Anyway, by all accounts it’s a better gig, and the audio quality is also better with clearer sound and better separation of instruments. The recording levels are a touch low, so you will have to turn up the volume (trust me it won’t distort or break up, it will get even better). Aerosmith The Spectrum Philadelphia PA December 19, 1977 -Back In The Saddle -S.O.S. (Too Bad) -Big Ten Inch Record -I Wanna Know Why -Lord Of The Thighs -Lick And A Promise -Get It Up -Walk This Way -Sweet Emotion -Dream On -Walkin' The Dog -Mama Kin -Draw The Line -Same Old Song And Dance -Train Kept A Rollin' -Milk Cow Blues -Toys In the Attic Back at the Spectrum about 10 weeks after the previous gig. Sounds like someone handed Joe Perry the wrong guitar heading onto stage because he is way out of tune! He tries to tune on the fly, but sounds like he is given another guitar and things improve. A weird start to a show! The band cranks through its classics at this point, an entertaining show to these ears. Good quality for a 1977 gig, straight from the taper. Enjoy! -
Soundboard 8.7 - A show that factors in to what would become a stellar career over many decades. Pretty much on her own now (no longer paired with Gram Parsons R.I.P.) she started playing in the clubs in the DC area when a producer came to record this show for future reference as he crafted her breakout solo album. Did she know he was at the gig? Who knows, but she obviously made an impact. Emmylou Harris and the Angel Band 1974-05-08 Red Fox Inn Bethesda, Maryland Disc 1 01 -Hot Burrito #1 02 -Hickory Wind 03 -Shop Around 04 -Honky Tonk Blues 05 -Louise 06 -California Cottonfields 07 -High On The Hilltop 08 -Reconstructed 09 -When Will I Be Loved 10 -God Knows I Love You 11 -Before Believing 12 -Queen Of The Silver Dollar 13 -Someone I Used to Know 14 -Tonight the Bottle Let Me Down 15 -A Song for You 16 -High On The Hilltop 17 -Born Again 18 -Drifting Too Far From Shore Disc 2 01 -Country Baptizin' 02 -That's All It Took 03 -Together Again 04 -Your Good Girl's Gonna Go Bad 05 -Our Father 06 -Maybe Mexico 07 -Sold it All Away 08 -Instrumental (Jeff Wisor & J.B. Morrison) 09 -Satan's Jewel Crown 10 -Born Again 11 -Country Baptizin' Angel Band : Bruce Archer - Guitar Mark Cuff - Drums Tom Guidera - Bass Danny Pendleton - Steel Guitar w/ John & Fayssoux Starling, J.B. Morrison & Jeff Wisor on tracks 7-11 (disc 2) {After Gram Parsons's death} Emmy moved back to D.C., where Tom Guidera had also become a country music convert. With pedal steel player Danny Pendleton and two other musicians, they put together the Angel Band and started gigging around the clubs, playing some of the songs she’d performed with Gram. Eddie Tickner made Harris his number one priority and he convinced Mary Martin, an A&R representative from Warner/Reprise Records (the label that had released Parsons’ solo work) to investigate an Angel Band show in a Washington nightclub. Emmylou Harris became a Reprise Records recording artist in 1974; with her daughter Hallie in tow, the Angel Band relocated to Los Angeles to begin work on Harris’s first true solo album. To produce, Martin paired Harris up with Nova Scotia native Brian Ahern, the mastermind behind Anne Murray’s spate of hits in the early 70’s. She brought the quiet Canadian to hear the Angel Band, and he recorded the performance on a hand-held cassette machine to study at home. This sounds better than a hand-held cassette machine recording, purportedly a sound board, but it's not by any means what we think of as soundboard quality by today's standards. -
Audience 8.8 - I can’t fault this too much even though it is not a tape without a certain sonic limitation – but it’s not enough of a fault to be critical of what is a fantastic performance paired with a warm, energy filled tape. It’s a great capture that barely holds the intensity before it begins to break-up, albeit only slightly, as the volume overwhelms the microphone. Is that bad? Normally it spells disaster if the recording equipment is, say, a realistic or some no-name generic piece of crap but this taper is obviously using high end stuff. The point at which volume and intensity causes normal gear to fail only slightly bother this set-up. So, I recommend it as one of the better 1976 tapes out there. It’s simply great and you’ll love it. YES 1976-07-22 PNE Coliseum Vancouver, British Columbia Canada DISC 1 1.01 Siberian Khatru (9.45) 1.02 Sound Chaser (10.32) 1.03 I've Seen All Good People (6.50) 1.04 The Gates Of Delirium (21.11) 1.05 Long Distance Runaround (2.41) 1.06 Keyboard Solo (5.16) DISC 2 2.01 The Clap (4.55) 2.02 Harp Solo (4.01) 2.03 Heart Of The Sunrise (10.29) 2.04 Ritual (27.18) 2.05 Roundabout (8.49) -
Four Discs of music that will melt your brain. All are either Very Good or Excellent quality, so it’s not a jarring experience to sit through all four discs, they have a certain continuity to them. I think this is a great time period of music and these guys were just on another level. It’s a fun thing to ponder, whether there are any bands that can do this sort of thing today – and the answer is “I really don’t think so”. SOFT MACHINE TIME TRIPS 1969-1972 Disc 1 Live at the Lyceum, London, October 5, 1969 Lineup Mike Ratledge – Lowery Organ, Piano Hugh Hopper – Bass (Fuzz Bass) Robert Wyatt – Drums, Vocals 1. Moon In June (17:45) 2. Facelift (4:43) 3. Eamonn Andrews (5:57) 4. Mousetrap-Noisette-Backwards-Mousetrap reprise (7:16) 5. Esther's Nosejob (11:27) Disc 2 6. improv - Facelift middle section reprise (3:50) 7. Dedicated To You But You Weren't Listening (0:21) 8. We Did It Again (3:38) 9. Noisette reprise (0:56) 1970-10-10 Ronnie Scott's Jazz Club London England Lineup Elton Dean - alto sax Hugh Hopper - bass Mike Ratledge - organ Robert Wyatt - drums, vocals 10. -Facelift 11. -Kings and Queens 12. -Virtually (pts.2 & 3) 13. -Slightly All The Time 14. -Eamonn Andrews 15. -Esther's Nose Job 16. -Fire Engine Passing with Bells Clanging - Pig - Orange Skin Food - A Door Opens and Closes - 10.30 Returns To The Bedroom (pt. 1) - Pigling Bland - Esther's Nose Job (reprise) - 10.30 Returns To The Bedroom (pt. 2) Disc 3 Casino Lido, Venice, Italy September 24, 1971 1. - Drop - MC - Out-Bloody-Rageous (20:57) 2. - All White Slightly All The Time - Plain Tiffs (21:22) Lineup Elton Dean - alto sax, saxello, fender rhodes electric piano Mike Ratledge - organ, fender rhodes electric piano Hugh Hopper - bass Phil Howard - drums Disc 4 Piper Club, Rome, Italy 24 April 1972 01 -All White - 7:47 02 -Slightly All The Time 1 - 8:39 03 -Slightly All The Time 2 - 3:36 04 -Drop - 5:56 05 -MC - 5:24 06 -Out-Bloody-Rageous - 14:00 07 -As If 1 - 1:01 08 -As If 2 - 0:50 09 -As If 3 - 3:33 10 -As If 4 - 5:19 11 -As If 5 - 0:26 12 -LBO - 9:04 13 -Pigling Bland - 5:04 Line Up: Mike Ratledge - organ, electric piano Hugh Hopper - bass Elton Dean - alto sax, saxello, electric piano John Marshall - drums -
Audience 8.3 - Not recorded from the best vantage point on the best gear, but taper made the best of it, and it gets incrementally better from the time where he moves to a better spot (closer). Tape has all the hallmarks of a large stadium, loud rock concert, the regular deal…not going to blow anyone away. Now that I’ve said that, there’s some good news! Yup – Pete is playing great and he is the clearest sounding, followed by Roger, and the bass has a good, deep, rumbling growl that comes through (NOT boomy!). If this tape had been boomy, I would have rated it in the upper 7’s. The Who Sports Arena, San Diego, CA October 7, 1976 Band line-up Roger Daltrey - lead vocals, harmonica Pete Townshend - guitar, vocals John Entwistle - bass, vocals Keith Moon - drums, vocals Total Time = 01:39:56 Disc 1 01 I Can't Explain 02 Substitute 03 My Wife 04 Baba O'Riley 05 Squeeze Box 06 Behind Blue Eyes 07 Dreaming From the Waist 08 Magic Bus 09 Amazing Journey 10 Sparks Disc 2 11 The Acid Queen 12 Fiddle About 13 Pinball Wizard 14 I'm Free 15 Tommy's Holiday Camp 16 We're Not Gonna Take It 17 See Me, Feel Me 18 Summertime Blues 19 My Generation 20 Join Together 21 My Generation Blues 22 Won't Get Fooled Again Show comments: The Who/Mother's Finest For this Who show, the realistic recorder was used. First song, first row behind the stage looking at Keiths Moon’s back. Track two starts and I’m looking for a better recording position. The stage has typical left and right arrays but there was also an extra array on the right side facing the stage. Strangely not one to the left side. I parked myself in front of it which was basically just above me. On minor movement towards the center of the arena on the right side to avoid two chicks with whistles and the remaining show was recorded in that position. -
Audience 8.6 - A recording that is very clear but dangerously close to being too crisp on the highs…but thankfully it doesn’t sizzle and ruin anything. It’s still very good – might could use more thickness, but you will probably be able to enjoy this show and certainly are welcome to boost the low end which will help. RUSH Date: April 18, 1994 Location: Buffalo Memorial Auditorium Buffalo, New York, USA DISC 1 Intro 1:10 Dreamline 4:58 The Spirit of Radio 4:56 The Analog Kid 5:47 Cold Fire 4:57 Time Stand Still 5:51 Nobody's Hero 5:21 Roll The Bones 6:09 Animate 7:54 Stick It Out 5:13 Double Agent 4:55 DISC 2 Limelight 4:33 Mystic Rhythms 5:57 Closer to the Heart 5:35 Show Don't Tell 5:25 Leave That Thing Alone 5:54 The Rhythm Method 7:12 The Trees 5:21 Xanadu 6:32 Hemispheres: Prelude 4:16 Tom Sawyer 5:29 Force Ten 4:41 YYZ 3:23