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Audience 8.8 - Someone snuck in some good gear for this capture. You can just tell the mics are quality, there’s a great stereo pan, a good atmospheric capture. -
Audience 8.6 - A very “live” sounding tape! Excitement, yes indeed (despite modest hiss). -
Pro Radio Broadcast 9.8 -
Audience 9.0 - Clear and bright, pristine in the highs with the detail, remarkable. -
Soundboard 9.8 -
Audience 7.2 - Kind of flat but surprisingly clear (Portchester auds tend to be notoriously distorted). -
Audience 6.9 - Well, here's the rub: Great band, great time (1971), great place (Bern, Switzerland), but not great recording. I mean, what you really need anyway is the guitar here, and at least you get some of that! The problem is mainly a lo-fi experience but to be fair to this capture you do hear it all on stage. I am too harsh really, I think if you just give it a chance it gets better to your ears. I mean, it's TOAD man! How many live recordings are there? Two? Whatever it is this is still essential. -
Audience 7.7 - A tape that barely holds itself together due to the volume, must have been taped very close to the main PA’s. It actually is not distorted though, but it’s a balls out blaster of a tape and kind of cool in that respect. Vocals come through nicely – guitars and bass are pretty front and center here. -
Soundboard 9.8 - What makes this so great is not only the excellent live mix but also the performance itself. So few Thin Lizzy recordings out there to begin with, so when we get one this good, you know, it’s something to treasure. -
Audience 8.6 - The tape starts off kind of funky, and the band, or I should say, Phil Lynott, is having difficulty with the sound of his bass. Things get progressively better, until what you have is a pretty darn good show and recording. -
Soundboard 9.3 -
Soundboard 9.0 - Fierce! -
Soundboard 8.4 -
Soundboard 9.0 and Audience 8.6 -
Frankfurt 1972 - Audience 7.1 - Vocals buried but this is so cool, such an early show – guitar is smokin’ hot! Berlin 1973 - Audience 8.4 -
Audience 7.3 - A rough document that reminds me a little bit of the Boston 1969 tape. There’s a lot of inherent noise within the bandwidth of the poor old analog tape trying to capture the sheer power of the Who in 1969, but you know it does manage to get enough that you can adjust and start to get into it. It’s raucous, yup, but so was the band!