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London - Pro 9.0 (BBC) / NY - Audience 6.3 -
Audience 8.8 - Surprisingly clear and spacious, very enjoyable tape! Glen Cornick .... Bass player for Jethro Tull -
CD 1 - Alkmaar - Soundboard 8.8 / CD 2 - Ashington - Audience 8.0 -
Audience 7.9 - A loud, and immediate sounding tape, almost as if it was recorded yesterday. Really has that vibe, like you can’t believe it was 1978. -
Audience 8.2 - Drums and vocals present, rhythm section just behind them but the recording is not suffering from typical large hall boominess or distortion so it offers a reasonable enjoyment factor to these ears. -
Audience 9.7 - Absolutely ripping show in every way. Live sound is bordering on perfection, and it's not even a Soundboard. -
Pro Soundboard 9.1 - Recorded for broadcast in a studio setting so you know it is going to be really good. Tape is just a touch “aged” in that it is not as bright as you would expect but still darn good. -
Soundboard 8.8 - Good mix, with a lively bass and clean punchy sound with a well balanced left right pan for the live mix. Good stuff -
Audience 7.9 - Very clear, not exceptionally dynamic but this is very enjoyable! -
Audience 8.7 -
Soundboard 9.6 -
Audience 8.7 - Some harshness on the cymbals, but I’d rather have those highs intact because it is easier to round off than try and crank them up if they don’t exist. -
Studio Quality 9.5 -
Audience 7.5 - Two complete shows from 1984 that see very limited trading and as far as I know there’s been no CD release for either. There is good reason for this – these recordings sucked ass. Unfortunate too, because both gigs are screamers. Now, the good news! Both shows have been re-mastered using the best technology available (whatever they did 35 years ago obviously did not do much) and the results are that you can hear music now, you can hear what Eddie is doing and you can hear the band. No, it is not going to be sonically superior, but it is sonically better than any previous versions, and that is saying an awful lot! Best way to enjoy these is to listen to the original recordings and then pop these discs in, and THEN you will understand the work that went into saving these gigs from obscurity. The packaging on this title is superb by the way. -
Audience 7.4 - Pretty average recording of a rare gig not seldom traded. The good news for collectors is that it has been remastered to reveal more in the tape (more music that is). It’s just really loud, and it distorts, you have to appreciate that it was recorded at all, now that we know just how scarce these early 80’s recordings are. On the plus side, there are moments where it is much clearer - like the guitar solo and mellower parts. I would recommend this to the collector who focuses on classic DLR era Halen, to have the best version wrapped up in eye-popping packaging. This show is complete, every second captured for posterity. -
Audience 7.8 - A MAJOR upgrade here folks! This recording used to suffer a horrible low mid range boom and muddiness that killed an otherwise decent tape and really good performance capture. Now, even though it is still roughly an average tape, it is minus that deal-breaking boom/mud in the middle. Apparently, the recording being in stereo, while mastering they found by moving it wider (stereo panning) they got the affected channel muted enough where it was crap sounding, but saved what music was there. It worked wonders. Now this tape is worth your time, so rediscover it today.