-
Audience 7.8–8.3 - Stick with this one all the way through. Taper finds the sweet spot eventually. I rather enjoyed this one! -
Soundboard 9.4 - Killer, rehearsals for the Counterparts Tour. -
Audience 8.1 - A low generation tape used for this source helps immensely, as it sounds maybe recorded from middle of the floor, but it is actually quite good, a recommended addition to your collection. -
Audience 7.6 - What really saves this tape is the fact that it sounds like a master source – very clean virtually no noise, but you are sitting with the crowd and the band is…hmmm…not distant but not in your face, somewhere in between, and it sounds like a small venue. It’s fascinating to be honest, I really like it. -
Soundboard 9.3 - Very nice mix right in the sweet spot. -
Audience 8.7 - A little lack of definition in the bottom, but at least it has bottom end. There is also some atmosphere, so you feel the arena somewhat. A strong recording! -
Audience 8.8 - A little bit one dimensional but at least that dimension is very good! Vocals a bit behind here, but only a little. Drums, guitar – aw yeah! -
Audience 7.5 - Some depth for a one dimensional middle of the stadium recording. Bass is in a good place, relatively clear but somewhat distant. -
Audience 7.9 - Low levels but pretty clear when you turn it up. Some lack of distinction, but a straightforward audience recording with nothing to offend but not going to blow anyone away. -
Audience 7.3 - Noisy, but a pretty huge bass crunch which will appeal to the those who like it heavier sounding. The size of the hall does confuse the frequencies and so you get too much mess in the middle and what not but you can hear this and get used to it and it will pull you in. A good performance! -
Audience 7.5 - What saves this is a rich bottom end that is surprisingly warm without overt boominess. Guitar is present but sometimes hides behind the noise. Sound tends to come in and go slightly out in a wave like fashion but it’s subtle. Sometimes this gets clear and decent and then sometimes it seems to be brittle and cluttered in the lower end of the midrange. The rating is pretty accurate. It’s not atrocious – it’s for collectors though. -
Soundboard 9.4 - Powerful, living room clarity in your face and just as good a mix as you can do. -
Audience 9.1 - Coming from the original master tape, this show circulated online claiming 1st generation source and let me tell you, just toss that one out because ladies and gentlemen prepare to ENTER THE PALLADIUM and be blown away! After adjusting position during first song, the rest of the show (with just one or two minor dropouts) really soars to great heights both sonically and performance-wise. A crisp, airy but tight sound very close up front and no distortion, tape noise, or artifacts. Simply put, if you are a Rush fan, you need this. -
Audience 7.6 - I have it in my mind to collect every single performance the band did in Toronto. That means I am gonna get some good, some bad, some in between. This is probably some in-between. Not horrible but not great either. Now, I will say this, let your ears adjust and you get a reasonably clear but phasing sound. Recorded from somewhere pretty well back of the auditorium, sounds like. -
Audience 7.4 - A very thin recording, now it does come from a master source so it is as clean as it will ever be. I mean, I suppose you do hear it all, just do not expect much bottom end. -
Soundboard 9.3 - Long admired by fans for being both a fantastic performance and excellent soundboard with a good mix. A staple in every self-respecting Rush fan’s collection.