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Audience 8.3 - Limitations with the microphone is probably what prevents this recording from blossoming as it sometimes seems like it wants to do. You can hear it, for instance, during some of the passages, but I think the overloading of the bass crowds out the guitar a bit too much (although you can hear guitar, just not in a clear and detailed manner). Drums and keyboards dominate with a very insistent, pulsing bass undercurrent throughout. Does that count this out? Not at all, due to the disparity of live BJH recordings, I think this one is worth exploring. The compositions and playing make up for the limitations on the tape. Barclay James Harvest Greens Playhouse Glasgow, Scotland 1972-11-19 01. -Medicine Man 02. -Mockingbird 03. -Summer Soldier 04. -Galadriel 05. -After the Day 06. -Dark Now My Sky
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Soundboard 9.3 - This is, for me, a real revelation. I never knew anything of this band outside of their lone smash hit “My Sharona”, which incidentally happens to hearken me back to a very specific time and place of my youth when this song blasted from every radio every 10 minutes. Listening to this show, I am stunned at how excellent the band is, and how good ALL of the songs are. How they remained pigeonholed and forgotten as another 1 hit wonder it just amazes me because they should have been more than that. I could not stop playing this once I started…I was on board for the whole ride and will do it again! THE KNACK THE FORUM INGLEWOOD, CA 1980-03-30 01. Baby Talks Dirty 02. Your Number Or Your Name 03. Oh Tara 04. The Hard Way 05. I Want Ya 06. Mr. Handleman 07. End Of The Game 08. Hey Little Girl 09. Tell Me You're Mine 10. Good Girls Don't 11. Heartbeat 12. Can't Put A Price On Love 13. Hold On Tight And Don't Let Go 14. Come A Little Bit Closer 15. Frustrated 16. (She's So) Selfish 17. My Sharona 18. (Havin' A) Rave Up 19. Not Fade Away 20. We Love You
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Radio Broadcast 9.2 A touch of hiss present, but other than that this is a pleasant and airy recording. Electronic music with an atmosphere that would convince you otherwise. Excellent! Isao Tomita Hammersmith Odeon London, England 01 Introduction 0:50 02 Dawn (from Daphnis et Chloe Suite No. 2) (Ravel) 4:29 > 03 Snowflakes Are Dancing (Debussy) 2:14 > 04 Clair de Lune (Debussy) 5:58 05 Synthesizer Sounds Demonstration (narrated by Bob Walker) 10:54 06 Arabesque No. 1 (Debussy) 4:10 Firebird Suite (w/Michael Reeves on piano) (Stravinsky) 07 Part 1 - Intro and Dance Of The Firebird 5:18 08 Part 2 - Round Of The Princesses (Khorovod) 5:12 09 Part 3 - Internal Dance Of King Kastchei 4:01 10 Part 4 - Berceuse and Finale 7:39
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Pro TV Studio 8.7 - A good live recording with atmosphere, it sounds slightly dated but has the ability to transport you to the time and place…I think that when a recording can do that, it overcomes some of the limitations that may be present. This recording does lack a little bit of middle band clarity. Yes Amsterdam Concert Hall Netherlands 1972 (Last track - Hollywood Bowl 1975) 1. I've Seen All Good People 2. Heart Of The Sunrise 3. Rick Wakeman Solo 4. Long Distance Runaround 5. Yours Is No Disgrace 6. The Gates Of Delirium
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Soundboard 9.4 - A superb mix and live recording with exceptionally vibrant percussion, clear concise guitars, well balanced vocals, and good atmosphere. Chambers Brothers February 12, 1971 Fillmore East New York City, NY 01. -New Generation (13:36) 02. -Funky (5:25) 03. -Let's Do It (2:50) 04. -Pollution (3:45) 05. -When The Evening Comes (8:01) 06. -I Can't turn You Loose (6:27) 07. -Love, Peace & Happiness - Jam (12:34)
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Audience 8.8 - This may not be a tape with good song separation or detail but it occupies a sonic range that is very comfortable on the ears. Usually when attending a very loud, bombastic heavy rock or metal concert you aren’t going to distinguish much anyway, you will basically hear a roaring sound…but this tape delivers a little more than just that. This is a good document and taper used good gear, sat in a good spot, and recorded everything. I would call this recording completely immersive, with a warm, inviting sound. Alcatrazz & Ted Nugent Rocky Glen Park Moosic, PA June 29th 1984 Disc 1 ALCATRAZZ 1 -Intro 2 -Too Young To Die 3 -Jet To Jet 4 -Island In The Sun 5 -Night Games 6 -Kree Nakoorie 7 -Guitar Solo 8 -Since You've Been Gone 9 -All Night Long THE BAND Graham Bonnet lead vocals Yngwie Malmsteen guitar Jimmy Waldo keyboards backing vocals Gary Shea bass backing vocals Jan Uvena drums backing vocals Disc 2 TED NUGENT 1 -Blame It On The Night 2 -Knockin' At Your Door 3 -Free For All 4 -Don't You Want My Love 5 -Where Do You (Draw The Line) 6 -Great White Buffalo 7 -Need You Bad 8 -Ted Talks Disc 3 9 -Thunder Thighs 10 -Tied Up In Love 11 -Stranglehold 12 -Drum Solo 13 -Stranglehold (reprise) 14 -Stormtroopin' 15 -Hey Baby 16 -Cat Scratch Fever 17 -Wang Dang Sweet Poontang - Journey To The Center Of Your Mind 18 -Wango Tango 19 -Motor City Madhouse 20 -Dog Eat Dog THE BAND Ted Nugent guitar vocals Cliff Davies drums backing vocals Brian Howe vocals guitar Alan St. Jon keyboards backing vocals Doug Lubahn bass
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Audience 8.8 - A very good recording here, and the atmospherics are plentiful. There’s a natural reverb going on that adds another dimension to this, and I mean that in a good way. Lovely! Van Morrison featuring the Caledonia Soul Orchestra Sports Arena San Diego, CA December 1, 1973 01 Instrumental 02 Instrumental 03 Moondance prelude (instrumental) - Van Intro 04 Come Running 05 Ain’t Nothin’ You Can Do 06 Warm Love 07 Into The Mystic 08 I’ve Been Working 09 I Just Want To Make Love To You 10 Here Comes The Night 11 Hard Times 12 I Believe To My Soul 13 Help Me 14 Boogie Chillen’ 15 Domino 16 Caravan 17 Gloria 18 Brown Eyed Girl Sid Page - violin Jack Schroer - saxophone Bill Atwood - trumpet Bill Bridges - guitar David Hayes - bass David Shaw - drums James Trumbo - piano, organ
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Radio Broadcast 9.3 - Some tape hiss but otherwise a beautiful full sounding set here. This music is glorious, it’s maybe not everyone’s cup of tea but it’s very heartfelt and genuine, delicate, contemplative, uplifting. Highly recommended! INCREDIBLE STRING BAND WPLJ Radio Broadcast Live in A&R studios of WPLJ Radio, New York, May 1971 Fillmore East, May 18, 1971 1. Dream The World Alive 2. You've Been A Friend To Me 3. Spirit Beautiful 4. Evolution Rag 5. Turquoise Blue 6. Bright Morning Stars 7. Cosmic Boy 8. Jigs 9. Darling Belle 10. May The Long Time Sun Shine
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Audience 8.8 - Surprisingly good and clear! I get fine separation of instruments as well, hearing back up vocals, all guitars and drums in a good position and bass is there, not super defined and not boomy but there. Well done taper! Oh, and the performance is unbelievable. Meat Loaf 1978-06-08 Paris - Theatre Mogador Disc 1 01. Great Boleros Of Fire 02. Bat Out Of Hell 03. You Took The Words Right Out Of My Mouth (Hot Summer Night) - Wasted Youth 04. All Revved Up With No Place To Go Disc 2 05. Paradise By The Dashboard Light 06. Johnny B. Goode 07. River Deep, Mountain High 08. Two Out Of Three Ain't Bad
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Audience 8.2 - Well, it isn’t a recording that will win any grammies but damn if it isn’t RAW just like the band and their music. This recording actually suits this band – it’s a little rough, but it’s brutal and in your face. The vocals fight for bandwidth against angry and loud guitars, driving bass, and furious non-stop drums. It’s actually kind of a fun listen despite its limitations. Oh, and some good news – it is not a muddy mess at all, it’s just a loud band in a small club sounding for all the world like the debut of punk rock. Iggy and the Stooges Max's Kansas City New York, NY, USA Monday August 6th, 1973 01 - Raw Power 02 - Head On 03 - Gimmie Danger 04 - Cock In My Pocket 05 - Search and Destroy 06 - I Need Somebody 07 - New Orleans 08 - Johanna Line-up: Iggy Pop - Vocals James Williamson - Guitar Ron Asheton - Bass Scott Asheton - Drums
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Pro Broadcast 9.3 - A long improvisational track which really is, in my opinion, way ahead of everyone else in terms of trying new things and being completely off the cuff with sounds and textures. It’s not like traditional space rock, in fact it is not even rock, although the band are players and can make noise when they want to make noise. The fidelity is solid, I can hear everything very clearly and ambience is abundant. Amm unknown venue, London, UK 03.02.1970 1. free improvisation (40:35) line-up Lou Gare: sax, violin Keith Rowe: g,eletr,radio Cornelius Cardew: p,cello Eddie Prevost: perc Christopher Hobbs: perc
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Soundboard 9.2 - Very nice to hear this great quality board because it’s a good period for not only Caravan but progressive rock, and by extension, Canterbury style prog/jazz. CARAVAN Rose d'Or Festival Pavillon, Casino de Montreux Montreux, SWI April 29th 1972 1. -RIFFERAMA - NOTHING AT ALL - IT'S COMING SOON 2. -NOTHING AT ALL 3. -THE LOVE IN YOUR EYES - TO CATCH ME A BROTHER - SUBSTULUS - DEBOUCHEMENT - TILBURY KECKS 4. -WATERLOO LILY 5. -SONGS AND SIGNS Pye Hastings - guitar & vocals Steve Miller - organ Richard Sinclair - bass & vocals Richard Coughlan - drums
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Chicago 1979 Soundboard 8.8 - A little bit on the “ragged” side mix-wise, with strong kick drums and guitar, vocals next. Sound quality is decent due to it being a soundboard but some instruments are placed well behind such as keyboards. It is a high energy sound, a real sonic blast to be sure. Denver 1979 Soundboard 9.3 - A refreshing and bright board tape, mixed well and everything is heard pretty clearly. Keyboards still mixed lower down the chain of command but now I think I understand this idea – while the band is playing it’s simply keyboard accompaniment, and when it’s keyboards time, he’s brought up louder. Works for me. Long Island 1979 Audience 8.7 - A pretty decent tape for this hall, the bass sounds very nice, full and round, guitars are a little back, vocals are present and up front more or less. So, all in all unless you have to have Ritchie blasting full on into your eardrums, which he is during his solo bits, this one will sit nicely in the collection and I even think it will find a repeated listen or two. Rainbow USA 1979 Disc 1 International Amphitheatre Chicago, Illinois 12th October 1979 1. -Introduction 2. -Eyes Of The World 3. -Love's No Friend 4. -Bach Brandenburg Concerto - Over The Rainbow 5. -All Night Long 6. -Keyboards Intro 7. -Lost In Hollywood 8. -Guitar Solo 9. -Beethoven 9th 10. -Keyboards Solo 11. -Drums Solo incl. 1812 Overture 12. -Long Live Rock 'N' Roll 13. -Kill The King incl. Guitar Crash 14. -Long Live Rock 'N' Roll (reprise) Disc 2 Rainbow Music Hall Denver, Colorado 16th November 1979 1. -Introduction 2. -Eyes Of The World 3. -Love's No Friend 4. -Since You Been Gone 5. -Guitar Solo - Brandenburg Concerto - Over The Rainbow 6. -All Night Long 7. -Keyboards Intro 8. -Lost In Hollywood 9. -Beethoven's 9th 10. -Keyboards Solo 11. -Drums Solo incl. 1812 Overture 12. -Lost In Hollywood (reprise) 13. -Guitar Solo 14. -Man On The Silver Mountain 15. -Blues 16. Long Live Rock 'N' Roll 17. -Over The Rainbow Disc 3 Hempstead Calderone Concert Hall Long Island, New York 30th November 1979 1. Introduction 2. -Eyes Of The World 3. -Love's No Friend 4. -Since You Been Gone 5. -Guitar Solo - Brandenburg Concerto - Over The Rainbow 6. -All Night Long incl. Happy Birthday Roger 7. -Keyboards Intro 8. -Lost In Hollywood 9. -Guitar Solo - Beethoven 9th 10. -Keyboards Solo 11. -Drums Solo incl. 1812 Overture 12. -Lost In Hollywood (reprise) 13. -Guitar Solo 14. Lazy 15. -Man On The Silver Mountain 16. -Blues 17. -Long Live Rock 'N' Roll 18. -Over The Rainbow Ritchie Blackmore - Guitar Graham Bonnet - Vocals Cozy Powell - Drums Roger Glover - Bass Don Airey - Keyboards
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Audience 8.9 - By ’73 audiences had realized King Crimson was not a typical “rock” band and this recording captures the experience of a group of people seeing and hearing something entirely unlike your basic rock concert. The taper was well positioned and used very good gear, and this source sounds very much like either 1st gen or master it is quiet (although just the faintest bit of tape noise) and has captured the ambience and mood of the gig which is nice. Both shows are represented, what a fine document this is! King Crimson Majestic Theater Dallas TX 1973-06-09 1st and 2nd shows Disc 1 1. -Larks' Tongues In Aspic, Part One 2. -Greeting 3. -Easy Money 4. -Improvisation 5. -Exiles 6. -The Talking Drum 7. -Larks' Tongues In Aspic, Part Two 8. -21st Century Schizoid Man 9. -Crowd 2nd show 1. -Dr. D 2. -Larks' Tongues In Aspic, Part One 3. -Greeting 4. -Easy Money 5. -Improvisation 6. -Exiles 7. -The Talking Drum 8. -Larks' Tongues In Aspic, Part Two 9. -Applause 10. -21st Century Schizoid Man
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Soundboard 8.9 - There is no problem with the audio fidelity of this title, it sounds great – but that is not to say there is not a problem with it. So, it’s basically like this: If you want to hear what Radiohead themselves consider their biggest ever gig, than you will have to deal with what sounds like a quadraphonic recording in stereo…which basically means you get an in/out phasing effect almost throughout the entire show. Is that a deal-breaker? It might be, then again it’s not a muddy audience tape it is a very good board so the negative effects are not nearly as horrible as they could be. Radiohead 1993-04-02 Tel Aviv, Israel 01 - You 02 - Prove Yourself 03 - Ripcord 04 - Vegetable 05 - Faithless, The Wonder Boy 06 - Creep 07 - How Do You 08 - Stop Whispering 09 - Lurgee 10 - Million Dollar Question 11 - Anyone Can Play Guitar 12 - Pop Is Dead 13 - Thinking About You 14 - Killer Cars 15 - Banana Co. 16 - The Bends 17 - Blow Out 18 - Creep 19 - Rhinestone Cowboy