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Audience 7.1 - A kind of muddy mix with Roger coming through OK, and the lead guitar is fine. Not the worst 1971 show, which we take whatever we can get as Who fans. -
Audience 8.9 - Clean and bright, especially nice drum sounds! -
Audience 9.3 - Another excellent, clear, bright 75 show with all the dynamics you could want, good punchy drums and bass, clear vocals, crunchy guitars. Lovely! -
Audience 7.7 - Pretty decent recording, rather quiet audience this time. The sound rings out clear. My hunch is this may be a vinyl source but it’s been handled properly. Really good for the time. -
Soundboard 9.4 - Superb in every way possible. You HAVE to have this if you do not have it in your collection yet. This is the new Remaster, and it SMOKES like everything else from this period. -
Audience 6.8 to 7.0 - You get mainly Roger and Keith crashing cymbals and his kick drum, then Pete shows up in the mix. Interesting atmosphere though, because the audience must be large but you can’t hear them much on this tape, possibly mic was elevated above the crowd. The sound changes a little as it goes and gets better to my ears. Hence the kick up to 7.0. -
Audience 8.2 - A tape with some good qualities despite being technically average. For instance, I like the vocals on this tape, and Pete’s guitar is in a better spot than on most average audience recordings, it comes through ok, with great atmosphere! Roger sounds great, and the bass is a nice fat, round sound that gets a little pushy but also gives the show its darker vibe. Interesting moment in the show, during the pause in Young Man Blues (the one right before the jam) where Keith traditionally tosses the sticks and catches them, the audience really reacts so it must have been a spectacular one by Keith. Pete shines on guitar throughout this gig. -
Audience 7.4 - A one dimensional recording that actually is clear enough to catch everything happening but the sound resides somewhere in the upper mids to highs, not screechy, just one dimensional. -
Audience 7.1 - Another upper mid band to high range tape in a one dimensional spectrum, guitars kind of low, Roger is up front followed by The Ox, and Keith brings up the back. Not horrible, not great. If you turn up the volume and add some mid boost it would help a lot, because the instruments are all there, as is Roger. It is not a goopy mess. -
Audience 7.2 - I love this, for many reasons beyond sound rating. This is one of those shows to me that rises above all other shows of better quality. It is not bad, it is actually a good, fun listen with nothing that annoys or distracts. It is not overly dynamic with crystal highs and deep lows, but the space it occupies does not offend. A good one, while he’s away! -
Audience 7.1 - Stuck in the narrow mid band, while Roger soars above the din. Not a lot of clarity with the rhythm section, but thankfully enough I can get 80% of the guitar notes. Does not suck, but does not blow you away either. Simply average. -
Audience 8.0 - Loud, very up front and loud but it’s just great. Not technically great, if you want to cross hairs, but a very solid tape and one worthy of consumption. -
Audience 8.7 - This tape barely contains the driving, relentless energy of the Who. It does, in fact, manage to remain somewhat stable even if Roger gets a little lost in the mix. Sheer power, loudness that probably caused some major hearing loss for a few folks. -
Audience 8.0 -
Audience 7.1 - Somewhat distant and an underlying cacophony but there is a reason why Who collectors go for the 1972 European tour tapes – quality be damned – because the band was really peaking at this time. So, good show, average recording. -
Audience 8.8 - This is one for the history books! Includes the first two songs from the infamous halted show where Keith is carried out of the venue. The make up show, as you can imagine, is full of vim and vigor. Good sound, great show…get it!