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Radio Broadcast 8.3 - Somewhat hissy but MUCH better than the version that circulated before. Someone remastered this, thank goodness because it’s great but needed some work. -
Audience 9.5 - Sparkling, full bodied, warm, and simply breathtaking recording. I don’t think you could do much better if you went out and bought an official live album. Get it! James Taylor Wilshire Theatre Beverly Hills, CA May 3, 1981 Disc 1 01 You Can Close Your Eyes 02 Mona 03 Wandering 04 Sweet Baby James 05 Riding On A Railroad 06 How Sweet It Is (To Be Loved By You) 07 Stand And Fight 08 Brother Trucker 09 Hey Good Lookin' 10 Walking Man 11 B.S.U.R. 12 Hard Times 13 It's Gonna Work Out Fine 14 Up On The Roof 15 Fire And Rain Disc 2 16 Carolina In My Mind 17 Millworker 18 Twelve Gates To The City 19 Streamroller Blues 20 I Will Not Lie For You 21 Daddy's All Gone 22 Handy Man 23 Her Town Too 24 You're Only Lonely 25 Faithless Love 26 Your Smiling Face 27 Mexico 28 Country Road 29 Money Machine > Band Intro 30 You've Got A Friend -
First Show: Audience 7.3 / Second Show: Audience 7.9 - This one is much clearer, but both shows are going to be good for those who appreciate the pre-Deep Purple Tommy Bolin. -
Audience 8.8 - A huge upgrade to the Fillmore West ’70 tape! Is it worth getting even if I have the old one? Oh, yes, it is. It’s so much better that it needed a completely new presentation. Give your old copy to your neighbor, you shall not be needing it anymore. James Gang November 21, 1970 Fillmore West San Francisco, CA 01 - Opening Jam 02 - Funk 49 03 - Stop 04 - You're Gonna Need Me 05 - The Bomber 06 - Thanks 07 - Ashes The Rain & I 08 - Bluebird 09 - Lost Woman Joe Walsh - Guitar, Vocals Dale Peters - Bass Jim Fox - Drums -
Audience 7.2 - A reasonable rating and better at times. -
SDBRD 9.9 - The only thing that gets this to a 10 is a better kick drum sound (extreme nitpicking here). -
Audience 8.5 - A little dark tone here, and some lack of clarity but not the kind you normally associate with an audience tape (especially one recorded in this notoriously cavernous sounding hall). This tape is actually one of the better audience tapes I’ve heard from Carnegie Hall. James Gang Carnegie Hall NYC 5/15/71 Disc One - 46:37 1. Funk #49 2. Ashtonpark 3. Stop 4. You're Gonna Need Me 5. Take A Look Around 6. Tend My Garden 7. White Man, Black Man 8. Thanks 9. Garden Gate 10. Again Disc Two - 46:30 1. The Ashes, The Rain, And I 2. Walk Away 3. Woman 4. Lost Woman 5. Johnny B. Goode 6. The Bomber -
Audience 9.6 - Both shows in this set are phenomenal. I love the close, very intimate feel of the venues and the capture being so good for both shows…a joy to listen to this! Jaco Pastorius 55 Grand New York City, NY June 19, 1983 Disc 1 01 Intro - Amerika 02 Dania 03 Soul Intro - The Chicken 04 Bass Solo 05 New Reggae - I Shot The Sheriff 06 Drum Solo 07 Beaver Patrol Disc 2 08 Promised Land 09 Dania (Reprise) 10 Continuum 11 Funky Broadway Jam 12 Donna Lee 13 Bass Solo 14 Teen Town 15 Fannie Mae Jaco Pastorius: bs Kenwood Dennard: dr Don Alias: perc Delmar Brown: kbd, voc Ron Tooley: tp Alex Foster: as, ss, ts Mike Stern: gtr Disc 3 Pier 84 New York City, NY July 29, 1983 01 Dania (False Start) 02 Dania 03 Bass Improv 04 Soul Intro - The Chicken 06 New Reggae 07 Teen Town 08 Sophisticated Lady 09 Fannie Mae Delmar Brown: keyboards, vcls Mike Stern: guitar Jaco Pastorius: bass Don Alias: percussion Kenwood Dennard: drums Ron Tooley: trumpet Alex Foster: tenor sax, soprano clarinet Toots Thielemans: harmonica featured on tracks 8 and 9 -
Soundboard 8.9 - An intimate performance for the university students. A warm recording, kind of sounds like it could be coming from your own living room, in the mix, his band is slightly muted in order to highlight Jackson’s acoustic guitar/vocals and I think it is by design. Jackson Browne Jabberwocky Club, Syracuse University, Syracuse, NY Mar. 27, 1971 Disc 1 01 Under The Falling Sky 02 World To Gain 03 Together Again 04 Mae Jean Goes To Hollywood 05 Last Time I Was Home 06 Jesus in 3/4 Time 07 My Opening Farewell 08 From Silverlake 09 Rock Me On The Water 10 Jamaica Say You Will Disc 2 11 Together Again 12 Take It Underground 13 When You Lose Your Money 14 Our Lady Of The Well 15 These Days 16 Someday Morning 17 Shadow Dream Song 18 Song For Adam 19 Looking Into You Often considered to be the first recorded live performance of JB. -
Soundboard 9.1 - I am not sure if this was recorded for broadcast or not, it sure sounds like it may have been, I mean may have been broadcast as I hear some of the “FM compression” characteristics here…but it is a fine board tape nonetheless. Jackson Browne Municipal Auditorium, Nashville, TN February 22, 1978 Disc 1 01 Take it Easy 02 The Fuse 03 Fountain of Sorrow 04 Here Comes Those Tears Again 05 Before the Deluge 06 Your Bright Baby Blues 07 Rock Me on the Water 08 Cocaine 09 Rosie 10 For a Dancer Disc 2 11 Doctor My Eyes 12 These Days 13 For Everyman 14 Walking Slow 15 Running On Empty 16 Love Needs a Heart 17 The Pretender 18 The Load Out 19 Stay 20 The Road and the Sky This show is soon after the release of Running on Empty, Jackson Browne's most popular album. Great performance of "Fountain of Sorrow". -
Audience 8.7 - A fascinating live document that showcases some amazing talents paired with Jack’s keen sense of songcraft on a night where all cylinders are firing. A great way to begin exploring the post Cream Jack Bruce if you have not done so already. The bonus material on disc 2 is equally fascinating, offering a sneak peak into the inner workings of Jack’s mind. Everyone can get into this power-packed set! -
Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce Band Tour Of Europe 1975 Volume One Salle Vallier Marseille, FR 1975-04-29 Disc 1 01 -You Burned The Tables On Me 02 -Morning Story 03 -Pieces of Mind 04 -Keep It Down 05 -One 06 -Spirit Disc 2 07 -Without A Word 08 -Tickets To Waterfalls 09 -Weird Of Hermiston 10 -Post War Band: Jack Bruce - Vocals, Bass, Piano Mick Taylor - Guitar Carla Bley - Organ, Synthesizer, Clavinet, Mellotron, Electric Piano Ronnie Leahy - Piano, Electric Piano, Synthesizer Bruce Gary - Drums Jack Bruce, Carla Bley & Mick Taylor -
Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce, Carla Bley & Mick Taylor Tour Of Europe 1975 Volume Two Mozartsaaal im Rosengarten Mannheim, WG 1975-05-05 Disc 1 01 -Can You Follow 02 -Morning Story 03 -Keep It Down 04 -Pieces Of Mind 05 -Tickets To Waterfalls 06 -Weird Of Hermiston 07 -Post War 08 -Spirit Disc 2 09 -One 10 -Out Into The Fields 11 -You Burned All My Tables 12 -Without A Word 13 -Smiles And Grins -
Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce, Carla Bley & Mick Taylor Tour Of Europe 1975 Volume Three Musikhalle Hamburg, WG 1975-05-13 Disc 1 01 -Can You Follow 02 -Morning Story 03 -Keep It Down 04 -Pieces Of Mind 05 -Tickets To Waterfalls 06 -Weird Of Hermiston 07 -Post War 08 -Spirit Disc 2 09 -One 10 -You Burned The Tables On Me 11 -Without A Word 12 -Smiles And Grins 13 -Sunshine Of Your Love -
Audience 7.7 - Some muddiness, but historically nothing short of astonishing! -
Volume 1,2,3: BBC 1971-1978 – Pro Studio 9.8 (each Volume is individually housed in its separate gate-fold cover). From the moment the first track plays to the last, fasten your seat belts because it’s quite a ride! A MUST!