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Hard rock group from Houston active during the mid 70's and were primarily known as a covers band, playing many of the well known clubs in town. They recorded a handful of original songs in 1975, and disbanded following some unfortunate incidents while on the road. A single 7" record was released, however, and gained enough traction that rhythm guitarist Jimmy Lee Dean decided to continue on and recruit new members (the era known as Jeremiah MK II). This version of the band recorded a full length LP which never saw the light of day as the manager absconded with the master reels soon after the sessions, and nobody heard from him since. Eventually, we rediscovered these masters and attempted to transfer them in the studio but the tapes had severely degraded, the material, such as it is, is also contained on this collection. A 40th Anniversary reunion concert occurred in 2014, and excerpts from that show are included on the 2nd disc. All known recordings of this band are included in this package. -
The Houston Punk/Grunge rock scene of the late 80's and early 90's produced a very diverse and highly talented assortment of bands spawned inside the 610 Loop surrounding the downtown metroplex. Chief among those was a ferocious punk rock (or better, "Burly Pig Rock") band called SPUNK. Fronted by Tod Waters, a mercurial character with non-stop energy, talent, and bravado who to this day still creates dynamic rock and roll (as evidenced by the newest release of his current band DIE FAST). This new release features a pair of never before available soundboard recordings from the downstairs room at the legendary Fitzgerald's Club. -
Brand New - Sealed -
Brand New - Sealed -
Very hard to find out of print CD. Try to find a copy you'll be hard pressed - not on Ebay not on Discogs! Brand New SEALED RARE private label release out of print. -
Brand New - Sealed -
Audience 8.8 - The sound of this recording owes almost all of its characteristics to the house PA sound. What I mean is this: The recorder very accurately captured exactly what this gig sounded like, and so if there is any particular thing that is not as good as it could be, we need to talk to the sound man. This tape captures this show in excellent quality, I would say the rating reflects more what the sound itself actually was like at this show - not great (for me I just did not love the drum sounds, and thought the guitars could be louder) but really very good. I think it is a matter of preference then, because some people might really like the way this show sounds coming out of the main PA system. Bangles Beacon Theatre New York City, NY March 28, 1986 01 Restless 02 Walking Down The Street 03 James 04 September Gurls 05 Not Like You 06 He's Got A Secret 07 I'm In Line 08 If She Knew What She Wants 09 Return Post 10 Let It Go 11 Going Down To Liverpool 12 Manic Monday 13 Angels Don't Fall In Love 14 I'm Not Talking 15 Hero Takes A Fall 16 Dover Beach 17 7 & 7 Is 18 Want You 19 Yes It Is -
Audience 9.0 - This is actually how The Bangles should sound live. This is as punk as I have heard them. The guitar tone is killer, the drums are bare bones and perfect...vocals delivered directly into my ears like sweet butter spread on an ear of corn. The Bangles Marquee Club London, England February 20, 1985 01. Silent Treatment 02. All About You 03. Live 04. The Real World 05. James 06. Restless 07. Where We're You When I Needed You 08. I'm In Line 09. He's Got A Secret 10. Going Down To Liverpool 11. Tell Me 12. Hero Takes A Fall 13. Want You 14. I'm Not Talking 15. 7 & 7 Is 16. Dover Beach 17. I'm Going Home 18. How Is The Air Up There 19. Pushin' To Hard -
Soundboard 9.7 - Pro recording in a live in-studio setting so it better be as good as it gets, and this is. Aside from minor tape hiss (only noticeable during the lulls), this is near perfection. Return To Forever Electric Lady Studios New York City, NY, USA 1975-06-xx 1. Chick Introduces the Band 1:18 2. Day Ride 3:34 3. Beyond the Seventh Galaxy 3:38 4. The Shadow of Lo 9:22 5. No Mystery 6:28 6. Vulcan Worlds > Stanley Speaks 16:00 7. Celebration Suite 15:35 Lenny White: Drums Stanley Clarke: Bass Al DiMeola: Guitar Chick Corea: Keyboards -
Audience 9.4 - This is a band that has attained the kind of status that warrants a serious examination of their live "bootleg" catalog. In particular, I think the years 1987 to 1992 are the important years, and any tapes that are listenable are considered collectible but the ones that are excellent, as this one is, should be sought out. Why? Because Guns 'N Roses was more than the sum of their parts, and the music that happened on stage more often than not seemed to hold that most elusive quality - Magic. Guns N' Roses Memorial Coliseum Los Angeles, CA October 22, 1989 01 It's So Easy 02 Mr. Brownstone 03 Out Ta Get Me 04 Welcome To The Jungle 05 Move to the City 06 Patience 07 My Michelle 08 Slash Guitar Solo 09 Rocket Queen 10 Only Women Bleed Intro 11 Knockin' on Heaven's Door 12 Paradise City Axl Rose - vocals Izzy Stradlin - rhythm guitar Slash - lead guitar Duff McKagan - bass Steven Adler - drums -
Soundboard 9.0 -A somewhat confusing mix, almost as if a ghost is present in the board! Well what it actually is might not be that spooky at all, just the effects loop they use for what seems to be the kick drum, or drums in general. It's their signature, a background "noise" the resembles phasing, and gives the band a unique sound. Does it work for a soundboard tape is the question - and I think it can be slightly distracting but it's not used continuously. Other than that I think this is quite OK. Ghost Maximus Fest Tecnopolis Buenos Aires, Argentina 2017.05.06 01. Masked Ball (Intro) 02. Square Hammer 03. From the Pinnacle to the Pit 04. Ritual 05. Cirice 06. Year Zero 07. Absolution 08. Mummy Dust Daniel P. Carter's BBC Rock Show Maida Vale Studios London, England November 8th, 2013 09. Prime Mover 10. Jigolo Har Megiddo 11. Year Zero 12. If You Have Ghosts -
Soundboard 9.4 - Clear and bold (especially percussion) capturing a very fine creative period of the band (the dual guitar with Neal Schon being especially notable). I did notice a slight amount of distortion in the lower frequencies but it's barely noticeable. The mix does change towards the end of No One To Depend On and a lot of the boominess and excessive volume is dialed back so it mitigates any distortion present. SANTANA Denver Coliseum Denver, CO. September 28, 1971 1. Batuka 2. No One To Depend On 3. Taboo 4. Se A Cabo 5. Waiting 6. Incident At Neshabur 7. Black Magic Woman - Gypsy Queen 8. Oye Como Va 9. In A Silent Way 10. Toussaint L'overture 11. Evil Ways 12. Para Los Rumberos 13. Soul Sacrifice Neal Schon - guitar Gregg Rolie - keyboards, vocals Tom Rutley - bass Michael Shrieve - drums Michael Carabello - congas Coke Escovedo - percussion -
Soundboard 9.3 - This is not the complete show, but what we do have is required listening. Some minor technical flaws present on a couple of occasions, these aren't deal-breakers though. The quality is here, in both performance and sound. Pat Metheny Group McCalister Auditorium Tulane University New Orleans, LA, USA March 25, 1981 01. Turnaround (Ornette Coleman) 8:21 02. Goin' Ahead (Metheny) > As Falls Wichita, So Falls Wichita Falls (Metheny/Mays) 18:17 03. Jaco (Metheny) 7:18 04. Untitled > Au Lait (Metheny/Mays) > Untitled (reprise) > Pat's remarks/Band introductions 18:09 05. San Lorenzo (Metheny/Mays) 12:26 06. (Cross The) Heartland (Metheny/Mays) 6:27 07. American Garage (Metheny/Mays) 4:13 Pat Metheny - guitars, guitar synth Lyle Mays - piano, synthesizers, organ, autoharp Steve Rodby - acoustic bass, electric bass Danny Gottlieb - drums Nana Vasconcelos - vocals, percussion, berimbau -
Audience 8.9 - One of the early efforts by Dan Lampinski to capture live music with good equipment. It's a decent job, you can tell clearly that the guy had a knack for it. The atmosphere he managed to get on tape was always very realistic and managed to remain unobtrusive even if it got loud. Orleans Alumni Hall Providence College Providence, RI 18 September 1976 01 Let There Be Music 02 Reach 03 Spring Fever 04 Trenchtown Rock 05 Please Be There 06 Siam Sam 07 If I Don't Have You 08 Dance With Me 09 Lane's Tune 10 One Sided Love 11 Waking And Dreaming 12 The Bum 13 You're Still The One 14 What I Need 15 E: Tongue Tied Larry Hoppen - guitar/keyboards/vocals Lance Hoppen - bass/vocals John Hall -guitar/keyboards/drums/vocals Wells Kelly - drums/percussion/vocals Jerry Marotta - percussion/drums -
Audience 9.5 - Astounding for a 1970 era audience tape, it's got amazing atmosphere and plenty of headroom. The balance here is really good with vocals where they should be, which is very up front, but drums sound fantastic here and the piano sounds perfectly mixed between the two. I can't find too much to complain about with this one. Fantastic! Elton John Swing Auditorium San Bernardino, CA, USA December 5, 1970 01 Your Song 4:29 02 Bad Side of the Moon 4:17 03 Border Song 3:16 04 Can I Put You On 8:02 05 Country Comfort 5:05 06 Sixty Years On 7:03 07 Honky Tonk Women 4:20 08 Burn Down The Mission > My Baby Left Me > Get Back > I Wanna Take You Higher 21:29 Elton John - Piano, Vocals Dee Murray - Bass, Vocals Nigel Olsson - Drums, Vocals -
Soundboard 9.7 - A killer one in every way, including an absolutely devastating performance delivered by the band. This is peak Triumph, and simply a must have. TRIUMPH August 19th, 1979 Chicago, Illinois Aragon Ballroom 01. American Girls 02. Street Fighter 03. Hold On 04. Lay it on the Line 05. Blinding Light Show 06. intro - speech 07. Rock and Roll Machine - Guitar Solo 08. 24 Hours A Day 09. Takes Time Rik Emmett-guitar/vocals Mike Levine-bass/vocals Gil Moore-drums/vocals