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Audience 8.8 - A fierce sounding tape that has been re-mastered and shows some depth and instrument separation that previously was not there. The vocals at times are drowned out in the sheer onslaught of bass, drums, and guitars. The band even reminds a little of Deep Purple (check out “Every Hungry Woman” as a prime example) with keyboards featuring prominently so be ready for what is best described as heavier than normal Allman Brothers. THE ALLMAN BROTHERS BAND Georgia Tech Coliseum, Atlanta, GA May 9, 1970 Disc One 1. -Statesboro Blues 2. -Trouble No More 3. -Dreams 4. - Hoochie Coochie Man 5. -I'm Gonna Move To The Outskirts Of Town 6. -Every Hungry Woman 7. -Oh Pretty Woman 8. -In Memory Of Elizabeth Reed Disc Two 1. -Stormy Monday 2. -Dimples 3. -Whipping Post 4. - Mountain Jam - Hot Lanta' -
Audience 9.3 - A fantastic effort was made to capture this gig, really nice, smooth and pleasant with enough dynamics to bring you into it realistically. Camel Marquee Club London, UK 20 June, 1974 1. Earthrise 2. The White Rider 3. Six Ate 4. Supertwister 5. Mystic Queen 6. Liggin' at Louie's 7. Homage to the God of Light 8. Lady Fantasy -
Audience 9.2 - Killer sound, excellent atmosphere, mind blowing performance = MUST HAVE! Boston Seattle Center Arena Seattle, WA March 9, 1977 01 Rock & Roll Band 02 Shattered Images 03 More Than A Feeling 04 Instrumental 05 Peace Of Mind 06 Something About You 07 A Man I’ll Never Be 08 Don’t Be Afraid 09 Smokin’ 10 Guitar Solo - Blues 11 Foreplay - Long Time 12 Television Politician Brad Delp – lead and harmony vocals Tom Scholz – electric, lead guitar and acoustic guitars, clavinet, organ Barry Goudreau – rhythm and lead guitar, backing vocals Fran Sheehan – bass guitar Sib Hashian – drums -
Audience 8.7 - There are more recordings of this band pre-1983 that post, which I find rather odd. I found this recordings to be adequate to hear what they were like in 1983, and they were good, but the recording does not highlight the vocals, rather on guitar and drums which is fine but I love this band’s vocal acrobatics and want them front and center. The B-52s Tennis Stadium Forest Hills, NY August 5th, 1983 01. Song For A Future Generation 04:20 02. Strobe Light04:32 03. Planet Claire 04:20 04. Mesopotamia 04:33 05. Butter Bean 04:29 06. Queen Of Las Vegas 05:46 07. Give Me Back My Man 06:07 08. Whammy Kiss 05:30 09. Legal Tender 05:02 10. Dance This Mess Around 04:30 11. Private Idaho 04:00 12. Rock Lobster 05:30 13. Party Out Of Bounds 05:28 14. There's A Moon In The Sky 06:00 -
Studio Quality 9.7 - Here is Prince’s rookie card! It’s quite interesting to hear, a pretty well rounded set of recordings musically, with maybe that late 70’s dated sound (still red hot) but it’s hard to say if I heard it in 1977 would I have thought this artist would develop into such an immense talent. Husney Studios Rehearsal Room Minneapolis 1977 Tracks 1-8 all instrumentals -
Audience 8.6 - A resurrected gem of a show, not killer sound as one might expect but it’s definitely not garbage. I started playing it and could not stop. It’s just one of those things that if you understand you are listening to something that should not exist in the first place, that sounds reasonably good given the time and circumstances, and delivers in every way for performance and historical accuracy (live performance being about the most realistic snapshot of a particular performer at that time) well then you will appreciate what this is. I know I do. SPIRIT Baltimore Civic Center, Maryland October 3, 1969 1. All The Same 2. Fresh Garbage 3. I'm Jealous 4. I’m Truckin’ 5. Mechanical World 6. I Got A Line On You Randy California - guitar, vocals Ed Cassidy - drums John Locke - keyboards Mark Andes - bass Jay Ferguson - vocals -
Radio Broadcast 9.1 - A rare find, this is a band that can be best defined as an eclectic, world music progressive band that features some ethnic style music that occasionally fuses in some nice, tasty jazzy electric guitar rock stylings. Piirpauke Stockholm, Sweden 1976 Radio Broadcast 1. -Konevitsan Kirkonkellot (Churchbells Of Konevitsan) (5:30) 2. -Unknown Title (6:43) 3. -Sirtos(3:04) 4. -Fyssouni (4:14) 5. -Unknown Title (3:07) 6. -Unknown Title (7:09) 7. -Penang (Osat 1 & 2) (5:20) 8. -Imala Maika (9:50) 9. -Pra Dizer Adeus (Sanon Hyvasti) (4:16) -
Soundboard 9.9 - This nearly brought me to tears. I always knew this band could reach the highest level of quality, in performance, in tone, in showmanship, and here it is. Yeah, sure, I know what you are thinking: “it’s mid 80’s Aerosmith, it’s the doldrums of rock, it’s a washed up bunch of druggies” but I have to tell you that if this marks a “comeback” then it’s the most amazing comeback I have ever heard. I’ve heard tons of live Aerosmith and I take this show over ALL of them. Just listen to how everyone plays off each other, how well they know each other it's like the magic has returned and they know it. Aerosmith The Orpheum Theater Boston, MA. February 14, 1984 01. -Back In The Saddle 02. -Big Ten Inch Record 03. -Mama Kin 04. -Three Mile Smile - Reefer Head Woman 05. -Lord Of The Thighs 06. -No More No More 07. -Lick And A Promise 08. -Sweet Emotion 09. -Dream On 10. -Sick As A Dog 11. -Walk This Way 12. -Milk Cow Blues - Drums Solo 13. -Toys In The Attic 14. -Train Kept A Rollin' -
Audience 8.7 - It’s difficult to express sometimes to people who maybe did not start collecting until the digital age what it is like for us old cats to be listening again to a recording we first heard on cassette…and could barely listen to they were so awful, muddy, gen’d down, etc. – and now they show up like maidens to the prom. This old recording sounds like years of mud and grime were wiped away, still not great but man what a difference! The bonus tracks from Anaheim got the same treatment but the original tape was recorded from further back so is not as good as the Detroit, but historically seems more important being that it is with Jeff Beck. I think this stuff here is like finding unpolished diamonds…maybe a little bit dirty but they are invaluable and hold beauty in and of themselves. Aerosmith Cobo Arena Detroit, MI. Dec. 2, 1976 1 -Mama Kin 2 -Write Me a Letter 3 -S.O.S. (Too Bad) 4 -Lick and a Promise 5 -Big Ten Inch Record 6 -Sweet Emotion 7 -Rats in the Cellar 8 -Last Child 9 -Lord of the Thighs 10 -Walk This Way 11 -Sick as a Dog 12 -The Train Kept A-Rollin'- Drum Solo - Batman - Peter Gunn 13 -Get the Lead Out 14 -Toys in the Attic Aerosmith w/Jeff Beck Angel Stadium Anaheim, CA September 12, 1976 16 -Train Kept A Rollin' 17 -I Ain't Got You -
Soundboard 9.0 - A surprisingly good recording considering that it attempts to capture something pretty untamed especially for the time. There are lots of unrehearsed punk moments here, but overall I remain quite impressed with this early Misfits music because it sounds like a genie being let out of the bottle. Misfits December 20, 1978 Max's Kansas City New York, NY 01) Bullet 02) Where Eagles Dare 03) Who Killed Marilyn 04) Horror Business 05) Static Age 06) TV Casualty 07) Hollywood Babylon 08) Teenagers From Mars 09) Children In Heat 10) Attitude 11) Blue Christmas 12) We Are 138 -
Soundboard 9.2 - These are great but Prince himself mixed them hot and put them out exactly as you hear them. These recordings are going to probably melt your speakers, the levels are really pushed all the way up just to the breaking point. Still, to my ears I like what I am hearing. Prince Rehearsals 2012/2013 1. The Dance Electric 2. Mutiny - Ice Cream Castles 3. Days Of Wild & Loose 4. Old Friends 4 Sale 5. Dark 6. I Like It There 7. Bambi 8. Let's Go Crazy (Reloaded) 9. Plectrum Electrum 10. Boom - Stratus -
Audience 8.8 - A down n’ dirty recording that is surprisingly clean! How do I mean? Well, it captures not just the sound of the Dolls on stage (which is a dirty, sleezy rock and roll) but also the perfect atmosphere of this time and place almost to the degree that you don’t ever want it to end. This is LOADS of fun and will receive multiple plays for sure. NEW YORK DOLLS THE YELLOW BALLOON SYRACUSE, NY, USA JUNE, 1974 01. -something else 02. -looking for a kiss 03. -who are the mystery girls 04. -stranded in the jungle 05. -pills 06. -personality crisis 07. -puss n boots 08. -trash (aborted) 09. -trash 10. -chatterbox 11. -ain't got no home 12. -it's too late 13. -teenage news 14. -32-20 blues 15. -back in the usa 16. -on fire [early version] 17. -human being BAND: David Johansen - vocals, harmonica Johnny Thunders - guitars Sylvain Sylvain - guitars Arthur Kane - bass Jerry Nolan - drums w/ The Fantastic Buddy Bowser - sax -
Audience 9.6 - Brilliant! A fantastic tape no matter how it was recorded, it’s simply great and showcases the precision, dynamics, and unstoppable energy that is Tower of Power. Tower Of Power Old Waldorf San Francisco, CA February 12, 1977 01 Squib Cakes 02 Ain’t Nothin’ Stoppin’ Us Now 03 Down To The Nightclub (Bump City) 04 Can’t You See (You Doin’ Me Wrong) 05 Oakland Stroke 06 You Ought To Be Havin’ Fun 07 What Is Hip? 08 Too Good To Be True 09 Drop It In The Slot 10 Doin’ Alright 11 Knock Yourself Out 12 You’re Still A Young Man 13 (To Say The Least) You’re The Most -
Audience 9.4 - A fantastic, close, precise recording that really drives that funk right through the speakers. A crackling, red hot energy that taper captures admirably, I mean, it sounds like he is sitting right directly in front of the band with microphones up and the band is only too happy to oblige. Tower Of Power Circle Star Theatre San Carlos, CA September 24, 1976 01 Squib Cakes 02 Ain’t Nothin’ Stoppin’ Us Now 03 So Very Hard To Go 04 Oakland Stroke 05 You Ought To Be Havin’ Fun 06 What Is Hip? 07 Doin’ Alright 08 Down To The Nightclub (Bump City) 09 This Time It’s Real 10 Knock Yourself Out 11 You’re Still A Young Man -
Audience 8.4 - Buried in a closet for decades this important document has finally surfaced. It’s, to my ears, slightly better than the next oldest live document which I believe is the Music Machine gig. The tape itself is not as bad as you’d imagine and that could be due to the diligent re-mastering that was done. The sound is not as murky and indecipherable as a lot of the other 1980 tapes. This can be appreciated, I mean, this is May of 1980 the band had yet to break open and even though they had a hardcore following, was not known outside of UK in any substantive sense. If you were a fan of Iron Maiden in these times, it’s akin to investing money in Google stock when it was first offered. Why would you? …maybe because you liked what they were doing and had a hunch. Man! IRON MAIDEN Market Hall Carlisle England, UK May 20th, 1980 01. Prowler (4:09) 02. Remember Tomorrow (5:52) 03. Killers (5:09) 04. Running Free (3:28) 05. Another Life (inc. Drum solo) (6:12) 06. Transylvania (3:40) 07. Strange World (5:42) 08. Charlotte The Harlot (4:30) 09. Phantom Of The Opera (7:04) 10. Iron Maiden (5:23) 11. Drifter (11:48) 12. I've Got The Fire (4:15) 13. Running Free (3:43) -
Studio Quality 9.4 - I admit I never was a fan, but being a music collector I ended up discovering a few things I’d missed and this is one. While I am still not the biggest Morrissey fan, I think he certainly fits with this style and let’s admit it these songs are all quite good. The Smiths Demos & Outtakes 01 -Reel Around The Fountain (July 1983, Troy Tate final mix) 02 -The Hand That Rocks The Cradle (October 1983, John Porter monitor mix) 03 -This Night Has Opened My Eyes (June 1984, unreleased studio recording) 04 -Rusholme Ruffians (July 1984, John Porter first take) 05 -I Misses You (December 1984, instrumental) 06 -There Is A Light That Never Goes Out (September 1985, early take) 07 -The Queen Is Dead (Fall 1985, original unedited version) 08 -Frankly, Mr Shankly (November 1985, Stephen Street "trumpets" recording) 09 -Ask (9 June 1986, probable first-ever take) 10 -Is It Really So Strange? ( June 1986, original unreleased studio recording) 11 -Shoplifters Of The World Unite (December 1986, instrumental) 12 -Sheila Take A Bow (January 1987, John Porter original version) 13 -Girlfriend In A Coma (January 1987, early take) 14 -Death Of A Disco Dancer (April 1987, first take) 15 -Paint A Vulgar Picture (April 1987, early take) 16 -Heavy Track (April 1987, instrumental)