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Audience 9.1 - Taper had really good seats because you don’t get that cavernous sound you might expect at a venue like this. It’s a warm, articulated sound, makes for a satisfying listen. -
Soundboard 9.2 - Pleasant, airy, well balanced but it does lean toward thin sounding to me. Still, it’s not exactly a heavy band anyway, so that leaves the listener with much more stuff to hear in the high range, keys, percussion, etc. Sounds very decent. -
Audience 8.6 - It’s easy to find board tapes from most of their tours so I can understand why one might take a pass on an audience tape but you do get a different perspective here, it’s a “bouncier” sound, a more kinetic feel to the happenings and you know, the Cure sometimes drones on a bit so I like having a recording that helps keep things moving. -
Soundboard 9.7 - This one has a great mid range tightness, and well rounded bottom end without sacrificing any highs at all. It’s pro for sure. Really tasty! -
Soundboard 9.6 -
Soundboard 8.6 -
Audience 8.0 -
Audience 7.7 - A little quiet but good low end presence, very narrow in the mid range though. Could easily be remastered to sound great. -
Audience 8.3 - A fine recording all things considered. It’s a big hall, recording comes from somewhere in the middle of the arena but the capture is reasonable albeit without a good definition and some mild boominess. Overall you can be happy with this recording and of course the band has a fine repertoire. -
Soundboard 9.0 and Audience 8.6 - This is a very interesting document of a period of time in the band’s history where they lost a key member of the band in guitarist Randy Bachman. That did not stop them, as these shows attest. Quality varies but is consistently good across all shows with the first part being Soundboard and the rest very clear and reasonably dynamic Audiences. -
Audience 8.5 - A steady, reliable recording that delivers a very live, natural sound but lacking just a little separation of instruments. Still a VERY good one! -
Audience 9.3 - Hard to dispute the excellence of this recording. The only downside is that not only does it capture the happenings on stage extremely well, it also captures the audience close to the mic…but, that seems to add excitement so we let it slide. -
Audience 9.5 - Technically speaking, you could argue with my rating, but a rating must not only represent sonic clarity but also overall enjoyability of a show/recording. This one rates as high as I can allow for both excellence and all the other aspects of what makes a tape really great. -
Audience 9.0 - Fantastic recording really, in fact I can only try and be real nitpicky to try to find anything outright bad about it. It’s close up, warm, atmospheric (I don’t mean echo or reverb either), and pretty good separation of instruments. Kick drum is even present, so it is also detailed. Good One! -
Audience 9.2 - Hard to imagine someone not absolutely loving this, but there are still a few people who think just because a microphone placed somewhere in the audience was used to capture the sound, it can’t be good. Play them this. Wowsers!The Tubes Orpheum Theatre Boston, MA. April 23, 1976Disc 11. Young And Rich -Grandiose Instrumental Overture 2. What Do You Want From Life? 3. Tubes World Tour 4. Pimp 5. Mondo Bondage - Don't Touch Me There = Mondo Bondage (reprise)\ 6. Brighter Day 7. Poland Whole - Madam I'm AdamDisc 28. Slipped My Disco 9. Gimme Dat Harp - Love Will Keep Us Together 10. The Cathy Perkins Amatuer Hour 11. Proud To Be An American 12. It's Not Unusual 13. 3rd Stone From The Sun 14. Waiting For My Man - Boy Crazy 15. Quay Lewd's Drug Deal 16. Stand Up And Shout 17. White Punks On Dope -
Audience 9.2 - Excellent! Strong if just a tad subdued as far as guitar loudness.