• Audience 8.8 - A huge upgrade to the Fillmore West ’70 tape! Is it worth getting even if I have the old one?  Oh, yes, it is. It’s so much better that it needed a completely new presentation. Give your old copy to your neighbor, you shall not be needing it anymore. James Gang November 21, 1970 Fillmore West San Francisco, CA 01 - Opening Jam 02 - Funk 49 03 - Stop 04 - You're Gonna Need Me 05 - The Bomber 06 - Thanks 07 - Ashes The Rain & I 08 - Bluebird 09 - Lost Woman Joe Walsh - Guitar, Vocals Dale Peters - Bass Jim Fox - Drums
  • Audience 8.8 - Solid and in the pocket sound that does not have any offending frequencies so you can feel free to turn up the volume or put on the headphones. PAT TRAVERS BAND Stabler Arena Bethlehem, PA. November 7th 1982 1 -Intro 2 -The Fifth 3 -Who'll Take The Fall 4 -Life In London 5 -I'd Rather See You Dead 6 -I La La La Love You 7 -Crash And Burn 8 -Can't Stop The Heartaches 9 -Rockin' 10 -Snortin Whiskey 11 -Boom Boom Out Go The Lights
  • Soundboard 9.7 - This is the one to get if you want to hear this band at arguably the peak of their powers. Sounding like a flashier, somewhat more progressive version of Iron Maiden to these ears, but whoa nelly there is a whole lot of premium quality musicianship happening and it is happening in fantastic quality. Most recording of busy, progressive metal groups simply have a hard time mixing the different instruments in such a way as to deliver the punch without over-killing it and destroying the integrity of the sound. This recording is brilliant because it doesn’t do that, and I honestly have never heard live early Queensyche in this manner before and it is a thrill, it’s a MUST have if you have even a passing interest. Queensryche Harpos Detroit, MI, USA 8th December 1984 1. Intro 2. Nightrider 3. Prophecy 4. Deliverance 5. NM 156 6. Child Of Fire 7. Before The Storm 8. Guitar Solo 9. Blinded 10. The Lady Wore Black 11. En Force 12. Roads To Madness 13. Warning 14. Queen Of The Reich 15. Take Hold Of The Flame 01 The National Anthem (Verona) 02 Morning Bell (Dublin) 03 I Might Be Wrong (Jersey City #2) 04 Dollars & Cents (Verona) 05 You And Whose Army? (Nijmegen) 06 Optimistic (Dublin) 07 In Limbo (Adenau) 08 Packt Like Sardines (Vaison la Romaine) 09 Knives Out (Hollywood) 10 Pyramid Song (Jersey City #2) 11 Kid A (Berlin) 12 Idioteque (London) 13 Everything In Its Right Place (Atlanta) 14 How To Disappear Completely (Jersey City #1) 15 Motion Picture Soundtrack (Dublin) BONUS TRACKS: 16 The Thief (Warrington) 17 Cinnamon Girl (Paris) SOURCES 2000-07-04 Berlin, DE - Großer Sendesaal des SFB (Pro-Recorded Promo) 2000-09-16 Nijmegen, NL - Goffertpark (Broadcast) 2000-09-24 London, UK - Victoria Park (Soundboard/Audience Matrix) 2000-10-02 Warrington, UK - Victoria Park (Broadcast) 2000-10-07 Dublin, IE - Punchestown Race Course (Pro-Recorded Promo) 2001-04-28 Paris, FR - Studio Canal+ (Broadcast) 2001-05-28 Vaison La Romaine, FR - Theatre Antique d'Vaison (Soundboard/Audience Matrix) 2001-05-30 Verona, IT - Verona Arena (Soundboard/Audience Matrix) 2001-06-01 Adenau, DE - Nürburgring (Broadcast) 2001-07-30 Atlanta, GA - Stone Mountain Park (Soundboard/Audience Matrix) 2001-08-16 Jersey City, NJ - Liberty State Park (Soundboard/Audience Matrix) 2001-08-17 Jersey City, NJ - Liberty State Park (Soundboard/Audience Matrix) 2001-08-20 Hollywood, CA - Hollywood Bowl (Soundboard/Audience Matrix)  
  • Soundboard 9.6 - This is a live soundboard compilation of songs from Kid A and Amnesiac, taken from the 2000 and 2001 tours. The songs are sourced from broadcasts, internal promos and individual tracks that Thom gifted to a fan and is just the kind of thing if you want to discover what this band was about before you dive into the deep end of the pool. A very very well thought out release. Note: Thom's recordings were raw soundboard feeds that have been matrixed with audience recordings to provide more atmosphere and to blend with the rest of the tracks. 01 The National Anthem (Verona) 02 Morning Bell (Dublin) 03 I Might Be Wrong (Jersey City #2) 04 Dollars & Cents (Verona) 05 You And Whose Army? (Nijmegen) 06 Optimistic (Dublin) 07 In Limbo (Adenau) 08 Packt Like Sardines (Vaison la Romaine) 09 Knives Out (Hollywood) 10 Pyramid Song (Jersey City #2) 11 Kid A (Berlin) 12 Idioteque (London) 13 Everything In Its Right Place (Atlanta) 14 How To Disappear Completely (Jersey City #1) 15 Motion Picture Soundtrack (Dublin) BONUS TRACKS: 16 The Thief (Warrington) 17 Cinnamon Girl (Paris) SOURCES 2000-07-04 Berlin, DE - Großer Sendesaal des SFB (Pro-Recorded Promo) 2000-09-16 Nijmegen, NL - Goffertpark (Broadcast) 2000-09-24 London, UK - Victoria Park (Soundboard/Audience Matrix) 2000-10-02 Warrington, UK - Victoria Park (Broadcast) 2000-10-07 Dublin, IE - Punchestown Race Course (Pro-Recorded Promo) 2001-04-28 Paris, FR - Studio Canal+ (Broadcast) 2001-05-28 Vaison La Romaine, FR - Theatre Antique d'Vaison (Soundboard/Audience Matrix) 2001-05-30 Verona, IT - Verona Arena (Soundboard/Audience Matrix) 2001-06-01 Adenau, DE - Nürburgring (Broadcast) 2001-07-30 Atlanta, GA - Stone Mountain Park (Soundboard/Audience Matrix) 2001-08-16 Jersey City, NJ - Liberty State Park (Soundboard/Audience Matrix) 2001-08-17 Jersey City, NJ - Liberty State Park (Soundboard/Audience Matrix) 2001-08-20 Hollywood, CA - Hollywood Bowl (Soundboard/Audience Matrix)  
  • Soundboard 8.9 - There is no problem with the audio fidelity of this title, it sounds great – but that is not to say there is not a problem with it. So, it’s basically like this: If you want to hear what Radiohead themselves consider their biggest ever gig, than you will have to deal with what sounds like a quadraphonic recording in stereo…which basically means you get an in/out phasing effect almost throughout the entire show. Is that a deal-breaker?  It might be, then again it’s not a muddy audience tape it is a very good board so the negative effects are not nearly as horrible as they could be. Radiohead 1993-04-02 Tel Aviv, Israel 01 - You 02 - Prove Yourself 03 - Ripcord 04 - Vegetable 05 - Faithless, The Wonder Boy 06 - Creep 07 - How Do You 08 - Stop Whispering 09 - Lurgee 10 - Million Dollar Question 11 - Anyone Can Play Guitar 12 - Pop Is Dead 13 - Thinking About You 14 - Killer Cars 15 - Banana Co. 16 - The Bends 17 - Blow Out 18 - Creep 19 - Rhinestone Cowboy
  • Audience 8.7 - A VERY powerful recorded sound coming out at you like a hurricane. Thankfully this tape holds together, although it sounds like it’s going to tear apart any second – it’s quite a frantic recording if I can describe it that way.  You are like placed in front of the mains, and surprisingly you can hear everybody, especially Klaus who sounds BRILLIANT as does the entire band. Really cool stuff here from a band who is at their absolute peak, and right before MTV began taming them. Donnington Park, Castle Donnington August 16th, 1980
    1. Lovedrive
    2. Don't Make No Promises
    3. Loving You Sunday Morning
    4. We'll Burn The Sky
    5. The Zoo
    6. Always Somewhere
    7. Pictured Life
    8. Robot Man
    9. Another Piece Of Meat
    10. Can't Get Enough
    11. Loving You Sunday Morning
    12. The Zoo
    13. Another Piece Of Meat
     
  • Soundboard 9.2 - Very nice to hear this great quality board because it’s a good period for not only Caravan but progressive rock, and by extension, Canterbury style prog/jazz. CARAVAN Rose d'Or Festival Pavillon, Casino de Montreux Montreux, SWI April 29th 1972 1. -RIFFERAMA - NOTHING AT ALL - IT'S COMING SOON 2. -NOTHING AT ALL 3. -THE LOVE IN YOUR EYES - TO CATCH ME A BROTHER - SUBSTULUS - DEBOUCHEMENT - TILBURY KECKS 4. -WATERLOO LILY 5. -SONGS AND SIGNS Pye Hastings - guitar & vocals Steve Miller - organ Richard Sinclair - bass & vocals Richard Coughlan - drums  
  • Pro Broadcast 9.3 - A long improvisational track which really is, in my opinion, way ahead of everyone else in terms of trying new things and being completely off the cuff with sounds and textures. It’s not like traditional space rock, in fact it is not even rock, although the band are players and can make noise when they want to make noise. The fidelity is solid, I can hear everything very clearly and ambience is abundant. Amm unknown venue, London, UK 03.02.1970 1. free improvisation (40:35) line-up Lou Gare: sax, violin Keith Rowe: g,eletr,radio Cornelius Cardew: p,cello Eddie Prevost: perc Christopher Hobbs: perc
  • Audience 8.2 - Well, it isn’t a recording that will win any grammies but damn if it isn’t RAW just like the band and their music. This recording actually suits this band – it’s a little rough, but it’s brutal and in your face. The vocals fight for bandwidth against angry and loud guitars, driving bass, and furious non-stop drums. It’s actually kind of a fun listen despite its limitations. Oh, and some good news – it is not a muddy mess at all, it’s just a loud band in a small club sounding for all the world like the debut of punk rock. Iggy and the Stooges Max's Kansas City New York, NY, USA Monday August 6th, 1973 01 - Raw Power 02 - Head On 03 - Gimmie Danger 04 - Cock In My Pocket 05 - Search and Destroy 06 - I Need Somebody 07 - New Orleans 08 - Johanna Line-up: Iggy Pop - Vocals James Williamson - Guitar Ron Asheton - Bass Scott Asheton - Drums
  • Soundboard 9.3 - A decent but kind of middle rangey sound, but in this case I like it because it gives the Kinks a more punkish sound. This material is also kind of punkish so the delivery and the sound of the recording itself convinces you that this band wanted to impart the punk attitude. Some of the songs are definitely not punkish but we know it’s not all encompassing, just generally I think The Kinks liked the punk ethos. I mean, they play a song called “Prince Of The Punks” so what does that tell you? The Kinks Providence Civic Center, Providence, RI September 23, 1979 01 Lola 02 Low Budget 03 Superman 04 Attitude 05 Catch Me Now I’m Falling 06 You Really Got Me 07 Pressure 08 Misfits 09 Prince of the Punks 10 Stop Your Sobbing Band line-up Ray Davies – guitar, harmonica, keyboards, vocals Dave Davies – lead guitar, backing vocals Ian Gibbons – keyboards, backing vocals Mick Avory – drums Jim Rodford – bass, backing vocals (died Jan. 20, 2018) (aged 76) Nick Newall - additional keyboards
  • Radio Broadcast 9.3 - Some tape hiss but otherwise a beautiful full sounding set here. This music is glorious, it’s maybe not everyone’s cup of tea but it’s very heartfelt and genuine, delicate, contemplative, uplifting. Highly recommended! INCREDIBLE STRING BAND WPLJ Radio Broadcast Live in A&R studios of WPLJ Radio, New York, May 1971 Fillmore East, May 18, 1971 1. Dream The World Alive 2. You've Been A Friend To Me 3. Spirit Beautiful 4. Evolution Rag 5. Turquoise Blue 6. Bright Morning Stars 7. Cosmic Boy 8. Jigs 9. Darling Belle 10. May The Long Time Sun Shine
  • Audience 8.8 - A very good recording here, and the atmospherics are plentiful. There’s a natural reverb going on that adds another dimension to this, and I mean that in a good way. Lovely! Van Morrison featuring the Caledonia Soul Orchestra Sports Arena San Diego, CA December 1, 1973 01 Instrumental 02 Instrumental 03 Moondance prelude (instrumental) - Van Intro 04 Come Running 05 Ain’t Nothin’ You Can Do 06 Warm Love 07 Into The Mystic 08 I’ve Been Working 09 I Just Want To Make Love To You 10 Here Comes The Night 11 Hard Times 12 I Believe To My Soul 13 Help Me 14 Boogie Chillen’ 15 Domino 16 Caravan 17 Gloria 18 Brown Eyed Girl Sid Page - violin Jack Schroer - saxophone Bill Atwood - trumpet Bill Bridges - guitar David Hayes - bass David Shaw - drums James Trumbo - piano, organ
  • Soundboard 9.4 - A superb mix and live recording with exceptionally vibrant percussion, clear concise guitars, well balanced vocals, and good atmosphere. Chambers Brothers February 12, 1971 Fillmore East New York City, NY 01. -New Generation (13:36) 02. -Funky (5:25) 03. -Let's Do It (2:50) 04. -Pollution (3:45) 05. -When The Evening Comes (8:01) 06. -I Can't turn You Loose (6:27) 07. -Love, Peace & Happiness - Jam (12:34)  
  • Soundboard 9.0 - A large, open air festival “board” tape which probably uses some open stage micing. I would venture to guess this must have been a difficult show to control, and a recording made with an eye for a broadcast that they fought with every step of the way. That said, it’s pretty good stuff under all the circumstances. COLOSSEUM Ruisrock Festival Turku, Finland August 22nd 1970 01 - Rope Ladder To The Moon (10:28) 02 - The Machine Demands A Sacrifice > Drum Solo (cuts) (10:54) 03 - Downhill And Shadows (12:11) 04 - Lost Angeles (11:29) 05 - Walking in the Park (6:12) Lineup: Dick Heckstall Smith: sax John Hiseman: drums Dave " Clem" Clempson: guitar Dave Greenslade. keyboards, vibes Tony Reeves : bass Chris Farlowe : vocals
  • Audience 8.2 - Not one of the better ones, it lacks clarity (drums are actually pretty clear though, and the vocals do rise above somewhat) and to these ears, I gotta say, this is the closest I have ever heard Boston sounding like a heavy metal concert. The lack of sonic clarity does not mean you can’t tell they were f’ing loud! Boston Wings Stadium, Kalamazoo, MI December 12, 1976 01 Intro 02 Rock-n-Roll Band 03 Shattered Images 04 More Than A Feeling 05 Peace of Mind 06 Something About You 07 Man I'll Never Be 08 Smokin' - Foreplay Band line-up Brad Delp - lead vocals, guitar (died March 9, 2007, aged 56) Sib Hashian - drums, backing vocals (died March 22, 2017, aged 67) Tom Scholz - guitars, organ Barry Goudreau - guitars Fran Sheehan - bass, backing vocals
  • Pro TV Studio 8.7 - A good live recording with atmosphere, it sounds slightly dated but has the ability to transport you to the time and place…I think that when a recording can do that, it overcomes some of the limitations that may be present. This recording does lack a little bit of middle band clarity. Yes Amsterdam Concert Hall Netherlands 1972 (Last track - Hollywood Bowl 1975) 1. I've Seen All Good People 2. Heart Of The Sunrise 3. Rick Wakeman Solo 4. Long Distance Runaround 5. Yours Is No Disgrace 6. The Gates Of Delirium

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