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Audience 8.7 - This is just a dandy, with that large hall sound but NO annoying reverb or echo, just vibe. File alongside Boston 76, which is one of the very best of the tour. -
Audience 9.4 - When an audience tape is done correctly you get a very real sense of the environment, of the people and the moment happening in front of you. This tape does all of that for you. -
Audience 7.7–8.1 - Ranges in quality mainly because it gets off to a rough start but gets progressively better. -
Audience 9.5 - Why such a high rating? Because this sounds as if you are standing right in front of the stage, on Brian May’s side, and there’s no distortion. Amazing. You are there, it’s a feast for the ears…it’s ear candy…have some! -
Audience 9.3 - Wow! Simply incredible, an audience tape with more dynamics than most professional recordings, and a fantastic performance and set list! -
Audience 7.6 -
Audience 7.4 - Roughly the same quality for each show. Both present complete 1974 shows, certainly must have’s for any dedicated fan, and even though they are only slightly above average, they are both good listens. -
Audience 7.7 - Nice for a large stadium bootleg! Interesting recording, because it sounds like the guitar solo pans to one side, while rhythm guitar is center channel – but it’s an audience bootleg, so my guess is maybe two mics were used to get that to happen. -
Liverpool 1973 - Audience 7.3 - Something funky about the mix, and there is tape noise present, but it has an almost small club feel to it, just sort of far back in the club maybe. London, 1973 - Pro Radio 9.7 -
Audience 9.6 - Very atmospheric and warm, presents a very realistic impression of the sound you would have heard had you been there. -
SDBRD 9.4 - I actually believe this recording probably sounds a lot better than what the people at the show were hearing. I say that because these huge outdoor concerts did not always have the pinnacle of clear sound mixes, and ear-bleeding volume does not always mean it sounds good it just means it sounds stupid loud. I’d rather have a good sounding recording rather than the damaged hearing. -
Audience 9.6 - Stunning! The band is on fire, the recording is brilliant. More like this please! -
Audience 7.4 - Very enthusiastic audience, they are loud, music is there somewhere. -
Audience 7.2 - Can hear everything, but it’s lo-fi sounding at best. Add Equalizer and season to taste. -
Berlin 1971 - Audience 7.6 and Pro 8.7 - Material originates from an average audience tape but two songs come from a pro TV recording (most likely). Stockholm 1970 - Soundboard 8.9 - Material is most definitely from a TV source (thus explains the short interview). The second disc contains BBC tracks from 1970 and some rare color 16MM pro shot film from Berlin 1971. The disc is formatted as a data disc so you can only play it on a computer, opening the audio files and video file with the player of your choice. Quatermass Berlin 1970-1971 Berlin 1971, Stockholm 1970 and BBC 1970 Bonus Video from Berlin 1971 Disc 1 Berlin 1971 1. Monster In Paradise 2. Up On The Ground 3. Monster In Paradise (reprise) 4. One Blind Mice 5. Make Up Your Mind 6. Laughin' Tackle - Keyboard Solo 7. Unknown Track Stockholm 1970 8. Black Sheep Of The Family 9. Interview 10. One Blind Mice Disc 2 John Peel Session 1970-07-28 1. Black Sheep of the Family 2. Laughing Tackle 3. Make up your Mind Now 4. One Blind Mice Rare 16MM color pro shot film from Berlin 1971 (this disc is not formatted as a playable CD. It is a DATA disc and must be opened on your computer in order to play the files). -
All Pro Broadcast Quality 8.8-9.2 - Great compilation of classic BBC performances!