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KISS - "New York Academy Of Music - First Demo Tape 1973" Academy Of Music, New York Ciy, NY December 31st, 1973 KISS - 1st demo tape Electric Lady Studios, New York City, NY March 13th, 1973 Produced and engineered by Dave Wittman supervised by Eddie Kramer 01 Deuce 02 Strutter 03 Cold Gin 04 Watchin' You 05 Black Diamond Academy Of Music, New York Ciy, NY December 31st, 1973 06 Deuce 07 Cold Gin 08 Nothin' To Lose 09 Firehouse 10 Let Me Know 11 100,000 Years (rare live version) 12 Black Diamond 13 Goin' Blind (Howard Stern show) 14 Love Theme From KISS (1995 NYC KISS Konvention tour) 15 Mr. Speed (1995 NYC KISS Konvention tour) 16 Dirty Livin' (extended version 1979) Notes: On March 13, 1973, KISS recorded a low-budget five-song demo tape with producer Eddie Kramer. In October of 1973, Bill Aucoin, who had witnessed several KISS concerts during the summer months, approached the group to become their personal manager. KISS hired Aucoin, and subsequently inked a recording contract with Casablanca Records on November 1, 1973. KISS was the first act signed to Neil Bogart's new label. KISS began recording tracks for their debut LP at Bell Sound Studios in New York City during Autumn of '73. On December 31st, KISS performed at the Academy of Music in New York City, opening for Blue Öyster Cult and Iggy Pop, with the hyped New Years Eve gig billed as the band's official industry premiere. This has gone down in KISStory as the first time Gene would accidentally ignite his hair while breathing fire at the end of "Firehouse!" "Dirty Livin'" extended version wasn't very widely known at the time of release, possibly because it was only released in countries like Italy, Germany, France and Mexico. Soundboard 8.6 The board mix favors only one half of the band to the near exclusion of the others but does level out some as it progresses. In this presentation it certainly allows you to understand the contributions of Ace! The bonus material is all outstanding. This is worth picking up despite the strange board tape because it is extremely early Kiss and these kinds of tapes are very scarce. -
Audience 8.7 - This is a “realistic” sounding tape, by that I don’t mean it sounds like it was recorded on a Realistic tape machine, rather it sounds like what your ears may have heard had you been at the show sitting towards the back of the hall. Is that bad? Not necessarily, because the tape sounds pleasing to the ears. Good, round, atmospheric…only flaw is the detail is missing. I can’t make out individual band members except the main gultars, bass, drums, and vocals. Other instruments come and go during the show as they get a spotlight on them, but I rate this show as very good because it’s so relaxing and pleasant overall and deserves a real deep dive into its contents. Bryan Ferry Cape Cod Coliseum, South Yarmouth, Mass. U.S.A. June 25, 1977 1. -tuning :35 2. -let's stick together 2:48 3. -shame shame shame 3:20 4. -road runner 2:49 5. -all night operator 2:58 6. -could it happen to me 3:37 7. -in your mind 4:44 8. -casanova 3:01 9. -love me madly again (with Chris Spedding guitar jam) 10:12 10. -love is the drug 3:44 11. -Tokyo Joe 3:51 12. -this is tomorrow 3:07 13. -the in crowd 5:22 14. -a hard rain's gonna fall (with band introductions) 5:34 15. -the price of love 5:07 Bryan Ferry: lead vocals Martin Drover: sax Chris Mercer: trumpet Ann ODell: keyboards Mel Collins: sax Phil Manzanera: guitar Chris Spedding: guitar John Wetton: bass Paul Thompson: drums -
Soundboard 9.6 - A high point of this show is the song "We're Barefootin'", the only known performance of the song. There's the "Crosses Sermon", from none other than Rev. Willie G. and one helluva La Grange Medley too! Great vibe and the crowd is insane. Ahhhh, the good 'ol days! ZZ Top April 15th, 1980 (Deguello Tour) Pine Knob, Claskston, MI 01. -I Thank You 02. -Waitin' For the Bus 03. -Jesus Just Left Chicago 04. -Precious And Grace 05. -Francine 06. -I'm Bad, I'm Nationwide 07. -Manic Mechanic 08. -Heard It On The X 09. -Fool For Your Stockings 10. -Nasty Dogs & Funky Kings 11. -We're Barefootin' 12. -Cheap Sunglasses 13. -Beer Drinkers & Hell Raisers 14. -La Grange - Sloppy Drunk - BBQ Medley 15. -She Loves My Automobile (Lone Wolf Horn Section) 16. -Hi-Fi Mama (Lone Wolf Horn Section) 17. -Tush -
Audience 8.5 - What this tape represents is an almost uncanny time warp back in time, the sound that the taper captured is amazing – the mix and separation of instruments is what damages an otherwise exceptional sounding tape. With that being said, it’s got a lot to appreciate regardless of the actual music contained herein. For instance, once the soundman dials the mix in better, the music does sound MUCH better and guitar rises slightly higher up front making for a more enjoyable listening experience. The sound of this tape is good, with a punchy upper midrange but not uncomfortable, and roaring “low end” and I say that because while bass is not well defined, it certainly is present in the lower frequencies here. This tape will grow on you, and I promise once you start, and get past the first song (where the live mix is getting dialed in), you’ll find yourself more and more sucked in to it. Robin Trower Long Island Arena, Commack, NY November 19th 1976 THE BAND Robin Trower guitar James Dewar vocals Bill Lordan drums Rustee Allen bass SETLIST 1 -Intro 2 -Same Rain Falls 3 -Lady Love 4 -Bridge Of Sighs 5 -Caledonia 6 -The Fool And Me 7 -Long Misty Days 8 -Too Rolling Stoned 9 -Daydream 10 -Day Of The Eagle 11 -Little Bit Of Sympathy 12 -Messin' The Blues 13 -Rock Me Baby 14 -Goodnight -
Audience 8.2 - A loud and raucous tape, with a band of noise in the upper mid frequency that prevents better separation of instruments. Saving grace? Duane is the clearest instrument on this recording – in fact it is his guitar that soars over the sound to the degree that you almost inevitably focus solely on him throughout. As it happens, Gregg’s vocals are next up in the mix. THE ALLMAN BROTHERS BAND Academy Of Music, New York August 15, 1971 Disc 1 1. -Statesboro Blues 2. -Trouble No More 3. -Don’t Keep Me Wonderin’ 4. -Done Somebody Wrong 5. -One Way Out 6. -In Memory of Elizabeth Reed Disc 2 1. -Blue Sky 2. -Midnight Rider 3. -Hot ‘Lanta 4. -You Don’t Love Me - Soul Serenade - You Don’t Love Me 5. -Revival -
Soundboard 8.9 - Kinda cool when you get these board tapes that pan a guitar, and then one other lead instrument to the other side, which in this case is keyboards. I think this allows for an examination of the instrument in question, so you might find yourself listening once and concentrating on guitar, then another time you’ll give drums and keys more attention…and that is why this show might have you coming back several times for more. Interesting! THE ALLMAN BROTHERS BAND Manley Fieldhouse Syracuse, New York, April 7, 1972 Disc 1 1. -Statesboro Blues 2. -Done Somebody Wrong 3. -Ain't Working Time No More 4. -One Way Out 5. -Stormy Monday 6. -You Don't Love me 7. -In Memory Of Elizabeth Reed 8. -Midnight Rider Disc 2 1. -Whipping Post 2. -Jam SUNY Stonybrook, New York, July 26, 1970 3. -Mountain Jam -
Soundboard 9.5 - Crisp, intimate, warm, inviting sound. It’s like, I don’t know, being there or something (cliché but true). Al DiMeola El Mocambo Toronto, Ontario, Canada June 17, 1977 1. -Mediterreanean sundance 3:58 (3:49) 2. -flight over Rio 7:28 (7:11) 3. -midnight tango 7:57 (7:39) 4. -percussion and drum solos 6:58 (6:42) 5. -elegant gypsy 12:29 (12:01) 6. -band introductions 2:10 (2:05) 7. -the wizard 11:45 (11:18) 8. -race with the devil on the Spanish highway 10:23 (9:57) Al DiMeola- guitar Stu Goldberg- keyboards Eddie Colon- timbales and percussion Lee Pastora- congas Eric McCann- bass Chuck Burgi- drums -
Soundboard 9.6 - Another near perfect one from you-know-who and this time guest appearance by Miles Davis. I did hear some minor static interference with Prince’s guitar pedal during some solos, nothing that would probably even be noticed by most people. Prince w/ Miles Davis (track #8 ) 12-31-87 Paisley Park Studios Minneapolis, MN This New Years Eve show was a benefit for the Minnesota Coalition for the Homeless 01: Hot Thing 02: If I Was Your Girlfriend 03: Let's Go Crazy 04: When Doves Cry 05: Purple Rain 06: 1999 07: U Got That Look 08: It's Gonna Be a Beautiful Night > Six > Miles solo > Housequake > Chain of Fools > Cold Sweat > Take the A Train > Housequake > Funky Man > Land of 1000 Dances > Piano jam > Alphabet Sweat > Cold Sweat > Float Like a Butterfly, Sting Like a Bee > Housequake > It's Gonna Be a Beautiful Night -
Soundboard 9.3/Studio 9.4 - Excellent quality all around, and of course it’s Thin Lizzy so you know the jams are top shelf. Thin Lizzy Golders Green Hippodrome London, UK. July 26, 1973 1. The Rocker 2. Things Ain't Working Out Down At The Farm 3. Slow Blues 4. Gonna Creep Up On You 5. Suicide Track 6-9 - Thunder & Lightning sessions 6. -Bad Habits 7. -Baby Please Don`t Go 8. -Mama Don`t Like It 9. -Chosen One -
Audience 8.2 - Not the best tape by any stretch but it’s also a scarcity…very few World Invasion Tour tapes survive and this one does have a couple of things going for it –first, it is NOT muddy! It’s not distinctive, but that is not the same as muddiness. It’s a “clear” tape that is just not from close up, and is not done on professional gear. I started listening to this thinking “oh man” but believe it or not you will find a reason to continue on through the whole show, especially when Dave rants about his little problem in Cincinnati the night before. Van Halen Lee County Arena Fort Myers, FL August 8, 1980 World Invasion Tour 1. -Romeo Delight 2. -Bottoms Up - Alex Van Halen Drum Solo 3. -Runnin' With The Devil 4. -Loss of Control 5. -Take Your Whiskey Home 6. -Dance The Night Away 7. -Women In Love 8. -Jamie's Crying 9. -Bright Lights, Big City 10. -Everybody Wants Some!! 11. -And The Cradle Will Rock... 12. -Edward Van Halen Guitar Solo 13. -Ain't Talkin' 'Bout Love 14. -Ice Cream Man 15. -You Really Got Me -
Audience 8.2 - What was once completely unlistenable has now revealed itself to be a tape that contains music and audible sounds…and sound that can be deciphered easily…although clearly not in any kind of high fidelity. Still what you get from this tape is a VERY obvious indication that Bowie knew where music was headed, and in real time is literally creating a new genre and the audience is in pure ecstasy. Kind of neat to listen to this show, it’s a lot higher on the energy scale than most of the other Ziggy recordings believe it or not. DAVID BOWIE - Empire Theatre Edinburgh, Scotland May 19, 1973 1. Hang On To Yourself 2. Ziggy Stardust 3. Watch That Man 4. Quicksand 5. Life On Mars? 6. Memory Of A Free Festival 7. The Prettiest Star 8. Moonage Daydream 9. Changes 10. Space Oddity 11. The Jean Genie 12. Time 13. The Width Of A Circle 14. band introductions 15. Let's Spend The Night Together 16. Drive In Saturday 17. Panic In Detroit 18. Suffragette City -
Audience 8.4 - Not a great one, but certainly indicative of the band and their sound in 1994, a year that I do not have a plethora of recordings from…also it is a Houston show and since I am from there…Good enough! Rush The Summit Houston, TX. January 26, 1994 1. -Roll The Bones 2. -Animate 3. -Stick It Out 4. -Double Agent 5. -Limelight 6. -Mystic Rhythms 7. -Closer To The Heart 8. -The Rhythm Method 9. -The Trees 10. -Xanadu 11. -Hemispheres - Prelude 12. -Tom Sawyer 13. -Force Ten 14. -YYZ -
Audience 8.8 - Quite the find! This is a strong and clear tape, although I sense the taper is quite new at it because for starters he manages only part of the show (although it’s most of the show) and second he says things (he’s clear on the recording, but thankfully not too chatty) that indicate he’s a noob. The audience around him gets into the show but are not overly intrusive in the recording. I found the guitar solo portion of the show to be the most electric as it sounds so close and clear…very cool! I like the I’m So Glad/Somebody Get Me A Doctor combo because it is one of those rare improvisational moments that you don’t know where it will go. Taper loves to stop and start too close to the songs sometimes cutting off endings it’s infuriating (and again indicates he’s a beginner) but thanks go to him for doing this one regardless. Van Halen Riverside Centroplex Baton Rouge, Louisiana November 26, 1982 1. Hang 'Em High 2. Cathedral - Secrets 3. Everybody Wants Some! 4. Dance The Night Away 5. Somebody Get Me a Doctor 6. Ice Cream Man 7. Intruder - Pretty Woman 8. Eruption 9. Ain't Talkin 'Bout Love 10. Bottom's Up 11. You Really Got Me -
FM Broadcast 9.2 - A great recording that captures the atmosphere and the thrilling musicianship brightly, if maybe a touch too boldly on the meters…no worries, there’s nothing to interfere with your listening pleasure. The band…did not know much about them but they sure have the chops. I get a little bit of a sort of Whitesnake influence, but not any of the trademark cheesiness. Jake E. Lee is very acrobatic without unnecessary shredding, I would not call his playing shred at all in fact. It’s actually quite tasteful and great use of effects…thrilling at times, and very few dive bombs and when he does it’s in and out, they don’t overstay their welcome. I could say that for the songs too, they all have good balance and set up all the solos nicely. They even cover Purple Haze…umm…maybe they should have left that one alone. But everything else is tops. Badlands The Channel radio broadcast Boston,MA 1989-10-18 Hard Driver Ball And Chain Devil's Stomp Dancing On The Edge Rumblin' Train Dreams In The Dark Winter's Call Purple Haze High Wire -
Audience 8.6 -A sonic blast not held back by some of the typical limitations such as the actual venue itself which is notorious for sounding more like a gymnasium than a concert hall. Tape cannot be faulted for being muddy, it’s not very clean, but that is due to proximity to PA and unprofessional gear. That being said, the tape scores high in terms of sheer electricity and fun…once your ears adjust, yeah, but what a ride! Band did not know they were being taped by someone so I guess this is a pretty honest performance. They sound very primitive, underground, gritty…and I guess that is why Cooper made changes because perhaps that style and sound was getting outdated on such a large caliber tour. Personally, I much prefer this honest, maybe if a bit more crude, band sound. Alice Cooper Boston Garden Boston, Massachusetts March-26-1973 the band alice cooper vocals michael bruce guitar glen buxton guitar dennis dunaway bass neal smith drums 1 -intro - tune up 2 -hello hooray 3 -billion dollar babies 4 -elected 5 -im 18 6 -raped and freezing 7 -no more mr nice guy 8 -my stars 9 -unfinished sweet 10 -I Love The Dead 11 -schools out 12 -under my wheels 13 -god bless america -
FM Broadcast 9.0 and Audience 8.8 - Both recordings capture the band well enough to appreciate that they were at least attempting to craft their own sound and style. The FM is cleaner and better separation of instruments but the audience tape ain’t all that bad. Giuffria 2/20/85 Peabodys Down Uder WMMS Coffee Break Cleveland, OH 1. Do Me Right 2. Don't Tear Me Down 3. Lonely in Love 4. Take it Straight to the Top 5. Out of the Blue (Too Far Gone) 6. Call to the Heart 7. Greg Giuffria Keyboard Solo 8. Trouble Again 9. Craig Goldy Guitar Solo 10. Turn Me On - Outro Long Beach Arena Long Beach, California, USA February 1, 1985 11.Do Me Right 12. Don't Tear Me Down 13. Line Of Fire 14. Call To The Heart 15. Gregg Giuffria Keyboard Solo 16. Trouble Again Band: David Glen Eisley - Vocals Craig Goldy - Guitars Gregg Giuffria - Keyboards, BG Vocals Chuck Wright - Bass, BG Vocals Alan Krigger - Drums, Percussion