• Audience 9.2 - Here is another great Millard tape that gives you a clear picture of an event, capturing it not just with good gear in good location but allowing the atmosphere of the occasion to shine through as well. The show here is not complete, there was a problem halfway through Mysteries And Mayhem (too bad it started here as this song jams), and apparently three songs were not taped from that point. It resumes at Dust In The Wind and is complete the rest of the way. Kansas The Forum Inglewood, CA August 16, 1978 01 Introduction 02 Down The Road 03 Point Of Know Return 04 Paradox 05 Journey From Mariabronn 06 Mysteries and Mayhem 07 Dust In The Wind 08 Band Introductions 09 Miracles Out Of Nowhere 10 Portrait (He Knew) 11 Carry On My Wayward Son 12 Sparks Of The Tempest 13 Bringing It Back 14 Magnum Opus
  • Audience 9.0 - A big sound here, and I mean it can be asbig as you want because there's just enough headroom here to add volume without fear of too much of any one thing to take away from other frequencies. It's an even sounding mix, with maybe just a little more emphasis on the massive bass/guitar attack. But even then, you still get all the vocals and drums you need...its a well rounded recording giving you sense of venue as one more benefit that comes with audience recordings.

    BLACK SABBATH Mayflower Theatre Southampton, UK 6th September 1992 Disc 1 1. E5150 2. The Mob Rules 3. Computer God 4. Children of the Sea 5. Time Machine 6. War Pigs 7. I 8. Die Young 9. Guitar Solo 10. Black Sabbath Disc 2 1. Master of Insanity 2. After All (The Dead) 3. Drum Solo 4. Iron Man 5. Heaven and Hell 6. Neon Knights Ronnie James Dio - Vocal Tony Iommi - Guitar Geezer Butler - Bass Vinny Appice - Drums Geoff Nicholls - Keyboards
  • Audience 9.0/9.2 - Two very good captures that convey a lot of information, most notably the popularity of the band at such an early stage of their careers, and that the Japanese used very high quality taping gear and knew instinctively how to stealth record a rock show. This is good for historical purposes in that these recordings always eventually take on much more significance with the passage of time. This is my argument for why artists should relax their stances against "bootlegging" because while your moment may be on the surface a commercial venture, in the long run it is a milestone not just for the artist in their career but in the overall culture and therefore should be, if possible, preserved. End of rant.

    Judas Priest Japan Tour 1978 Disc 1 Nagoyashi-Kokaido Nagoya, Japan August 3, 1978 1. Intro 2. The Great Gates Of Kiev 3. Exciter 4. White Heat, Red Hot 5. The Ripper 6. Sinner 7. Beyond The Realms Of Death 8. Better By You, Better Than Me 9. Victim Of Changes 10. Diamonds And Rust 11. Genocide 12. Starbreaker 13. Tyrant Disc 2 Festival Hall Osaka, Japan August 5, 1978 1. The Great Gates Of Kiev 2. Exciter 3. White Heat, Red Hot 4. The Ripper 5. Sinner 6. Beyond The Realms Of Death 7. Better By You, Better Than Me 8. Victim Of Changes 9. Diamonds And Rust 10. Genocide 11. Starbreaker 12. Tyrant
  • SDBRD 9.2/Audience 8.8 - Two sources comprise this offering, with the first (and thankfully the bulk of the recording) being very good quality, I would say excellent more precisely. Being a soundboard it does come off a little on the dry side, and by contrast the audience taped portion (the last 1/3 of the show) is very good, and lively, which wakes up certain instruments giving them more accuracy as far as what they actually sounded like coming through the at the show. The guitar in particular has a different attack and dynamic from the audience tape, in a good way. This is almost the perfect example of what kind of differences there are, both positive and negative, between a board and an audience tape source.

    Frank Zappa Hemmerleinhalle Neunkirchen am Brand, West Germany 25-Feb 1978, Disc 1 01 The Purple Lagoon 02 Dancin' Fool 03 Peaches En Regalia 04 The Torture Never Stops 05 Tryin' To Grow A Chin 06 City Of Tiny Lights 07 Baby Snakes 08 Pound For A Brown 09 Is That Guy Kidding Or What 10 I Have Been In You Disc 2 11 Flakes 12 Broken Hearts Are For Assholes 13 King Kong (incl White Person, YCDTOSA 6) 14 Wild Love 15 Yo Mama 16 San Berdino 17 Watermelon In Easter Hay 18 Dinah Moe Humm 19 Black Napkins
  • Audience 9.7 - It takes the soundman a little while to dial it in, I mean, there's a lot going on so give him a break! Once he gets his mix right, it's off to the raises and one heck of a winning ticket. This is one of the best, Alan White has never been as fluid, even with the extended and complex jamming he's on every beat like a beastmaster. Steve Howe is in excellent form, in fact they all are...amazing! Yes Long Beach Arena Long Beach, CA June 23, 1975 Disc 1 01 Firebird Suite 02 Sound Chaser 03 Close To The Edge 04 To Be Over 05 The Gates Of Delirium 06 Your Move Disc 2 07 Mood For A Day 08 Long Distance Runaround 09 Patrick Moraz Solo 10 The Clap 11 And You And I 12 Ritual 13 Roundabout 14 Sweet Dreams Jon Anderson - Vocals Chris Squire - Bass Steve Howe - Guitar Alan White - Drums Patrick Moraz - Keyboards
  • Soundboard  9.5 - Ass-kicking greatness!  
  • Dallas, TX. based hard rock/jazz fusion group heavily influenced by Jean Luc Ponty and Mahavishnu Orchestra. Enjoyed a brief but fruitful life span between the years 1975 and 1977, and having at least two significant line-up changes. Bassist Roy Vogt would later go on to find much success touring with legendary singer Englebert Humperdinck and teaching and recording many compositions in Nashville, most notably with guitarist extraordinaire Stan Lassiter.  
  • Pro Radio Broadcast  9.2 - Sounds very much like a product of its time, and, it is rather good and Aldo shreds convincingly.  
  • Soundboard  8.7 - It’s fine just sounds a little dated to me, all the instruments are present which is cool since a lot of times Glenn’s guitar is mixed low or struggles to be heard.  
  • Pro Soundboard  9.5 - Stellar, super clean!
    Alice Cooper Apollo Theatre Glasgow, Scotland February 19, 1982
    01) Go to Hell 5:37 02) Guilty 4:21 03) I'm Eighteen 4:41 04) Cold Ethyl 2:50 05) Only Women Bleed 2:55 06) No More Mr. Nice Guy 3:07 07) Clones (We're All) 2:50 08) I Never Cry 3:00 19) Seven & Seven Is 3:02 10) Grim Facts 3:12 11) Pain 4:45 12) Billion Dollar Babies 2:58 13) Generation Landslide 3:59 14) School's Out 13:53
    The Band: Erik Scott - Bass Wayne Cook - Keyboards Jan Uvena - Drums Mike Pinera - Guitar John Nitzinger - Guitar
  • Pro Soundboard  9.8 - One of the best ever. Must get it.
    Alice Cooper LA Forum Los Angeles 1975-06-17 CA,USA
    01. -Welcome To My Nightmare 02. -Years Ago 03. -No More Mr. Nice Guy 04. -Years Ago 05. -Billion Dollar Babies 06. -Years Ago 07. -I'm Eighteen 08. -Years Ago 09. -Some Folks 10. -Cold Ethyl 11. -Only Women Bleed 12. -Devil's Food 13. -The Black Widow 14. -Steven 15. -Nightmare Reprise 16. -Escape 17. -School's Out (W/Escape Reprise) 18. -Department Of Youth
       
  • Audience  8.3 - A great effort by the taper to capture and preserve a rock concert in his hometown with what sounds like pretty good gear. The levels are a touch low, but the fact that everything is pretty clear and there’s no distortion at all, well I tip my hat to this guy! A good one.  
  • CD 1 - Soundboard  9.2 CD 2 - Audience  8.9  

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