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Official reissue from ShroomAngel Records, this is a collection of live (and live in studio) tracks by the 70's Dallas, TX. prog band Hands (before they were known as Hands, they were called Prism). -
Pro Radio 9.3 -
All Pro Broadcast Quality 8.8-9.2 - Great compilation of classic BBC performances! -
Procol Harum Berlin 4 September 1970 feat. Robin Trower 1 Still There'll Be More 2 Wish Me Well 3 The Devil Came From Kansas 4 Shine on Brightly 5 Your Own Choice 6 Juicy John Pink 7 Nothing That I didn't Know 8 A Salty Dog 9 Whisky Train 10 Whaling Stories Gary Brooker (voice & piano) Chris Copping (bass, Hammond organ) Robin Trower (guitar, bass, voice) BJ Wilson (drums) total time: 46 min. 28 sec.Audience 8.2 - A recent re-mastering has helped this old tape IMMENSELY. I mean, it took it from a 7.3 to an 8.2 which is significant. For that reason alone, people who have had this one should now upgrade. -
Audience 7.2 - I would have preferred the guitar higher in the mix, so what happens is before the band starts playing, the audio sounds perfect, then when they start, the levels change and sound, for whatever reason, sounds weak, or it is the mix. It’s weird, because the drums sound fine, the bass is present, and then vocals but where is the keyboard and guitar? They are there, you can hear them, but they are too far back. -
Fillmore East 1969 - Soundboard 8.8 / Atlantic City 1969 - Audience 7.2 -
Soundboard 9.6 - A New Years Eve gig in New Orleans, I mean, can you imagine the partying that went down? Had to be legendary, and here’s a captured moment from that night with an artist who’s bringing it to the crowd, with a crack band (listen to the guitar leads!). Professor Longhair & The Blues Scholars Tipitina's Uptown New Orleans, Louisiana December 31st, 1978 Soundboard Set 1 - Late December 31st, 1978 1. Instrumental 2. Mess Around 3. Big Chief 4. Ain't Got No Hair 5. Everyday I Have The Blues 6. Go To The Mardi Gras 7. I'm Movin' On 8. Got My Mojo Workin' 9. Hey Little Girl 10. Her Mind Is Gone 11. Stagger Lee 12. Cry To Me 13. Auld Lang Syne Set 2 - Early January 1st, 1979 14. Instrumental 15. Instrumental 16. Rockin' Pneumonia 17. Bright Lights, Big City 18. Rum And Coke 19. Tipitina 20. Jambalaya 21. She Walked Right In 22. Hey Now Honey Child 23. Band Intros 24. Big Chief Runtime - 1 Hour 48 Minutes 30 Seconds Professor Longhair - Piano, Vocals Dave Watson - Bass Alfred Roberts - Congas Earl Gordon - Drums Ronald Johnson - Guitar Stanley John - Steel Drums Tony Dagradi - Saxophone Andy Kaslow - Saxophone -
Audience 8.6 - Small club vibe and really good sound with an emphasis on percussion clarity and presence. Recording leans to the mid and upper end but it’s not too brittle there, so it’s very comfortable but can use some added low end anyway. Aside from that, this is quite good. Psychedelic Furs Punto a Capo, Budria, Italy June 8, 1984 Band line-up Richard Butler – vocals John Ashton – guitar Tim Butler – bass guitar Keith Forsey – drums, percussion Total Time = 83:22 Disc 1 01 Love My Way 02 Pretty In Pink 03 Here Come Cowboys 04 My Time 05 President Gas 06 Sleep Comes Down 07 The Ghost In You 08 Heaven -- tape flip -- 09 Angels Disc 2 10 Sister Europe 11 Alice's House 12 Heartbeat 13 Forever Now 14 Imitation Of Christ 15 Into You Like A Train 16 India The Psychedelic Furs are an English rock band founded in 1977. Led by singer Richard Butler and his brother Tim Butler on bass. The Psychedelic Furs are one of the many acts spawned from the British post-punk scene. Their debut album was in 1980. But in 1982, the band were reduced to a four-piece. The Furs did find success in the US with their next release, 1981's Talk Talk Talk, which included the original version of "Pretty in Pink", which was later re-recorded for the 1986 movie soundtrack "Pretty in Pink". This movie would help launch Molly Ringwald's acting career. -
Berlin 1971 - Audience 7.6 and Pro 8.7 - Material originates from an average audience tape but two songs come from a pro TV recording (most likely). Stockholm 1970 - Soundboard 8.9 - Material is most definitely from a TV source (thus explains the short interview). The second disc contains BBC tracks from 1970 and some rare color 16MM pro shot film from Berlin 1971. The disc is formatted as a data disc so you can only play it on a computer, opening the audio files and video file with the player of your choice. Quatermass Berlin 1970-1971 Berlin 1971, Stockholm 1970 and BBC 1970 Bonus Video from Berlin 1971 Disc 1 Berlin 1971 1. Monster In Paradise 2. Up On The Ground 3. Monster In Paradise (reprise) 4. One Blind Mice 5. Make Up Your Mind 6. Laughin' Tackle - Keyboard Solo 7. Unknown Track Stockholm 1970 8. Black Sheep Of The Family 9. Interview 10. One Blind Mice Disc 2 John Peel Session 1970-07-28 1. Black Sheep of the Family 2. Laughing Tackle 3. Make up your Mind Now 4. One Blind Mice Rare 16MM color pro shot film from Berlin 1971 (this disc is not formatted as a playable CD. It is a DATA disc and must be opened on your computer in order to play the files). -
Audience 9.6 - Stunning! The band is on fire, the recording is brilliant. More like this please! -
Audience 9.3 - Did you miss Queen in their prime? Don’t worry, because now you can be there again by listening to this show. I think every English band that plays Boston elevates their game, perhaps it is because Boston feels like home to them…it is kind of quaint and vaguely British I guess. -
Audience 8.7 - This is just a dandy, with that large hall sound but NO annoying reverb or echo, just vibe. File alongside Boston 76, which is one of the very best of the tour. -
Audience 9.3 - Wow! Simply incredible, an audience tape with more dynamics than most professional recordings, and a fantastic performance and set list! -
Audience 7.4 - Roughly the same quality for each show. Both present complete 1974 shows, certainly must have’s for any dedicated fan, and even though they are only slightly above average, they are both good listens. -
Audience 7.7 - Nice for a large stadium bootleg! Interesting recording, because it sounds like the guitar solo pans to one side, while rhythm guitar is center channel – but it’s an audience bootleg, so my guess is maybe two mics were used to get that to happen. -
Audience 7.4 - Very enthusiastic audience, they are loud, music is there somewhere.