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Audience 8.7 - Actually not bad but it’s very close to the main PA and thus loud and noisy. There’s an annoying frequency somewhere between the mid and high that needs to be compressed. At first I thought this was a soundboard, it might be mistaken for one. It’s so close to the speakers, I mean this recording puts you in the front row. I do like it despite my concerns. -
CD issue of recordings originally released in 1978 and 1981. Import from Mexico, CD is new and never played housed in a slipcase. -
Audience 7.4 and 8.4 -
Shotgun were a 1970s rock band from Dallas. The band consisted of Guy Houston on drums, Hugh Coleman on bass, John Michael Soria on lead guitar, Russ Skarsten on keyboards, and Billy Metcalf on lead vocals. The band's 1976 album, recorded but never released, Dallasian Rock was remastered and reissued by ShroomAngel Records, in 2014. Reviewing the album for seaoftranquility.org, Pete Pardo awarded the album five stars and said: "This is incredible material that should have been huge back in the day, and the amazing thing is it still sounds fresh and exciting here in 2014. The ShroomAngel team have done a wonderful job on the remastering, so be prepared for a killer listening experience." -
M/M Brand New Never Played -
Audience 9.0 - A great recording that certainly gives you a good idea of what the ambience of the LA Forum was during that time period for an opening act! So, to be clear, it’s a somewhat sedate audience that allows you to hear pretty much every nuance. Shawn Phillips The Forum Inglewood, CA January 30, 1974 01 -Announcements, Millard Chatter and Tuning 02 -Song For Sagittarians 03 -Lookin' Up Lookin' Down 04 -Whaz' Zat 05 -Spaceman 06 -January First 07 -Bright White 08 -Moonshine 09 -She Was Waitin' for Her Mother... 10 -Keep On - Drum Solo 11 -Song For Mr. C -
All Pro Studio -
Soundboard 8.8 -
Audience 8.4 - Not too bad, but not the perfect live mix. Still, seems like a somewhat professional recording or attempt was made here, as if the tapers set up a reel to reel with decent mics and perhaps their placement just wasn’t the best. -
SDBRD/AUD Disc 1 SDBRD 9.2 excellent material that features some later (’78) performances but seems mostly to be 1974. Unfortunately the tapes were not adequately annotated. Disc 2 Audience 8.8 A very decent tape that has a great live energy to it. I almost prefer this over the board tape, it just captures more of the mania happening on stage at a SAHB concert. Disc 3 Audience 8.5 The recording seems to emanate from a more distant point from the stage and as such lacks the power and punch your ears crave, but it is not a muddy recording, you can hear the band well enough, just not much in the way of dynamics or power. SAHB Compilation Disc 1 This is Radio Sahb 1974-1978 1. Vambo 2. Sgt. Fury 3. Framed 4. Dance To The Music 5. Faith Healer 6. Next 7. Sgt. Fury 8. Zal Tuning 9. The Hot City Symphony Pt.1 - Vambo 10. The Hot City Symphony Pt.2 - The Man In The Jar 11. Gang Bang 12. Anthem 13. Faith Healer 14. Action Strasse 15. Midnight Moses 16. Rock And Rool 17. Tribute Disc 2 Stockholm, Sweden 1974 1. Faith Healer 2. Midnight Moses 3. Sgt. Fury 4. Framed 5. Long Hair Music 6. Giddy Up A Ding Dong 7. Dance To The Music Ragnarok Festival, Norway 1974 8. Midnight Moses 9. Framed Disc 3 Manchester, UK. October 16, 1974 1. Fanfare 2. Faith Healer 3. Midnight Moses 4. Next 5. Sgt. Fury 6. Vambo 7. The Man In The Jar 8. River Of Love 9. School's Out 10. The Impossible Dream 11. Framed 12. Anthem 13. Gang Bang Disc 4 Bonus Rare Video! Ragnarok Festival, Norway 1974 1. Midnight Moses 2. Framed -
Audience 8.7 - A little noisy but man what a great gig! Everything is clear and well mixed. -
Sale!
Audience 9.0 -
CD 1 - Soundboard 8.6 - Sounds very low gen but the tape seems somewhat compressed, but very clean, and thankfully can be turned up loud without breaking up. CD 2 - Soundboard 8.6 - A lot like disc one, occasional phasing on one or two tracks, but again it is pretty clean and a mix that reveals how good each player is in this band. CD 3 - Soundboard 8.4 - A step down from the first couple of discs but it has a little more brightness to it, and a little more noise and a strange sort of echo on the guitar which does not bother me, it is just different than the other discs. All in all, collectors will find much to like here. -
Soundboard 9.9 - As good as it gets, rather .01 away from being as good as it can get. -
Minden 1973 Audience 8.8 - One of the earliest concert recordings ever sourced! It sounds very good, decent equipment used, and maybe placed a little back in the club but otherwise it’s a lot better than it has a right to be. The band certainly evolved quite a bit from these early club days, but the character of the band never did. Fascinating document! Minden 1974 Audience 9.4 - What a difference a year makes, as the band return to the same club a year later and wreck the place! Extremely tasty, the recording does the band justice as it literally just leaps out of the speakers with maximum ferocity while retaining enough detail and depth to let you sit and listen in total awe. Fucking hell this is good! SCORPIONS In The Early Days 73-74 Disc 1 Grille, Minden West Germany 1973-04-19 1. -Intro - HEY LITTLE WOMAN 2. -FAR AWAY - Drum Solo 3. -Improv Jam 4. -LONESOME CROW 5. -JOURNEY FOREVER 6. -IT ALL DEPENDS - Bass & Drum Solo KLAUS MEINE - Vocals MICHAEL SCHENKER - lead Guitar (18 YEARS OLD) RUDOLF SCHENKER - Guitar LOTHAR HEIMBERG - Bass JOE WYMAN - Drums 1. Earliest "known" Live Recording Of the SCORPIONS 2. Earliest "known" Live Recording Of MICHAEL SCHENKER (18 YEARS OLD) 3. Earliest "known" Live Recording Of the song "Hey Little Woman" later played Live in 1974 - 1975 with Ulich Roth on Guitar. 4. Earliest "known" Live Recording Of the song "Far Away" latter released on "Fly To The Rainbow" in 1974 with Ulich Roth on Guitar. 5. Earliest "known" Live Recording Of all the other songs Disc 2 Grille Minden, West Germany 1974-05-03 1. -Hey Little Woman 2. -Far Away 3. -This Is My Song 4. -They Need A Million 5. -Drifting Son 6. -Fly To The Rainbow 7. -Hey Hey Hey 8. -Far Across The Ocean 9. -Speedy's Coming 10. -Long Tall Sally 11. -Johnny B. Goode 12. -Voodoo Child incl. 3rd Stone From The Sun KLAUS MEINE - lead & Backing Vocals ULRICH ROTH - lead Guitar-lead Vocals (19 YEARS OLD) RUDOLF SCHENKER - Guitar-lead & Backing Vocals FRANCIS BUCHOLZ - Bass JURGEN "Doobie" FECHTER - Drums 1. 2nd Earliest "known" Live Recording Of the SCORPIONS With ULRICH ROTH 2. Earliest "known" Live AUDIENCE Recording Of ULRICH ROTH (19 YEARS OLD) 3. Earliest "known" Live Recording Of the songs, "Hey Little Woman" & "Far Away" played with ULRICH ROTH on Guitar. 4. Earliest "known" Live Recordings Of "THEY NEED A MILLION", "DRIFTING SUN" & "FLY TO THE RAINBOW" (w/Different Lyrics) 5. 2nd Earliest "known" Live Recordings Of "THIS IS MY SONG" & "SPEEDY'S COMING" 6. Earliest "known" Live Recording Of all the other songs played with ULRICH ROTH on Guitar!! 7. The only known Live Recording to feature JURGEN "Doobie" FECHTER - Drums -
Soundboard 9.6 - Not only is this a smoking hot board mix but also a killer performance! The band is on point, great dual guitar harmonies and discernible vocals. One of the best I have heard, and the band is far from sounding “80’s”, it’s pretty metal edge even during their bigger hits (Big City Nights, etc.). Scorpions Love At First Sting Tour Eilenriede Halle Hannover, Germany Nov-02-1984 -Disc 1- 01.Opening S.E. 01:50 02.Coming Home 03:06 03.Blackout 03:47 04.Bad Boys Running Wild 03:45 05.Make It Real 04:32 06.Loving You Sunday Morning 03:38 07.Big City Nights 04:49 08.Coast To Coast 05:26 09.Holiday 03:19 10.Still Loving You 05:15 11.Rock You Like A Hurricane 04:04 12.Can't Live Without You 05:31 13.Herman Rarebell Drums Solo 06:16 14.Another Piece Of Meat 03:27 -Disc 2- 01.Dynamite 07:04 02.The Zoo 06:28 03.No One Like You 04:16 04.Can't Get Enough 09:31 05.No One Like You (US Festival 1983) 04:01 06.The Zoo (US Festival 1983) 07:19 07.Can't Get Enough (US Festival 1983) 04:00 Klaus Meine - Vocals Herman Rarebell - Drums Francis Buchholz - Bass Matthias Jabs - Guitar Rudolf Schenker - Guitar -
Audience 8.7 - A VERY powerful recorded sound coming out at you like a hurricane. Thankfully this tape holds together, although it sounds like it’s going to tear apart any second – it’s quite a frantic recording if I can describe it that way. You are like placed in front of the mains, and surprisingly you can hear everybody, especially Klaus who sounds BRILLIANT as does the entire band. Really cool stuff here from a band who is at their absolute peak, and right before MTV began taming them. Donnington Park, Castle Donnington August 16th, 1980- Lovedrive
- Don't Make No Promises
- Loving You Sunday Morning
- We'll Burn The Sky
- The Zoo
- Always Somewhere
- Pictured Life
- Robot Man
- Another Piece Of Meat
- Can't Get Enough
- Loving You Sunday Morning
- The Zoo
- Another Piece Of Meat
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FM Broadcast 9.4 - Brilliant quality, and that is great because this band was just reaching their zenith around this time with the release of their FM radio optimized masterpiece Lovedrive. The Scorpions ChicagoFest, Navy Pier Chicago, IL. June 8, 1979 1. Pictured Life 2. Backstage Queen 3. We'll Burn The Sky 4. Loving You Sunday Morning 5. Lovedrive 6. In Trance 7. Always Somewhere 8. Life's Like A River 9. Fly To The Rainbow 10. He's A Woman, She's A Man 11. Another Piece Of Meat 12. Top Of The Bill 13. Robot Man 14. Steamrock Fever -
Soundboard 9.0 - Great great gig the band sounds so good! -
Both of these sets are Soundboard quality and very cool to listen to. Good British heavy rock and roll, good players, good everything and well worth rediscovering. Saxon Stampei Lochem, The Netherlands 1982-05-20 01. -20000 Feet 02. -And The Bands Played On 03. -Heavy Metal Thunder 04. -Strong Arm Of The Law 05. -747 (Strangers In The Night) 06. -Wheels Of Steel Saxon Norman, Ok. 9-18-1983 7. -Intro 8. -Power And The Glory 9. -Princess Of The Night 10. -Redline 11. -The Eagle Has Landed 12. -This Town Rocks 13. -Strong Arm Of The Law -
Audience 8.2 - Good clear sound if a little distant and thin. Small complaint though, because it is not bad at all. -
Audience 7.7 -
various sources SDBRD 9.8 and audience 8.7 - The first disc contains superior, professional recordings that were sourced from a vinyl album. This stuff is ridiculously good, in every sort of way. The second disc contains an audience tape that is not bad having been refreshed with a recent re-mastering that has lifted decades of dust off it to reveal a pretty cool document. SAVOY BROWN Live 1969-1970 Disc 1 Connecticut College New London, UK. 1969 1 -Instrumental ............ 07:27 2 -I'm Tired ............... 04:50 3 -Train To Nowhere ........ 05:26 4 -Louisiana Blues ......... 24:40 Kinetic Playground Chicago, IL. 1969 5 -I'm Tired ............... 03:01 6 -A Hard Way To Go ........ 05:22 7 -A Little More Wine ...... 06:19 8 -Rock & Roll Boogie ...... 04:08 9 -Shake Rattle & Roll ..... 08:24 Leicester, UK. 1969 10 -It Hurts Me Too ......... 04:25 11 -May Be Wrong ............ 07:27 Disc 2 Fillmore East New York, NY. Dec. 19th, 1970 1. -Blues Jam 2. -Sunday Night 3. -Leavin' Again 4. -It Serves You Right To Suffer 5. -Louisiana Blues 6. -Shake, Rattle and Roll Players: Bass Guitar – Tone Stevens Drums – Roger Earl Lead Guitar – Kim Simmonds Piano – Bob Hall Rhythm Guitar – Dave Peverett Vocals – Chris Youlden -
Audience 9.4 -
Audience 8.4 - Punchy in the middle, how I like it! -
Radio Broadcast 8.8 - One thing that I really appreciate about this recording is how you can hear a real separation between bass and guitars. This is not typical of a heavy metal concert recording unless recorded and mixed for a specific purpose, such as a broadcast. So, while the sound itself might tend to be on the "brassier" side - it's not a knock...it's a way of trying to describe how there's plenty of bass but not necessarily in the form of that typical metal low end boomy sludge sound. It's got definition and I like that.Savatage Harpo's Detroit, MI. June 14th, 19851. Introduction 2. City Beneath The Surface 3. Skull Session 4. Warriors 5. Midas Knight 6. Visions Of Hell 7. I Believe 8. Necrophilia 9. Rage 10. Drum Solo 11. Holocaust 12. Guitar Solo 13. Washed Out 14. Sirens 15. The Dungeons Are Calling 16. Power Of The Night 17. Scream Murder 18. Twisted Little Sister 19. On The Run 20. By The Grace Of The Witch 21. The Whip -
Soundboard 9.7 - All excellent, all must haves imho. What you get sound-wise is a rich, deep tone, the Berlin tape in particular which features emphasis on the bass which is massive but detailed. The music here is more progressive than Samba, and Carlos does sometimes resort to familiar guitar runs but he also flashes a lot of other tricks and convinces the listener that he’s not a one-trick pony at all. Best I can tell here is that Devadip Ochestra is a decent attempt to take what Mahavishnu Orchestra did and accent it in different ways. Well done Carlos!
The Devadip Orchestra Disc 1 Deutschlandhalle Berlin, Germany November 8, 1978 01 Swapan Tari 02 Ocean Floor 03 Arise Awake 04 Light Versus Darkness 05 Jim Jeannie 06 Gardenia 07 Jharna Kala Ekeberghallen Oslo, Norway November 13, 1978 08 Swapan Tari 09 Ocean Floor 10 Arise Awake 11 Light Versus Darkness 12 Jim Jeannie 13 Gardenia 14 Jharna Kala Disc 2 Groenoordhal Leiden, Holland November 17, 1978 01 Swapan Tari 02 Arise Awake 03 Light Versus Darkness 04 Jim Jeannie 05 Gardenia 06 Oneness 07 Jharna Kala Carlos Santana: guitar/percussion David Margen: bass Graham Lear: drums Chris Rhyne: keyboards Russell Tubbs: flute/sax
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Soundboard 9.4 - Incendiary is all I can say to describe this. High level guitar going on, be prepared for off the charts shred before shred was even a thing. -
Soundboard 9.0 - A good, strong board tape, and a typically high quality Santana performance. This tape has been given a little facelift to reveal better dynamics, less hiss, and more depth in the bottom end, and high mids attenuated to make for a smooth, comfortable listening experience. Santana Pioneer Super Session Yokohama Stadium Yokohama, Japan August 2, 1981 Disc 1 1. Narration 1:12 2. Blue Lagoon 12:10 3. Band Intro 2:02 4. ?? 6:48 5. ?? (Rock n Roll) 6:31 6. Primera Invasion 19.02 8. Searching 5:54 9. Tales Of Kilimanjaro 2:59 10. Black Magic Woman 6:12 Disc 2 11. Well Alright 3:45 12. The Sensitive Kind 4:36 13. American Gypsy 6:39 14. She's Not There 7:44 (guest intro Neil Schon) 15. Ready to Fly 11:36 16. Shake Your Money Maker 9:20 17. Europa 8:53 18. Soul Sacrifice 13:13 -
Soundboard 9.4 - This is great, not only a very good, strong and clear board tape but also a superb performance by everyone. There is one small caveat here, starting at Bambele and extending through 5 more songs there is the presence of tape hiss (not too bad during the songs but very noticeable when quiet) which was probably the result of the engineer using a tape brand different to whatever he used for the rest of the show which has no tape hiss at all. Santana The Arena St. Louis, MO February 14, 1973 Disc 1 01 Going Home - A-1 Funk - Every Step Of The Way 02 Samba Pa Ti 03 Look Up (To See What’s Coming Down) 04 Just In Time To See The Sun 05 Incident At Neshabur 06 Bambele 07 Stone Flower 08 Batucada Disc 2 09 Xibaba (She-Ba-Ba) 10 Stone Flower (Reprise) 11 Waiting 12 Castillos De Arena, Part 1 (Sand Castle) 13 Free Angela 14 Promise Of A Fisherman 15 Aranjuez 16 Mantra 17 Castillos De Arena, Part 2 (Sand Castle) 18 Earth 19 Se A Cabo 20 Savor 21 Toussaint L’Overture Carlos Santana (guitar/percussion/vocals) Douglas Rauch (bass/guitar) Michael Shrieve (drums) Jose “Chepito” Areas (percussion) Armando Peraza (percussion/vocals) Tom Coster (keyboard/vocals) Richard Kermode (keyboard) -
Soundboard 9.5 - Good, airy, and dynamic tape! I also like the way this is mixed, and the playing is top shelf by anyone’s standards. The only small thing I can complain about is a little too much sizzle on the cymbals. -
Soundboard 9.6 - This tour was well documented with a plethora of expertly recorded board tapes. This is no exception, the quality, both in terms of sound and mix, is worthy of official release. Then there is the other measure of greatness – performance. Well, it’s Santana at their creative peak, where everything came together and they were riding the crest of a wave…which lasted a good long time. Santana Gimnasio do Palmeiras Sao Paolo, Brazil October 19th, 1973 Carlos Santana (g/perc/vo) Douglas Rauch (b/g) Richard Kermode (kbd) Tom Coster (kbd/vo) Leon Thomas (vo) Michael Shrieve (ds) Jose "Chepito" Areas (perc) Armando Peraza (perc/vo) Disc 1 (76:16) T1 -Going Home - A-1 Funk - Every Step Of The Way- 20:28 T2 -Black Magic Woman - Gypsy Queen - 9:22 T3 -Oye Como Va-5:47 T4 -Bambele 2:28 T5 -Um-um-um 7:11 T6 -Batucada 3:42 T7 -Xibaba (She-Ba-Ba)- 3:42 T8 -Stone Flower- 1:19 Disc 2 T1 Waiting- 4:24 T2 Castillos De Arena (Sand Castle)- 3:36 T3 Free Angela - Aranjuez- 13:07 T4 Samba De Sausalito- 3:30 T5 Se A Cabo-- 7:38 T6 Samba Pa Ti- 10:26 T7 Savor - 3:29 T8 Toussaint L'Overture- 08:07 -
Soundboard 9.5 - A great, loud, but very well balanced board, and it has some dynamics to it, and even manages to allow some atmosphere to creep in. After all, it was New Year’s Eve so you gotta get some of the atmosphere in there. Explosive! Santana New Year's Eve 1976 Cow Palace, SF. Dec. 31, 1976 1 Carnaval - Let The Children Play - Jugando 2 Black Magic Woman - Gypsy Queen 3 Dance Sister Dance 4 Revelations 5 Oye Como Va 6 Maria Caracoles 7 Savor - Toussaint L'Ouverture 8 Let Me 9 Europa 10 Band Introduction - Soul Sacrifice 11 Let The Music Set You Free -
Soundboard 9.4 - What a great year for Santana, really it all came together 71-72 and they were smart to record a number of shows in preparation for the live album release that became known as "Lotus" (the Japan 1972 show which is great). Any one of these other ’72 shows could have been the album as they are all stellar. -
Soundboard 8.6 - A good tape if a touch flat at times. -
Soundboard 9.0 - A strong board that could have been maybe a little crisper, but since it is not super common I appreciate it very much. It does sound like either a lower gen tape or a remastering because when compared to the old CD title from which it has been designed after, it does sound less hissy and a little more dynamic. SANTANA THE SPECTRUM, PHILADELPHIA, PA FEBRUARY 26, 1973 Disc 1: 1. -Going Home - A-1 Funk - Every Step Of The Way 2. -Samba Pa Ti 3. -Look Up (To See What’s Coming Down) 4. -Just In Time To See The Sun 5. -Incident At Neshabur 6. -Bambele 7. -Stone Flower 8. -Batucada 9. -Xibaba (She-Ba-Ba) 10. -Stone Flower Total Time: 58:31 Disc 2: 11. -Waiting 12. -Castillos De Arena, Part 1 (Sand Castle) 13. -Free Angela - Aranjuez 14. -Mantra - Kyoto 15. -Mantra - Kyoto - Castillos De Arena, Part 2 (Sand Castle) - Earth 16. -Se A Cabo 17. -Savor 18. -Toussaint L’Overture Total Time: 47:17 Carlos Santana Jose “Chepito” Areas Tom Coster Richard Kermode James “Mingo” Lewis Armando Peraza Douglas Rauch Michael Shrieve -
Soundboard 8.8 - A less than perfect board tape as far as the overall timbre, and the mix itself. I found this tape to resemble maybe a really good AM broadcast, but perhaps that is too harsh! It’s not bad, I just personally found it to be lacking some “punch”, although it is clear, it’s a board tape so there will be a built in appreciation for the “closeness” of the sounds. SANTANA - L'Olympia, Paris, France; December 4, 1972 Disc 1 1. Intro 2. Going Home / A-1 Funk / Every Step Of The Way 3. Samba Pa Ti 4. Look Up (To See What's Coming Down) 5. Just In Time To See The Sun 6. Incident At Neshabur 7. Bambele 8. Stone Flower/Batucada / Xibaba (She-Ba-Ba) Disc 2 1. Waiting 2. Castillos de Arena part 1 (Sand Castles) 3. Free Angela / Castillos de Arena - part 2 4. Wings 5. Se a cabo 6. Savor 7. Toussaint L'Overture Carlos Santana - guitar; Richard Kermode - keyboards; Tom Coster - keyboards Douglas Rauch - bass; Michael Shrieve - drums Jose “Chepito” Areas – congas James “Mingo” Lewis - percussion Armando Peraza - percussion -
Audience 8.7 - Here we have another Lotus tour gig which is probably recorded during the same stretch of gigs we got the album from. That is interesting in and of itself, and while this recording is not pro, it does reveal the power of this band. The music is pretty forceful, not a wide or airy tape but pretty solid effort by the Japanese taper. A tape that has not seen much circulation at all. SANTANA Shi Kokaido NAGOYA JAPAN July 1st 1973 1. -Going Home - Introduction 2. -A-1 Funk 3. -Every Step Of The Way 4. -Black Magic Woman 5. -Gypsy Queen 6. -Oye Como Va 7. -Stone Flower 8. -Waiting 9. -Castillos De Arena Pt.1 10. -Free Angela 11. -Flor De Canela 12. -Samba De Sauselito 13. -Mantra - Kyoto 14. -Castillos De Arena Pt. 2 15. -Light Of Life 16. -Se A Cabo Carlos Santana Mike Shrieve Armando Peraza Doug Rauch Tom Coster Richard Kermode Jose Chepito Areas Leon Thomas -
Soundboard 8.8 -
Soundboard 9.4 - A nice, low gen board from what I consider the apex of this band. In fact I would say my favorite live Santana originates from the Lotus era. I will say this mix does highlight percussion in a way that you hear cymbals and other instruments in a different aural space, almost in stereo as they seem to phase across the speakers and sometimes may even give you the feeling you are hearing tape hiss but alas it is actually residual crash cymbal sounds and maracas. Interesting. Santana Metropolitan Sports Arena Minneapolis, MN March 19, 1973 Disc 1 01 Going Home - A-1 Funk - Every Step Of The Way 02 Samba Pa Ti 03 Look Up (To See What’s Coming Down) 04 Just In Time To See The Sun 05 Incident At Neshabur 06 Bambele 07 Stone Flower 08 Batucada Disc 2 09 Xibaba (She-Ba-Ba) 10 Stone Flower (Reprise) 11 Waiting 12 Castillos De Arena, Part 1 (Sand Castle) 13 Free Angela > Concierto de Aranjuez 14 Mantra - Kyoto 15 Castillos De Arena, Part 2 (Sand Castle) 16 Earth 17 Se A Cabo 18 Savor 19 Toussaint L’Overture -
Audience 8.7 - This slightly above average tape sounds like it has been re-mastered and life restored to it, but the mix favors percussion and keys. The rest of the band is a little behind them but thankfully Carlos’ solos rise up above much more in the mix. I did find it an interesting tape with an atmosphere that lets you kind of soak up the Italian vibe – between the chatter and the feel of the venue itself it is kind of strangely…renaissance. Let’s just say the recording captures a little more than just the rock band that evening and it adds a lot to the experience. That is why I can still recommend this to fans, and the fact that it is 1971 which is that interesting period with Neil Schon. Santana Palaido Milano, Italy April 27, 1971 1. -Waiting 2. -Incident At Neshabur 3. -Toussaint L'Overture 4. -Taboo 5. -Batuka 6. -Evil Ways 7. -Soul Sacrifice 8. -Samba Pa Ti 9. -Black Magic Woman - Gypsy Queen 10. -Oye Como Va 11. -Savor 12. -Jingo -
Audience 9.6 - Stunning! It’s bright and clear and super dynamic with a palpable sense of positional awareness as you can hear the sound envelope you and the waves of excitement washing over the audience in seemingly 360 degrees. I take this over any soundboard tape any day of the week. Santana Greek Theatre Los Angeles, CA July 15, 1990 Disc 1 01 Angels All Around Us > Spirits Dancing In The Flesh 02 Somewhere In Heaven 03 It's A Jungle Out There 04 Soweto (Africa Libre) 05 Peace On Earth...Mother Earth...Third Stone From The Sun (Jimi Hendrix cover) 06 The Healer (John Lee Hooker cover) 07 Batuka 08 No One To Depend On 09 We Don't Have To Wait Disc 2 10 Bass Solo 11 Black Magic Woman / Gypsy Queen 12 Oye Como Va 13 Mandela 14 For Those Who Chant 15 Savor 16 Blues For Salvador Disc 3 17 Choose 18 She's Not There (Zombies cover) > Marbles 19 Toussaint L'Ouverture 20 Soul Sacrifice > A Love Supreme 21 Europa (Earth's Cry, Heaven's Smile) 22 Jin-Go-Lo-Ba -
Soundboard 8.8 - A good and clear tape. -
Soundboard 9.7 -
Soundboard 9.5 - The evening before this show in Kansas City, the band had just played a stadium with a stacked line-up, so they were probably pretty amped up for this show. They got to showcase some of the Marathon LP material in front of an appreciative, but much smaller crowd than the night before. A great one!
