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Audience 8.4 - This tape starts off rough but gradually opens up and ends up quite listenable especially considering this originates from an early tour stop in England 1980. These tapes are few and far between, so grab it is my advice. One thing I noticed, the sound timbre is rather eerie, a spooky kind of effect I can’t explain and it is magnified by the fact that Randy’s guitar is clearest in the mix. I could not help myself while listening to ponder what may have been, such an advanced musical sensibility that would have only gotten better. OZZY OSBOURNE - "1980 Sunderland" Mayfair Theater, Sunderland, England October 28th, 1980 Ozzy Osbourne - Vocals Randy Rhoads - Guitar Bob Daisley - Bass Lee Kerslake - Drums 01 -Intro 02 -I Don't Know 03 -You Lookin' at Me 04 -Crazy Train 05 -Goodbye to Romance 06 -No Bone Movies 07 -Mr. Crowley 08 -Revelation (Mother Earth) 09 -Suicide Solution 10 -Randys Solo 11 -Lees Drum Solo 12 -Iron Man 13 -Children of the Grave 14 -Steal Away 15 -Paranoid Notes: When Ozzy left Black Sabbath in 1979 I honestly thought it could be the last we saw of him. Sure, he was a great, mad front man in Sabbath, but I really didn’t see him as a solo act. Ozzy always struck me as crazy, fearless, yet almost child-like. He fitted well within the Sabbath context, and as part of a group; but on his own? How wrong I was. Nobody could have predicted just how successful his career would turn out to be. But it was obvious from the first time I saw him in concert and heard him play his new songs that Ozzy was going to be OK, more than OK in fact. The new album had some great tracks in “Crazy Train”, “Goodbye to Romance”, and “Mr. Crowley”, and he included Sabbath favorites “Iron Man”, “Children of the Grave”, and “Paranoid” in the live show, so how could he not be great? Oh, and Randy Rhoads was simply an incredible guitarist, just as good as his legend suggests. The tour called at Newcastle City Hall, Newcastle Mayfair and Sunderland Mayfair. The line-up of Blizzard of Ozz was Ozzy (of course) on vocals, the late and truly great guitarist Randy Rhoads, Bob Daisley (Rainbow) on bass, Lee Kerslake (Uriah Heep) on drums and local lad Don Airey on keyboards (replaced by Lindsey Bridgewater for the tour). Support came from those excellent Welsh rock heroes Budgie. -
FM Broadcast 9.6 - Beautifully preserved, this recording sparkles! A Must Have if you are into high level jazz fusion. Al Di Meola Paramount Theatre Seattle, WA May 21st 1978 KZAM FM Broadcast THE BAND Al DiMeola electric and acoustic guitars Phillippe Saisse keyboards and marimba Vlodek Gulgowski keyboards Tim Landers bass Eddie Colon timbales and percussion Robbie Gonzalez drums SETLIST 1 -KZAM Phone in Interview with AL 2 -KZAM Intro 3 -Egyptian Danza 4 -Chasin' the Voodoo 5 -Dark Eye Tango 6 -Short Tales of the Black Forest 7 -Fantasia Suite 8 -Señor Mouse 9 -Midnight Tango 10 -The Wizard 11 -Thank you Goodnight -
Audience 8.7 - A rip-roaring blast of a tape! First thing you are going to think after maybe 1 minute is how dejected Montrose and Journey must have been after following the ascending Van Halen. Man, I felt bad for them and this show happened decades ago! It’s just the sonic equivalent of a shooting star, Eddie is blistering and hits every note with perfection, the bass is detailed and not just a booming thud, drums are OK and DLR is a little behind the band but who cares? The taper did a fine job, some minor hiccups every now and then but thankfully very few to deal with and they don’t last long. I am liking this show and the tape is just fine for its age. A keeper! Van Halen Tower Theater Upper Darby, Pennsylvania March 24, 1978 1. On Fire 2. I’m The One 3. Bass Solo 4. Runnin’ With The Devil 5. Atomic Punk 6. Drum Solo/Little Dreamer 7. Ain’t Talkin’ ‘Bout Love 8. Eruption/Guitar Solo 9. You Really Got Me 10. Ice Cream Man Notes: Van Halen opening for Montrose and Journey as they made their way out of Southern California. The tour opened in Chicago on March 3. This is the first recording from that tour. -
Audience 8.7 - This is a solid effort, it captures a typically rowdy J. Geils party atmosphere without sacrificing the music at all. Taper has good seats, and he manages not to get too bumped around because it sounds like a lot of stuff was being consumed this evening in 1972. A good one to have! J. Geils Band February 13, 1972 University Of Maine, Gorham, Maine SET LIST: 1: SNOW CONE 2: WAIT 3: Find Me A New Love 4: It Ain't What You Do 5: Looking For A Love 6: Homework 7: Pack Fair And Square 8: Cry Me One More Time 9: Whammer Jammer 10: Cruisin' For A Love 11: Serves You Right To Suffer 12: First I Look At The Purse 13: I Don't Need Women -
Audience 8.8 - Easily one of the best audience recordings of the tour. Very close to the main P.A. system on Tony’s side of the stage, this puts Ozzy a little in the background but not so much he cannot be heard reasonably well. It’s just, well, it’s the sheer POWER on display by the band that makes this one so special and that the recording manages to deliver that without glaring problems (and in 1973, wow!) is a miracle. Black Sabbath 1973.02.21, Palazzo delle Esposizioni E.I.B., Brescia, Italy 01. Tomorrow's Dream 02. Sweet Leaf 03. War Pigs 04. Snowblind 05. Killing Yourself to Live 06. Wicked World 07. Orchid>Guitar solo 08. Orchid 09. Guitar solo 10. Rock Jam 11. Blues Jam 12. Wicked World reprise 13. Embryo 14. Children Of The Grave 15. Paranoid -
Excellent Soundboard recording of a highly regarded Texas rock group prominent in the mid '70's. They played an original, hybrid progressive, upbeat hard rock along with more Austin, Texas flavored "Tex-Mex" Southern infused rock and roll...like I said a hybrid style. Unfortunately it did not take hold anywhere outside of Austin, so it remained undiscovered but certainly in Texas the name is extremely well respected as it should be. Well worth discovering for yourself! -
Audience 8.2/8.6 - The recording starts out borderline, probably due to taper position…but hang in there because midway through the 4th song it improves and becomes a more interesting document because of it, First of all, it’s literally Bob Seger in the peak of his powers with a handful of chart toppers to display proudly. Normally that would not move me, but Bob Seger is old school, he delivers the goods even if his songs are considered “mainstream”, I mean, its good rock and roll no matter what. I love this document for many reasons. Bob Seger Hippodrome de Pantin Paris, France 10-3-77 01 Nutbush City Limits 02 Rock and Roll Never Forgets 03 Travelin Man > 04 Beautiful Loser 05 Turn the Page 06 Get Out of Denver 07 Main street 08 Mary Lou 09 Fire Down Below 10 Sunburst 11 Ramblin Gamblin Man > 12 Heavy Music > 13 Katmandu 14 Night Moves 15 Let it Rock -
Audience 9.3 - Super clear, super realistic, the crowd is with him, of that there is no doubt. Warm sounding, and great balance, very vivid tape, memorable concert. Peter Gabriel The Clubhouse Santa Ana, CA June 17, 1980 01 Intruder 02 The Start/I Don't Remember 03 Solsbury Hill 04 Family Snapshot 05 Milgram's 37 06 Modern Love 07 Not One Of Us 08 Lead A Normal Life 09 Moribund The Burgermeister 10 Mother Of Violence 11 Humdrum 12 Gabriel announces the show must end -
Audience 9.7 - Opening for ELP, this is the short lived Robert Fleischman period just before the arrival of Steve Perry. Hard to find anything about this recording to complain about, it’s amazingly life-like and extremely dynamic – about the only fault is how short it is. Taper arrived late, but makes up for it with a stellar recording. Journey Long Beach Arena Long Beach, CA August 14, 1977 01 Of A Lifetime 02 She Makes Me (Feel Alright) 03 Look Into The Future 04 On A Saturday Nite 05 It's All Too Much (The Beatles cover) > Drum Solo 06 Guitar Solo > You're On Your Own -
Audience 9.2 - Amazing recording! Not that it is perfect, in fact, the audio mix is off, but it is off in a spectacular way. So, it’s basically guitar, I mean, plugged directly into your brain and proceeding to torch your brain cells until they are dry spots on the carpet. Yeah, it’s like that, but don’t worry if you do not hear vocals perfectly, or bass is too low, or drums are not pounding because while all that is here, it is predominately the Johnny Winter and his hypnotizing psychedelic blues at maximum volume show. Johnny Winter Mile High Stadium Denver, Co 6-28-69 Denver Pop Festival 01 Rollin & a Tumblin 02 Help Me 03 Leland Mississippi Blues 04 Mean Town Blues 05 Goin Down Slow 06 It's My Own Fault -
Audience 9.0 - Before I first heard this I assumed it would be a tough listen based on other recordings from this venue. Well, I am very happy to report that my assumption was dead wrong! This is just a great, great recording for the time period. It does seem to be about midway back but this is not a liability in this situation because it seems to give an aura, a sense of time and place, with the ambience and natural echo (just a touch). I really love everything about this tape! Spirit Mammoth Gardens, Denver, Co June 5th, 1970 01. Decisions (by Gypsy) 02. Sweet Stella Baby 03. 1984 04. It's All The Same 05. Fresh Garbage 06. Unknown Instrumental 07. Jealous 08. It Shall Be > Poor Richard 09. Groundhog (incomplete) -
Audience 8.2 - A somewhat average tape that is brand new to circulation and captures a good time for Lou when he had some great songs and great players with him. Plus side of the recording is that it is low gen and clear enough to hear the band although keyboards are quite behind in the stage mix. Lou is more prominent, with bass and guitar next. A good tape for a lo-fi cassette recorder snuck into the venue in the mid 70’s. Lou Reed Milwaukee Auditorium Milwaukee, WI. 10-31-1974 1. -Tuning 2. -Intro Jam 3. -Sweet Jane 4. -Vicious 5. -Ride Sally Ride 6. -Heroin 7. -Kill Your Sons 8. -N.Y. Stars 9. -Animal Language 10. -Sally Can't Dance 11. -Walk On The Wild Side 12. -White Light White Heat 13. -Goodnight Ladies -
Audience 8.3 - This recording has you right in the thick of things. Equally enjoying both the electric excitement of the Kinks and the amazing responses from the audience. Quality is a little above average but the instruments are clear and not muddy. The vocals are very clear, which is important because Ray commands the show. This show has been written about, and not just for the incident involving Ray falling into the amps during Apeman. One to remember! The Kinks Philharmonic Hall, New York, NY March 30, 1971 Band line-up (personnel : May 1970 - November 1976) Ray Davies - lead vocals, rhythm guitar Dave Davies - lead guitar, backup vocals John Dalton - bass guitar, backup vocals Mick Avory - drums, percussion John Gosling - keyboards Total Time = 73:37 Set list 01 Intro 02 Till the End of the Day 03 Brainwashed 04 You're Looking Fine 05 Apeman 06 Waterloo Sunset 07 Sunny Afternoon 08 Give My Love To Rose 09 Get Back In Line 10 A Pub With No Beer 11 Lola 12 Louise -- tape flip -- 13 Big Sky 14 Milk Cow Blues 15 See My Friends 16 Powerman 17 One Night With You 18 You Are My Sunshine 19 You Really Got Me 20 All Day & All of the Night 21 Top of the Pops The Kinks play at Lincoln Center's prestigious Philharmonic Hall (later renamed Avery Fisher Hall). In contrast to the elegance of the hall, Ray Davies' spontaneous, campy, outrageous, sometimes disoriented performance elicits a huge crowd response. When he falls into a bank of amplifiers (brother Dave kindly steps aside when he sees Ray toppling), members of the audience leap on stage to finish the song "Apeman" for Ray. By all accounts it is a night to remember. -
Audience 8.6 - A little age shows in this tape, but it’s nicely mid-rangey and kind of phat too, meaning it’s got some balls to it even though it may be a little compressed and aged. I would recommend this one though, because one key quality of this tape is that the two guitars are really nicely separated, almost a wide pan effect if you can believe it. Sounds pretty cool. AEROSMITH Paris, France Pavillon porte de Pantin 1976 november 1st 1. Intro 2. Mama Kin 3. Write Me A Letter 4. S.O.S. (Too Bad) 5. Lick And A Promise 6. Big Ten Inch Record 7. Sweet Emotion 8. Rats In The Cellar 9. Dream On 10. Lord Of The Thighs 11. Last Child 12. Walk This Way 13. Sick As A Dog 14. Same Old Song And Dance 15. Train Kept A Rollin’/ Get The Lead Out/ Batman Theme/ Movin’ Out/ Peter Gunn Theme 16. Crowd 17. Toys In The Attic Steven Tyler - vocals Joe Perry - guitar Tom Hamilton - bass Joey Kramer - drums Brad Whitford - guitar -
Audience 8.8 - Excellent sound with good balance and great live mix where you pretty much get a good blend of the bass and drums without that annoying boominess. Great time period too! Van Halen Theatre Mogador, Paris, France Wednesday May 10th, 1978 01- On Fire 02- I'm The One 03- Runnin' With The Devil 04- Feel Your Love Tonight 05- Atomic Punk 06- Little Dreamer 07- Ain't Talkin' 'Bout Love 08- Voodoo Queen 09- Ice Cream Man 10- Guitar solo 11- You Really Got Me 12- D.O.A [fades in] 13- Summertime Blues 14- Bottoms Up! -
Studio Quality 9.7 - Fascinating! Just hearing these songs before the sweeteners were added is incredible. I kind of like the raw takes better, well, almost. The Cars First Album Demos 01 Good Times Roll (live) 02 My Best Friend's Girl (demo) 03 Just What I Needed (demo) 04 I'm In Touch With My World (demo) 05 Don't Cha Stop (demo) 06 You're All I've Got Tonight (demo) 07 Bye Bye Love (demo) 08 Moving In Stereo (demo) 09 All Mixed Up (demo) 10 They Won't See You 11 Take What You Want 12 Wake Me Up 13 You Just Can't Push Me 14 Hotel Queenie