FM Broadcast 9.4 - This could be considered as one of the best live documents of the band I have ever heard. While there is the faintest amount of FM static in the background during quiet parts, this does not distract in any way the absolute mastery of music that this band delivered. Just stunning, and I can imagine how many young musicians must have been inspired after hearing this band live. Do yourself a favor and grab this, it’s phenomenal. My Father’s Place, Roslyn, NY 3rd April, 1974 1. -Can You Understand 2. -Let It Grow 3. -Kiev 4. -Things I Don’t Understand 5. -Ashes Are Burning 6. -Prologue  

Audience 9.0 -A sparkling audience tape that captures a band that is firing on all cylinders in frightening precision and dexterity (all members). Good bass presence here, no rumble just nice and solid which helps give clarity to everything else. Return To Forever Jahrhunderthalle Frankfurt, Germany 1976-03-21 Disc 1 101 Medieval Overture 6:01 102 Band Intros 2:19 103 Sorceress 12:25 104 The Magician 6:41 105 The Duel Of The Jester And The Tyrant 12:59 Disc 2 201 Lenny White Acoustic Set Introduction 1:20 202 The Romantic Warrior 12:20 203 Chick Piano Solo - Trio (Stanley, Lenny) On Green Dolphin Street, La Fiesta 9:22 204 Al Acoustic Guitar improvisation - RTF 11:37 205 Stanley Acoustic Bass improvisation incl. Bass Folk Song - RTF 10:52 206 Lenny White Drum Solo 10:39 207 Space Circus - Lopsy Lu - Coda 15:47  

Stockholm 1972 SDBRD 9.1 - Some minor tape hiss present but otherwise it’s quite good for its age. It was recorded well, I mean, the sound to me is very organic and that suits this style of music. Princeton 1973 SDBRD 9.3 - First thing you’ll notice is the lively, massive drums, and a good, round, full bass followed by sharp and clear guitar tone. A very very nice board tape! Nottingham 1975 SDBRD  8.7 - A somewhat subdued sound (tape age?) but pretty clear and could maybe just use a little EQ to bring out the frequencies…and also a little volume boost but other than that it’s a good tape that could be great. There’s a lot of communication with the crowd, more so than usual. Return To Forever Dramaten Stockholm Jazzdays Stockholm, Sweden September 17, 1972 FM Disc 1 01 -Band intro by Chick 02 -Spain 03 -Children's Song 04 -500 Miles High 05 -Noon Song 06 -Matrix 07 -Radio Announcer Chick Corea - Fender Rhodes and Acoustic Piano Joe Farrell - Flute and Soprano Saxophone Stanley Clarke - Acoustic Bass Airto Moreira - Drums Disc 2 Princeton University Princeton, NJ 1973-11-30 01 -Theme To The Mothership 02 -Bass Folk Song 03 -Children's Song 1 04 -Space Circus 05 -Captain Senor Mouse 06 -The Game Maker Chick Corea -keys Stanley Clarke -bass Lenny White -drums Bill Connors -guitar Disc 3 University of Nottingham Nottingham, U.K. February 22, 1975 1. -beyond the 7th galaxy 2. -song to the Pharoah kings - Vulcan worlds 3. -the shadow of Lo 4. -talk Disc 4 5. -Vulcan worlds 6. -talk and tuning 7. -no mystery 8. -talk 9. -celebration suite Chick Corea: keyboards Al Di Meola: guitar Stanley Clarke: bass Lenny White: drums

Audience 9.6 - This sound is so real, so present, and SO LOUD but thankfully hangs together without shredding the tape it is stored on…mostly. On occasion there’s some minor breaking up in a certain frequency due to the sheer volume and proximity to the microphone but to be honest that is kind of what makes this recording such a revelation for me. I just never predicted that King Arthur and the Knights of the Round Table would be as heavy and manic as it is here in an expertly recorded live setting. Rick Wakeman is a badass! Rick Wakeman Convention Center Anaheim, CA November 11, 1975 Disc 1 01 Intro 02 The Journey 03 Recollection 04 Catherine Howard 05 Lancelot & The Black Knight 06 Down And Out Disc 2 07 Anne Boleyn 08 The Forest 09 Arthur & Guinevere 10 Merlin The Magician 11 Catherine Parr 12 Hungarian Rhapsody 13 The Battle