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Audience 8.8 - Great, guitar is up front in the mix. -
Audience 9.2 - Crank it up! -
Audience 8.9 - When this recording first starts you get a little worried that it is going to be crap, but when the band begins to play, the sound gets surprisingly good, so much so that it totally sucks you into the moment and you lose yourself in the band. Fantastic! -
Audience 7.8 - Recorded pretty close to the mains, a touch of distortion on some parts, and some tape breaking up due to being overloaded with sound, and vocals a little buried, but even though I can go on with the faults, I found myself sticking with it and I adjusted and I enjoyed this show. Roger is in particularly fine form, really sounds determined on this stage. Tapers talk, tapers cough, but I deal with them, the show sounds incendiary. -
Audience 9.4 - Front row seat to a sizzling Pink Floyd concert. Total immersion, 100% satisfaction guaranteed. -
Audience 7.7 - Obviously one that everyone needs as it is one of the rare performances of “Tea Time” sequence. Good sound, not going to blow you away but it is ok, maybe low levels, some tape hiss. -
Audience 8.8 - A great stereo recording from the 5th row back, center. Occasional mic drop out in the 2nd half of the show - fixed but tape went mono for a bit. A really nice and immersive concert recording. -
Audience 9.4 - Clearly this tape belongs in the tapers hall of fame. So good, you hear every little nuance, I could swear I even hear the breaths taken between verses! Yes, it is that good! -
Audience 8.6 - A strong performance with an especially creepy CWTAE, and the tape showcases all of it clearly, and with power. Very slight bit of breaking up at the most extreme volume but it hangs together, and the quieter parts are sublime with a very clear organ/keys which is nice. A good one! -
Audience 8.9 - An infamous gig, Roger has had quite enough from a fan and spits on him. But the show – the show is a good ‘un, and captured very well here with a very clear and direct guitar sound primarily but solid rhythm section as well and some of the atmosphere does present. Its limitation might be that there are a couple of cuts and other tape related issues (few and far between) and maybe that keys get a little buried at times but really it’s no deal breaker just minor things. Highly recommend this one! -
Audience 8.7 - A loud, loud tape recording that gets right up to the bleeding edge of break up at full volume but thankfully does not go off the edge…too much! So, I have to say about this one, it’s terribly exciting because it has a super realistic feel where you can sense the size of the venue, the air of excitement in the crowd, pretty much all the hallmarks of an exceptional capture. It does get too loud in places, so be warned. -
Audience 8.8 - Looking for a good quality Plasmatics recording? Right here it is. Get it! -
SDBRD 9.4 - I actually believe this recording probably sounds a lot better than what the people at the show were hearing. I say that because these huge outdoor concerts did not always have the pinnacle of clear sound mixes, and ear-bleeding volume does not always mean it sounds good it just means it sounds stupid loud. I’d rather have a good sounding recording rather than the damaged hearing. -
Audience 9.4 - When an audience tape is done correctly you get a very real sense of the environment, of the people and the moment happening in front of you. This tape does all of that for you. -
Audience 9.6 - Monsterous! Sounds like you are right there, crystal clear and loud. The BEST EVER! -
Audience 8.8 - Deep, rich lows are what highlight this tape. There is the tiniest amount of distortion in the bass due to just how profound it is in this recording but not to the expense of everything else mind you – although I would say the rest of the music sits a little behind the low end. I can wholeheartedly recommend this but bear in mind if you want to blast it loud you may want to tune down the bass frequency.