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Audience 8.0 - A good reference recording, does not deliver a palette full of dynamic sound colorization or anything like that but it is a pretty clear, one-dimensional recording. One thing I can say is that collectors will want this, as any 1972 show is well worth having in my opinion and this one is very decent even if it lacks a solid low end (not necessarily thin, just not a lot of bottom).
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Audience 7.4 - Interesting to listen to this, it’s almost like they are performing on a soundstage, but the quality is only so-so. I do not know what to make of it, my instinct says this was a TV broadcast, maybe this was recorded off the TV volume? It’s not too bad, just not a very wide dynamic range.
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Audience 8.1 - Do not be dismayed by this sound rating, in fact this has been re-mastered and is vastly superior to all other versions out there. The lineage of this recording was the cause of some confusion for decades – it was believed to have been from Rotterdam but is in fact Amsterdam. Why this show has been overlooked by collectors is beyond me, it’s a marathon concert and should be in the collection. Maybe it was the marginal sound quality of previous versions? Oh well, now we have this.
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Audience 8.3 - At first, you would have expected this to sound awful, being an awfully loud band playing in a small club with primitive gear…and it’s not exactly perfect but for what it is it is DAMN good! Guitars up front, vocals a but buried, drums reasonably clear, but you get a real sense of the action and the sound is not bad at all. Historically, this is absolutely a must for any ACDC fan.
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Audience 7.8 - A recording that slowly gets a little better after the first song or two but I have to tell you – for historical purposes this recording is the first time Brian Johnson appears on tape with the band (live, not studio). I think he does a fine job filling the spot too, but that’s up to every fan to decide.
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Soundboard 9.6 - This rating reflects what I feel about this recording in the way that the guitar and bass come across in the mix. So, what you get is a well rounded, brassy bass sound that is articulate and not lost in the low end wastelands or overshadowed by Pete. It sounds like two guitar players playing in perfect harmony, and a lot of Who recordings you do not get that effect so much as just a wall of power and volume. This one is just so good in that sense and deserves a special acknowledgement.