• Audience 8.3 - Whenever you come across any 70’s ZZ Top, your instantly going to ask “how does it sound”? because we all know how rough most of them are – but this one reveals layers of the band previously lost in a dense fog of distortion and volume – an articulate bass. Billy’s tone is lovely as ever but only his solos soar above the rhythm section who are LOUD but not distorted. One to pick up!
  • Audience 7.4 - 8.3 - Don’t let the ratings dissuade you from this one – for one thing, the material is all remastered and sounding as good as possible, which in most cases you will find it sounds better than most of the mid 70’s Top audience tapes out there. The never before circulated 1969 material sounds particularly good, in fact you might be quite astonished at how good it is.
  • Audience 7.8 - What I like about this tape is that the guitar is not only right up front, but the tone is present, you can hear that lush Les Paul phatness! Not a spectacular mix for the bass and drums but if you want Billy you got him.
  • Audience 7.8 - This is well worth getting if you want to know what was happening before the big time. Good big hall sound, not overly echoey or boomy at all.
  • Audience 7.2 - Not a well defined sound, I think drums are fine with a nice staccato sound. The guitar has a particular bite to it though, I am probably too harsh of a judge here since 70’s ZZ Top recordings are few and far between.
  • Soundboard 9.3 - The venue is unknown as is the exact date, but here’s what we do know – the show smokes! It captures the imagination, and is what I love about collecting. Do you remember what you were doing in May of 1973? I am sure the band played this gig and quickly forgot about it as they traveled to the next town, but it never ceases to amaze me how here they are in some college town probably, completely engaged and engulfed on this tour, yet manage to produce exemplary performances over and over again like it’s no big deal. Then, move on to whatever is next…it’s almost a little melancholy.
  • Soundboard? I think it could be because there’s no audience noise here. It’s an OK board if it is, but quality is hovering around 8.6 so it is well worth getting.
  • Audience 7.4 - Interesting to listen to this, it’s almost like they are performing on a soundstage, but the quality is only so-so. I do not know what to make of it, my instinct says this was a TV broadcast, maybe this was recorded off the TV volume?  It’s not too bad, just not a very wide dynamic range.
  • Soundboard 8.6 - Starts off rough but quickly things improve and soon a really bright, vibrant tape emerges. Might be a touch too much high end here, but I interpret that to mean this must be a low gen source. Most everyone is going to dig this, add it to the collection for sure!
  • Audience 8.4 - Pretty darn good for a small club gig with amateur audience recording technique, if indeed it was done by an audience member. As you know, Frank sometimes recorded the band, not always through the board either.
  • Soundboard 9.0 - Clean and tight but no atmosphere present. Rather dry, but mix is fine, quality is awesome.   (late show)
  • Soundboard 9.4 - Crisp, with incredible detail on drums, A very tight punchy sound that is quite exhilarating. Wonderful!
  • Soundboard - Sounds like it may actually be a close mic’d recording as there is little audience noise and yet there is a sense of the venue and atmosphere in the vocals especially. Very good!
  • Audience 7.9 - This tape shows its age but the master source for this CD is actually an old vinyl boot long since lost to the mists of time. Glad to have it, although I think only hard core collectors will really see the value here. That is not to say its dogshit either, because at times its actually very decent, but it fluctuates also back to mediocre, and that may be due to the tapers having to move or hide their equipment. I still like this one, and I think most Sabbath collectors will appreciate it.

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