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Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 14, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:47 02 - The Spirit of Radio 4:37 03 - Tom Sawyer 5:10 04 - Freewill 5:28 05 - Digital Man 6:40 06 - Subdivisions 5:25 07 - Vital Signs 5:11 08 - The Camera Eye 6:58 09 - Closer To The Heart 3:20 10 - The Analog Kid 4:51 11 - Broon's Bane 1:33 12 - The Trees 4:26 13 - Red Barchetta 6:28 DISC 2: 01 - The Weapon 8:00 02 - New World Man 4:01 03 - Limelight 4:43 04 - Countdown 5:55 05 - 2112 Temples Of Syrinx 6:24 06 - Xanadu 2:28 07 - La Villa Strangiato 3:32 08 - In The Mood 3:59 09 - YYZ / Drum Solo 11:08 -
Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 15, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:43 02 - The Spirit of Radio 4:44 03 - Tom Sawyer 5:12 04 - Freewill 5:28 05 - Digital Man 6:46 06 - Subdivisions 5:29 07 - Vital Signs 5:16 08 - The Camera Eye 7:01 09 - Closer To The Heart 3:18 10 - The Analog Kid 4:50 11 - Broon's Bane 1:33 12 - The Trees 4:24 13 - Red Barchetta 6:19 DISC 2: 01 - The Weapon 8:14 02 - New World Man 4:00 03 - Limelight 4:37 04 - Countdown 6:00 05 - 2112 Temples Of Syrinx 6:22 06 - Xanadu 2:31 07 - La Villa Strangiato 3:28 08 - In The Mood 3:17 09 - YYZ / Drum Solo 10:47 -
Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 22, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:47 02 - The Spirit of Radio 4:37 03 - Tom Sawyer 5:10 04 - Freewill 5:28 05 - Digital Man 6:40 06 - Subdivisions 5:25 07 - Vital Signs 5:11 08 - The Camera Eye 6:58 09 - Closer To The Heart 3:20 10 - The Analog Kid 4:51 11 - Broon's Bane 1:33 12 - The Trees 4:26 13 - Red Barchetta 6:28 DISC 2: 01 - The Weapon 8:00 02 - New World Man 4:01 03 - Limelight 4:43 04 - Countdown 5:55 05 - 2112 Temples Of Syrinx 6:24 06 - Xanadu 2:28 07 - La Villa Strangiato 3:32 08 - In The Mood 3:59 09 - YYZ / Drum Solo 11:08 -
Audience 8.6 - Very low gen (no noise) recording that is leaning much more towards the bright side, perhaps even a little bit crispy but a recording like this can be tuned to your liking. What prevents a recording from having any chance at all is muddiness, and thankfully there is no muddy quality to this tape. All in all, I have to rate this as a show that one notices first the performance (from the opening notes you know it is going to be a good one), and the ears do adjust to the concert hall sound very soon, notwithstanding the EXTREMELY excited audience…like, throughout the entire show. Can’t blame ‘em I guess, but damn let the band play! Rush Lakeland Civic Center Arena Lakeland, Florida, USA Sunday April 11th, 1982 Track List: Disc 1: 2112 (Overture/The Temples Of Syrinx) Freewill Limelight Beneath, Between & Behind Subdivisions (Early Version) The Camera Eye YYZ / drum solo Broon's Bane The Trees The Analog Kid (Early Version) Disc 2: The Spirit of Radio Red Barchetta Closer to the Heart Tom Sawyer Vital Signs Working Man Hemispheres (Armageddon) By-Tor & The Snow Dog In The End In The Mood 2112 (Grand Finale) La Villa Strangiato -
Soundboard 8.8 - Not too bad for a 48 year old tape. Does have some lack of clarity (minor) being old analog but for the most part I say dive right in because with this band…well the water is rather deep, and colorful. GONG 1972-12-14 Maison des Jeunes Rodez, France CD1 1. Gnome intro 2. Pot Head Pixies 3. Zero the Hero & the Witch's Spell 4. I am your Pussy 5. Why are we Sleeping? 6. Radio Gnome Invisible 7. I Feel so Lazy 8. It's The Time of Your Life CD2 1. Tropical Fish 2. Dreaming it 6:04 3. Flying Teapot 6:55 4. Flying Teapot pt. II 12:54 5. Flying Teapot pt. III 4:46 CD3 1. Lawrence The Alien 2. Blues For Findlay 3. Encore Jams lineup: Daevid Allen - voc, guitar, glissando guitar Shakti Yoni - space whispers & vocals Bloomdido Bad de Grass - sax, voc Hi T Moonweed - synth Francis Moze - bass Laurie Allan - drums -
Audience 8.3 - Do not let the low rating dissuade you from obtaining this show, because it is actually pretty clear and for this tour probably one of the better auds. It does lean toward low end, in a good way because it does not crowd everyone else out. Eddie is on fire and you hear him well, vocals and bass are solid (vox are a touch behind it all but still right there) so perhaps drums are the weakness but even then I can hear what he’s doing. Once your ears adjust, man this ain’t that bad. Van Halen Monday, April 14, 1980 MECCA Arena, Milwaukee, WI Disc 1 01 -Radio Promo 02 -Intro 03 -Romeo Delight 04 -Bottoms Up 05 -Runnin' With The Devil 06 -Tora Tora - Loss Of Control 07 -Take Your Whiskey Home 08 -Dance The Night Away 09 -Women In Love 10 -Jamie's Cryin' 11 -banter 12 -Feel Your Love Tonight Disc 2 13 -Bright Lights, Big City 14 -Atomic Punk 15 -And The Cradle Will Rock 16 -Light Up The Sky 17 -Guitar Solo 18 -Ain't Talkin' Bout Love -Encores- 19 -Applause 20 -Ice Cream Man 21 -You Really Got Me -
Soundboard 8.7 - This is clear enough and is a board tape but my guess is that it is actually sourced from a line feed (video) because I do notice some compression on the signal. Still, it is highly enjoyable, getting ample amounts of bass, drums, and of course guitars (even some panning effects now and then, very cool). Capital Centre Landover, MD. August 12th 1978 Disc 1: 1. -Just What The Doctor Ordered (4:25) 2. -Yank Me, Crank Me (4:17) 3. -Dog Eat Dog (5:29) 4. -Free For All (5:24) 5. -Snakeskin Cowboys (5:00) 6. -Cat Scratch Fever (5:29) 7. -Need You Bad (5:23) 8. -Tight Spots (3:06) 9. -Name Your Poison (5:38) Disc 2: 1. -Wang Dang Sweet Poontang (6:05) 2. -Guitar Solo (6:11) 3. -Stormtroopin' (4:57) 4. -Stranglehold (10:46) 5. -Motor City Madhouse (9:13) 6. -Gonzo (6:35) -
Audience 8.8 - Very clear and with enough dynamics present to really provide an authentic experience of virtually being there. These kinds of recordings, while technically not considered as excellent (unfairly) due to the measurable fidelity of the audio (in the objective sense) are actually excellent in their own right. This is a well done recording, with the sound “floating” above you and giving you a sense of time and place, of literally being there. Van Halen Fair Warning Tour Greensboro Coliseum Greensboro, North Carolina, USA Tuesday August 25th, 1981 Disc 1 01. On Fire 02. Sinner's Swing 03. Drum solo 04. Hear About It Later 05. So This Is Love 06. Jamie's Crying 07. Bass solo 08. Runnin' With The Devil 09. Dance The Night Away 10. Sunday Afternoon In The Park 11. Romeo Delight 12. Everybody Wants Some!! Disc 2 13. Sounds of Summertime 14. Ice Cream Man 15. Mean Street 16. Guitar solo 17. Feel Your Love Tonight 18. You Really Got Me 19. Unchained 20. Ain't Talkin''Bout Love Line-up: David Lee Roth : Edward Van Halen : Alex Van Halen : Michael Anthony. -
Audience 8.6 - A clear tape, possibly a master source, that presents a very nice performance by the band with a tape that gives you a reasonable recollection of the evening. The tape leans towards a high end propensity while sacrificing any deep lows but I am 100% sure you will LOVE this one because it’s just one of those tapes that seems to get better, the ears adjust, and before you know it you are saying “damn this is pretty good”…because it actually is. As Pretty Woman ends (and there’s a moment in the song where Dave lets loose on some dingus that threw something at him) and it goes into Eddie’s solo, man, this tape TAKES OFF and becomes an easy 9.3 rating. Van Halen The Forum Inglewood, CA September 10, 1982 Disc 1 1. -Romeo Delight 4:14 2. -Unchained 4:01 3. -Drum Solo 2:45 4. -The Full Bug 3:36 5. -Runnin' With The Devil 3:04 6. -Dave Raps 3:34 7. -Jamie's Cryin' 3:28 8. -Little Guitars 4:21 9. -Where Have All The Good Times Gone 3:16 10. -Bass Solo 4:19 11. -Hang 'em High 3:10 12. -Cathedral 1:47 13. -Secrets 3:21 14. -Everybody Wants Some 13:18 Disc 2 1. -Dance The Night Away 3:14 2. -Somebody Get Me A Doctor - I'm So Glad 6:11 3. -Ice Cream Man 7:48 4. -Intruder 1:54 5. -(Oh) Pretty Woman 3:27 6. -Guitar Solo 11:15 7. -D.O.A. 3:36 8. -Ain't Talkin' 'Bout Love 6:05 9. -Bottoms Up 5:46 10. -You Really Got Me - Happy Trails 6:31 -
Audience 8.5/8.7 - Both tapes are not well known, and are pre-Close To The Edge making them quite interesting to the fans of early period Yes. Both tapes sound pretty good, with the nod going to Tucson for just that little bit of clarity it has overall. There’s enough dynamics, atmosphere, and clarity to allow the listener to settle in to each show and appreciate the details (great ripping Hammond work by Wakeman throughout). Good to have these shows in the collection. Yes Forum Inglewood, CA, USA March 15, 1972 Disc 1 01 Firebird Suite Intro (2:09) 02 Roundabout (7:33) 03 Heart Of The Sunrise (11:15) 04 Perpetual Change (10:12) 05 I've Seen All Good People (6:43) 06 Yours Is No Disgrace (11:51) Disc 2 Community Center Tucson, AZ, USA March 16, 1972 01 Roundabout (7:54) 02 I've Seen All Good People (7:05) 03 Mood For A Day (3:31) 04 Clap (3:56) 05 Heart Of The Sunrise (11:08) 06 Rick Wakeman Solo (5:28) 07 Long Distance Runaround (4:09) 08 The Fish (11:00) 09 Perpetual Change (9:13) -
Audience 8.7 - A very good tape for the time, and what a good time it is for the Stones. What I really enjoyed the most about this recording is how clear Mick Taylor is in the mix. It’s not a super bright sounding tape, and it is not muddy, it is better than average but it shines in atmosphere, performance, and vibe. The band is clearly enjoying the show as much as the audience is. A keeper! The Rolling Stones NICARAGUAN BENEFIT CONCERT FOR THE VICTIMS OF EARTHQUAKE The Forum, Inglewood, Los Angeles, CA on January 18th, 1973 Disc 1: 01. -Introduction 02. -Brown Sugar 03. -Bitch 04. -Rocks Off 05. -Gimme Shelter 06. -Route 66 07. -It's All Over Now 08. -Happy 09. -Tumbling Dice 10. -No expectations Disc 2: 01. -Sweet Virginia 02. -You Can't Always Get What You Want 03. -Dead Flowers 04. -Stray Cat Blues 05. -Live With Me 06. -All Down The Line 07. -Rip This Joint 08. -Jumpin' Jack Flash 09. -Street Fighting Man -
Audience 8.8 - This is a tape that does improve as it goes ultimately coming to a comfortable place, and one might say it is warm and well balanced. When I hear this I can better appreciate this period of the band, when they were experimenting with their music trying to find a place in the changing world of FM radio and top 40. Does that make it bad? I used to shake my head, but now I understand it, and I find that what they were doing was NEEDED in order to prevent ALL music from that time period sucking so much. YES Civic Center Portland ME USA 02.09.1980 CD 1 (73:20): 01 Does It Really Happen? 02 Yours Is No Disgrace 03 Into The Lens 04 The Clap 05 And You And I 06 Go Through This 07 Man In A White Car Suite 08 We Can Fly From Here 09 Tempus Fugit 10 Amazing Grace - Whitefish CD 2 (77:25): 01 Machine Messiah 02 Starship Trooper 03 Roundabout 04 Can You Imagine?* 05 Telephone Secrets* 06 Mind Drive* 07 Fortune Hunter* 08 You Don't Know+ 09 Make It Easy+ 10 Open Your Box+ * tracks: XYZ session feat. Chris Squire, Alan White & Jimmy Page, april 1981 + tracks: Cinema rehearsals, 1982 -
FM Broadcast 8.9 - This recording was done from the radio broadcast even though most people think it is from the reels (it is from a reel to reel, but a recording made from the broadcast). However, once the live over the air sound mix is sorted out, it becomes pretty darn good and even if the tape has some signs of age, it’s a great document and well worth getting. Yes Madison Square Garden NYC, NY Sept. 6, 1980 Steve Howe, Chris Squire, Alan White, Geoff Downes, Trevor Horn cd1 51:30 01. Yours Is No Disgrace 5:01 02. Into The Lens 8:23 03. Clap 4:26 04. And You & I 10:08 05. Go Through This 4:27 06. Man In A White Car 6:17 07. We Can Fly From Here 6:44 08. Tempus Fugit 5:49 09. The Fish (11 seconds) 0:11 cd2 43:21 01 Machine Messiah (Mono) 11:24 02 Starship Trooper 11:55 03 Roundabout 7:42 Bonus: 04 - We Can Fly From Here Studio-Demo - 5:56 05 - We Can Fly From Here 6:23 1980-04-18 (later mix 1980-04-18) -
Audience 9.2 - A recording that does more than merely capture a live concert on tape, it captures the dynamics and palpable vibe of the event. This is lovely stuff, with the band delivering stunning readings of majestic progressive rock numbers like Sound Chaser and Close To The Edge. To be honest, sometimes the overly jazzy keyboards of Moraz do conflict with the style and sound of the band but mostly he is able to provide the correct sounds during the key parts. Yes Hollywood Bowl Los Angeles, CA June 21, 1975 Disc 1 01 Firebird Suite 02 Sound Chaser 03 Close To The Edge 04 To Be Over 05 The Gates Of Delirium Disc 2 06 Your Move 07 Mood For A Day 08 Long Distance Runaround 09 Patrick Moraz Solo 10 Clap 11 And You And I 12 Ritual 13 Roundabout 14 Sweet Dreams -
Audience 9.1 - A recording that delivers everything that you want, especially the guitar tone which is simply glorious. You would be forgiven if you thought “hey am I listening to the Stones right now?” but remember, it was The Stones that sounded like Mick Taylor not the other way around! Great stuff! Mick Taylor with the Jimmy Woods Band 11th Annual Adams Avenue Street Fair, San Diego, CA September 19, 1992 Band members: Mick Taylor : guitar, vocals Jimmy Wood : vocals, harmonica, guitar Jimmy King : guitar, backing vocals Greg Boaz : bass, backing vocals David Salinas : drums Disc 1 01 introduction 02 Badmouth Momma 03 Hoodoo Thing 04 How It Feels 05 You Shook Me Disc 2 06 Shake Your Hips 07 You Don't Miss Your Water 08 You Gotta Move 09 Band Intros 10 Cairo Motel Total Time = 01:32:13 -
Radio Broadcast & Audience 8.8/8.5 - The radio material sounds its age but is a fine document in good enough shape to give you a deeper appreciation for this hugely influential band. The audience material is from a small club, and therefore does not suffer stadium sound problems meaning you can hear everyone pretty solid especially the guitar which is great. I am happy to be able to hear these recordings knowing a little background on the band and how they forged their own path in the music industry. A bit of ancient historical importance on the 1974 show, Judas Priest opened and come on at the end to jam with Budgie making it the first recorded appearance of Judas Priest on tape! Budgie 1972-10-10 Paris Theater London UK Burke Shelley - bass, vocals Ray Phillips - drums Tony Bourge - guitar Disc 1 1. -Talk 2. -Rape of the Locks 3. -Talk (includes station announce) 4. -Rocking Man 5. -Talk 6. -Hot As a Docker's Armpit 1974-02-11 Marquee London line-up: Burke Shelley Tony Bourge Pete Boot 7. Intro 8. Breadfan 9. Hammer And Tongs (early version) 10. You're The Biggest Thing Since Powdered Milk 11. Parents Disc 2 1. Zoom Club 2. Running From My Soul 4. The Stumble (instrumental version) 5. Running From My Soul (reprise, jam with Judas Priest)