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Soundboard 9.3 - A super clean, almost clinical board tape where you get detail on all the instruments. This is probably not how the show actually sounded, but it’s great if you want to hear the band playing in your living room. Dire Straits - San Antonio '85 Time: 43:07, 46:46 Date: August 16, 1985 Location: Majestic Theatre, San Antonio, Texas, USA DISC 1: 01 - Sultans Of Swing 11:45 02 - Why Worry 5:01 03 - Walk Of Life 4:02 04 - Two Young Lovers 4:45 05 - Brothers In Arms 8:14 06 - Solid Rock 4:44 07 - Going Home (Theme From Local Hero) 4:36 DISC 2: 01 - Ride Across The River 9:53 02 - Expresso Love 6:45 03 - One World 5:41 04 - Romeo & Juliet 8:46 05 - Money For Nothing 7:50 06 - Tunnel Of Love 7:51 Personnel: Mark Knopfler - Vocals, Guitar Hal Lindes - Guitar Alan Clarke - Keyboards John Illsley - Bass Terry Williams - Drums Tommy Mandel - Keyboards Mel Collins - Saxophone Joop De Korte - Percussion -
Studio Quality 9.7 - This is by far the best comp covering this crucial period. All tracks taken from the best possible master sources. It’s going to be very hard to top this one. The Rolling Stones Sticky Beggars Bleed In Exile Studio outtakes 1968 - 1972 Disc ONE 01-Tumbling Dice aka Good Time Woman 02-Stop Breaking Down 03-Two Trains 04-Highway Chile 05-Brown Sugar 06-Hamburger To Go 07-I Ain`t Lying 08-Tumbling Dice 09-Cocksucker Blues 10-Jiving Sister Fanny 11-Travellin` Man 12-Country Honk 13-Let It Rock 14-I`m Going Down 15-You Gotta Move 16-Memo From Turner 17-I Don`t Know Why 18-Carol 19-I Got The Blues 20-Wild Horses 01 Disc TWO 01-Family 02-Downtown Lucie 03-Sister Morphine 01 04-Leather Jacket 05-Brown Sugar 02 06-Parachute Woman 07-Potted Shrimp 08-Dear Doctor #4 09-I`m A Country Boy 10-Little Queenie 11-Dancing In The Light 13-Prodigal Son 14-Shake Your Hips 15-Trident Jam 16-Factory Girl 17-(Can`t Seem To) Get A Line On You 18-Wild Horses 03 19-I Don`t Know The Reason Why 20-Exile On Main Street Blues -
Audience 9.0 - Total vibe, it’s all captured marvelously in this priceless tape. Clean, close, balanced…which is great because this is one of those gigs you are glad someone taped. Get this one! NEIL YOUNG & CRAZY HORSE Civic Center Arena, St. Paul, Minnesota October 15th, 1978 THE BAND Neil Young vocals guitar piano harmonica Frank Sampedro guitar keyboards vocals Billy Talbot bass vocals Ralph Molina drums vocals Disc 1 1 -Sugar Mountain 2 -I Am A Child 3 -Comes A Time 4 -Already One 5 -After The Gold Rush 6 -Thrasher 7 -My My Hey Hey (Out Of The Blue) 8 -When You Dance I Can Really Love 9 -The Loner 10 -Welfare Mothers 11 -Come On Baby Let's Go Downtown Disc 2 12 -The Needle And The Damage Done 13 -Lotta Love 14 -Sedan Delivery 15 -Powderfinger 16 -Cortez The Killer 17 -Cinnamon Girl 18 -Like A Hurricane 19 -Hey Hey, My My (Into The Black) 20 -Tonight's The Night -
Audience 8.5 - A little dark tone here, and some lack of clarity but not the kind you normally associate with an audience tape (especially one recorded in this notoriously cavernous sounding hall). This tape is actually one of the better audience tapes I’ve heard from Carnegie Hall. James Gang Carnegie Hall NYC 5/15/71 Disc One - 46:37 1. Funk #49 2. Ashtonpark 3. Stop 4. You're Gonna Need Me 5. Take A Look Around 6. Tend My Garden 7. White Man, Black Man 8. Thanks 9. Garden Gate 10. Again Disc Two - 46:30 1. The Ashes, The Rain, And I 2. Walk Away 3. Woman 4. Lost Woman 5. Johnny B. Goode 6. The Bomber -
Audience 9.2 - This is a very well done Audience recording from very close to the stage. The music is clear and bright, and the mix of all instruments is really great too. I particularly think the drums sound very real, percussive, and just drive this performance in a very non “laid back” sort of way. Guitar has a lively tone, and as a bonus you get a finally that features Carlos Santana. Eric Clapton Frost Amphitheatre - Stanford University Palo Alto, CA 1975-08-09 (Saturday) Disc 1 d1t01 - Layla d1t02 - Knockin' On Heaven's Door d1t03 - Tell the Truth d1t04 - Can't Find My Way Home d1t05 - Key to the Highway d1t06 - Carnival d1t07 - Take Me Down to the Riverside d1t08 - Badge Disc 2 d2t01 - Better Make it Through Today d2t12 - Blues Power d2t13 - Ramblin' On My Mind d2t14 - Let it Rain d2t15 - band intros d2t16 - Eyesight to the Blind with Carlos Santana -
Soundboard 9.6 - So, not every show of the ’74 tour was a train wreck and this should be proof of that. Sure, Clapton occasionally blurts stuff out, sometimes during a song, but performance-wise this is stellar. Sound quality is near perfect. Eric Clapton Title: The Saint Louis Blues Dates: July 25, 1974 Venue: Henry W. kiel Municipal Auditorium, St. Louis, Missouri, US. ------------------------------------------------------------------- Disc.1 01: Smile 02: Can't Find My Way Home 03: I Shot The Sheriff 04: You Don't Love Me 05: Badge 06: Tell The Truth Disc.2 01: Willie And The Hand Jive 02: Get Ready (false start) 03: Get Ready (full version) 04: Layla ----------------------------------------------------------------- Band Lineup: Eric Clapton: Guitar, Vocals George Terry: Guitar Dick Sims: Keyboards Jamie Oldaker: Drums Carl Radle: Bass Yvonne Elliman: Backing Vocals -
Radio Broadcast 8.9 - Two different sources were used to make one complete broadcast and as such there is slight audio change throughout, but all is good because it is all very good! Some signs of time and dust but for the most part it is a tape that delivers…and what you might notice is how articulate Johnny’s playing is around this time. Johnny Winter Old Waldorf San Francisco 1978-12-23 Disc 1 1. -Hideaway 2. -Messing With The Kid 3. -One Step At A Time 4. -Mississippi Blues 5. -Black Cat Bone 6. -Bony Moronie 7. -Last Night 8. -Wipe Out 9. -Drum Solo Disc 2 10. -Drum Solo Con't. 11. -Wipe Out (reprise) 12. -Merry Chistmas Baby (Jon Paris on Guitar, Vocal; Johnny Winter on Bass) Johnny Winter - Guitar, vocals Jon Paris - Bass Bobby Torello - Drums Bonus Concert Johnny Winter And Rick Derringer Stockholm 02/01/1971 13. -Good Morning Little School Girl 14. -Rock´n Roll Hootchie Coo 15. -Be Careful With A Fool - It's My Own Fault 16. -Jumping Jack Flash 17. -Great Balls of Fire - Whole Lotta Shaking Going On -
Audience 8.4 - Not a bad stadium recording that has a huge atmosphere and consequently not the best definition, although Roger soars high above with his articulate vocals. Bass is the underlying foundation of this recording…probably worth getting as it does seem to edge out a large portion of Euro ’70 tour tapes. THE WHO Stadthalle, Offenbach, West-Germany Sept. 13, 1970 Disc 1: 01. Heaven And Hell 02. I Can't Explain 03. Young Man Blues 04. Don't Even Know Myself 05. Water 06. Overture 07. It's A Boy 08. 1921 09. Amazing Journey > 10. Sparks 11. Eyesight To The Blind 12. Christmas 13. The Acid Queen 14. Pinball Wizard Disc 2: 01. Do You Think It's Alright? xx. Fiddle About (missing?) 02. Tommy Can You Hear Me? 03. There's A Doctor 04. Go To The Mirror! 05. Smash The Mirror 06. Miracle Cure 07. I'm Free 08. Tommy's Holiday Camp 09. We're Not Gonna Take It > 10. See Me Feel Me 11. Summertime Blues 12. Shakin' All Over > 13. Twist And Shout 14. My Generation > 15. Naked Eye > 16. Magic Bus approx. 117 mins -
Audience 8.7 - This is an ass-kicker of a show, really huge sound and larger performance…completely over the top. The hall effect is present but taper is close enough to the mains to mitigate much of that. There is an underlying “noisiness” in the tape which gets lost on the shuffle anyway once the band is cooking…and man do they cook! Boston at the Boston Garden Boston, Massachusetts USA November 06, 1978 1978-11-06 Disc 1 01 intro 02 Rock and Roll Band 03 Shattered Images 04 Peace of Mind 05 Feeling Satisfied 06 Don't Look Back 07 The Journey 08 More Than a Feeling Disc 2 09 A Man I'll Never Be 10 intro 11 Smokin' 12 This Time 13 Foreplay 14 Long Time 15 Something About You 16 Party 17 Television Politician -
Santa Monica 1974 Audience 8.7 - A tape that takes a song to balance out and adjust but once it gets going is quite good. Some signs of age, but it has held up reasonably well and makes a nice addition to any collection. Be aware there is a tape situation during Dancing With The Moonlit Knight where the sound phases back and forth across the speakers, sounding as if the show was in quadraphonic, and the tape machine struggled but it lasts only a couple of minutes. Not a complete show, we only have 47 minutes but it’s better to have this than nothing at all. Quebec City 1974 Audience 8.9 - A very clear and strong tape that does take a minute to settle in, with tapers carrying on occasionally but eventually chilling out…they don’t annoy too much thank goodness! The performance here is stellar, the audience very responsive. A memorable evening. Genesis Santa Monica Civic Auditorium Santa Monica, CA. 3-22-74 Disc 1 1. -Watcher Of The Skies 2. -Intro to Dancing With The Moonlit Knight 3. -Dancing With The Moonlit Knight 4. -The Cinema Show 5. -I Know What I Like 6. -Firth Of Fifth Disc 2 Centre de Congres Quebec , Canada 4-18-74 1. -Watcher Of The Skies 2. -Britannia Story 3. -Dancing With The Moonlit Knight 4. -Romeo Story 5. -The Cinema Show 6. -Five Rivers Story 7. -Firth Of Fifth 8. -The Battle Of Epping Forest 9. -Henry & Cynthia Story 10. -The Musical Box -
Audience 8.8 - A nicely atmospheric tape that is very clear, with pretty decent instrument separation and emphasis on vocals so you hear every lyric. Nothing is drowned out in this mix! Fabulous tape! ELO Anaheim Stadium Anaheim, CA. August 26, 1978 Disc 1 1. Intro 2. Standing In The Rain 3. Night In The City 4. Turn To Stone 5. Can't Get It Out Of My Head 6. Cello Solo 7. Tightrope 8. Telephone Line 9. Rockaria Disc 2 1. Violin Solo 2. Strange Magic 3. Mr. Blue Sky 4. Sweet Talkin' Woman 5. Evil Woman 6. Do Ya 7. Livin' Thing 8. Ma-Ma-Ma Belle 9. Roll Over Beethoven -
Due to the complexity of this recording, more detailed notes can be reviewed below. As far as a number rating I can honestly give this a 9.0/9.4 due to the fact it is indeed a welcome upgrade to a great show that we can finally put away the countless other versions of! LED ZEPPELIN - 1973-03-16 - Vienna - NEW 4 SOURCE MATRIX Disc 1 01. Introduction [0:57] 02. Rock and Roll (Bonham, Jones, Page, Plant) [3:48] 03. Over the Hills and Far Away (Page, Plant) [6:41] 04. Black Dog (Jones, Page, Plant) [6:18] 05. Misty Mountain Hop (Jones, Page, Plant) [4:27] 06. Since I've Been Loving You (Jones, Page, Plant) [9:09] 07. Dancing Days (Page, Plant) [5:53] 08. Bron-Y-Aur Stomp (Jones, Page, Plant) [6:26] 09. The Song Remains the Same (Page, Plant) [5:20] 10. The Rain Song (Page, Plant) [9:19] --- [* = board tape available / optional disc division @ 58:19] Disc 2 11. Dazed and Confused (Page, Holmes) * [28:30] contains: San Fransisco (Phillips) Mars, the Bringer of War (Holst) 12. Stairway to Heaven (Page, Plant) * [10:59] 13. Whole Lotta Love (Bonham, Dixon, Jones, Page, Plant) [25:36] contains: Everybody Needs Somebody to Love (Wexler, Berns, Burke) Boogie Chillun' (Besman, Hooker) * (You're So Square) Baby I Don't Care (Leiber, Stoller) * Let's Have a Party (Robinson) * I Can't Quit You Baby (Dixon) * 14. Heartbreaker (Bonham, Jones, Page, Plant) * [8:01] Jimmy Page - guitars John Paul Jones - bass, organ John Bonham - drums Robert Plant - vocals MATRIX NOTES: The general aim was to provide the whole concert in as consistent and upgraded a listening experience as could be stitched together from the various recordings which are all incomplete. While there are always some downsides to matrixing analog recordings that have been manually synchronized, it is hoped that the benefits, such as the improved stereo dimension, of the results outweigh those deficiencies. Further lesser quality audience sources than those described below also exist but were not used. AUD source #1: The master was reportedly a TDK SA 90 cassette, which matches the 45 + 45 minutes which are extant and captured tracks 2-8 & 12 and parts of 1, 9, 11, 13. Winston Remaster used for the first part (which is unmatrixed on that version). Best of the audience recordings overall, recorded close to the stage towards one side. The guitar is somewhat buried here. AUD source #2: A lower/medium quality cassette recording at a greater distance to the stage, used only to patch missing AUD sections of tracks 1 & 9-11 (and the encore break before 14). AUD source #3: Captured most of the concert except for the introduction and notably two gaps in DAC. The master reported to have been recorded with Sony mics to Uher Report reel-to-reel. Close to the quality of AUD.1 but with a different sound balance (guitar is prominent, vocals somewhat buried) and recorded towards the other side of the stage. Matrixing with AUD.1 thus allows reproducing the occasional stereo panning effects of the house mix (which are not present on the SBD): guitar break in Bron-Y-Aur Stomp, bow solo in DAC, Theremin in WLL. SBD source: Apparently a 60 minute cassette which contains most of tracks 11-14. However, several minutes of 11/DAC & 13/WLL are missing, as the tape was not flipped immediately when the side or reel A ran out. There was probably another cassette on which the first hour of the concert was recorded (or copied), including the beginning of DAC, with the engineer likely missing some two minutes of the song between the cassettes, after the first one stopped and until recording resumed on a fresh tape. The reason why only the second cassette is available (for this and also certain other dates) is perhaps that someone in or with the band wanted a listening copy of just the songs with improvisation. The mix that was recorded is not exactly the same as what was played over the PA, as some of the delay/reverb effects (particularly on the vocals), as well as the panning, heard on the audience recordings are not present. Track by track breakdown: tr.01: AUD.2+1. AUD.2 contains half a minute more of the pre-show compared to AUD.1, none of which is on AUD.3. 02-08: AUD.1+3. SBD not available for the first part of the show but AUD.1 & 3 run practically without breaks until the end of BYAS. 09: AUD.1/2+3. AUD.1 has breaks during the intro and its side A completely cuts out @ 1:30 into TSRTS; the taper evidently did not flip the tape and resume recording until well into DAC which gap has here been patched with AUD.2. 10: AUD.2+3. AUD.1 thus does not exist for The Rain Song; the lower quality tape of AUD.2 used to substitute. 11: AUD.2/1+3. AUD.1 continues recording @ 5:00 while AUD.3 cuts out around 6:45 for one minute. Both gaps in DAC have been patched by matrixing with AUD.2, except for the section between roughly 2:50 and 4:00 where that tape itself has a discontinuity. 11: SBD & AUD.1+3. SBD cuts in about 15 seconds after AUD.1, i.e., around 5:15 into DAC from which point on it is the main source for the matrix but augmented with AUD.1 & 3 - and some patching from AUD.2 - as far as they are available. 12: SBD & AUD.1+3. AUD.3 has short cuts in the introduction; SBD cuts out after STH ends as the tape side ran out. 13: AUD.1+3 / SBD & AUD.1+3. Side B of the AUD.1 cassette runs out around 10:15 into WLL but SBD continued recording 4 minutes before that. 13-14: SBD & AUD.3. The segment containing the last 13 minutes of WLL and nearly all of Heartbreaker is therefore a matrix of SBD and AUD.3 since AUD.1 was no longer recording. The encore break is largely cut on both sources between the songs: AUD.3 misses about 2:20 of atmosphere while SBD loses only 1:30 and has the first notes of Heartbreaker intact. For the sake of completeness the missing part has again been patched from AUD.2 although the change in sound is noticeable. -
Fillmore East 1970 Soundboard 8.8 - Clear although not bristling with perfection is a very good early period SMB recording Honolulu 1970 Soundboard 8.8 - A tape that needs one song to dial in the live mix but then gets much better. Still, it’s very good but not sparkling and bright…just good enough to rank pretty high in the category of the formative Steve Miller anthology of concert tapes. San Rafael 1970 Soundboard 9.1 - This is a really nice recording that exemplifies why it is so cool to hear tapes of an artists’ earlier career works before they made it to the big time. This certainly shows the vulnerability and the possibility at the same time. An artist who is still not 100% convincing but clearly has the tool set necessary to advance…and advance he did! Steve Miller Band Before The Glory Live 1970 Disc 1 Fillmore East New York, NY March 6, 1970 01. -Kow Kow Kalculator 02. -Motherless Children 03. -Stormy Monday 04. -Space Cowboy 05. -Living in the USA Honolulu Civic Auditorium Honolulu, HI 6/13/70 06. -Introductions & Tuning 07. -Unknown song 08. -Industrial-Military Complex Hex 09. -Blues With A Feeling 10. -Jackson-Kent Blues Disc 2 Pepperland San Rafael, Ca. September 1970 1. -Unknown 2. -Band Introductions - Never Kill Another Man 3. -Brave New World 4. -Good Morning To You 5. -Kill - Come Play The Drum (Fandango) 6. -Harmonica Jam - Drum Solo 7. -I Love You - Bass Solo 8. -Going To The Country 9. -Children Of The Future Steve Miller- guitar and vocals Bobby Winkelman- rhythm guitar Ross Valory- bass Jack King- drums -
Audience 8.7 and SDBRD 8.8/9.1 - Both sources are clean and decent, the first disc is actually a radio broadcast but they used a tape source that was recorded by a fan in the audience! Sounds a little distant but clear with good atmospherics, just unusual to know how they did it. The other disc contains a board tape made at the Fillmore which is very good but more than that really shows the crossing over the line by “country” artists into uncharted territory. This music reminds me of what would happen if you took The Flying Burrito Brothers and The Beatles and told them to pretend they are Eagles flying around the Bay Area. The last bit of disc 2 is from Holland and is the best sounding of the set. Poco Eagles Auditorium Seattle, WA 1969-07-05 Disc 1 Set 1 early show 01. Pickin' Up The Pieces 02. Hurry Up 03. My Kind of Love 04. Nothin's Still the Same 05. Just In Case It Happens, Yes Indeed 06. Grand Junction 07. A Child's Claim To Fame 08. Make Me A Smile 09. Nobody's Fool 10. El Tonto De Nadie Regresa Set 2 late show 11. What A Day 12. Do You Feel It Too? 13. Calico Lady 14. Anyway Bye Bye 15. I Guess You Made It 16. Just In Case It Happens, Yes Indeed 17. Grand Junction 18. Consequently, So Long 19. Pickin' Up The Pieces 20. Short Changed 21. Nobody's Fool 22. El Tonto De Nadie Regresa Lineup: Richie Furay - guitars, vocals Jim Messina - guitars, bass, vocals Rusty Young - pedal steel guitar, Dobro George Grantham - drums, vocals Disc 2 1970-11-01 Fillmore West, San Francisco, CA 01. I Guess You Made It 02. C'mon 03. Hear That Music 04. Anyway Bye Bye 05. Hurry Up 06. Hard Luck - A Child's Claim To Fame - Picking Up The Pieces 07. Make Me Smile 08. You Better Think Twice 09. Just In Case It Happens, Yes Indeed - Grand Junction - Consequently, So Long Lineup: Richie Furay - guitar, lead vocals Paul Cotton - guitar, vocals Rusty Young - steel guitar, guitar, vocals Timothy B. Schmit - bass, vocals George Grantham - drums, vocals VPRO-Muziek, Nederland-1 Radio show Eindhoven, Netherlands 1972-02-10 10. Hoedown 11. Just For You and Me 12. You Are The One 13. Bad Weather 14. Hard Luck-Pickin Up the Pieces 15. Railroad Days -
Soundboard 9.9 - The rating says it all. You all know I do not easily give ratings that top 9.8, so it has to be really special to get something like this. An excellent soundboard is not enough, in this case the source is from a multi track soundboard so it was recorded with intent and not for reference only. Rush National Exhibition Centre Birmingham, U.K. 04-23-88 Disc One: 1. Three Stooges Intro 0:52 2. The Big Money 5:57 3. Subdivisions 5:23 4. Marathon 6:32 5. Turn The Page 4:42 6. Prime Mover 5:33 7. Manhattan Project 5:10 8. Closer To The Heart 4:32 9. Red Sector A 5:11 10. Force Ten 4:55 11. Time Stand Still 5:11 12. Distant Early Warning 5:15 Disc Two: 1. Lock And Key 6:34 2. Mission 5:41 3. Territories 6:20 4. YYZ 3:18 5. The Rhythm Method 4:37 6. The Spirit Of Radio 4:59 7. Tom Sawyer 5:38 8. 2112: Overture/The Temples of Syrinx 5:33 9. La Villa Strangiato 5:27 10. In The Mood 3:11 -
New York 1973 SDBRD 9.2 - Excellent professionally recorded show. It’s easy to hear how it was that his star took off and exploded just a few short years later. New Orleans 1973 Audience 8.8 - A strong, clear, atmospheric recording (easy to put yourself in the taper’s seats). I always thought some bands sound better if they aren’t captured through the board…Frampton has such good stage presence and there’s always such a good audience report…audience tapes of excellent quality are the best listening experience imho. Frampton's Camel Academy of Music New York, NY May 4, 1973 THE BAND Peter Frampton guitar vocals Mick Gallagher keyboards Rick Wills bass John Siomos drums Disc 1 1 -KBFH Intro 2 -White Sugar 3 -Lines on My Face 4 -Do You Feel Like We Do 5 -Jumping Jack Flash Disc 2 Municipal Auditorium New Orleans, LA 1973-07-03 01. Intro 02. It's A Plain Shame 03. The Light 04. Lines On My Face 05. The Lodger 06. Do You Feel Like We Do 07. Jumpin' Jack Flash 08. White Sugar 09. Stage Announcements