• Soundboard 9.6 - A must for every Kinks collector!         The band was REALLY cooking on this tour, here’s some proof.
  • Audience 9.0  - Nicely done! A good solid punchy middle, with enough headroom to allow the guitars to soar high above the audience landing onto your ear drums in the best of ways.
  • Audience 8.6 - A very early tape featuring the bands original guitarist. For those who have not heard anything like this before, well, it does not sound like the Police as we know them, it’s still good, but different.  To my ears, the guitarist does not have the polish we have come to expect from this band, but he’s got quite a lot of spit!
  • T Rex Rare Rextacy Studio Demos of Professional studio quality 9.6 and live tracks 9.0 Clear, bright, and interesting…that is the key point when dealing with studio outtakes. These are well worth the listen!
  • Studio quality 9.0 with some variation of quality throughout but not getting anywhere below a solid 8.8.
  • Audience 9.1 - Taper was very close to the main PA but it does not distort and the sound goes directly to your brain, it does not stop for directions. HOT HOT HOT!! Get it.
  • Studio 8.7 - A little sonic degradation to these professional studio demos (the bonus tracks are abbreviated probably due to legal reasons at the time they were recorded). Some of the tracks are better quality, but the worst are still very good, just maybe a little loss of clarity and fidelity but nothing major. You’ll enjoy this if you are a fan.
  • Audience 8.6 - A strong recording that you know was done by people who were careful and prepared because right away you can hear them getting the recording levels set during the opening bars of the first song. They knew what they were doing!  A lively gig, the band riding high and looking to prove that the hype was for real. Get this!
  • Audience 7.1 - One for completists only, but even then, this version has been given a touch of boost (recording levels were low), EQ and hiss reduction (very very lightly) making it an upgrade to previous versions. Good set list, band sound good (Ozzy in a great mood). I think it’s not a total loss of a recording, because the one thing it does also have going for it, is that it is not a garbled muddy mess (that is a deal breaker for me).
  • Pro Studio 9.5 - A brilliant sonic overhaul done for these historic tracks. For years circulated widely but now restored and remastered to proper speed .... collectors will be happy to have this set.
  • Audience 8.6 - A serviceable recording, it stays sort of in the midrange spectrum but is pretty powerful anyway. I suspect this may be audio that was taken from a video source, but to my ears it sounds better than a typical home video camera audio capture.
  • Audience 8.9 - You can turn the volume way up and it gets better and better because the wise taper knew what he was doing.  The show is incomplete though but you won’t find me complaining. Thankful for what I have, and you will be too!
  • Audience 9.0 - The recording levels are a bit low, but there’s plenty enough headroom in the recording to allow max volume and it sounds killer.
  • Audience 7.8 - A recording that slowly gets a little better after the first song or two but I have to tell you – for historical purposes this recording is the first time Brian Johnson appears on tape with the band (live, not studio). I think he does a fine job filling the spot too, but that’s up to every fan to decide.
  • Audience 8.2 - What does this tape offer?  Unequaled tension, suspense, musicianship, mood, and satisfaction. Is it the best quality?  No, but you can clearly hear every instrument, and I will take an 8.2 Crimson over 98% of anyone else in a heartbeat. This music is just brilliant and intense.

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