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Audience 8.8 - This is what we all look forward to as Rush collectors, another great, and rare, Rush show from one of their best time periods. While not quite as clear as the Boston 79, this tape gives us a great aural spectrum for our ears to delight in. Bright, and plenty of good atmosphere while retaining a tight focus even in a large arena. Rush Richfield Coliseum Cleveland, OH. February 3, 1979 Disc 1 1. -Anthem 2. -A Passage To Bangkok 3. -By-Tor And The Snow Dog 4. -Xanadu 5. -Something for Nothing 6. -The Trees 7. -Cygnus X-1 8. -Hemispheres 9. -Closer to the Heart Disc 2 1. -Circumstances 2. -A Farewell to Kings 3. -La Villa Strangiato 4. -2112 5. -Working Man 6. -Bastille Day 7. -In the Mood 8. -Drum Solo
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Audience 9.2 - A lovely, spacious, almost elegant recording even though it is originating somewhere in the middle I would guess. The sound feels slightly above you, but it’s warm and pleasant. The only knock is that taper missed a little of a couple of songs due to hassles from security. I can forgive that, at least they didn’t seize his gear. Good job taper! RUSH November 4, 1996 Gund Arena Cleveland, OH, USA Disc 1 01 Intro 02 Dreamline 03 The Big Money 04 Driven 05 Half the World 06 Red Barchetta 07 Animate 08 Limbo 09 The Trees 10 Red Sector A 11 Virtuality Disc 2 12 Nobody's Hero 13 2112: Overture 14 2112: Temples of Syrinx 15 2112: Discovery 16 2112: Presentation 17 2112: Oracle-The Dream 18 2112: Soliloquy 19 2112: Grand Finale 20 Intro 21 Test For Echo 22 Subdivisions 23 Freewill Disc 3 24 Roll the Bones 25 Time and Motion 26 Leave That Thing Alone 27 Drum Solo 28 Natural Science 29 Force Ten 30 The Spirit of Radio 31 Tom Sawyer 32 YYZ 33 Cygnus X-1
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Audience 8.6 - A recording that is very clear and bright but lacks low end…but do not take that as saying this recording is too thin. It’s got just enough in the middle and bottom to allow you to attenuate the recording to your liking and in that regard you will find yourself going with this one often. It’s not a one and done show at all. GREAT find and appreciated a little bit more being that it’s a Grace Under Pressure tour gig which for some reason there’s not a plethora of excellent recordings from this tour. -
Audience 8.6 - OK, so this is one you might not be too familiar with, but it’s from ’79 so you know you gotta have it…so what’s the catch? Does it suck? Naw man, this recording actually captures THE EVENT in a way that sounds so realistic you’d think you were there. Now, here’s the catch – poor taper’s gear just was not quite up to the challenge of the volume and so there’s the little tiniest bit of distortion that affects one very narrow piece of the middle bandwidth that thankfully is not the annoying kind of distortion, it’s not a deal breaker. It does mean you may not wish to crank this up too loud as the louder it gets the more that frequency announces its presence to your ears. That being said, if you want complete immersion this tape provides it and then some. For that reason I think you have to dive in, I did and I really do appreciate this kind of tape. Rush Date: May 27, 1979 Location: Stadhalle, Erlangen, Germany DISC 1: 01 - Anthem 4:27 02 - A Passage To Bangkok 4:01 03 - Bytor And The Snowdog 5:27 04 - Xanadu 12:32 05 - The Trees 5:00 06 - Hemispheres 11:34 07 - Closer To The Heart 3:26 DISC 2: 01 - A Farewell To Kings 5:43 02 - La Villa Strangiato 10:09 03 - 2112 17:53 04 - Working Man 3:59
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Audience 8.6 - Sometimes, a rating cannot reflect the magnitude of a recording. I can specifically say that this one is only an 8.6 in a sonic sense, which means it is very good and worthwhile, but man, let me tell you what this show REALLY is – it’s an 11. Why? Because this is, quite simply, Rush in an unbelievable fine form playing their (arguably) best stuff, and the recording has captured that and a very palpable atmosphere at the same time. A little clarity is lost in the bass/guitar separation as they seem to sound as one unit which is not such a bad thing as it creates a sonic roar, a lion’s roar it is too, but it does get a little crowded in that frequency range. But, it captures an amazing power those two had on stage, the sound is ferocious and menacing.