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Soundboard 9.6 - So, not every show of the ’74 tour was a train wreck and this should be proof of that. Sure, Clapton occasionally blurts stuff out, sometimes during a song, but performance-wise this is stellar. Sound quality is near perfect. Eric Clapton Title: The Saint Louis Blues Dates: July 25, 1974 Venue: Henry W. kiel Municipal Auditorium, St. Louis, Missouri, US. ------------------------------------------------------------------- Disc.1 01: Smile 02: Can't Find My Way Home 03: I Shot The Sheriff 04: You Don't Love Me 05: Badge 06: Tell The Truth Disc.2 01: Willie And The Hand Jive 02: Get Ready (false start) 03: Get Ready (full version) 04: Layla ----------------------------------------------------------------- Band Lineup: Eric Clapton: Guitar, Vocals George Terry: Guitar Dick Sims: Keyboards Jamie Oldaker: Drums Carl Radle: Bass Yvonne Elliman: Backing Vocals -
Radio Broadcast 8.9 - Two different sources were used to make one complete broadcast and as such there is slight audio change throughout, but all is good because it is all very good! Some signs of time and dust but for the most part it is a tape that delivers…and what you might notice is how articulate Johnny’s playing is around this time. Johnny Winter Old Waldorf San Francisco 1978-12-23 Disc 1 1. -Hideaway 2. -Messing With The Kid 3. -One Step At A Time 4. -Mississippi Blues 5. -Black Cat Bone 6. -Bony Moronie 7. -Last Night 8. -Wipe Out 9. -Drum Solo Disc 2 10. -Drum Solo Con't. 11. -Wipe Out (reprise) 12. -Merry Chistmas Baby (Jon Paris on Guitar, Vocal; Johnny Winter on Bass) Johnny Winter - Guitar, vocals Jon Paris - Bass Bobby Torello - Drums Bonus Concert Johnny Winter And Rick Derringer Stockholm 02/01/1971 13. -Good Morning Little School Girl 14. -Rock´n Roll Hootchie Coo 15. -Be Careful With A Fool - It's My Own Fault 16. -Jumping Jack Flash 17. -Great Balls of Fire - Whole Lotta Shaking Going On -
Audience 8.4 - Not a bad stadium recording that has a huge atmosphere and consequently not the best definition, although Roger soars high above with his articulate vocals. Bass is the underlying foundation of this recording…probably worth getting as it does seem to edge out a large portion of Euro ’70 tour tapes. THE WHO Stadthalle, Offenbach, West-Germany Sept. 13, 1970 Disc 1: 01. Heaven And Hell 02. I Can't Explain 03. Young Man Blues 04. Don't Even Know Myself 05. Water 06. Overture 07. It's A Boy 08. 1921 09. Amazing Journey > 10. Sparks 11. Eyesight To The Blind 12. Christmas 13. The Acid Queen 14. Pinball Wizard Disc 2: 01. Do You Think It's Alright? xx. Fiddle About (missing?) 02. Tommy Can You Hear Me? 03. There's A Doctor 04. Go To The Mirror! 05. Smash The Mirror 06. Miracle Cure 07. I'm Free 08. Tommy's Holiday Camp 09. We're Not Gonna Take It > 10. See Me Feel Me 11. Summertime Blues 12. Shakin' All Over > 13. Twist And Shout 14. My Generation > 15. Naked Eye > 16. Magic Bus approx. 117 mins -
Audience 8.7 - This is an ass-kicker of a show, really huge sound and larger performance…completely over the top. The hall effect is present but taper is close enough to the mains to mitigate much of that. There is an underlying “noisiness” in the tape which gets lost on the shuffle anyway once the band is cooking…and man do they cook! Boston at the Boston Garden Boston, Massachusetts USA November 06, 1978 1978-11-06 Disc 1 01 intro 02 Rock and Roll Band 03 Shattered Images 04 Peace of Mind 05 Feeling Satisfied 06 Don't Look Back 07 The Journey 08 More Than a Feeling Disc 2 09 A Man I'll Never Be 10 intro 11 Smokin' 12 This Time 13 Foreplay 14 Long Time 15 Something About You 16 Party 17 Television Politician -
Santa Monica 1974 Audience 8.7 - A tape that takes a song to balance out and adjust but once it gets going is quite good. Some signs of age, but it has held up reasonably well and makes a nice addition to any collection. Be aware there is a tape situation during Dancing With The Moonlit Knight where the sound phases back and forth across the speakers, sounding as if the show was in quadraphonic, and the tape machine struggled but it lasts only a couple of minutes. Not a complete show, we only have 47 minutes but it’s better to have this than nothing at all. Quebec City 1974 Audience 8.9 - A very clear and strong tape that does take a minute to settle in, with tapers carrying on occasionally but eventually chilling out…they don’t annoy too much thank goodness! The performance here is stellar, the audience very responsive. A memorable evening. Genesis Santa Monica Civic Auditorium Santa Monica, CA. 3-22-74 Disc 1 1. -Watcher Of The Skies 2. -Intro to Dancing With The Moonlit Knight 3. -Dancing With The Moonlit Knight 4. -The Cinema Show 5. -I Know What I Like 6. -Firth Of Fifth Disc 2 Centre de Congres Quebec , Canada 4-18-74 1. -Watcher Of The Skies 2. -Britannia Story 3. -Dancing With The Moonlit Knight 4. -Romeo Story 5. -The Cinema Show 6. -Five Rivers Story 7. -Firth Of Fifth 8. -The Battle Of Epping Forest 9. -Henry & Cynthia Story 10. -The Musical Box -
Audience 8.8 - A nicely atmospheric tape that is very clear, with pretty decent instrument separation and emphasis on vocals so you hear every lyric. Nothing is drowned out in this mix! Fabulous tape! ELO Anaheim Stadium Anaheim, CA. August 26, 1978 Disc 1 1. Intro 2. Standing In The Rain 3. Night In The City 4. Turn To Stone 5. Can't Get It Out Of My Head 6. Cello Solo 7. Tightrope 8. Telephone Line 9. Rockaria Disc 2 1. Violin Solo 2. Strange Magic 3. Mr. Blue Sky 4. Sweet Talkin' Woman 5. Evil Woman 6. Do Ya 7. Livin' Thing 8. Ma-Ma-Ma Belle 9. Roll Over Beethoven -
Due to the complexity of this recording, more detailed notes can be reviewed below. As far as a number rating I can honestly give this a 9.0/9.4 due to the fact it is indeed a welcome upgrade to a great show that we can finally put away the countless other versions of! LED ZEPPELIN - 1973-03-16 - Vienna - NEW 4 SOURCE MATRIX Disc 1 01. Introduction [0:57] 02. Rock and Roll (Bonham, Jones, Page, Plant) [3:48] 03. Over the Hills and Far Away (Page, Plant) [6:41] 04. Black Dog (Jones, Page, Plant) [6:18] 05. Misty Mountain Hop (Jones, Page, Plant) [4:27] 06. Since I've Been Loving You (Jones, Page, Plant) [9:09] 07. Dancing Days (Page, Plant) [5:53] 08. Bron-Y-Aur Stomp (Jones, Page, Plant) [6:26] 09. The Song Remains the Same (Page, Plant) [5:20] 10. The Rain Song (Page, Plant) [9:19] --- [* = board tape available / optional disc division @ 58:19] Disc 2 11. Dazed and Confused (Page, Holmes) * [28:30] contains: San Fransisco (Phillips) Mars, the Bringer of War (Holst) 12. Stairway to Heaven (Page, Plant) * [10:59] 13. Whole Lotta Love (Bonham, Dixon, Jones, Page, Plant) [25:36] contains: Everybody Needs Somebody to Love (Wexler, Berns, Burke) Boogie Chillun' (Besman, Hooker) * (You're So Square) Baby I Don't Care (Leiber, Stoller) * Let's Have a Party (Robinson) * I Can't Quit You Baby (Dixon) * 14. Heartbreaker (Bonham, Jones, Page, Plant) * [8:01] Jimmy Page - guitars John Paul Jones - bass, organ John Bonham - drums Robert Plant - vocals MATRIX NOTES: The general aim was to provide the whole concert in as consistent and upgraded a listening experience as could be stitched together from the various recordings which are all incomplete. While there are always some downsides to matrixing analog recordings that have been manually synchronized, it is hoped that the benefits, such as the improved stereo dimension, of the results outweigh those deficiencies. Further lesser quality audience sources than those described below also exist but were not used. AUD source #1: The master was reportedly a TDK SA 90 cassette, which matches the 45 + 45 minutes which are extant and captured tracks 2-8 & 12 and parts of 1, 9, 11, 13. Winston Remaster used for the first part (which is unmatrixed on that version). Best of the audience recordings overall, recorded close to the stage towards one side. The guitar is somewhat buried here. AUD source #2: A lower/medium quality cassette recording at a greater distance to the stage, used only to patch missing AUD sections of tracks 1 & 9-11 (and the encore break before 14). AUD source #3: Captured most of the concert except for the introduction and notably two gaps in DAC. The master reported to have been recorded with Sony mics to Uher Report reel-to-reel. Close to the quality of AUD.1 but with a different sound balance (guitar is prominent, vocals somewhat buried) and recorded towards the other side of the stage. Matrixing with AUD.1 thus allows reproducing the occasional stereo panning effects of the house mix (which are not present on the SBD): guitar break in Bron-Y-Aur Stomp, bow solo in DAC, Theremin in WLL. SBD source: Apparently a 60 minute cassette which contains most of tracks 11-14. However, several minutes of 11/DAC & 13/WLL are missing, as the tape was not flipped immediately when the side or reel A ran out. There was probably another cassette on which the first hour of the concert was recorded (or copied), including the beginning of DAC, with the engineer likely missing some two minutes of the song between the cassettes, after the first one stopped and until recording resumed on a fresh tape. The reason why only the second cassette is available (for this and also certain other dates) is perhaps that someone in or with the band wanted a listening copy of just the songs with improvisation. The mix that was recorded is not exactly the same as what was played over the PA, as some of the delay/reverb effects (particularly on the vocals), as well as the panning, heard on the audience recordings are not present. Track by track breakdown: tr.01: AUD.2+1. AUD.2 contains half a minute more of the pre-show compared to AUD.1, none of which is on AUD.3. 02-08: AUD.1+3. SBD not available for the first part of the show but AUD.1 & 3 run practically without breaks until the end of BYAS. 09: AUD.1/2+3. AUD.1 has breaks during the intro and its side A completely cuts out @ 1:30 into TSRTS; the taper evidently did not flip the tape and resume recording until well into DAC which gap has here been patched with AUD.2. 10: AUD.2+3. AUD.1 thus does not exist for The Rain Song; the lower quality tape of AUD.2 used to substitute. 11: AUD.2/1+3. AUD.1 continues recording @ 5:00 while AUD.3 cuts out around 6:45 for one minute. Both gaps in DAC have been patched by matrixing with AUD.2, except for the section between roughly 2:50 and 4:00 where that tape itself has a discontinuity. 11: SBD & AUD.1+3. SBD cuts in about 15 seconds after AUD.1, i.e., around 5:15 into DAC from which point on it is the main source for the matrix but augmented with AUD.1 & 3 - and some patching from AUD.2 - as far as they are available. 12: SBD & AUD.1+3. AUD.3 has short cuts in the introduction; SBD cuts out after STH ends as the tape side ran out. 13: AUD.1+3 / SBD & AUD.1+3. Side B of the AUD.1 cassette runs out around 10:15 into WLL but SBD continued recording 4 minutes before that. 13-14: SBD & AUD.3. The segment containing the last 13 minutes of WLL and nearly all of Heartbreaker is therefore a matrix of SBD and AUD.3 since AUD.1 was no longer recording. The encore break is largely cut on both sources between the songs: AUD.3 misses about 2:20 of atmosphere while SBD loses only 1:30 and has the first notes of Heartbreaker intact. For the sake of completeness the missing part has again been patched from AUD.2 although the change in sound is noticeable. -
Fillmore East 1970 Soundboard 8.8 - Clear although not bristling with perfection is a very good early period SMB recording Honolulu 1970 Soundboard 8.8 - A tape that needs one song to dial in the live mix but then gets much better. Still, it’s very good but not sparkling and bright…just good enough to rank pretty high in the category of the formative Steve Miller anthology of concert tapes. San Rafael 1970 Soundboard 9.1 - This is a really nice recording that exemplifies why it is so cool to hear tapes of an artists’ earlier career works before they made it to the big time. This certainly shows the vulnerability and the possibility at the same time. An artist who is still not 100% convincing but clearly has the tool set necessary to advance…and advance he did! Steve Miller Band Before The Glory Live 1970 Disc 1 Fillmore East New York, NY March 6, 1970 01. -Kow Kow Kalculator 02. -Motherless Children 03. -Stormy Monday 04. -Space Cowboy 05. -Living in the USA Honolulu Civic Auditorium Honolulu, HI 6/13/70 06. -Introductions & Tuning 07. -Unknown song 08. -Industrial-Military Complex Hex 09. -Blues With A Feeling 10. -Jackson-Kent Blues Disc 2 Pepperland San Rafael, Ca. September 1970 1. -Unknown 2. -Band Introductions - Never Kill Another Man 3. -Brave New World 4. -Good Morning To You 5. -Kill - Come Play The Drum (Fandango) 6. -Harmonica Jam - Drum Solo 7. -I Love You - Bass Solo 8. -Going To The Country 9. -Children Of The Future Steve Miller- guitar and vocals Bobby Winkelman- rhythm guitar Ross Valory- bass Jack King- drums -
Audience 8.7 and SDBRD 8.8/9.1 - Both sources are clean and decent, the first disc is actually a radio broadcast but they used a tape source that was recorded by a fan in the audience! Sounds a little distant but clear with good atmospherics, just unusual to know how they did it. The other disc contains a board tape made at the Fillmore which is very good but more than that really shows the crossing over the line by “country” artists into uncharted territory. This music reminds me of what would happen if you took The Flying Burrito Brothers and The Beatles and told them to pretend they are Eagles flying around the Bay Area. The last bit of disc 2 is from Holland and is the best sounding of the set. Poco Eagles Auditorium Seattle, WA 1969-07-05 Disc 1 Set 1 early show 01. Pickin' Up The Pieces 02. Hurry Up 03. My Kind of Love 04. Nothin's Still the Same 05. Just In Case It Happens, Yes Indeed 06. Grand Junction 07. A Child's Claim To Fame 08. Make Me A Smile 09. Nobody's Fool 10. El Tonto De Nadie Regresa Set 2 late show 11. What A Day 12. Do You Feel It Too? 13. Calico Lady 14. Anyway Bye Bye 15. I Guess You Made It 16. Just In Case It Happens, Yes Indeed 17. Grand Junction 18. Consequently, So Long 19. Pickin' Up The Pieces 20. Short Changed 21. Nobody's Fool 22. El Tonto De Nadie Regresa Lineup: Richie Furay - guitars, vocals Jim Messina - guitars, bass, vocals Rusty Young - pedal steel guitar, Dobro George Grantham - drums, vocals Disc 2 1970-11-01 Fillmore West, San Francisco, CA 01. I Guess You Made It 02. C'mon 03. Hear That Music 04. Anyway Bye Bye 05. Hurry Up 06. Hard Luck - A Child's Claim To Fame - Picking Up The Pieces 07. Make Me Smile 08. You Better Think Twice 09. Just In Case It Happens, Yes Indeed - Grand Junction - Consequently, So Long Lineup: Richie Furay - guitar, lead vocals Paul Cotton - guitar, vocals Rusty Young - steel guitar, guitar, vocals Timothy B. Schmit - bass, vocals George Grantham - drums, vocals VPRO-Muziek, Nederland-1 Radio show Eindhoven, Netherlands 1972-02-10 10. Hoedown 11. Just For You and Me 12. You Are The One 13. Bad Weather 14. Hard Luck-Pickin Up the Pieces 15. Railroad Days -
Soundboard 9.9 - The rating says it all. You all know I do not easily give ratings that top 9.8, so it has to be really special to get something like this. An excellent soundboard is not enough, in this case the source is from a multi track soundboard so it was recorded with intent and not for reference only. Rush National Exhibition Centre Birmingham, U.K. 04-23-88 Disc One: 1. Three Stooges Intro 0:52 2. The Big Money 5:57 3. Subdivisions 5:23 4. Marathon 6:32 5. Turn The Page 4:42 6. Prime Mover 5:33 7. Manhattan Project 5:10 8. Closer To The Heart 4:32 9. Red Sector A 5:11 10. Force Ten 4:55 11. Time Stand Still 5:11 12. Distant Early Warning 5:15 Disc Two: 1. Lock And Key 6:34 2. Mission 5:41 3. Territories 6:20 4. YYZ 3:18 5. The Rhythm Method 4:37 6. The Spirit Of Radio 4:59 7. Tom Sawyer 5:38 8. 2112: Overture/The Temples of Syrinx 5:33 9. La Villa Strangiato 5:27 10. In The Mood 3:11 -
New York 1973 SDBRD 9.2 - Excellent professionally recorded show. It’s easy to hear how it was that his star took off and exploded just a few short years later. New Orleans 1973 Audience 8.8 - A strong, clear, atmospheric recording (easy to put yourself in the taper’s seats). I always thought some bands sound better if they aren’t captured through the board…Frampton has such good stage presence and there’s always such a good audience report…audience tapes of excellent quality are the best listening experience imho. Frampton's Camel Academy of Music New York, NY May 4, 1973 THE BAND Peter Frampton guitar vocals Mick Gallagher keyboards Rick Wills bass John Siomos drums Disc 1 1 -KBFH Intro 2 -White Sugar 3 -Lines on My Face 4 -Do You Feel Like We Do 5 -Jumping Jack Flash Disc 2 Municipal Auditorium New Orleans, LA 1973-07-03 01. Intro 02. It's A Plain Shame 03. The Light 04. Lines On My Face 05. The Lodger 06. Do You Feel Like We Do 07. Jumpin' Jack Flash 08. White Sugar 09. Stage Announcements -
SDBRD 9.7 A fantastic stereo board that has a ton of excitement and great atmosphere (unusual for a board tape). If you collect Plant shows, this is considered a must. ROBERT PLANT Brighton, Centre December 17, 1983 Disc 1 01. -In The Mood 02. -Pledge Pin 03. -Messin' With The Mekon 04. -Worse Than Detroit 05. -Keyboards Solo - Thru With The Two Step 06. -Other Arms Disc 2 07. -Horizontal Departure 08. -Moonlight In Samosa 09. -Wreckless Love 10. -Band Intro - Slow Dancer 11. -Like I've Never Been Gone Robert Plant - Vocals Robbie Blunt - Guitar Jezz Woodroffe - Keyboards Bob Mayo - Keyboards, Guitar Paul Martinez - Bass Richie Hayward - Drums -
Stockholm 1983 Audience 9.3 - Sourced from the original vinyl release of this incredible show, the audio is top shelf, and you really can’t tell it is from vinyl it is a great rip! Awesome. Montreal 1984 - Audience 8.6 A real curiosity this one is…and, well, I don’t know what to say. It’s authentic, I mean, it’s really Ozzy in his most staggeringly real persona (drunk off his ass). He can be forgiven, after all it is an after party at a club in Montreal, I’d be drunk too! Ozzy Osbourne "Adventures On The Road 1983-1984" Disc 1 December 6th 1983 Draken Stockholm, Sweden "Bark at the Moon" Tour 01 -Intro 02 -I Don't Know 03 -Mr. Crowley 04 -Rock 'n' Roll Rebel 05 -Bark at the Moon 06 -Revelation (Mother Earth) 07 -Steal Away (The Night) 08 -Suicide Solution 09 -Forever 10 -Drum Solo 11 -Flying High Again 12 -Iron Man 13 -Crazy Train 14 -Paranoid 15 -Interviews Band: Ozzy Osbourne - vocals Jake E Lee - guitars Bob Daisley - bass Don Airey - keyboard Carmine Appice - drums Disc 2 01 -Interviews (Stockholm 1983) Mustache Club Montreal, Canada 4-26-1984 After Concert Party with Ozzy, Jake E. Lee, Juan Crochier 02 -Suicide Solution 03 -Paranoid 04 -Bark At The Moon 05 -Crazy Train -
Audience 9.2 - A really quality recording for the time. Some audience chatter before songs, overall very respectful. Good atmosphere, heavy vibe, great performance. Hard to not want this one featured prominently in the collection. Pink Floyd Grosser Stadthalle Offenbach am Main, Germany 26 February 1971 Disc 1 01 Astronomy Domine 02 Green Is the Colour 03 Careful with That Axe, Eugene 04 Embryo 05 Set the Controls for the Heart of the Sun 06 Cymbaline Disc 2 07 A Saucerful of Secrets 08 Atom Heart Mother 09 Audience 10 Atom Heart Mother (Reprise) 11 Pink Blues 50th Anniversary transfer from 1st gen tape -
New York 1981 Soundboard 9.3 - Great early period Prince! Paris 1981 Soundboard 9.3 - Another very good board tape from early touring Prince, doing his thing on the “club” tour of 1981. Prince 1981 CD1 Dirty Mind Club Tour - The Ritz, New York : 22nd March 1981 01. DO IT ALL NIGHT 4'23 02. WHY YOU WANNA TREAT ME SO BAD ? 6'00 03. GOTTA BROKEN HEART AGAIN 3'48 04. BROKEN 2'35 05. WHEN YOU WERE MINE 4'16 06. GOTTA STOP (MESSIN' ABOUT) 4'27 07. SEXY DANCER 5'22 08. SISTER 1'38 09. I WANNA BE YOUR LOVER 3'29 10. HEAD 13'32 11. STILL WAITING 6'41 CD2 Dirty Mind Club Tour - Theatre Le Palace, Paris : 4th June 1981 (am) 01. DO IT ALL NIGHT 3'53 02. WHY YOU WANNA TREAT ME SO BAD ? 6'41 03. GOTTA BROKEN HEART AGAIN 3'50 04. JACK U OFF 4'07 05. WHEN YOU WERE MINE 4'50 06. GOTTA STOP (MESSIN' ABOUT) 4'45 07. SEXY DANCER 5'36 08. SISTER 1'49 09. STILL WAITING 5'31 10. PARTY UP 7'51 11. DIRTY MIND 4'23 12. UPTOWN 5'44 -
Lakeland 1980 Soundboard 9.3 - So it’s the early 1980’s and I have to be honest but I would not have given Prince a chance. But, listening to these recordings today I hear real drums, crunchy guitars with an almost psychedelic tone, and confident rhythm section all belting out some decent funk and pop (although I don’t quite hear the precedent to superstardom). Interesting in hindsight. Columbia 1980 Soundboard 9.3 - Early period Prince already showing so much confidence on the live stage. Excellent sound! PRINCE 1980 Disc 1 Live at Civic Center Arena Lakeland, FL 8 March 1980 Line-up: Prince (vox, guitar) Bobby Z. (drums) André Cymone (bass) Dez Dickerson (guitar) Matt Fink (keyboards) Gayle Chapman (keyboards) 01. Boogie intro (instr.) incl. Jingle Bells (a.k.a. One Horse Open Sleigh) [James Lord Pierpont] (instr., short) 02. Soft And Wet 03. Why You Wanna Treat Me So Bad? 04. Still Waiting 05. Bambi 06. Band introduction 07. Sexy Dancer 08. Just As Long As We’re Together 09. I Wanna Be Your Lover Disc 2 Live at Carolina Coliseum Columbia, NC 16 March 1980 Line-up: Prince (vox, guitar) Bobby Z. (drums) André Cymone (bass) Dez Dickerson (guitar) Matt Fink (keyboards) Gayle Chapman (keyboards) 01. Boogie intro (instr.) incl. Jingle Bells (a.k.a. One Horse Open Sleigh) [James Lord Pierpont] (instr., short) 02. Soft And Wet 03. Why You Wanna Treat Me So Bad? 04. Still Waiting 05. Band introduction 06. Sexy Dancer 07. I Wanna Be Your Lover