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Audience 8.5 - A fun recording to listen to, the quality is decent enough to where you can really dive in and not get fatigued at all…because let me tell you these guys really rocked out at this gig. If they were coked to the gills or drunk or whatever, I mean, I just don’t hear that. I hear a good hard rockin’ band! Band: Aerosmith Title: Reading Festival Date: August 27, 1977 Venue: Reading Festival, Reading, England 1 -Mama Kin 2 -S.O.S. (Too Bad) 3 -Big Ten Inch Record 4 -Lord Of The Thighs 5 -Lick And A Promise 6 -Dream On 7 -Walk This Way 8 -Draw The Line 9 -Same Old Song And Dance -
Audience 8.4 and Audience 8.2 - Both performances showcase a confident Jeff Beck, but in terms of sound quality the London show is clearer and bass has less boom so you can really dial in to the playing. The Manchester show is not that bad but it is a bit murkier, slightly more dynamic in the vocal dept. and I think the London show edges it out in performance quality as well. Doesn’t mean you will ignore it, just that you will favor the London gig, in fact the London show is a real contender to be in all Jeff Beck fans’ collections. Beck, Bogert, & Appice .... February 3, 1973 Imperial College of Printing; London, England Jeff Beck - guitar, vocals Tim Bogert - bass, vocals Carmine Appice - drums, vocals Set List: Disc One 01 - Superstition 02 - Livin' Alone 03 - I'm So Proud 04 - Lady 05 - Morning Dew - Drum Solo 06 - Sweet Sweet Surrender 07 - Lose Myself With You - Bass Solo 08 - Black Cat Moan - Jeff's Boogie - Blues De Luxe - Black Cat Moan Disc Two 01 - Why Should I Care 02 - Plynth - Shotgun - Plynth 03 - People Get Ready 04 - Oleo - Boogie Beck, Bogert, & Appice .... February 11, 1973 Hard Rock, Manchester, England 05 - tuning stuff 06 - Superstition 07 - Livin' Alone> 08 - I'm So Proud 09 - Lady 10 - Morning Dew - Drum Solo Disc Three 01 - Sweet Sweet Surrender 02 - You Don't Care - Bass Solo - You Don't Care 03 - Jeff's Boogie - Blues Jam - Beverly Hillbillies Jam 04 - Jeff's Boogie (cont'd; with mid-cut) 05 - Why Should I Care? 06 - Plynth - Shotgun - Bass Solo - Plynth 07 - People Get Ready - Lady - Oleo - Jam -
Soundboard 8.7 - A show that factors in to what would become a stellar career over many decades. Pretty much on her own now (no longer paired with Gram Parsons R.I.P.) she started playing in the clubs in the DC area when a producer came to record this show for future reference as he crafted her breakout solo album. Did she know he was at the gig? Who knows, but she obviously made an impact. Emmylou Harris and the Angel Band 1974-05-08 Red Fox Inn Bethesda, Maryland Disc 1 01 -Hot Burrito #1 02 -Hickory Wind 03 -Shop Around 04 -Honky Tonk Blues 05 -Louise 06 -California Cottonfields 07 -High On The Hilltop 08 -Reconstructed 09 -When Will I Be Loved 10 -God Knows I Love You 11 -Before Believing 12 -Queen Of The Silver Dollar 13 -Someone I Used to Know 14 -Tonight the Bottle Let Me Down 15 -A Song for You 16 -High On The Hilltop 17 -Born Again 18 -Drifting Too Far From Shore Disc 2 01 -Country Baptizin' 02 -That's All It Took 03 -Together Again 04 -Your Good Girl's Gonna Go Bad 05 -Our Father 06 -Maybe Mexico 07 -Sold it All Away 08 -Instrumental (Jeff Wisor & J.B. Morrison) 09 -Satan's Jewel Crown 10 -Born Again 11 -Country Baptizin' Angel Band : Bruce Archer - Guitar Mark Cuff - Drums Tom Guidera - Bass Danny Pendleton - Steel Guitar w/ John & Fayssoux Starling, J.B. Morrison & Jeff Wisor on tracks 7-11 (disc 2) {After Gram Parsons's death} Emmy moved back to D.C., where Tom Guidera had also become a country music convert. With pedal steel player Danny Pendleton and two other musicians, they put together the Angel Band and started gigging around the clubs, playing some of the songs she’d performed with Gram. Eddie Tickner made Harris his number one priority and he convinced Mary Martin, an A&R representative from Warner/Reprise Records (the label that had released Parsons’ solo work) to investigate an Angel Band show in a Washington nightclub. Emmylou Harris became a Reprise Records recording artist in 1974; with her daughter Hallie in tow, the Angel Band relocated to Los Angeles to begin work on Harris’s first true solo album. To produce, Martin paired Harris up with Nova Scotia native Brian Ahern, the mastermind behind Anne Murray’s spate of hits in the early 70’s. She brought the quiet Canadian to hear the Angel Band, and he recorded the performance on a hand-held cassette machine to study at home. This sounds better than a hand-held cassette machine recording, purportedly a sound board, but it's not by any means what we think of as soundboard quality by today's standards. -
Studio Quality 9.7 - Fascinating! Just hearing these songs before the sweeteners were added is incredible. I kind of like the raw takes better, well, almost. The Cars First Album Demos 01 Good Times Roll (live) 02 My Best Friend's Girl (demo) 03 Just What I Needed (demo) 04 I'm In Touch With My World (demo) 05 Don't Cha Stop (demo) 06 You're All I've Got Tonight (demo) 07 Bye Bye Love (demo) 08 Moving In Stereo (demo) 09 All Mixed Up (demo) 10 They Won't See You 11 Take What You Want 12 Wake Me Up 13 You Just Can't Push Me 14 Hotel Queenie -
Four Discs of music that will melt your brain. All are either Very Good or Excellent quality, so it’s not a jarring experience to sit through all four discs, they have a certain continuity to them. I think this is a great time period of music and these guys were just on another level. It’s a fun thing to ponder, whether there are any bands that can do this sort of thing today – and the answer is “I really don’t think so”. SOFT MACHINE TIME TRIPS 1969-1972 Disc 1 Live at the Lyceum, London, October 5, 1969 Lineup Mike Ratledge – Lowery Organ, Piano Hugh Hopper – Bass (Fuzz Bass) Robert Wyatt – Drums, Vocals 1. Moon In June (17:45) 2. Facelift (4:43) 3. Eamonn Andrews (5:57) 4. Mousetrap-Noisette-Backwards-Mousetrap reprise (7:16) 5. Esther's Nosejob (11:27) Disc 2 6. improv - Facelift middle section reprise (3:50) 7. Dedicated To You But You Weren't Listening (0:21) 8. We Did It Again (3:38) 9. Noisette reprise (0:56) 1970-10-10 Ronnie Scott's Jazz Club London England Lineup Elton Dean - alto sax Hugh Hopper - bass Mike Ratledge - organ Robert Wyatt - drums, vocals 10. -Facelift 11. -Kings and Queens 12. -Virtually (pts.2 & 3) 13. -Slightly All The Time 14. -Eamonn Andrews 15. -Esther's Nose Job 16. -Fire Engine Passing with Bells Clanging - Pig - Orange Skin Food - A Door Opens and Closes - 10.30 Returns To The Bedroom (pt. 1) - Pigling Bland - Esther's Nose Job (reprise) - 10.30 Returns To The Bedroom (pt. 2) Disc 3 Casino Lido, Venice, Italy September 24, 1971 1. - Drop - MC - Out-Bloody-Rageous (20:57) 2. - All White Slightly All The Time - Plain Tiffs (21:22) Lineup Elton Dean - alto sax, saxello, fender rhodes electric piano Mike Ratledge - organ, fender rhodes electric piano Hugh Hopper - bass Phil Howard - drums Disc 4 Piper Club, Rome, Italy 24 April 1972 01 -All White - 7:47 02 -Slightly All The Time 1 - 8:39 03 -Slightly All The Time 2 - 3:36 04 -Drop - 5:56 05 -MC - 5:24 06 -Out-Bloody-Rageous - 14:00 07 -As If 1 - 1:01 08 -As If 2 - 0:50 09 -As If 3 - 3:33 10 -As If 4 - 5:19 11 -As If 5 - 0:26 12 -LBO - 9:04 13 -Pigling Bland - 5:04 Line Up: Mike Ratledge - organ, electric piano Hugh Hopper - bass Elton Dean - alto sax, saxello, electric piano John Marshall - drums -
Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 15, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:43 02 - The Spirit of Radio 4:44 03 - Tom Sawyer 5:12 04 - Freewill 5:28 05 - Digital Man 6:46 06 - Subdivisions 5:29 07 - Vital Signs 5:16 08 - The Camera Eye 7:01 09 - Closer To The Heart 3:18 10 - The Analog Kid 4:50 11 - Broon's Bane 1:33 12 - The Trees 4:24 13 - Red Barchetta 6:19 DISC 2: 01 - The Weapon 8:14 02 - New World Man 4:00 03 - Limelight 4:37 04 - Countdown 6:00 05 - 2112 Temples Of Syrinx 6:22 06 - Xanadu 2:31 07 - La Villa Strangiato 3:28 08 - In The Mood 3:17 09 - YYZ / Drum Solo 10:47 -
Audience 9.7 - Opening for ELP, this is the short lived Robert Fleischman period just before the arrival of Steve Perry. Hard to find anything about this recording to complain about, it’s amazingly life-like and extremely dynamic – about the only fault is how short it is. Taper arrived late, but makes up for it with a stellar recording. Journey Long Beach Arena Long Beach, CA August 14, 1977 01 Of A Lifetime 02 She Makes Me (Feel Alright) 03 Look Into The Future 04 On A Saturday Nite 05 It's All Too Much (The Beatles cover) > Drum Solo 06 Guitar Solo > You're On Your Own -
Audience 8.7 - A very good tape for the time, and what a good time it is for the Stones. What I really enjoyed the most about this recording is how clear Mick Taylor is in the mix. It’s not a super bright sounding tape, and it is not muddy, it is better than average but it shines in atmosphere, performance, and vibe. The band is clearly enjoying the show as much as the audience is. A keeper! The Rolling Stones NICARAGUAN BENEFIT CONCERT FOR THE VICTIMS OF EARTHQUAKE The Forum, Inglewood, Los Angeles, CA on January 18th, 1973 Disc 1: 01. -Introduction 02. -Brown Sugar 03. -Bitch 04. -Rocks Off 05. -Gimme Shelter 06. -Route 66 07. -It's All Over Now 08. -Happy 09. -Tumbling Dice 10. -No expectations Disc 2: 01. -Sweet Virginia 02. -You Can't Always Get What You Want 03. -Dead Flowers 04. -Stray Cat Blues 05. -Live With Me 06. -All Down The Line 07. -Rip This Joint 08. -Jumpin' Jack Flash 09. -Street Fighting Man -
FM Broadcast 8.9 - This recording was done from the radio broadcast even though most people think it is from the reels (it is from a reel to reel, but a recording made from the broadcast). However, once the live over the air sound mix is sorted out, it becomes pretty darn good and even if the tape has some signs of age, it’s a great document and well worth getting. Yes Madison Square Garden NYC, NY Sept. 6, 1980 Steve Howe, Chris Squire, Alan White, Geoff Downes, Trevor Horn cd1 51:30 01. Yours Is No Disgrace 5:01 02. Into The Lens 8:23 03. Clap 4:26 04. And You & I 10:08 05. Go Through This 4:27 06. Man In A White Car 6:17 07. We Can Fly From Here 6:44 08. Tempus Fugit 5:49 09. The Fish (11 seconds) 0:11 cd2 43:21 01 Machine Messiah (Mono) 11:24 02 Starship Trooper 11:55 03 Roundabout 7:42 Bonus: 04 - We Can Fly From Here Studio-Demo - 5:56 05 - We Can Fly From Here 6:23 1980-04-18 (later mix 1980-04-18) -
Audience 8.4 - This tape was made by a very sincere taper, you can clearly tell the person tried very hard to make it work. I think, if I had to guess, the problem was not him, it was more than likely improper microphone type and simple passage of time, because this is a clear and strong tape that falls a little short in some aspects making it a little above average where it could have been amazing. The tape struggles through The Lamia, where you get the effects of age and degradation. The audio quality suffers a little bit because of distance, and that robs some dynamics and clarity, but here’s the thing: The equipment was good quality and that comes through as you do get a certain realism, a sense of the venue and atmosphere that the open mic captures. The stereo field on this tape is pretty wide, so my guess is that microphones were hoisted above the audience somewhere middle of the arena. I think I like this tape in some regards, and I definitely do not consider it rubbish and neither will you. One last thought – I found this recording did slowly improve as the show progressed, perhaps dipping a bit at the end of disc one but not catastrophically. Genesis Palace Theater Providence, RI December 8th, 1974 Disc 1 01 Introduction 1:15 02 The Lamb Lies Down On Broadway 4:59 03 Fly On A Windshield 2:31 04 Broadway Melody Of 1974 2:10 05 Cuckoo Cuckoon 2:14 06 In The Cage 8:01 07 The Grand Parade Of Lifeless Packaging 3:05 08 The Story Of Rael -Part I 2:45 09 Back In N.Y.C. 5:53 10 Hairless Heart 2:24 11 Counting Out Time 3:46 12 Carpet Crawlers 5:38 13 Chamber Of 32 Doors 5:49 Total Time 50:30 Disc 2 01 The Story Of Rael -Part II 3:08 02 Lilywhite Lilith 2:53 03 The Waiting Room 5:48 04 Anyway 3:24 05 Here Comes The Supernatural Anaesthetist 2:27 06 Interlude 1:16 07 The Lamia 7:04 08 Silent Sorrow In Empty Boats 3:28 09 The Colony Of Slippermen 8:34 10 Ravine 1:42 11 The Light Dies Down On Broadway 3:31 12 Riding The Scree 4:26 13 In The Rapids 2:06 14 It 4:53 15 The Story Of Henry And Cynthia 2:33 16 The Musical Box 13:12 17 Watcher Of The Skies 8:17 Total Time 78:52 -
Audience 8.7 & Radio Broadcast 9.4 - Both of these are amazing, even the audience tape which is frighteningly intense manages to deliver a wallop. So, let me prepare you best I can, what you know about this band probably comes from their mid to late 70’s FM radio hit singles but my friend this stuff ain’t that…no not by a long shot. This is balls to the wall heavy prog tinged acid rock. There are plenty of moments where you can’t tell where the guitars and keyboards are coming from because they bob and weave almost as one instrument…brilliant! MANFRED MANN'S EARTH BAND 1972-06-19 Volkshaus Zurich, Switzerland Disc 1 1. -PRAYER 2. -CAPTAIN BOBBY STOUT incl.Glorified Magnified 3. -ASHES TO THE WIND 4. -HAPPY BEING ME 5. -QUINN THE ESKIMO (The Mighty Quinn) Disc 2 GOLDERS GREEN HIPPODROME LONDON, ENGLAND NOVEMBER 20, 1973 01. -Introduction 02. -Mercury, The Winged Messenger 03. -Buddha 04. -Messin' 05. -Father Of Day, Father Of Night 06. -Captain Bobby Stout 07. -Mighty Quinn (The Eskimo) Musicians MANNFRED MANN- Organ/Synthesizer/Vocals MICK ROGERS- Guitar/Vocals COLIN PATTENDEN- Bass CHRIS SLADE- Drums/Percussion/Vocals -
Audience 8.7 - A raucous affair this one, the music is recorded very well, on excellent gear, but the stage mix is not ideal, but I am going to be critical mainly because I don’t like where the guitars are in the sound mix. The music is hot, not only performance wise but also on the tape itself, it’s pushing the meters to the breaking point…but it doesn’t break…much. There’s some “noise” somewhere in it, it’s not bad, it’s not a deal breaker, but I can tell it is there and I think it’s just some minor breakup in one band somewhere in the mid range. All in all, this is a pretty good one to get. Van Halen Selland Arena Fresno, CA September 5, 1982 Disc 1 Total Time: 59:08 1. -Romeo Delight 4:15 2. -Unchained 4:00 3. -Drum Solo 3:00 4. -The Full Bug 3:40 5. -Runnin' With The Devil 3:20 6. -Dave Raps 4:07 7. -Jamie's Cryin' 3:30 8. -Little Guitars 4:30 9. -Where Have All The Good Times Gone 3:31 10. -Bass Solo 4:04 11. -Hang 'em High 3:20 12. -Cathedral 1:54 13. -Secrets 3:15 14. -Everybody Wants Some 12:36 Disc 2 Total Time: 56:44 1. -Dance The Night Away 3:14 2. -Somebody Get Me A Doctor - I'm So Glad 6:00 3. -Ice Cream Man 9:41 4. -Intruder 1:54 5. -(Oh) Pretty Woman 3:06 6. -Guitar Solo (Pt. I) 7:03 7. -Guitar Solo (Pt. II) 2:23 8. -D.O.A. 3:51 9. -Ain't Talkin' 'Bout Love 7:00 9. -Bottoms Up 4:20 10. -You Really Got Me - Happy Trails 8:06 -
FM Broadcast 9.7 - Superb in every way, just a joy to listen to and a MUST have if you are even remotely interested in these guys. Doobie Brothers 1972-01-16 Pacific High Recorders SF, CA KSAN-FM CD 1 01-KSAN Intro 02-Jesus Is Just Alright 03-Disciple 04-Talk (Feelin' Down Farther intro) 05-Feelin' Down Farther 06-Nobody 07-Slippery St. Paul 08-Talk (Greenwood Creek intro) 09-Greenwood Creek 10-Road Angel 11-Talk (Going Down intro) 12-Going Down CD 2 01-Talk (Tilted Park Crud Hunchery intro) 02-Tilted Park Crud Hunchery 03-KSAN announcer + Tom Johnston intro to jam 04-Jam 05-Morning Blues * 06-unknown title * Tom Johnston Guitar Pat Simmons Guitar Tiran Porter Bass John Hartman Drums *with Gregg Rolie of Santana (keyboards) and Mike Wilhelm of the Charlatans (guitar). -
FM Broadcast 9.6 - Beautifully preserved, this recording sparkles! A Must Have if you are into high level jazz fusion. Al Di Meola Paramount Theatre Seattle, WA May 21st 1978 KZAM FM Broadcast THE BAND Al DiMeola electric and acoustic guitars Phillippe Saisse keyboards and marimba Vlodek Gulgowski keyboards Tim Landers bass Eddie Colon timbales and percussion Robbie Gonzalez drums SETLIST 1 -KZAM Phone in Interview with AL 2 -KZAM Intro 3 -Egyptian Danza 4 -Chasin' the Voodoo 5 -Dark Eye Tango 6 -Short Tales of the Black Forest 7 -Fantasia Suite 8 -Señor Mouse 9 -Midnight Tango 10 -The Wizard 11 -Thank you Goodnight -
Soundboard 9.7 - As crystal clear as it could possibly get. Why it doesn’t get a 10 rating? Because in my opinion a perfect recording is not just crystal clear but has numerous other elements that separate it from just another clear board tape. Not to denigrate this at all, because it is great – but a crystal clear near perfect board tape is just that, a near perfect board tape that does not reflect ambience, atmosphere, vibe (although not always), and other elements of a live concert. Still, you will love this anyway it’s Prince after all and these kind of fly on the wall type recordings are super cool. The Spectrum Philadelphia, PA. 11-22-84 Disc 1 1. Bass Try Out #1 2. Let's Go Crazy #1 3. Let's Go Crazy #2 4. The Dance Electric #1 5. Mic Test 6. The Dance Electric #2 7. Bass Try Out #2 8. Little Red Corvette #1 9. Little Red Corvette #2 10. Little Red Corvette #3 11. Little Red Corvette #4 12. Little Red Corvette #5 13. Guitar Try Out 14. Temptation #1 15. Let's Pretend We're Married #1 16. Temptation #2 17. Let's Pretend We're Married #2 18. Temptation #3 19. Let's Pretend We're Married #3 20. Temptation #4 21. Let's Pretend We're Married #4 22. International Lover 23. Let's Go Crazy Disc 2 Memorial Auditorium Buffalo, NY. 12-17-84 1. Instrumental Jam in B Flat 2. Strange Relationship 3. Erotic City #1 4. You're Ruining My Bad Reputation 5. Bodyheat 6. Blue Limosine 7. Get On The Good Foot 8. Instrumental Jam In A 9. Erotic City #2 10. Another Lonely Christman #1 11. Another Lonely Christman #2 12. Another Lonely Christman #3 13. Guitar Solo 14. Let's Go Crazy 15. Delirious -
Audience 8.4 - An uneven mix is the fault, other than that it’s fine. Sounds like taper was on one side of the P.A. and got a lot of one guitar, and it sounds great, very menacing tone, but we lose some other elements that sort of appear and then disappear. The recording is not hard to enjoy even with that issue, for me it was because of the good live tone and having that guitar so close it made me feel like I was seated with the taper hearing what he was hearing. Also, I look forward to certain songs live, with Opium Trail being one and it is present here on this tape. THIN LIZZY Orpheum Theater Boston MA. October 23rd 1977 THE BAND Phil Lynott bass vocals Scott Gorham guitar Brian Robertson guitar Brian Downey drums John Earle saxophone SET LIST 1 -Intro 2 -Soldier of Fortune 3 -Jailbreak 4 -Emerald 5 -Still In Love With You 6 -Johnny the Fox Meets Jimmy the Weed 7 -Warriors 8 -Dancing In the Moonlight 9 -Opium Trail 10 -Southbound 11 -Cowboy Song 12 -The Boys Are Back In Town 13 -Johnny 14 -Bad Reputation 15 -Are You Ready 16 -Me and the Boys 17 -Baby Drives Me Crazy