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Soundboard 9.6 - A tight, expertly mixed board tape. I think how they mic’d this up to include audience was a great idea, it adds so much to this recording. Lou feeds off their excitement. Lou Reed - "Live At The Roxy" December 1,1976 Roxy Theatre, Los Angeles KMET FM Radio Broadcast Disc 1 01 Intro 02 Sweet Jane 03 I Believe In Love 04 Lisa Says 05 Kicks 06 She's My Best Friend 07 I'm Waiting For The Man Disc 2 01 A Sheltered Life 02 You Wear It So Well 03 Claim To Fame 04 Vicious Circle 05 Heroin 06 Walk On The Wild Side 07 Coney Island Baby Lou Reed - vocals, guitar Michael Fonfara - keyboards Bruce Yaw - bass Marty Fogel - sax Michael Suchorsky - drums -
Amsterdam 1973 Soundboard 8.9 - Nice to have good, clean board tapes of this line up. I think this is his best band, and I think he sounds terrific here. Sheffield 1973 Soundboard 8.9 - Another great board tape featuring Lou’s best band. I love the sound of the band let alone their musicianship. Lou rises to the occasion, he knows he has to deliver or he’ll be overshadowed by these fine players. Thankfully, he actually does! Lou Reed "Berlin To Amsterdam To Sheffield" Disc 1 Concertgebouw Amsterdam 1973.09.20 01. Intro - Sweet Jane 02. How Do You Think It Feels 03. Caroline Says 04. I'm Waiting For The Man 05. Satellite Of Love 06. Walk On The Wild Side 07. Vicious 08. Oh, Jim 09. Heroin Disc 2 Oval Hall Sheffield 1973.09.29 01. Intro - Vicious 02. How Do You Think It Feels 03. Caroline Says I 04. I'm Waiting For The Man 05. Satellite Of Love 06. Walk On The Wild Side 07. Oh, Jim 08. Heroin 09. Rock 'n' Roll 10. White Light - White Heat Lou Reed - vocals Steve Hunter - guitar Dick Wagner - guitar Ray Colcord - organ Peter Walsh - bass Pentti Glan - drums -
Audience 8.7 - This band, while not a household name by any stretch, actually did gain quite a following throughout Europe and even to a much lesser degree in the USA. They played a style of progressive rock that was accessible but did not convert to singing in English completely and that probably won over more fans in their home country. The recording here is clear, it provides just enough dynamics and detail to let you sink yourself into their sound, although the recording suffers some level problems towards the end, but recovers enough to end on a high note. The material is great, I am reminded of Pink Floyd, Eloy, and perhaps maybe a bit of ELP. Novalis Festival Nordestedt, Germany 1977-09-10 Disc 1 01 -Irgendwo, Irgendwann 02 -Wunderschätze 03 -Astralis 04 -Sommerabend Disc 2 05 -Track 05 06 -Wer Schmetterlinge Lachen Hört 07 -Track 07 08 -Track 08 09 -Es Färbte Sich Die Wiese Grün Brandung Feuer bricht in die Zeit Sonnenfinsternis Dämmerung -
Audience 8.8 - A good, bright recording that features rich bass, and strong vocals in particular. This allows you to hear the musicianship which believe it or not, these guys have! I also appreciate their nods to the classics. W.A.S.P. Elysee Montmartre Paris, France October 28, 1992 Disc 1 01 The Invisible Boy 02 The Real Me 03 L.O.V.E. Machine 04 Chainsaw Charlie (Murders in the New Morgue) 05 Wild Child 06 The Idol 07 The Headless Children 08 The Great Misconceptions of Me Disc 2 09 Hellion 10 On Your Knees 11 I Don't Need No Doctor 12 I Wanna Be Somebody 13 Blind in Texas -
Audience 8.8 - I was surprised at just how good this sounded. The first half of the first song you wonder how it will be, and you fear it might wobble because taper is adjusting things on the fly but it gets sorted and wow, I have to give props to taper on this one! He sounds maybe halfway back in the venue, so not close up, but he’s using either high end consumer gear or maybe something more professional to be able to lock in his levels and get a really good timbre. Jethro Tull Hulman Center Terre Haute, IN 1975-10-17 Disc 1 01. -Audience Announcement 02. -Thick As A Brick 03. -Minstrel In The Gallery 04. -Wond'ring Aloud 05. -To Cry You A Song (with Flute Solo) 06. -A New Day Yesterday 07. -Skating Away On The Thin Ice Of The New Day 08. -Ladies (with Drum Solo) Disc 2 09. -War Child 10. -War Child Suite - Quartet 11. -Cross-Eyed Mary 12. -Bungle In The Jungle 13. -The Story Of The Hare Who Lost His Spectacles 14. -Aqualung 15. -Wind-Up 16. -Back-Door Angels 17. -Locomotive Breath 18. -Hard-Headed English General 19. -Back-Door Angels (reprise) -
Radio Broadcast 9.3 - Everything on this disc (includes some bonus material) is fantastic and well worth exploring. Arc Angels Paradise Theater Boston, MA December 16, 1992 Disc 1 01. -Paradise Cafe 02. -Dimples 03. -Carry Me On 04. -The Famous Jane 05. -Good Time 06. -Spanish Moon 07. -Sent By Angels 08. -Always Believed In You 09. -Sweet Nadine 10. -Angel 11. -Shape I'm In Disc 2 12. -Living In A Dream 13. -encore break 14. -band introductions 15. -Looking Back 16. -Too Many Ways To Fall 17. -Too Many Ways To Fall (David Letterman Show - 1993-01-06) Pittsburgh, PA. December 8, 1992 18. -Paradise Cafe 19. -Dimples 20. -Always Believed In You 21. -Angel 22. -Living In A Dream 23. -Too Many Ways To Fall Doyle Bramhall II: guitar, vocals Charlie Sexton: guitar, vocals Tommy Shannon: bass Chris Layton: drums -
Audience 8.8 - A very satisfying recording, with a great snare drum sound and I highlight that because it is often overlooked. Dio sounds clear and if I fault anything it’s maybe Toni’s guitar which is just slightly behind the overall sound coming from the mains but still it’s really not too bad and the solos really come across clearly. It’s a fine live sound all around and is comfortable on the ears. Black Sabbath 1981-01-20 Hammersmith Odeon London, UK Disc 1 101 Supertzar 102 War Pigs 103 Neon Knights 104 N.I.B. 105 Children Of The Sea 106 Sweet Leaf 107 Drums Solo 108 Sweet Leaf (Reprise) 109 Lady Evil 110 Black Sabbath Disc 2 201 Heaven And Hell 202 Iron Man 203 Guitar Solo 204 Die Young 205 Paranoid - Heaven And Hell (Reprise) 206 Children Of The Grave -
Fillmore East 1969 Audience 8.4 - A bit of hiss is present, the music is not crystal clear until the guitar kicks in and then it comes alive. I’ll tell you what listening to this did for me: I started to understand why hippies tripped balls to Canned Heat, there is a very weird acid vibe going on, things get distorted and intense, and extremely psychedelic in a blues based presentation that is really kind of crazy. Maybe it was due to the band blowing up amplifiers, I don’t know but it’s intoxicating and you can’t stop listening to it, maybe it’s just this show, this weird recording that seems to do weird things…on purpose? You decide. Atlanta Pop Festival 1969 Audience 8.8 - A very interesting sounding old tape, with lead guitar and vocals quite present as if taper was real close but no distortion (although some tape hiss). The performance is bristling with acid blues rock electricity. It’s just palpable, I get these guys I really understand what the magic was. Canned Heat Fillmore East New York, New York, U.S.A. 02-07-1969 Disc 1 01 - Ain't That Lovin' You Baby 02 - Bullfrog Blues 03 - Sugar Mama - Bass solo 04 - Killin' Floor 05 - On The Road Again 06 - Bear Talking 07 - The Boogie Disc 2 1st Annual Atlanta Pop Festival Atlanta International Raceway Fulton County, GA July 4, 1969 01 -Going Up the Country 02 -Bring It on Home 03 -Number Nine Train 04 -When You're Twenty-Six 05 -Fried Hockey Boogie Line-up: Bob The Bear Hite - vocals, harp Alan Wilson - guitar, harp, vocals Henry Vestine - guitar Larry Taylor - bass Adolfo Fito de la Parra - drums -
All Soundboard 9.3 - This entirely depends on how much you want to hear blazing, inventive lead guitar and don’t mind if the bass sounds more like a rhythm guitar, That is what the bass sounds like to my ears, it’s there, but it’s not “low end” it’s more like a heavy rhythm guitar. It works for this style of rock though – and it’s all good stuff, if maybe a tad generic with the singing. BADLANDS Lost In The Shadows Disc 1 Richfield Coliseum Cleveland, Ohio 1989-09-23 1. -HARD DRIVER 2. -BALL & CHAIN 3. -DEVIL'S STOMP 4. -DREAMS IN THE DARK 5. -WINTER'S CALL 6. -Guitar Solo 7. -HIGHWIRE Palace Of Auburn Hills Detroit, Michigan 1989-09-22 8. -HARD DRIVER 9. -BALL & CHAIN 10. -DEVIL'S STOMP 11. -DREAMS IN THE DARK 12. -WINTER'S CALL 13. -Guitar Solo 14. -HIGHWIRE Disc 2 Hara Arena Dayton, Ohio 1989-08-30 1. -HARD DRIVER 2. -BALL & CHAIN 3. -WINTER'S CALL 4. -DANCING ON THE EDGE 5. -STREETS CRY FREEDOM 6. -JADE'S SONG - DREAMS IN THE DARK 7. -DEVIL'S STOMP 8. -Guitar Solo State Fairgrounds Du Quion, Illinois 1989-09-01 9. -HARD DRIVER 10. -BALL & CHAIN 11. -WINTER'S CALL 12. -DREAMS IN THE DARK 13. -DEVIL'S STOMP 14. -Guitar Solo 15. -HIGHWIRE -
Audience 8.7 - So let me put it this way – the recording is not perfect, but is near perfect for someone who needs to try and understand what makes Iron Maiden special. This captures a night, just another night (in fact this was a stand of shows at the Radio City Music Hall) on a long, never ending tour for the band but they play as if it was their last show. It’s amazing how night after night, town after town, tour after tour, Iron Maiden never gives a bad performance. I love this capture even though it suffers a few bumps and bruises, because it’s in the trenches from the hardcore fans perspective, it’s as if the taper is working as hard to capture the gig as the band is in delivering it. I LOVE it, and once I started playing this, I could not stop. I think you’ll love it too. Iron Maiden World Slavery Tour - The Seven Dates Of Hell Radio City Music Hall NYC, New York January 18, 1985 Disc 1 01. Intro 02. Aces High 03. 2 Minutes To Midnight 04. The Trooper 05. Revelations 06. Wrathchild 07. Flight Of Icarus 08. Rime Of The Ancient Mariner 09. Powerslave Disc 2 10. Guitar Solo 11. The Number Of The Beast 12. Hallowed Be Thy Name 13. Iron Maiden 14. Encore Break #1 15. Run To The Hills 16. Running Free 17. Encore Break #2 18. Sanctuary 19. WNEW FM New York interview with Nico Jan. 22 -
Audience 9.5 - Holy Moly this is RED HOT! The recording is right in your face but not distorted at all. It’s amazing how close this sounds, its super clear too. The only knock I have is that the bottom end is not as beefy as I would prefer. I really wanted more low end punch but if that is the only knock, then you probably should explore this one because not only is it great audio-wise but the playing is off the charts, and I mean seriously Jeff Beck and Stanley Clarke are at the absolute peak of Mount Everest here. JEFF BECK/STANLEY CLARKE BAND Live at Les Arenes de Fréjus Fréjus, France 10. July 1979 Disc 1 1. -Darkness - Earth In Search Of A Sun 2. -Star Cycle 3. -Blue Wind 4. -Journey To Love 5. -Freeway Jam 6. -Goodbye Pork Pie Hat Disc 2 7. -School Days - Jamaican Boy - School Days 8. -Diamond Dust 9. -Loopsy Lu - Scatterbrain 10. -Rock 'N Roll Jelly 11. -'Cause We've Ended As Lovers 12. -Superstition Jeff Beck: el.-guitar Stanley Clarke: el.-bass Tony Hymas: keyboards Simon Phillips: drums -
SDBRD 9.5 - Expertly recorded and of course this show is pure gold if you enjoy genuine American blues because the guys on stage are THE BLUES personified. Incredible performance, amazing quality! Muddy Waters and his band with Johnny Winter Live at the Tower Theater Philadelphia, Pa. March 6, 1977 Disc 1 1. -Hideway 2. -Cotton Gin 3. -Last Night 4. -See See Baby 5. -Rocket 6. -How Long 7. -Slow Blues 8. -Done Got Over it 9. -Crosscut Saw 10. -Talk to Your Daughter 11. -Band Intros Disc 2 1. -Muddy Intro 2. -Hoochie Coochie Man 3. -Blow Wind Blow 4. -Walkin' Through the Park 5. -Deep Down in Florida 6. -Blues Had a Baby 7. -I Can't Be Satisfied 8. -Trouble No More 9. -Howlin' Wolf 10. -Mannish Boy 11. -Got My Mojo Workin' 12. -Oh Baby Muddy Waters Johnny Winter Pinetop Perkins Willie Smith James Cotton Charles Calmese Bob Margolin -
Audience 9.0 - A very good recording, maybe a little “soft” but that is the house I think, bass is the predominant player, guitar is not as far up in the mix as one would prefer but it’s decent and all notes are audible. The drums are nice here, and the atmosphere is not pronounced but is present to some degree. It has the sense of just being a smaller venue, which it is, and so you sense that as you listen. Good players are joined up with Lenny, guys with plenty of jazz pedigree. Lenny White Golden Bear Huntington Beach, CA April 2, 1978 Early and Late Sets Disc 1 (Early Set) 01 Prelude: Theme For Astral Pirates (incl. intro) 02 Pursuit 03 talk / band intros 04 Mandarin Warlords 05 intros 06 And We Meet Again 07 Big City 08 Sweet Dreamer 09 Mating Drive Disc 2 (Late Set) 01 Intro, tuning, warmup 02 Chicken Fried Steak 03 talk / band intros 04 Universal Love 05 talk 06 Sunset Burgundy 07 talk 08 Theme For Astral Pirates (incl. Revival, Climax) 09 Assault 10 Sorceress Lenny White - drums, percussion Marcus Miller - bass Don Blackman - keyboards, vocals Jamie Glazer - guitar Nick Moroch - guitar -
Audience 9.0 - This is a really bold and vibrant recording, where you get this palpable “thwap” of the drums that feels like you are there. In very quiet passages there is the slightest of tape hiss but it’s actually kind of hard to find things to be critical of with this one. It’s really good! Peter Gabriel Tivolis Conzertsal, Copenhagen 09-Oct-1977 Disc 1 01 Here Comes The Flood 02 Slowburn 03 Moribund The Burgermeister 04 Modern Love 05 Indigo 06 Humdrum 07 White Shadow 08 I Heard It Through The Grapevine 09 Excuse Me Disc 2 10 Waiting For The Big One 11 Band Introductions 12 Solsbury Hill 13 Down The Dolce Vita 14 On The Air 15 All Day And All Of The Night 16 Here Comes The Flood 17 The Lamb Lies Down On Broadway 18 Soundcheck Peter Gabriel – Piano, Flute, Tambourine, Vocals Sid McGinnis – Guitars Tony Levin – Bass, Stick, Tuba, Backing Vocals Jerry Marotta – Drums Bayette – Keyboards -
Pro SDBRD 9.5 - Recorded for broadcast this uses two different sources of the broadcast but you don’t really notice the transition. What you will notice is how amazing this is, and what makes it really cool is how much Peter addresses the audience. It’s an intimate feeling gig, everyone is so dialed in to what is happening in the room with Peter…imagine, no cell phones, no distracted idiots, just genuine love and appreciation for the performer and his craft. I miss that. Peter Gabriel The Roxy Los Angeles, California April 10, 1977 Early show Disc 1 1 -Here Comes The Flood 2 -On The Air 3 -Moribund The Burgermeister 4 -DJ Comments 5 -Waiting For The Big One 6 -Good Evening Roxy 7 -A Song Without Words 8 -DJ comments 9 -Excuse Me 10 -Solsbury Hill 11 -PG banter 12 -Ain't That Peculiar 13 -PG banter 14 -Humdrum Disc 2 1 -Story of Prunes and Prisms Mating Time 2 -Slowburn 3 -All Day and All Of The Night 4 -Here Comes The Flood 5 -Modern Love 6 -Band introductions 7 -Down The Dolce Vita 8 -Encore break - DJ comments 9 -Back in NYC 10 -Applause 11 -DJ outro -
Audience 9.3 - This is the result of tapers who CARE about what they are doing to the point of using the best gear, for starters, seating in the best location, and using the utmost care to successfully capture the event…then having the prescience to preserve the result for future generations to enjoy. This is AWESOME in every way. Fuck man, if you can’t appreciate this recording, and this artist, just do us all a favor and find some other thing because music ain’t it for you. Yes that is harsh, but you’ll understand once you’ve listened to this. Peter Gabriel The Roxy West Hollywood, CA April 10, 1977 Late Show Disc 1 01 -Here Comes The Flood 02 -On The Air 03 -Moribund The Burgermeister 04 -Waiting For The Big One 05 -A Song Without Words 06 -Excuse Me 07 -Solsbury Hill 08 -Ain't That Peculiar 09 -Band Introductions 10 -Humdrum Disc 2 11 -Slowburn 12 -All Day And All Of The Night 13 -Here Comes The Flood 14 -Modern Love 15 -Down The Dolce Vita 16 -Back in NYC 17 -Modern Love (reprise) 18 -Solsbury Hill (reprise)