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Hard blues rock band formed in 1975 in Houston, TX. Featured vocalist BB. Watson who left Houston to pursue a career in Nashville as a C&W singer. He had some fleeting success, eventually came back to Houston and worked with Michael Knust (Fever Tree) and Keith York (Albatross, Rare Breed) for a stint and also attempted to reunite the Rare Breed (those sessions contained on this CD). Rare Breed also featured the guitar of Robert Hampton before he joined Hooker. These are all the known recordings. -
Audience 8.7 - This is a very bright and clear recording from close to the stage. Loads of electrifying atmosphere – you literally are planted right in between the tapers close to the stage and you really sense that. -
Audience 9.5 - This is the good stuff! A well balanced and dynamic recording as close and clear as you can get to Susanna...ahhh...you can hear but not touch! I guess I'll have to settle for audio only but I can dream can't I? You will too, listen to this and you'll get me. Bangles Copenhagen Montmartre, DK 1986-02-17 01. Intro 02. In a Different Light 03. Live (The Merry‐Go‐Round) 04. Restless 05. Walking Down Your Street 06. James 07. September Gurls (Big Star) 08. Not Like You 09. Manic Monday 10. He's Got a Secret 11. I'm in Line 12. If She Knew What She Wants (Jules Shear) 13. Return Post 14. Let It Go 15. Going Down to Liverpool (Katrina and the Waves) 16. Angels Don't Fall in Love 17. I'm Not Talking (Mose Allison) 18. Hero Takes a Fall 19. Dover Beach 20. 7 and 7 Is (Love) 21. Interview by Jan Laursen pre show for Danish Radio. -
Audience 9.5 - You can relax into this show, it's occupying a very pleasant space when the soundwaves wash over you and you begin to have a sense of the size of the venue, the space around you, and the distance from the stage. That's what I like about smaller venue recordings, and modern taping gear is getting so much better with the mic technology and level adjust that it's really hard to screw it up. Susanna Hoffs McCabe's Guitar Shop Santa Monica, Ca April 28, 2012 10:00 PM show 01. intro 02. Raining 03. November Sun 04. Always Enough 05. Different Drum 06. Picture Me 07. All I've Got to Do 08. One Day 09. Eternal Flame 10. All I Want 11. Manic Monday medley 12. In Your Room 13. Hero Takes a Fall 14. Holding My Breath 15. Teacher Teacher 16. Everybody Knows This is Nowhere+ 17. To Sir, with Love 18. King Midas in Reverse* 19. Cinnamon Girl+ Susanna Hoffs - lead vocals, acoustic guitar, tambourine Andrew Brassell - electric and acoustic guitar, vocals Derrick Anderson - bass guitar, vocals Jim Laspesa - drums, vocals Dennis Taylor - electric guitar John Calacci - percussion Val McCallum - electric and acoustic guitar, vocals +Matthew Sweet - vocals, tambourine *John Wicks - vocals -
Audience 9.2 - Here we have a real treat for those who now realize what we had in our youths with the "Seattle Sound" as epitomized by Soundgarden, a sound that fit the times very appropriately. Now for the kicker: This show not only sounds great but has plenty of fun moments with Chris Cornell and the audience (I think he's a bit toasty on the potent German suds). What I liked most is the live sound here is mixed well for the guitars especially, only Chris gets a bit drowned out during the extreme volume heavier parts but overall it's hitting the sweet spot, at least for me.SOUNDGARDEN April 1, 1994 Musikhalle Frankfurt, Germany Disc 1 01. Night Surf (intro) 02. Jesus Christ Pose 03. Spoonman 04. Let Me Drown 05. Mailman 06. The Day I Tried To Live 07. My Wave 08. Room A Thousand Years Wide 09. Black Hole Sun 10. Searching With My Good Eye Closed - It's A Beautiful Day 11. Superunknown Disc 2 15 12. Rusty Cage 13. Half 14. Mind Riot 15. Fell On Black Days 16. Hands All Over 17. Kickstand 18. Like Suicide 19. Face Pollution 20. encore break 21. Somewhere 22. Head Down 23. Limo Wreck -
Audience 8.7 - While this tape may not enjoy the same clarity as some of the Japan 82 recordings, it does have a good powerful delivery nonetheless. Vocals come through the clearest, but the combination of bass, and guitars follows with the force of a piledriver to your skull...and I rather like it. The bonus here is the inclusion of the set by the band The Rods, and having never heard of any live tapes of them before, it was a most welcome addition to this great vintage Iron Maiden set.Iron Maiden Colston Hall Bristol, England 1982-03-11 Disc 1 {79:49} 01 - Intro [Doctor Doctor] ........ 3:39 02 - The Ides of March ............ 0:51 03 - Murders in the Rue Morgue .... 3:28 04 - Wrathchild ................... 3:32 05 - Run to the Hills ............. 4:25 06 - Children of the Damned ....... 4:46 07 - The Number of the Beast ...... 5:31 08 - Another Life ................. 3:43 09 - Killers ...................... 5:39 10 - 22 Acacia Avenue ............. 6:31 11 - Total Eclipse ................ 4:12 12 - Drum Solo .................... 3:20 13 - Transylvania ................. 6:12 14 - The Prisoner ................. 5:48 15 - Hallowed Be Thy Name ......... 7:14 16 - Phantom of the Opera ......... 6:51 17 - Iron Maiden .................. 3:58 Disc 2 {63:50} 01 - Sanctuary .................... 6:52 02 - Drifter ...................... 7:46 03 - Running Free ................. 5:03 04 - Prowler ...................... 4:32 Bonus Rods 05 - Rocking And Rolling .......... 3:26 06 - Waiting For Tomorrow ......... 4:02 07 - Get Ready To Rock 'n' Roll ... 5:34 08 - Nothing Going On In The City . 3:32 09 - Too Hot To Stop .............. 4:07 10 - Crank It Up .................. 5:54 11 - Getting Higher ............... 3:42 12 - Drum Solo .................... 3:50 13 - Power Lover .................. 5:23 -
Soundboard 8.7 - What we have here with these two shows are a couple of primitive soundboards, and by that I mean they may have run the sound through the board but what ended up on the tape is NOT what you would expect. It's not a manicured, expert mix and pristine sound, it's a very raw, brutal, loud, obnoxious, hellish, and violent turbulence of sound that somehow fits the vibe to a tee. This is Slayer, in 1985, and it sounds like it. Wonderful in its rawness, brutal in its aggressive sonic assault, and 100% vintage Slayer.
Slayer The Dawn Of Slayer Disc 1 Katwijk aan Zee, Netherlands May 31, 1985 1. Hell Awaits 2. Aggressive Perfector 3. Captor of Sin 4. The Final Command 5. Haunting the Chapel 6. Praise of Death 7. Fight Till Death 8. Necrophiliac 9. Black Magic 10. Die by the Sword 11. Crypts of Eternity 12. Hardening of the Arteries 13. The Antichrist 14. At Dawn They Sleep 15. Drum solo 16. Show No Mercy 17. Evil Has No Boundaries 18. Chemical Warfare Disc 2 Luttenberg, Netherlands June 2, 1985 1. Hell Awaits 2. Aggressive Perfector 3. Captor Of Sin 4. Fight 'Til Death 5. Kill Again 6. Haunting The Chapel 7. Necrophiliac 8. Black Magic 9. Die By The Sword Disc 3 10. Praise Of Death 11. The Final Command 12. Crypts Of Eternity 13. Hardening Of The Arteries 14. At Dawn They Sleep 15. Drum Solo 16. Show No Mercy 17. Evil Has No Boundaries 18. Chemical Warfare 19. Encore Break 20. The Antichrist -
Audience 8.7 All shows appear to have been recorded by the same taper who was diligent to show up to all the Sabbath shows in his town three years in a row. I am impressed with his effort, you can tell he's not an amateur and but for the fact he's not using pro equipment, he most certainly would otherwise have gotten a stellar result. As it is, it's fine but not winning any dynamics awards. What it does deliver is consistent, strong, error-free recordings that you can relax into, and let yourself adjust to what is there because it's certainly not that bad. I started listening to these shows in order to rate them and ended up just letting them play because it's cool to hear this great line-up playing in a far away place away from the glitz and glamour of the metropolis, year-after-year-after-year, and yet deliver a performance no different from one they might have done at, say, Radio City Music Hall or Madison Square Garden.
Black Sabbath Cornwall Coliseum St. Austell, UK June 24, 1980,Feb. 2, 1981 & Jan. 14, 1982 Disc 1 St. Austell, UK June 24, 1980 1. Intro 2. War Pigs 3. Neon Knights 4. N.I.B. 5. Lonely Is The Word 6. Sweet Leaf 7. Children of the Sea 8. Black Sabbath 9. Heaven and Hell Disc 2 10. Iron Man 11. Guitar Solo 12. Die Young 13. Paranoid 14. Children of the Grave St. Austell Feb. 2, 1981 15. Supertzar 16. War Pigs 17. Neon Knights 18. N.I.B. 19. Children of the Sea 20. Lady Evil Disc 3 21. Black Sabbath 22. Heaven and Hell 23. Iron Man 24. Guitar Solo 25. Die Young 26. Paranoid 27. Children Of The Grave St. Austell, UK. 1982 28. E5150 (Intro) 29. Neon Knights 30. N.I.B. Disc 4 31. Children Of The Sea 32. Country Girl 33. Black Sabbath 34. War Pigs 35. Slippin' Away 36. Drum Solo 37. Iron Man 38. Mob Rules 39. Heaven And Hell 40. Paranoid 41. Children Of The Grave -
Audience 8.7 - An excellent 8.7 too! First off let me just say how blown away I am to find a long lost 1978 recording previously un-circulated and in such great shape! Wow man, this is a fantastic find. The sound is pretty beefy for what sounds like an old tape deck, normally you'd expect something either thin as hell or muddy as crap but it's neither. It lacks a little clarity, but it's maybe near the drums and I can tell you guitar sounds clear (maybe a little thin but bass is pretty solid so it picks up the guitar sound a bit) and Ozzy is situated in the middle and can be heard pretty well. A solid tape that will fit nicely in with your collection.
BLACK SABBATH City Hall Newcastle-Upon-Tyne, England 1978-05-21DISC 11. SUPERTZAR 2. SYMPTOM OF THE UNIVERSE 3. WAR PIGS 4. SNOWBLIND 5. NEVER SAY DIE 6. BLACK SABBATH 7. DIRTY WOMENDISC 21. ROCK-N-ROLL DOCTOR 2. GUITAR SOLO 3. ELECTRIC FUNERAL 4. HAND OF DOOM 5. NIB 6. FAIRIES WEAR BOOTS 7. CHILDREN OF THE GRAVE 8. PARANOID 9. IRON MAN -
Neunkirchen Audience 8.8 - A large sound, almost feel the sound pressure against your chest on this one! The bass is huge and guitars sit slightly behind creating a sensation of dread, and thankfully the vocals are really placed very nicely in the live sound mix. Definitely the better of the two in this set.
Boblingen 1983 Audience 8.6 The overall sound here is somewhat average but it's actually slightly clearer than the Neunkirchen show albeit more distant and hollow sounding. It really could use some mid-range boost to bring up the guitars but if you have a good system you can attenuate this to dial in your desired EQ. It's not bad, it's just not quite up to prime time and you'll get more satisfaction from the Neunkirchen show in this set.
Black Sabbath Germany 1983 Disc 1 Hemmerleinhalle Neunkirchen am Brand, Germany 27th September 1983 1. Supertzar 2. Children Of The Grave 3. Hot Line 4. War Pigs 5. Born Again 6. Supernaut 7. Drum Solo 8. Rock ‘N’ Roll Doctor 9. Disturbing The Priest Disc 2 10. Iron Man 11. The Dark - Zero The Hero 12. Heaven And Hell 13. Guitar Solo 14. Digital Bitch 15. Black Sabbath 16. Smoke On The Water 17. Paranoid - Heaven And Hell(reprise) Disc 3 Sporthalle Boblingen, Germany 28th September 1983 1. Children Of The Grave 2. Hot Line 3. War Pigs 4. Born Again 5. Supernaut 6. Drum Solo 7. Rock’n’roll Doctor 8. Disturbing The Priest Disc 4 9. Iron Man 10. The Dark - Zero The Hero 11. Heaven And Hell 12. Guitar Solo 13. Digital Bitch 14. Black Sabbath 15. Smoke On The Water 16. Paranoid - Heaven And Hell(reprise) 17. Interview with Ian Gillan Ian Gillan – Vocals Tony Iommi – Guitar Geezer Butler – Bass Bev Bevan – Drums Geoff Nicholls – Keyboards -
Stereo Soundboard 9.6 - A fantastic and interesting tape, the live mix sometimes pans in stereo giving it a unique flavor. The drums and keyboards are placed superbly in the mix, vocals very strong, but it does lack some low end, not that it is thin or too bright, that is not the problem here at all it’s just that I think the bass may have been so loud through the P.A. that it didn’t need to pass through the board feed so you do hear it but it’s not super deep. Still, a great one for the collection and certainly if you like hard psychedelic rock but the kicker here is the appearance on 4 tracks by John Cipollina.
Man Keystone Berkeley, CA August 9, 1976 Disc 1 01. -Let The Good Times Roll 02. -7171-551 03. -A Hard Way To Die 04. -The Welsh Connection 05. -Something Is Happening 06. -The Ride And The View 07. -You Are Out Of Your Head 08. -Born With A Future Disc 2 09. -C'Mon 10. -Many Are Called But Few Get Up 11. -Babe, I'm Gonna Leave You* 12. -A Hard Way To Live* 13. -Romain* 14. -Bananas* * with John Cipollina
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Dunstable 1976 Soundboard 9.5 - Every Hawkwind collector surely must have this already in their collection, it’s just too damn good. So few recordings of such an eclectic band, so yeah, this has to be considered a MUST HAVE, and it’s equally cool to find it paired here with another soundboard tape.
Croyden 1977 Soundboard 9.2 -A respectable board tape, the mix does heavily favor guitar, keys are present more during passages where they are supposed to be in the lead. Vocals are out front, also where they need to be. So, it’s a workable mix, not perfect but definitely good for the casual and hard-core fan.
Hawkwind UK 1976-1977 Disc 1 Dunstable, UK. 09-30-1976 1. Paradox 2. Chronoglide Skyway 3. Hassan I Sabbah 4. Brainstorm 5. Wind Of Change 6. Steppenwolf 7. Uncle Sam's On Mars 8. Time For Sale 9. Magnu 10. Welcome To The Future Disc 2 Fairfield Hall Croyden, UK. 09-25-1977 1. Brainstorm 2. High Rise 3. Robot 4. Wind Of Change 5. Jack Of Shadows
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Soundboard 9.2 - A “reference” board mix, clearly…but it’s great. It isn’t going to win any awards for sparkling and atmospheric sound, but it’s a punchy, in-the-pocket sound that marries well with Kansas’ heavy progressive style.
Kansas Springfield Civic Center Springfield, MA. 2nd September 1979 Disc 1 1. Intro 2. On the Other Side 3. People of the Southwind 4. Away From You 5. Point of Know Return 6. Closet Chronicles 7. The Wall 8. Reason To Be 9. Dust in the Wind 10. Angels Have Fallen Disc 2 1. Opus Insert 2. Stay Out of Trouble 3. The Spider 4. Portrait (He Knew) 5. Band Introductions 6. Glimpse of Home 7. How My Soul Cries Out For You 8. Carry On Wayward Son Steve Walsh – keyboards, lead and backing vocals Kerry Livgren – guitars, keyboards Rich Williams – guitars Robby Steinhardt – violin, vocals Dave Hope – bass Phil Ehart – drums
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Soundboard 8.8 - This is a soundboard that is not without flaws, not serious flaws, but indeed somewhat noticeable ones. So, it’s one of those mixes where guitar sounds at times amazing, up front, and gloriously loud…and at others it seems like it was ran through an on-board processor of some kind and ends up more compressed and lower in the mix. Rock The Nation is cut at the tail end of Ronnie’s solo, and the drum intro for I Got The Fire begins, so that was a little bit of a jarring edit that could have been smoother. Overall this is a tape, and show, that will sit nicely in the collection seeing as how there are so few Gamma sdbrds, or live tapes at all.Gamma Phoenix Theater Petaluma,CA 30-Nov-1980 01 Ready For Action 6:08 02 Thunder and Lightning 5:39 03 Razor King 11:59 04 Rock the Nation 3:47 05 I Got the Fire 3:56 06 Four Horsemen 7:11 07 No Tears 12:32 Davey Pattison: Vocals Ronnie Montrose: Guitars Jim Alcivar: Keyboards Glenn Letsch: Bass Denny Carmassi: Drums
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Audience 9.0 - A strong recording from what sounds like the center row, maybe halfway back but not as diffuse as you might think for being in that spot. Yes, maybe the guitar and bass aren’t separated the way you would prefer, but this was the sound of Rush in 2015, and on this show it is Geddy’s vocals that receive the most prominence. Overall it’s a very good recording with atmosphere and power.
Rush Air Canada Centre Toronto, On. Canada 2015-06-17 Disc 1 101 - Intro 102 - The Anarchist 103 - Clockwork Angels 104 - Headlong Flight 105 - Far Cry 106 - The Main Monkey Business 107 - One Little Victory 108 - Animate 109 - Roll the Bones Disc 2 110 - Distant Early Warning 111 - Subdivisions 201 - Intro 202 - Tom Sawyer 203 - Red Barchetta 204 - The Spirit of Radio 205 - Jacob's Ladder 206 - Cygnus X-1 Book II - Hemispheres Part I - Prelude 207 - Cygnus X-1 208 - Closer to the Heart Disc 3 209 - Xanadu 210 - 2112 211 - Encore - Mel's Rock Pile starring Eugene Levy 212 - Lakeside Park 213 - Anthem 214 - What You're Doing 215 - Working Man
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Audience 9.1 - What a find! This tape exudes raw power, and hearkens back to the original sound and style of the band much more so than what would be just a year and a half later. Does that mean it’s a raw blues rock show? No, but there is a lot of that here, and more than that it’s the TONE of the band. Gritty, mean, raw but tight…fierce! The quality of the tape is VERY good…well worth snagging!Fleetwood Mac Long Beach Arena Long Beach, CA April 15, 1973 01 Introduction and Tune-Up 02 The Green Manalishi (With The Two Prong Crown) 03 Oh Well 04 Get Like You Used To Be 05 "Land Watch" (Night Watch) 06 Same Old Blues 07 In The Country 08 Rattlesnake Shake
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Audience 8.7 - Brassy, loud, and guitar dominant recording that delivers where it counts and finds Rory sounding, to my ears, much more rock/metal/grunge even though he features plenty of raw, blues soaked numbers in his set. It’s just that the atmosphere and volume don’t suggest this is a “blues” band blowing through town…I just get the feeling Rory felt the times changing and adjusted accordingly. Either way you parse it, this is high-intensity music, and the recording here really manages to capture that pretty realistically.
Rory Gallagher The Stone Palo Alto, California May 17, 1985 Disc One 01 - intro - Double Vision 02 - Bad Penny 03 - band intros - Off The Handle 04 - Moonchild 05 - Hey Mama, Keep Your Big Mouth Shut 06 - I Wonder Who 07 - Tattoo'd Lady 08 - Mississippi Sheiks 09 - Big Guns Disc Two 01 - Out On The Western Plain 02 - Seven Days 03 - Philby 04 - Follow Me 05 - Shadow Play 06 - My Babe 07 - All Around Man - Bullfrog Blues - Roll Over Beethoven - Route 66 Rory Gallagher Group; May 1981 - 1991: Rory Gallagher - guitar, vocals Gerry McAvoy - bass Brendan O'Neill - drums Mark Feltham - harmonica
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Pro Recording 9.4 - This is actually recorded from the audience, or the pit, or somewhere within the hall with professional equipment possibly for broadcast or posterity but it is obviously not an amateur job. The dynamics and atmosphere are excellent, and to my ears it just seems like the band wanted to record this gig for whatever reason.
Rick Wakeman November 16, 1981 Guildhall Preston, UK Disc One (70:34) 1) War Games? (10:29) 2) King Arthur Medley (12:10): a) Arthur b) Lancelot and the Black Knight 3) Sea Horses (5:17) 4) Julia (6:11) 5) Three Wives (13:12): a) Catherine of Aragon b) Anne of Cleves c) Catherine Howard 6) The Proles (5:30) 7) Journey to the Center of the Earth - Part 1 (17:45) Disc Two (60:16) 1) Danielle (4:30) 2) The Probe (4:05) 3) Chamber of Horrors (7:03) 4) The Hymn (3:14) 5) Anne Boleyn (29:04) 6) Robot Man (4:57) 7) Journey to the Center of the Earth - Part 2 (7:23) a) The Battle b) Hall of the Mountain King
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Audience 9.3 - A really clean, punchy recording that has realistic presence, and is river deep and mountain high – I especially found the drums, kick drum, toms, this was a pleasant surprise for an audience tape to deliver almost studio quality dynamics and placement in the stage mix was on point. Amazing to think that this tape remained out of circulation to only just recently, while we did have other shows from this week at the Hollywood Palace in 1984.
Frank Zappa The Palace Los Angeles, CA July 17, 1984 Disc 1 01 Tuning and Dialogue 02 Zoot Allures 03 Band Introductions 04 Tinsel Town Rebellion 05 Oh No (includes Son Of Orange County) 06 More Trouble Every Day 07 Penguin In Bondage 08 Hot Plate Heaven At The Green Hotel 09 Dumb All Over 10 Evil Prince Disc 2 11 Carolina Hard-Core Ecstasy 12 Advance Romance 13 He's So Gay 14 Bobby Brown 15 Keep It Greasey 16 Honey, Don't You Want A Man Like Me? 17 Carol, You Fool 18 Chana In De Bushwop 19 Let's Move To Cleveland 20 Why Don't You Like Me? -
Gainesville 1978 Soundboard 9.5 - A professional straight board feed recording that is as clean and balanced as you’d ever want – but very occasionally there may be a slight tape drop out (rarely), and the sound is almost too good…meaning it could use some ambience and atmosphere but if you only want to hear this as a musical performance rather than event, this is damn near perfect.
Cincinnati 1989 Audience 9.7 - A soaring, elegant recording that captures this event in spectacular quality. Guitars seem to float over your head and wrap around your ears as they seem to pan across the room, drums filling the spaces and adding immediacy. When the audience claps and responds it’s as if it is a part of the show how it blends in and seems so respectful. Overall man this is a frighteningly good recording and performance and is pretty much in the “must have” range IMHO.
Pat Metheny Group 79/89 Disc 1 Spring Jazz Festival Lake Alice Field, University of Florida Gainesville, Florida 1979-03-30 01-Phase Dance (Pat Metheny, Lyle Mays) 7:35 02-Circus Music (Pat Metheny, Lyle Mays) 6:10 03-PM speaks 1:01 04-Unity Village (Pat Metheny) > The Windup (Keith Jarrett) 13:08 05-The Epic (Pat Metheny, Lyle Mays) 14:35 06-Jaco (Pat Metheny) 4:21 07-PM speaks and tuning 0:54 08-San Lorenzo (Pat Metheny, Lyle Mays) 11:08 09-Re-tuning and PM speaks again 1:39 10-Wrong Is Right (Larry Coryell) 7:53 11-American Garage (Pat Metheny, Lyle Mays) 4:43 Pat Metheny, guitars Lyle Mays, piano, synthesizer, electric organ, autoharp Mark Egan, bass guitar Danny Gottlieb, drums Disc 2 Taft Theatre Cincinnati, Ohio September 22, 1989 1. –Phase Dance 2. -Have You Heard? 3. -Every Summer Night 4. -Hermitage 5. -Better Days Ahead 6. -Farmer’s Trust 7. -Spring Ain’t Here 8. -Straight On Red 9. -Are You Going With Me? Disc 3 10. -The Fields, The Sky 11. -Are We There Yet? 12. -Vidala 13. -Slip Away 14. -Letter From Home 15. -Beat 70 16. -Band Introductions 17. -Minuano (six-eight) Pat Metheny - Guitars Lyle Mays - Keyboards Steve Rodby - Bass Paul Wertico - Drums Pedro Aznar - Voice, Guitar, percussion Armando Marcal - Percussion
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Audience 9.4 - Almost sounds like a radio broadcast, and you’d be forgiven for insisting it is such, but to me it sounds like a good transfer from vinyl of a great audience recording, with some artifacts occasionally (like momentary drop-outs). The track listing on the cover differs slightly from the disc tracking but whatever was recorded by this source is present and accounted for. Other sources exist, and are inferior, so no patching was done to fill out anything missing. Seems like a complete show, maybe one song missing?
Roger Waters Madison Square Garden New York City, New York 1987-08-26 Disc 1 1. -Introduction - Radio Waves 2. -Welcome To The Machine 3. -Who Needs Information 4. -Money 5. -Professional Bimbo School 6. -Have A Cigar 7. -Pigs (Three Different Ones) 8. -Wish You Were Here 9. -Mother 10. -Molly's Song 11. -Me Or Him 12. -Powers That Be 13. -Shredding Alternative 14. -Going To Live In L.A. Disc 2 1. -Sunset Strip 2. -Fish Report With A Beat 3. -Arnold Layne 4. -If 5. -5:06 AM (Every Strangers Eyes) 6. -Not Now John 7. -Another Brick In The Wall – part 1 8. -Another Brick In The Wall – part 2 9. -Nobody Home 10. -Home 11. -Four Minutes 12. -The Tide Is Turning 13. -Breathe 14. -Brain Damage 15. -Eclipse
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FM Broadcast 9.7 - A stellar sound with this over the air broadcast, no signal degradation, no interference, no compression, just smooth jazz sailing all the way.
Pat Metheny Group Festival International de Jazz De Montréal McGill College Ave. Montréal, Quebec, Canada July 4, 1989 CHOM-FM Broadcast Disc 1 01 Phase Dance 8:06 02 Have You Heard 6:08 03 Every Summer Night 6:57 04 Change Of Heart 7:20 05 Better Days Ahead 5:02 06 Last Train Home 5:11 07 First Circle 8:42 08 Scrap Metal 7:04 09 Slip Away 4:53 10 If I Could 6:19 Disc 2 01 Spring Ain't Here 6:44 02 Straight On Red 8:46 03 Are You Going With Me 8:53 04 The Fields, The Sky 4:17 05 Are We There Yet 9:33 06 (It's Just) Talk 8:15 07 Letter From Home 2:18 08 Beat 70 4:47 09 Minuano (Six-Eight) 9:08 10 Third Wind 9:04 Pat Metheny - Electric & Acoustic Guitars, Electric Sitar, Guitar Synth Lyle Mays - Piano, Keyboards Steve Rodby - Acoustic & Electric Basses Paul Wertico - Drums, Percussion Armando Marçal - Percussion Pedro Aznar - Voice, Miscellaneous Instruments
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Telluride 1978 FM Broadcast 9.2 - A little hit and miss on the live mix, where sometimes I don’t get some of the background instruments associated with the synth or whatever is happening back there…but I could be wrong about that, I mean it is rather subjective whether I am hearing the mix as the band intended or if I need something personally – no matter, because this is lovely and warm, with just enough audience sound to give you a better representation of the liveness of the recorded gig. I need that, personally, otherwise you might as well just listen to the albums!
Boston 1978 FM Broadcast 9.7 - A very well preserved recording that features soaring instrumentation in crystal clear quality – highs are sweet and distinct and bass is warm and round. The mid tones are sublime, and your high-end system will love reproducing this recording!
Pat Metheny Group Telluride & Boston 78 Disc 1 Telluride Jazz Festival Telluride, Colorado August 28, 1978 01. -radio announcer introduction 02. -interview with Pat Metheny 03. -stage introduction - Phase Dance 04. -Unity Village (solo guitar improvisation) - The Windup 05. -The Epic 06. -San Lorenzo 07. -band introductions - Jaco 08. -American Garage 09. -radio announcer closing comments Bottom Line New York City NY September 26th 1978 10. -Lone Jack Disc 2 Paradise Boston, MA October 2nd & 3rd 1978 1 -WCOZ Intro 2 -Phase Dance 3 -April Joy 4 -Unity Village 5 -Solo 6 -The Windup 7 -Wrong Is Right 8 -Jaco 9 -Lakes 10 San Lorenzo 11 -Lone Jack 12 -Thank You Goodnight Pat Metheny: 6 and 12 string guitars Lyle Mays: piano, synthesizers, autoharp Mark Egan: bass Dan Gottlieb: drums
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FM Broadcast 9.3 - This recording is a little hot, it’s slightly overloaded mainly in the upper mid to high band to the point of slight sizzle on the cymbals…but because it’s so clean overall, with good mid and low end, that seems to be mitigated as the ears adjust. So, it’s great, yes a fine FM broadcast, but in the pantheon of FM broadcasts maybe the engineer got a little excited…OR maybe it’s not the case but more a situation where, when taping from a radio source, you sometimes get artifacts (might be static interference, might be signal compression, might be a whole range of things) and here you have some in the form of slightly overloaded high end. Don’t let it dissuade you though…it’s still great stuff.
Marillion The Chance Poughkeepsie, NY. 02.10.1987 Disc 1 01 The Thieving Magpie (La Gazza Ladra) 02 Slàinte Mhath 03 Assassing 04 White Russian 05 Incubus 06 Sugar Mice 07 Fugazi 08 Hotel Hobbies 09 Warm Wet Circles 10 That Time Of The Night (The Short Straw) Disc 2 11 Misplaced Childhood (Part 1) 12 radio 13 The Last Straw 14 Incommunicado 15 radio 16 Garden Party 17 Market Square Heroes (incl. “My Generation” and “Let´s Twist Again”) 18 radio
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Radio Broadcast 9.5 - Sparkling! This is THE one to have in my opinion – the sound is really good and very vibrant. One can truly appreciate what made this band so special, despite their lack of commercial success (as it that is a measure of talent anyway).Spooky Tooth Neue Welt Berlin, Germany October 22, 1970 01 Something To Say 5:48 02 I Am The Walrus 6:52 03 The Wrong Time 4:35 04 I Wanna Be Free 3:21 05 Son Of Your Father 5:01 06 Better By You, Better Than Me 4:23 07 Leave The Kids Alone 5:22 08 Soulful Lady 9:18 Mike Harrison - keyboards, vocals Luther Grosvenor - guitar John Hawken - keyboards, vocals Steve Thompson - bass Mike Kellie - drums
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Audience 8.8 - A tape that had the bones of a great recording but was buried under prevalent hiss and overall dullness…until now. A marvelous re-mastering has been done on this long forgotten old tape and it is now a little jewel for the collectors. A lot of good stuff lies herein.Jethro Tull Victoria Hall Staffordshire, England (Stoke On Trent) March 3, 1972 Disc 1 01. -Thick As A Brick Disc 2 02. -Cross-Eyed Mary
03. -A New Day Yesterday 04. -Aqualung 05. -Wind-Up 06. -Guitar Solo 07. -Locomotive Breath 08. -Hard-Headed English General 09. -Wind-Up (reprise) -
Audience 8.8 - Previously available as a single track, Watcher Of The Skies was merely a taste of a tantalizing recording that has now been painstakingly restored from the original master cassette and it reveals much more than collectors could have imagined. A really good tape it is, with a nice intimate clarity (relative to the overall mix) of vocals, and a satisfying “thwack” of the drums…I found myself mesmerized by this show and especially a sparkling rendition of “Supper’s Ready”.Genesis Great Hall, York University York, England, UK February 21st, 1973 01 -Watcher of the Skies 02 -The Musical Box 03 -Get 'Em Out By Friday 04 -Supper's Ready 05 -The Return Of The Giant Hogweed 06 -The Knife
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Soundboard 9.4 - First of all, this is a guitar fest, and definitely seems a harder rockin’ affair than what one might expect…notwithstanding the more acoustic songs…those seem to rock too! I suppose that is what happens when you have guys like Mick Taylor and Ian MacLagen in the band!Bob Dylan St James' Park Newcastle, UK 5th July 1984 Disc 1 1. Intro 2. Highway 61 Revisited 3. Jokerman 4. All Along the Watchtower 5. Just Like a Woman 6. Maggie's Farm 7. I and I 8. License to Kill 9. I've Got To Use My Imagination 10. A Hard Rain's A-Gonna Fall 11. Tangled Up in Blue 12. It's Alright, Ma (I'm Only Bleeding) 13. Simple Twist of Fate 14. Masters of War 15. Ballad of a Thin Man Disc 2 1. Enough Is Enough 2. Every Grain of Sand 3. Like a Rolling Stone 4. Mr. Tambourine Man 5. Girl From the North Country 6. It Ain't Me, Babe 7. Leopard-Skin Pill-Box Hat (with Carlos Santana) 8. Tombstone Blues (with Carlos Santana) 9. Blowin' in the Wind (with Carlos Santana) 10. Knockin' on Heaven's Door (with Carlos Santana) 11. The Times They Are A-Changin' (with Carlos Santana) Bob Dylan - guitral, vocal Mick Taylor - guitar Ian MacLagan - keyboards Gregg Sutton - bass Colin Allen - drums
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Audience 9.2 - I rate this one highly because it has a unique quality to it. First though, it’s a good recording, but interestingly it gives a clear and powerful representation to the often overlooked and seldom FELT kick drum. This instrument is kind of crucial to the sound of a heavy metal band, especially one whose primary power source is closer to the bottom end of the sound spectrum. So, a nicely defined and powerful kick drum propels this show in ways others do not. Highly recommended!Black Sabbath Nippon Seinen Kan Shinjuku-Ku Tokyo, Japan 11-17-1980 Disc 1 1. -Opening - Supertzar 2. -War Pigs 3. -Neon Knights 4. -N.I.B. 5. -Children Of The Sea 6. -Sweet Leaf 7. -Drum Solo 8. -Sweet Leaf 9. -Lady Evil 10.-Black Sabbath Disc 2 11. -Heaven And Hell 12. -Iron Man 13. -Instrumental 14. -Guitar Solo 15. -Instrumental 16. -Guitar Solo 17. -Instrumental 18. -Orchid 19. -Die Young 20. -Paranoid 21. -SE - Announcement Tony Iommi - Guitars Ronnie James Dio - Vocals Geezer Butler - Bass Vinny Appice - Drums Geoff Nicholls - Keyboards
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Audience 9.6 - Both shows in this set are phenomenal. I love the close, very intimate feel of the venues and the capture being so good for both shows…a joy to listen to this! Jaco Pastorius 55 Grand New York City, NY June 19, 1983 Disc 1 01 Intro - Amerika 02 Dania 03 Soul Intro - The Chicken 04 Bass Solo 05 New Reggae - I Shot The Sheriff 06 Drum Solo 07 Beaver Patrol Disc 2 08 Promised Land 09 Dania (Reprise) 10 Continuum 11 Funky Broadway Jam 12 Donna Lee 13 Bass Solo 14 Teen Town 15 Fannie Mae Jaco Pastorius: bs Kenwood Dennard: dr Don Alias: perc Delmar Brown: kbd, voc Ron Tooley: tp Alex Foster: as, ss, ts Mike Stern: gtr Disc 3 Pier 84 New York City, NY July 29, 1983 01 Dania (False Start) 02 Dania 03 Bass Improv 04 Soul Intro - The Chicken 06 New Reggae 07 Teen Town 08 Sophisticated Lady 09 Fannie Mae Delmar Brown: keyboards, vcls Mike Stern: guitar Jaco Pastorius: bass Don Alias: percussion Kenwood Dennard: drums Ron Tooley: trumpet Alex Foster: tenor sax, soprano clarinet Toots Thielemans: harmonica featured on tracks 8 and 9 -
Audience 9.0 - A really fine attempt to capture a loud metal band in a small club. Thankfully it seems the taper came prepared, he found his spot and delivers a stable recording of the entire show. Fates Warning Webster Theater Hartford, CT November 22, 2013 Disc 1 01 Ozzy Intro 3:35 02 The Second Intro 3:16 03 One Thousand Fires 8:00 04 Life in Still Water 5:09 05 One 4:15 06 A Pleasant Shade of Gray, Part III 4:18 07 Another Perfect Day 4:21 08 Down to the Wire 4:23 09 A Pleasant Shade of Gray, Part VI 4:15 10 Pieces of Me 3:59 Disc 2 11 I Am 5:27 12 The Eleventh Hour 8:06 13 Point of View 4:59 14 Firefly 5:41 15 Wish 4:17 16 A Pleasant Shade of Gray, Part XI 3:55 17 Through Different Eyes 4:10 18 Monument 6:12 19 Encore Break 1:56 20 Still Remains 13:25 21 Outro 0:25 Total 1:44:04 Band Ray Alder - Vocals Jim Matheos - Guitar Mike Abdow - Guitar Joey Vera - Bass Guitar Bobby Jarzombek - Drums -
Soundboard 9.4 - A newly remastered version of the matinee soundboard show in all it’s glory restored – with bonus material from Seattle, this is well worth re-examining because I found it to be a really pro job, and you don’t have to suffer through the inferior audience tape thrown in because quite honestly there would be no point at all. George Harrison Live In Los Angeles 1974 (matinee) Los Angeles Forum 12.11.1974 Disc 1 01 -Hari's On Tour (Express) 02 -While My Guitar Gently Weeps 03 -Something 04 -Will It Go Round In Circles 05 -Sue Me Sue You Blues 06 -Zoom, Zoom, Zoom 07 -Naderdani 08 -Cheparte 09 -I Am Missing You 10 -Dispute And Violence 11 -For You Blue 12 -Band Introductions 13 -Give Me Love (Give Me Peace On Earth) 14 -In My Life 15 -Tom Cat 16 -Maya Love Disc 2 Center Coliseum Seattle. Washington 4th November 1974 (matinee) 01 -Nothing For Nothing 02 -Dark Horse 03 -Outa Space Billy 04 -What Is Life 05 -My Sweet Lord