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Soundboard 8.7 - This is the kind of soundboard that was probably meant just for soundman audio reference. It’s fine though, and generally speaking, way better than any audience tape because Metallica, especially in 1986 (I know because I saw them in ’86 and it was the loudest concert I’d ever heard) was so loud there wasn’t any way to get a good capture unless you had excellent gear with mic level adjustment. Metallica - Metal, Inc. Live @ The Coliseum, El Paso TX May 12, 1986 1. Master Of Puppets 2. For Whom The Bell Tolls 3. Ride The Lightning 4. Welcome Home (Sanitarium) 5. Seek And Destroy 6. Creeping Death 7. Am I Evil? 8. Damage, Inc.
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Soundboard 9.1 - This is a strong, powerful sounding board with a pretty decent sound mix, although not super clear, but not a muddy mess…somewhere in between the two but leans toward being mostly clear. Metallica Live in Davenport, IA - DEAD HEROES May 30, 1986 Coliseum Ballroom Damage, Inc. Tour 1. Master Of Puppets 2. For Whom The Bell Tolls 3. Welcome Home (Sanitarium) 4. The Thing That Should Not Be 5. Cliff Burton Bass Solo 6. Damage, Inc. 7. Seek & Destroy 8. Creeping Death 9. Am I Evil? 10. Whiplash 11. The Four Horsemen 12. Motorbreath
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Audience 8.8 - A good, bright recording that features rich bass, and strong vocals in particular. This allows you to hear the musicianship which believe it or not, these guys have! I also appreciate their nods to the classics. W.A.S.P. Elysee Montmartre Paris, France October 28, 1992 Disc 1 01 The Invisible Boy 02 The Real Me 03 L.O.V.E. Machine 04 Chainsaw Charlie (Murders in the New Morgue) 05 Wild Child 06 The Idol 07 The Headless Children 08 The Great Misconceptions of Me Disc 2 09 Hellion 10 On Your Knees 11 I Don't Need No Doctor 12 I Wanna Be Somebody 13 Blind in Texas
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Audience 8.8 - I was surprised at just how good this sounded. The first half of the first song you wonder how it will be, and you fear it might wobble because taper is adjusting things on the fly but it gets sorted and wow, I have to give props to taper on this one! He sounds maybe halfway back in the venue, so not close up, but he’s using either high end consumer gear or maybe something more professional to be able to lock in his levels and get a really good timbre. Jethro Tull Hulman Center Terre Haute, IN 1975-10-17 Disc 1 01. -Audience Announcement 02. -Thick As A Brick 03. -Minstrel In The Gallery 04. -Wond'ring Aloud 05. -To Cry You A Song (with Flute Solo) 06. -A New Day Yesterday 07. -Skating Away On The Thin Ice Of The New Day 08. -Ladies (with Drum Solo) Disc 2 09. -War Child 10. -War Child Suite - Quartet 11. -Cross-Eyed Mary 12. -Bungle In The Jungle 13. -The Story Of The Hare Who Lost His Spectacles 14. -Aqualung 15. -Wind-Up 16. -Back-Door Angels 17. -Locomotive Breath 18. -Hard-Headed English General 19. -Back-Door Angels (reprise)
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Audience 9.3 - Super tight, clean recording from real close. Obviously a taper who knew what to do, and did it. Excellent! King Gizzard and the Lizard Wizard Coachella Valley Music and Arts Festival - Weekend 1 Outdoor Theatre Indio, CA 2022-04-15 01. -Intro 02. -Rattlesnake 03. -Honey 04. -Self Immolate 05. -Venusian 2 06. -Mars For The Rich 07. -Gaia 08. -Gamma Knife
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Audience 9.2 - Good location, excellent equipment, focus, and a good PA system in the venue means only one thing – an excellent audience tape. This is really well done. Stanley Clarke Greek Theatre Los Angeles, CA September 11, 1979 01 Beyond The 7th Galaxy 02 Rock 'N' Roll Jelly 03 Silly Putty 04 Goodbye Pork Pie Hat (Charles Mingus) 05 Band intro 06 School Days 07 I Wanna Play For You 08 Confirmation (Charlie Parker) 09 Lopsy Lu 10 Life Is Just A Game 11 Hot Fun Stanley Clarke - electric & acoustic basses Steve Bach - keyboards Charles "Icarus" Johnson - guitars Simon Phillips - drums Alfred Williams - saxophones Al Harrison - trumpet Al Binkley - trumpet Dale Devoe - trombone
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Soundboard 9.2 - Loud and right in the pocket! A rocket in the pocket that is… oh yeah Let’s Go! The RAMONES Utica, NY 4 Acres 1977-11-14 01 -Rockaway Beach 02 -Teenage Lobotomy 03 -Blitzkrieg Bop 04 -I Remember You 05 -Glad To See You Go 06 -Gimme Gimme Shock Treatment 07 -You're Gonna Kill That Girl 08 -53rd & 3rd 09 -Sheena Is A Punk Rocker 10 -I Can't Give You Anything 11 -Let's Dance 12 -Here Today Gone Tomorrow 13 -Surfin' Bird 14 -Cretin Hop 15 -Listen To My Heart 16 -California Sun 17 -I Don't Wanna Walk Around With You 18 -Pinhead
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Radio Broadcast 9.3 - Everything on this disc (includes some bonus material) is fantastic and well worth exploring. Arc Angels Paradise Theater Boston, MA December 16, 1992 Disc 1 01. -Paradise Cafe 02. -Dimples 03. -Carry Me On 04. -The Famous Jane 05. -Good Time 06. -Spanish Moon 07. -Sent By Angels 08. -Always Believed In You 09. -Sweet Nadine 10. -Angel 11. -Shape I'm In Disc 2 12. -Living In A Dream 13. -encore break 14. -band introductions 15. -Looking Back 16. -Too Many Ways To Fall 17. -Too Many Ways To Fall (David Letterman Show - 1993-01-06) Pittsburgh, PA. December 8, 1992 18. -Paradise Cafe 19. -Dimples 20. -Always Believed In You 21. -Angel 22. -Living In A Dream 23. -Too Many Ways To Fall Doyle Bramhall II: guitar, vocals Charlie Sexton: guitar, vocals Tommy Shannon: bass Chris Layton: drums
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Audience 8.8 - A very satisfying recording, with a great snare drum sound and I highlight that because it is often overlooked. Dio sounds clear and if I fault anything it’s maybe Toni’s guitar which is just slightly behind the overall sound coming from the mains but still it’s really not too bad and the solos really come across clearly. It’s a fine live sound all around and is comfortable on the ears. Black Sabbath 1981-01-20 Hammersmith Odeon London, UK Disc 1 101 Supertzar 102 War Pigs 103 Neon Knights 104 N.I.B. 105 Children Of The Sea 106 Sweet Leaf 107 Drums Solo 108 Sweet Leaf (Reprise) 109 Lady Evil 110 Black Sabbath Disc 2 201 Heaven And Hell 202 Iron Man 203 Guitar Solo 204 Die Young 205 Paranoid - Heaven And Hell (Reprise) 206 Children Of The Grave
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Fillmore East 1969 Audience 8.4 - A bit of hiss is present, the music is not crystal clear until the guitar kicks in and then it comes alive. I’ll tell you what listening to this did for me: I started to understand why hippies tripped balls to Canned Heat, there is a very weird acid vibe going on, things get distorted and intense, and extremely psychedelic in a blues based presentation that is really kind of crazy. Maybe it was due to the band blowing up amplifiers, I don’t know but it’s intoxicating and you can’t stop listening to it, maybe it’s just this show, this weird recording that seems to do weird things…on purpose? You decide. Atlanta Pop Festival 1969 Audience 8.8 - A very interesting sounding old tape, with lead guitar and vocals quite present as if taper was real close but no distortion (although some tape hiss). The performance is bristling with acid blues rock electricity. It’s just palpable, I get these guys I really understand what the magic was. Canned Heat Fillmore East New York, New York, U.S.A. 02-07-1969 Disc 1 01 - Ain't That Lovin' You Baby 02 - Bullfrog Blues 03 - Sugar Mama - Bass solo 04 - Killin' Floor 05 - On The Road Again 06 - Bear Talking 07 - The Boogie Disc 2 1st Annual Atlanta Pop Festival Atlanta International Raceway Fulton County, GA July 4, 1969 01 -Going Up the Country 02 -Bring It on Home 03 -Number Nine Train 04 -When You're Twenty-Six 05 -Fried Hockey Boogie Line-up: Bob The Bear Hite - vocals, harp Alan Wilson - guitar, harp, vocals Henry Vestine - guitar Larry Taylor - bass Adolfo Fito de la Parra - drums
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All Soundboard 9.3 - This entirely depends on how much you want to hear blazing, inventive lead guitar and don’t mind if the bass sounds more like a rhythm guitar, That is what the bass sounds like to my ears, it’s there, but it’s not “low end” it’s more like a heavy rhythm guitar. It works for this style of rock though – and it’s all good stuff, if maybe a tad generic with the singing. BADLANDS Lost In The Shadows Disc 1 Richfield Coliseum Cleveland, Ohio 1989-09-23 1. -HARD DRIVER 2. -BALL & CHAIN 3. -DEVIL'S STOMP 4. -DREAMS IN THE DARK 5. -WINTER'S CALL 6. -Guitar Solo 7. -HIGHWIRE Palace Of Auburn Hills Detroit, Michigan 1989-09-22 8. -HARD DRIVER 9. -BALL & CHAIN 10. -DEVIL'S STOMP 11. -DREAMS IN THE DARK 12. -WINTER'S CALL 13. -Guitar Solo 14. -HIGHWIRE Disc 2 Hara Arena Dayton, Ohio 1989-08-30 1. -HARD DRIVER 2. -BALL & CHAIN 3. -WINTER'S CALL 4. -DANCING ON THE EDGE 5. -STREETS CRY FREEDOM 6. -JADE'S SONG - DREAMS IN THE DARK 7. -DEVIL'S STOMP 8. -Guitar Solo State Fairgrounds Du Quion, Illinois 1989-09-01 9. -HARD DRIVER 10. -BALL & CHAIN 11. -WINTER'S CALL 12. -DREAMS IN THE DARK 13. -DEVIL'S STOMP 14. -Guitar Solo 15. -HIGHWIRE
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Studio Quality 9.4 As expected, these are from studios sessions and having been remastered (to freshen the old tapes up), it sounds quite good. The material sounds a bit dated though, I mean I know it is Bowie but it’s probably not his best stuff in my opinion…some people like it though. David Bowie - Sigma Sound 1974 1. Young Americans [first take] 0:20. An incomplete version with no vocal. 2. Young Americans [second take] 2:57. An incomplete version which ends with David laughing after singing “President Nixon.” 3. Young Americans [third take] 5:40. A complete version with slight lyrical differences to the finished version. 4. Shilling The Rubes 5:09. Complete version. Towards the end of the song David says, “That’s going to be very nice when it’s got its hat on!” 5. I’m A Laser (The Gouster) 6:09. Complete version. 6. After Today 4:42. Complete version but played at a much faster tempo than the version released by Ryko in 1989. 7. Sweet Thing 4:43 (Ava Cherry on lead vocals). All tracks recorded on 13 Aug 1974 except track 7 which was recorded on 9 Jul 1974.
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Audience 8.5 - A somewhat roughed up old tape with some hiss, and audience members who appear on the tape in their excitement (not too bad) but the music is here man, it’s relatively close to the stage and guitar seemed to be a little back behind the rest except when he used the talk box and it was front and center… very strange! Bass is sitting nicely in the mix (not a boomy sound, pretty defined). I enjoyed listening, especially because Joe was really good, he kept me engaged with this one. I found the audience near taper to be interesting and I enjoyed hearing them on the tape believe it or not. It is a real time capsule! So, all in all, I do recommend to fans because how much Joe/Barnstorm is out there anyway? Joe Walsh & Barnstorm Wollman's Rink Central Park, New York, NY August 11, 1973 01 Meadows 02 Midnight Moodies 03 Tend My Garden - Drums 04 Rocky Mountain Way 05 The Bomber 06 Turn to Stone 07 Funk #49 Band line-up Joe Walsh - lead guitar, lead vocals Kenny Passarelli - bass guitar, backing vocals Joe Vitale - drums, percussion, flute, backing vocals Rocke Grace - keyboards (died July 23, 2020) (aged 68)
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Audience 8.7 - So let me put it this way – the recording is not perfect, but is near perfect for someone who needs to try and understand what makes Iron Maiden special. This captures a night, just another night (in fact this was a stand of shows at the Radio City Music Hall) on a long, never ending tour for the band but they play as if it was their last show. It’s amazing how night after night, town after town, tour after tour, Iron Maiden never gives a bad performance. I love this capture even though it suffers a few bumps and bruises, because it’s in the trenches from the hardcore fans perspective, it’s as if the taper is working as hard to capture the gig as the band is in delivering it. I LOVE it, and once I started playing this, I could not stop. I think you’ll love it too. Iron Maiden World Slavery Tour - The Seven Dates Of Hell Radio City Music Hall NYC, New York January 18, 1985 Disc 1 01. Intro 02. Aces High 03. 2 Minutes To Midnight 04. The Trooper 05. Revelations 06. Wrathchild 07. Flight Of Icarus 08. Rime Of The Ancient Mariner 09. Powerslave Disc 2 10. Guitar Solo 11. The Number Of The Beast 12. Hallowed Be Thy Name 13. Iron Maiden 14. Encore Break #1 15. Run To The Hills 16. Running Free 17. Encore Break #2 18. Sanctuary 19. WNEW FM New York interview with Nico Jan. 22
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Audience 9.5 - Holy Moly this is RED HOT! The recording is right in your face but not distorted at all. It’s amazing how close this sounds, its super clear too. The only knock I have is that the bottom end is not as beefy as I would prefer. I really wanted more low end punch but if that is the only knock, then you probably should explore this one because not only is it great audio-wise but the playing is off the charts, and I mean seriously Jeff Beck and Stanley Clarke are at the absolute peak of Mount Everest here. JEFF BECK/STANLEY CLARKE BAND Live at Les Arenes de Fréjus Fréjus, France 10. July 1979 Disc 1 1. -Darkness - Earth In Search Of A Sun 2. -Star Cycle 3. -Blue Wind 4. -Journey To Love 5. -Freeway Jam 6. -Goodbye Pork Pie Hat Disc 2 7. -School Days - Jamaican Boy - School Days 8. -Diamond Dust 9. -Loopsy Lu - Scatterbrain 10. -Rock 'N Roll Jelly 11. -'Cause We've Ended As Lovers 12. -Superstition Jeff Beck: el.-guitar Stanley Clarke: el.-bass Tony Hymas: keyboards Simon Phillips: drums
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SDBRD 9.5 - Expertly recorded and of course this show is pure gold if you enjoy genuine American blues because the guys on stage are THE BLUES personified. Incredible performance, amazing quality! Muddy Waters and his band with Johnny Winter Live at the Tower Theater Philadelphia, Pa. March 6, 1977 Disc 1 1. -Hideway 2. -Cotton Gin 3. -Last Night 4. -See See Baby 5. -Rocket 6. -How Long 7. -Slow Blues 8. -Done Got Over it 9. -Crosscut Saw 10. -Talk to Your Daughter 11. -Band Intros Disc 2 1. -Muddy Intro 2. -Hoochie Coochie Man 3. -Blow Wind Blow 4. -Walkin' Through the Park 5. -Deep Down in Florida 6. -Blues Had a Baby 7. -I Can't Be Satisfied 8. -Trouble No More 9. -Howlin' Wolf 10. -Mannish Boy 11. -Got My Mojo Workin' 12. -Oh Baby Muddy Waters Johnny Winter Pinetop Perkins Willie Smith James Cotton Charles Calmese Bob Margolin