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Audience 9.5 - Why such a high rating? Because this sounds as if you are standing right in front of the stage, on Brian May’s side, and there’s no distortion. Amazing. You are there, it’s a feast for the ears…it’s ear candy…have some! -
Audience 7.6 -
Audience 9.6 - Very atmospheric and warm, presents a very realistic impression of the sound you would have heard had you been there. -
SDBRD 9.4 - I actually believe this recording probably sounds a lot better than what the people at the show were hearing. I say that because these huge outdoor concerts did not always have the pinnacle of clear sound mixes, and ear-bleeding volume does not always mean it sounds good it just means it sounds stupid loud. I’d rather have a good sounding recording rather than the damaged hearing. -
Audience 7.2 - I would have preferred the guitar higher in the mix, so what happens is before the band starts playing, the audio sounds perfect, then when they start, the levels change and sound, for whatever reason, sounds weak, or it is the mix. It’s weird, because the drums sound fine, the bass is present, and then vocals but where is the keyboard and guitar? They are there, you can hear them, but they are too far back. -
Pro Radio 9.3 -
Audience 7.9 - A little remastering helped this old recording immensely! Now it is worth a listen, even if it is not the brightest of hi-fi jobs…but it’s a document and a good one. -
Pro Radio Broadcast 9.1 -
Audience 8.8 - Looking for a good quality Plasmatics recording? Right here it is. Get it! -
Audience 8.4 -
Audience 7.7 - A rain shortened show, recorded from what sounds like around the middle of the stadium. So, it’s a little distant, a little muddled, not that great but you do get to hear everything on the stage. When I say muddled I do not mean it is muddy or murky necessarily, just that the sound is not that clear. I think collectors will want this because it is unusual, that the show was stopped for rain – although they did play more, just did not play for as long as they usually did. -
Audience 8.6 - A strong performance with an especially creepy CWTAE, and the tape showcases all of it clearly, and with power. Very slight bit of breaking up at the most extreme volume but it hangs together, and the quieter parts are sublime with a very clear organ/keys which is nice. A good one! -
Audience 7.9 - A little more cluttered than the Copenhagen show, still this remaster reveals much more to the ear than anything that surfaced in the past. Another absolutely crucial tape recording that cements the bona fide legend that was Syd Barrett. -
Audience 8.2 - As good as one could hope for, this recording being about as important and critical to the legend that is Pink Floyd as anything they did after Syd. Actually, everything is pretty clear here, and surprisingly you have Syd Barrett actually performing rather well at this gig. A MUST have. -
Audience 9.1 - Legendary is all I can say. A beautiful recording that captures the vibe of the day, and every note of the gig as the sound wafted gently through the air into the superior quality tape deck that was used for this capture. Get it! -
Audience 7.5