Audience 8.5 - A somewhat roughed up old tape with some hiss, and audience members who appear on the tape in their excitement (not too bad) but the music is here man, it’s relatively close to the stage and guitar seemed to be a little back behind the rest except when he used the talk box and it was front and center… very strange! Bass is sitting nicely in the mix (not a boomy sound, pretty defined). I enjoyed listening, especially because Joe was really good, he kept me engaged with this one. I found the audience near taper to be interesting and I enjoyed hearing them on the tape believe it or not. It is a real time capsule! So, all in all, I do recommend to fans because how much Joe/Barnstorm is out there anyway? Joe Walsh & Barnstorm Wollman's Rink Central Park, New York, NY August 11, 1973 01 Meadows 02 Midnight Moodies 03 Tend My Garden - Drums 04 Rocky Mountain Way 05 The Bomber 06 Turn to Stone 07 Funk #49 Band line-up Joe Walsh - lead guitar, lead vocals Kenny Passarelli - bass guitar, backing vocals Joe Vitale - drums, percussion, flute, backing vocals Rocke Grace - keyboards (died July 23, 2020) (aged 68)  

Audience 8.7 - So let me put it this way – the recording is not perfect, but is near perfect for someone who needs to try and understand what makes Iron Maiden special. This captures a night, just another night (in fact this was a stand of shows at the Radio City Music Hall) on a long, never ending tour for the band but they play as if it was their last show. It’s amazing how night after night, town after town, tour after tour, Iron Maiden never gives a bad performance. I love this capture even though it suffers a few bumps and bruises, because it’s in the trenches from the hardcore fans perspective, it’s as if the taper is working as hard to capture the gig as the band is in delivering it. I LOVE it, and once I started playing this, I could not stop. I think you’ll love it too. Iron Maiden World Slavery Tour - The Seven Dates Of Hell Radio City Music Hall NYC, New York January 18, 1985 Disc 1 01. Intro 02. Aces High 03. 2 Minutes To Midnight 04. The Trooper 05. Revelations 06. Wrathchild 07. Flight Of Icarus 08. Rime Of The Ancient Mariner 09. Powerslave Disc 2 10. Guitar Solo 11. The Number Of The Beast 12. Hallowed Be Thy Name 13. Iron Maiden 14. Encore Break #1 15. Run To The Hills 16. Running Free 17. Encore Break #2 18. Sanctuary 19. WNEW FM New York interview with Nico Jan. 22  

Audience 9.0 - A very good recording, maybe a little “soft” but that is the house I think, bass is the predominant player, guitar is not as far up in the mix as one would prefer but it’s decent and all notes are audible. The drums are nice here, and the atmosphere is not pronounced but is present to some degree. It has the sense of just being a smaller venue, which it is, and so you sense that as you listen. Good players are joined up with Lenny, guys with plenty of jazz pedigree. Lenny White Golden Bear Huntington Beach, CA April 2, 1978 Early and Late Sets Disc 1 (Early Set) 01 Prelude: Theme For Astral Pirates (incl. intro) 02 Pursuit 03 talk / band intros 04 Mandarin Warlords 05 intros 06 And We Meet Again 07 Big City 08 Sweet Dreamer 09 Mating Drive Disc 2 (Late Set) 01 Intro, tuning, warmup 02 Chicken Fried Steak 03 talk / band intros 04 Universal Love 05 talk 06 Sunset Burgundy 07 talk 08 Theme For Astral Pirates (incl. Revival, Climax) 09 Assault 10 Sorceress Lenny White - drums, percussion Marcus Miller - bass Don Blackman - keyboards, vocals Jamie Glazer - guitar Nick Moroch - guitar  

Tilburg 2008 Audience 9.3 Taper right in the sweet spot with good gear means you will absolutely love this recording. Bold and striking, the guitar is distinct, vocals perfect, and everything else forming a backdrop without being lost. Wowsers! Tilburg 2009 Audience 9.5 This ladies and gentlemen is the proper way in which to capture a live recording. Now, the fact that it is a progressive rock band with multiple sonic textures and loads of dynamics means you have to work a little harder to make sure you a. set up in a good spot, b. use professional gear and c. know how to use the gear.  This, if done correctly, is the result. A SPECTACULAR RECORDING which is a must have even if you don’t know who Mars Volta is, and if that is the case, why not start here?  Stunning. The Mars Volta 2008-03-06 013 Tilburg The Netherlands Disc 1 01. -A Fistful of Dollars [01:44] 02. -Roulette Dares (The haunt of) [18:00] 03. -Viscera Eyes [09:20] 04. -Wax Simulacra [03:52] 05. -Goliath [12:44] 06. -Ouroborous [16:53] Disc 2 07. -Tetragrammaton [17:07] 08. -Agadez [15:14] 09. -Cygnus ... Vismund Cygnus [30:28] 10. -Aberinkula [05:42] Disc 3 11. -Drunkship of Lanterns [18:58] 12. -Asilos Magdalena [06:46] 13. -Miranda That Ghost Just Isn't Holy Anymore [06:04] 14. -Day of the Baphomets [14:07] Disc 4 2009-12-07 013 Tilburg The Netherlands 01. -A Fistful of Dollars [02:10] 02. -Son et Lumiere & Inertiatic ESP [05:51] 03. -Cotopaxi [04:44] 04. -L'Via L'Viaquez [09:59] 05. -Goliath [07:53] 06. -Mexican flu speech [01:12] 07. -Eriatarka [15:05] 08. -Since We'Ve Been Wrong [05:55] 09. -Cicatriz ESP [23:47] Disc 5 10. -Halo of Nembutals [05:38] 11. -Miranda [05:11] 12. -Teflon [05:43] 13. -Viscera Eyes [08:09] 14. -Bass solo [02:20] 15. -The Widow [4:00] 16. -Roulette Dares (The haunt of) [10:27]  

Pro SDBRD 9.5 - Recorded for broadcast this uses two different sources of the broadcast but you don’t really notice the transition. What you will notice is how amazing this is, and what makes it really cool is how much Peter addresses the audience. It’s an intimate feeling gig, everyone is so dialed in to what is happening in the room with Peter…imagine, no cell phones, no distracted idiots, just genuine love and appreciation for the performer and his craft. I miss that. Peter Gabriel The Roxy Los Angeles, California April 10, 1977 Early show Disc 1 1 -Here Comes The Flood 2 -On The Air 3 -Moribund The Burgermeister 4 -DJ Comments 5 -Waiting For The Big One 6 -Good Evening Roxy 7 -A Song Without Words 8 -DJ comments 9 -Excuse Me 10 -Solsbury Hill 11 -PG banter 12 -Ain't That Peculiar 13 -PG banter 14 -Humdrum Disc 2 1 -Story of Prunes and Prisms Mating Time 2 -Slowburn 3 -All Day and All Of The Night 4 -Here Comes The Flood 5 -Modern Love 6 -Band introductions 7 -Down The Dolce Vita 8 -Encore break - DJ comments 9 -Back in NYC 10 -Applause 11 -DJ outro

Audience 9.3 - This is the result of tapers who CARE about what they are doing to the point of using the best gear, for starters, seating in the best location, and using the utmost care to successfully capture the event…then having the prescience to preserve the result for future generations to enjoy. This is AWESOME in every way. Fuck man, if you can’t appreciate this recording, and this artist, just do us all a favor and find some other thing because music ain’t  it for you. Yes that is harsh, but you’ll understand once you’ve listened to this. Peter Gabriel The Roxy West Hollywood, CA April 10, 1977 Late Show Disc 1 01 -Here Comes The Flood 02 -On The Air 03 -Moribund The Burgermeister 04 -Waiting For The Big One 05 -A Song Without Words 06 -Excuse Me 07 -Solsbury Hill 08 -Ain't That Peculiar 09 -Band Introductions 10 -Humdrum Disc 2 11 -Slowburn 12 -All Day And All Of The Night 13 -Here Comes The Flood 14 -Modern Love 15 -Down The Dolce Vita 16 -Back in NYC 17 -Modern Love (reprise) 18 -Solsbury Hill (reprise)  

Audience 8.8 - A good recording that is taken from one side of the stage as you get much more bass presence than guitar which is probably how you would prefer if you are a big fan of Peter Hook – and not surprisingly the bass sounds badass here. Peter Hook's The Light Perform Unknown Pleasures The Music Box Los Angeles 2010-12-11 01. No Love Lost 02. Leaders Of Men 03. Glass 04. Digital 05. Disorder 06. Day Of The Lords 07. Candidate 08. Insight 09. New Dawn Fades 10. She's Lost Control 11. Shadowplay 12. Wilderness 13. Interzone 14. Encore Break 1 15. Transmission 16. Love Will Tear Us Apart 17. Encore Break 2 18. Atmosphere 19. Ceremony Notes: Track 15: Featuring Perry Farrell on vocals Band: Peter Hook: Vocals, Lead Bass Jack Bates: Bass Nat Watson: Guitar Andy Poole: Keyboards Paul Kehoe: Drums  

Audience 8.7/8.9  - Both recordings are really well done with the clear edge going to the 1975 stuff because it is a little bit more clear, although the synths and moogs and other keys are pushed way out front in the mix which is great because those sounds are otherworldly and mega heavy! A spot of mic dropout can be heard and it could easily have been edited out but it’s kept on the there but thankfully lasts only 2 seconds…otherwise what a show this is!  Fantastic and mind blowing! Lard Free Paris, France 1974-09-08 and Paris, France 1975-10-02 Disc 1 01 -Improvisation 1 02 -Improvisation 2 03 -Improvisation 3 04 -Improvisation 4 Disc 2 1. -Improvisation 1 2. -Improvisation 2