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Audience 9.3 - An excellent capture of a great performance by the entire band. With a recording like this where taper is using high quality equipment, the end result is only as good as the PA sound since that is what your mics capture. In the case of Dio, I am sure they have a multi-million dollar PA system and expert sound engineers at the desk. The live sound is well mixed and powerful. DIO Cumberland County Civic Center Portland, ME. September 9th 1985 Disc 1 1 -Intro 2 -King of Rock and Roll 3 -Like The Beat Of A Heart 4 -Don't Talk To Strangers 5 -Hungry For Heaven 6 -The Last In Line 7 -Holy Diver 8 -The Last In Line (reprise) 9 -Drum Solo 10 -Heaven And Hell 11 -Guitar Solo Disc 2 12 -Keyboard Solo - Guitar Solo 13 -Sacred Heart 14 -Rock 'n' Roll Children 15 -Long Live Rock 'n' Roll 16 -Man On The Silver Mountain 17 -Rock 'n' Roll Children (reprise) 18 -Stand Up And Shout 19 -Rainbow In The Dark 20 -Thank You Goodnight THE BAND Ronnie James Dio vocals Vivian Campbell guitar Jimmy Bain bass backing vocals Vinny Appice drums Claude Schnell keyboards
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Soundboard 9.5 - I know what you are thinking – “is this just another awesome Dio board tape”? Yep, sorry to disappoint! DIO Breaking Sound Festival Paris,France August 30,1984 01. One Night In The City 02. We Rock 03. Holy Diver > 04. Stargazer > 05. Heaven & Hell 06. Rainbow In The Dark 07. Band intros > Man On The Silver Mountain > Starstruck > MOTSM 08. Don't Talk To Strangers Band Line-up Ronnie James DIO - Vocals Vinny Appice - Drums Jimmy Bain - Bass Vivian Campbell - Guitar Claude Schnell - Keyboards
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FM Broadcast 9.8 - Just about as good as it can get, this captures the moment and freezes it forever in such granular detail that it feels like you are sitting right next to Dickie’s amp. It makes you appreciate his playing like never before. I mean, I play the guitar, but I have no concept of how you turn it into an extension of yourself to the degree that it is practically impossible to make even the slightest mistake. Not that his playing is perfection, it almost is, but just that he uses the instrument to convey so much feeling that it is impossible even to tell if he ever misses a note or phrases something wrong. Does that make sense? NOTE: The artwork shows disc two with only the last two tracks but the set has been tracked to include "Jessica" and "The Way Love Goes" on disc 2...so the artwork will not be changed to reflect the song order it just is what it is. Dickey Betts & Great Southern The Bottom Line NYC, NY. 4/19/77 (early show) Disc 1 01 pre ramble 02 Blue Sky 03 Run Gypsy Run 04 Out To Get Me 05 Bougainvillea 06 In Memory of Elizabeth Reed 07 Nothing you Can Do 08 Southbound Disc 2 09 Jessica 10 The Way Love Goes 11 talk 12 High Falls 13 Ramblin' Man
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Audience 9.1 - Sounds very close and hard to tell whether aud or board but for the audience members in the background. Super cool actually, I like the impact of the guitar/bass in this tape. DEVO 1977-12-17 New York City, NY - Max's Kansas City Intro Pink Pussycat Satisfaction Too Much Paranoias Praying Hands Uncontrollable Urge Mongoloid Jocko Homo Smart Patrol – Mr. DNA Gut Feeling Slap Your Mammy Sloppy Come Back Jonee Clockout Timing X – Soo Bawlz Pink Pussycat Space Junk Mongoloid Gut Feeling Slap Your Mammy Sloppy Wiggly World
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Audience 8.7 - A real small club atmosphere that puts you kind of up front where you get a real snappy drum sound and then guitars and vocals seem panned in wide stereo field because I can only assume the recorder was standing in front of the stage and was picking up the drums first then the P.A.’s which give this a very real vibe.