Audience 8.7 All shows appear to have been recorded by the same taper who was diligent to show up to all the Sabbath shows in his town three years in a row. I am impressed with his effort, you can tell he's not an amateur and but for the fact he's not using pro equipment, he most certainly would otherwise have gotten a stellar result. As it is, it's fine but not winning any dynamics awards. What it does deliver is consistent, strong, error-free recordings that you can relax into, and let yourself adjust to what is there because it's certainly not that bad. I started listening to these shows in order to rate them and ended up just letting them play because it's cool to hear this great line-up playing in a far away place away from the glitz and glamour of the metropolis, year-after-year-after-year, and yet deliver a performance no different from one they might have done at, say, Radio City Music Hall or Madison Square Garden.

Soundboard 9.1 - All of this material is soundboard but keep in mind these 60's Zappa boards all have a somewhat "dated" sound quality which is not a bad thing because it creates a sonic time capsule that allows you to feel the vibe of the times. I think some of his audience might have been a little bewildered by what they were seeing and hearing because the reactions are sometimes very telling.

Audience 9.4 - I really found this to be a real gem. First, I think it starts with a respectful but enthusiastic Japananese audience and then because of the immaculate source tape. The recording, while maybe light on bottom end just a touch, is crisp and clean and features a flawless midrange. Drums have an extremely "live" feel, you almost just kind of look off to your left and right to make sure a drummer isn't there in your living room!

Audience 8.6 - By all accounts, this is a real find! First, you get a rare tape that only recently has surfaced, and then it's from a poorly documented tour AND best of all it sounds pretty decent! It's just a great day to be a DLR era Van Halen collector.

Audience 8.7 - It's not the clearest, deepest of recordings but it is not boomy, muddy, irritating, or ruined by shouting morons either. It gets the job done, and what's more it's one of those shows where another guitar legend just happens to be there and just happens to get on stage and jam at the end...this guitar legend is none other than Jeff Beck so there is that.

Audience 9.1 - A rollicking good time! Great audio, great performance, a snapshot in time and man do I wish I could turn back the time ‘cause this is the good stuff right here.

Rod Stewart/Faces The Forum Inglewood, CA March 5, 1975 Disc 1 01 -It’s All Over Now 02 -Take a Look at that Guy 03 -(I Know) I’m Losing You 04 -Bring It On Home To Me - You Send Me 05 -Sweet Little Rock & Roller 06 -I’d Rather Go Blind 07 -Too Bad 08 -Every Picture Tells a Story Disc 2 09 -Angel 10 -Stay With Me 11 -Gasoline Alley 12 -I Can Feel the Fire 13 -You Wear It Well 14 -Maggie May 15 -Twistin’ the Night Away 16 -We’ll Meet Again

Soundboard 9.7 - All excellent, all must haves imho. What you get sound-wise is a rich, deep tone, the Berlin tape in particular which features emphasis on the bass which is massive but detailed. The music here is more progressive than Samba, and Carlos does sometimes resort to familiar guitar runs but he also flashes a lot of other tricks and convinces the listener that he’s not a one-trick pony at all. Best I can tell here is that Devadip Ochestra is a decent attempt to take what Mahavishnu Orchestra did and accent it in different ways. Well done Carlos!

The Devadip Orchestra Disc 1 Deutschlandhalle Berlin, Germany November 8, 1978 01 Swapan Tari 02 Ocean Floor 03 Arise Awake 04 Light Versus Darkness 05 Jim Jeannie 06 Gardenia 07 Jharna Kala Ekeberghallen Oslo, Norway November 13, 1978 08 Swapan Tari 09 Ocean Floor 10 Arise Awake 11 Light Versus Darkness 12 Jim Jeannie 13 Gardenia 14 Jharna Kala Disc 2 Groenoordhal Leiden, Holland November 17, 1978 01 Swapan Tari 02 Arise Awake 03 Light Versus Darkness 04 Jim Jeannie 05 Gardenia 06 Oneness 07 Jharna Kala Carlos Santana: guitar/percussion David Margen: bass Graham Lear: drums Chris Rhyne: keyboards Russell Tubbs: flute/sax

 Soundboard 9.2 - A “reference” board mix, clearly…but it’s great. It isn’t going to win any awards for sparkling and atmospheric sound, but it’s a punchy, in-the-pocket sound that marries well with Kansas’ heavy progressive style.

Kansas Springfield Civic Center Springfield, MA. 2nd September 1979 Disc 1 1. Intro 2. On the Other Side 3. People of the Southwind 4. Away From You 5. Point of Know Return 6. Closet Chronicles 7. The Wall 8. Reason To Be 9. Dust in the Wind 10. Angels Have Fallen Disc 2 1. Opus Insert 2. Stay Out of Trouble 3. The Spider 4. Portrait (He Knew) 5. Band Introductions 6. Glimpse of Home 7. How My Soul Cries Out For You 8. Carry On Wayward Son Steve Walsh – keyboards, lead and backing vocals Kerry Livgren – guitars, keyboards Rich Williams – guitars Robby Steinhardt – violin, vocals Dave Hope – bass Phil Ehart – drums

Gamma Phoenix Theater Petaluma,CA 30-Nov-1980 01 Ready For Action 6:08 02 Thunder and Lightning 5:39 03 Razor King 11:59 04 Rock the Nation 3:47 05 I Got the Fire 3:56 06 Four Horsemen 7:11 07 No Tears 12:32 Davey Pattison: Vocals Ronnie Montrose: Guitars Jim Alcivar:  Keyboards Glenn Letsch: Bass Denny Carmassi: Drums

Audience 9.4 - I love these tapes that make you feel you are in very small area with the band, like sitting at a little table having a cocktail as the band plays just feet in front of you. That is what this tape feels like, and the separation of instruments is delicious, with your ear hearing this show as if you were right there (meaning there is a stereo separation going on, a real one).  So buckle up, because you are going to feel as though your actually at this show, it’s that good.

Frank Zappa Dortmund, Germany 5 May 1988 Disc 1 01. Instruments Check (1:07) 02. Intro (1:08) 03. The Black Page #2 (7:03) 04. Band Introductions (2:00) 05. The Meek Shall Inherit Nothing (3:08) 06. Alien Orifice (4:23) 07. Who Needs The Peace Corps (2:47) 08. I Left My Heart In San Francisco (0:36) 09. Outside Now (7:10) 10. Eric Dolphy Memorial Barbecue (7:59) 11. Bamboozled By Love (5:26) 12. Zoot Allures (6:25) 13. Cosmik Debris (4:51) 14. Stolen Moments (10:10) 15. Stick Together (1:54) Disc 2 16. My Guitar Wants To Kill Your Mama (3:38) 17. Willie The Pimp (2:58) 18. Montana (4:05) 19. City Of Tiny Lights (10:07) 20. Pound For A Brown (11:30) 21. Cruising For Burgers (9:19) 22. Instruments Check (0:25) 23. Dancin' Fool (3:29) 24. Whippin' Post (5:47) 25. I Am The Walrus (3:46) 26. Strictly Genteel (6:25) 27. Watermelon In Easter Hay (5:43)

Audience 8.9 - A recording that seems to “rise above” the din because literally it sounds like the mic was over the crowd. It makes for a more immersive experience, and the fact that the dynamics are good and the sound is clear…well it just goes to prove once again that a well made audience tape is more than welcome in any real live music collection.

David Gilmour Beacon Theatre New York City, NY May 23, 1984 Disc 1 01 Until We Sleep 02 All Lovers Are Deranged 03 Love On The Air 04 Mihalis 05 Cruise 06 Short And Sweet 07 Money 08 Out Of The Blue Disc 2 09 Let's Get Metaphysical 10 You Know I'm Right 11 Run Like Hell 12 Blue Light 13 Band Introduction 14 Murder 15 Near The End 16 Comfortably Numb

The Bangles Doll Revolution Early Mixes, Alternate Versions and Demos 1. -Tear Off Your Own Head (It’s A Doll Revolution) - Early Mix 2. -Grateful – Early Mix 3. -Something That You Said – Early Mix 4. -The Good Son (Song For A Good Son) - Early Mix 5. -I Will Take Care Of You – Early Mix 6. -Stealing Rosemary – Early Mix 7. -The Rain Song – Continental Drifters Demo December 1992 8. -Ask Me No Questions – Kindred Spirit (Acapella Version) 9. -Nickel Romeo – Crash Wisdom, Genghis Cantina, Los Angeles, CA, June 2, 1994 10. -Ride The Ride – The Bangles, Acoustic Version, House Of Blues, September 23, 2000 11. -Mixed Messages – Continental Drifters, New Brunswick, New Jersey July 8, 2001 12. -Here Right Now – The Bangles, Columbiahalle, Berlin, Germany, April 8, 2003 13. -Between The Two – The Bangles, Columbiahalle, Berlin, Germany, April 8, 2003 14. -Single By Choice – The Bangles, Melkweg, Amsterdam, Holland, April 14, 2003 15. -Lost At Sea – The Bangles, The Canyon Club, Agoura Hills, CA, October 17, 2003 16. -Something That You Said – Susanna Hoffs Unreleased Solo Version 17. -Grateful - – Susanna Hoffs Unreleased Solo Version 18. -Happily Ever Laughter – The Bangles, Unreleased Demo 19. -My Town – The Bangles, Non-album track released by A.O.L 20. -Tear Off Your Own Head -Susanna Hoffs and Michael Steele Demo

Soundboard/Audience matrix 8.8 - This recording is pretty clean but is just a touch…how would I say, maybe doesn’t highlight the upper high end so it almost sounds like the edges were trimmed on the rock bush. It still delivers a punch to the gut, particularly if you like your drums to rattle your insides a bit because they do here, in a good way.  Overall, this is a real fine set of tunes and is rather long and includes a pre-show interview at the end of the 3^rd disc.

Rory Gallagher Cardis Houston, Texas, U.S.A. May 26, 1985 Disc One 01 - Double Vision 02 - Moonchild 03 - I Wonder Who 04 - Shinkicker 05 - Mississippi Sheiks (with Rain) 06 - Tattoo'd Lady 07 - Off The Handle Disc Two 08 - Big Guns 09 - Failsafe Day 10 - Out On The Western Plain 11 - Seven Days 12 - Banker's Blues 13 - Philby Disc Three 14 - Bought And Sold 15 - Shadow Play 16 - Bullfrog Blues 17 - Sweet Little Sixteen 18 - Nadine (encore audience cheering) 19 - Messin' With The Kid 20 - All Around Man 21 - Interview by FG (Pre-Show)

Alcatrazz Country Club Reseda CA March 29TH 1984 1 -Jim Ladd Intro 2 -Too Young To Die 3 -General Hospital 4 -Kree Nakoorie 5 -Island In The Sun 6 -Evil Eye 7 -Jim Ladd 8 -Since You've Been Gone 9 -Hiroshima Mon Amour 10 -Jim Ladd 11 -Suffer Me 12 -Desert Song 13 -Jet To Jet 14 -Jim Ladd THE BAND Graham Bonnet lead vocals Yngwie Malmsteen guitar Jimmy Waldo keyboards backing vocals Gary Shea bass backing vocals Jan Uvena drums backing vocals

Audience 8.8 - This is a “power” show, meaning the sound coming at you when you play this (hopefully on a decent system) is very forceful, like you really get a sense of the massive volume and power of a band in their prime. That being said, it is a different power than, say, a heavy metal band in that the sound itself is balanced to the degree you get good instrument separation. The other thing I like about this tape is the stereo pan, it’s nice when you are able to get a sense of the event in a more tangible way and this tape does deliver that effect. So, while not as clear as maybe the Radio City Music Hall show (for another example of a ’73 Aud), this recording delivers the goods and should be acquired.

Pink Floyd Maple Leaf Garden Toronto, Ontario, Canada March 11, 1973 Disc 1 01 -Echoes 02 -Obscured By Clouds 03 -When You're In 04 -Set The Controls For The Heart Of The Sun 05 -Cafeul With That Axe, Eugene Disc 2 01 -Speak To Me 02 -Breathe 03 -On The Run 04 -Time - Breathe (Reprise) 05 -The Great Gig In The Sky 06 -Money 07 -Us And Them 08 -Any Colour You Like 09 -Brain Damage 10 -Eclipse 11 -One Of These Days

Doobie Brothers Louisville Convention Center Louisville, KY December 6, 1973 01 Introduction 02 Listen To The Music 03 Daughters Of The Sea 04 Slippery St. Paul 05 Clear As The Driven Snow 06 Pursuit On 53rd St. 07 Road Angel 08 Long Train Runnin' 09 Down In The Track 10 Discipline 11 Jesus Is Just Alright With Me 12 Without You 13 China Grove Intro Jam 14 China Grove

Audience 8,7 - A distant recording with that unmistakable large stadium natural reverb that makes you sort of imagine where you are as you listen and squint your eyes to see what Lou Reed is doing on stage.  The good news is that everything pretty much is audible, and reasonably clear too. The recording does lack some low end, but is not overly tinny, and drums/vocals are favored in the mix with guitars sort of chiming in just behind. If this wasn’t a clean/clear recording I would say there’s not much use for it but it has redeeming qualities and some charming renditions of some of his most beloved tunes.

LOU REED Stadio Partenio Avellino, Italy 16 June 1980 Disc 1 1. -Sweet Jane 2. -Real Good Time Together 3. -I'm Waiting For My Man 4. -Coney Island Baby 5. -So Alone 6. -Vicious 7. -Walk On The Wild Side 8. -Standing On The Ceremony 9. -Heroin 10. -Growing Up In Public 11. -The Kids 12. -Caroline Says II 13. -The Bed 14. -Sad Song Disc 2 15. -The Power Of Positive Drinking 16. -How Do You Speak To An Angel 17. -My Old Man 18. -Keep Away 19. -Street Hassle (with band intros) 20. -Rock and Roll 21. -Sister Ray The band: Lou Reed - vocals & guitar Stuart Heinrich - guitar Chuck Hammer - guitar Ellard "Moose" Boles - bass Michael Fonfara - keyboards Michael Suchorsky - drums

Audience 9.1 - A fascinating document! Well, for one thing, it has that visceral, thump to your chest power and immediacy while you are immersed in the pit with your bros…but the crowd only makes this better. Such amazing atmosphere! The other thing is that this is NOT your mid 70’s blues guitar pub rock – it is much more along the punk/grunge aesthetic in how Rory is playing and his tone. Sure, he plays a lot of blues, but it does not come across the same as it did in ’74…it comes across as music that can breathe new life into what could be considered a dated musical form.

Rory Gallagher Inselwiese Dinkelsbühl, Germany 05. Juli 1986 Disc 1 01. -Ansage - Moonchild        8:03 02. -Shinkicker            6:39 03. -I wonder who        12:22 04. -Nadine            9:34 05. -Bad Penny            9:08 06. -Seven Days - I'm Ready    12:03 07. -Tattoo'd Lady        8:46 08. -A Million Miles Away    8:42 Disc 2 09. -Follow Me            7:01 10. -Out On The Western Plain    6:39 11. -Walkin Blues        7:06 12. -Rollin & Tumblin        5:43 13. -Big Guns            7:48 14. -I'm A Man            2:58 15. -Messin With The Kid      8:39 16. -Bullfrog Blues        6:37 17. -Seven Days - I'm Ready    10:22 18. -Follow Me            5:32

Audience 9.3 - A really clean, punchy recording that has realistic presence, and is river deep and mountain high – I especially found the drums, kick drum, toms, this was a pleasant surprise for an audience tape to deliver almost studio quality dynamics and placement in the stage mix was on point. Amazing to think that this tape remained out of circulation to only just recently, while we did have other shows from this week at the Hollywood Palace in 1984.

Studio 9.5 - A really detailed, complete set which contains just about everything you ever wanted to hear regarding the pre-Kiss band Wicked Lester. Is it necessary?  I mean, there’s a lot of repetition here, but I have to say it is kind of necessary when you call something complete, you should provide that to the collector and this set does. Quality is great.

Kiss - Complete Wicked Lester Sessions 1971/1972 Disc 1 Electric Lady Studios 18th November 1971 01. Too Many Mondays    [0:03:40.20] 02. Love Her All I Can    [0:02:35.44] 03. Sweet Ophelia    [0:03:06.03] 04. Molly    [0:02:32.12] 05. Keep Me Waiting    [0:03:22.04] 06. She    [0:03:06.41] 07. What Happened In The Darkness    [0:03:10.26] 08. We Want To Shout It Out Loud    [0:02:46.01] 09. When The Bell Rings    [0:03:24.04] 10. Simple Type    [0:02:40.24] 11. She (Take 2)    [0:03:05.20] 12. Molly (Take 2)    [0:02:33.30] 13. We Want To Shout It Out Loud (Take 2)    [0:02:43.42] 14. Too Many Mondays (Take 2)    [0:03:41.08] Electric Lady Studios August 1972 Sessions 1 15. Keep Me Waiting    [0:03:28.12] 16. Love Her All I Can    [0:02:40.72] 17. Molly    [0:02:28.52] 18. She    [0:03:07.43] 19. Simple Type    [0:02:37.73] 20. Sweet Ophelia    [0:03:09.74] 21. Too Many Mondays    [0:04:04.34] 22. When The Bell Rings    [0:03:10.62] 23. Molly (Take 2)    [0:02:25.12] 24. Too Many Mondays (Take 2)    [0:03:59.13] Disc 2 Electric Lady Studios August 1972 Sessions 2 01. We Want To Shout It Out Loud    [0:02:43.14] 02. Keep Me Waiting    [0:03:10.30] 03. Love Her All I Can    [0:02:35.30] 04. Molly    [0:02:29.52] 05. She    [0:03:03.47] 06. Simple Type    [0:02:42.23] 07. Sweet Ophelia    [0:03:01.64] 08. Too Many Mondays    [0:03:38.14] 09. What Happens In The Darkness    [0:03:07.52] Final Album Reel 1972 10. When The Bell Rings    [0:03:17.70] 11. Keep Me Waiting    [0:03:23.47] 12. Molly    [0:02:33.26] 13. Sweet Ophelia    [0:03:06.24] 14. Simple Type    [0:02:43.25] 15. Too Many Mondays    [0:03:44.10] 16. Love Her All I Can    [0:02:35.54] 17. When The Bell Rings    [0:03:25.10] 18. She    [0:03:07.56] 19. What Happens In The Darkness    [0:03:10.60] 20. We Want To Shout It Out Loud    [0:02:49.33] 21. Long, Long Road    [0:04:18.67] Disc 3 Electric Lady Studios Spring 1972 Sessions 01. Keep Me Waiting    [0:03:25.42] 02. Long, Long Road    [0:04:20.25] 03. Love Her All I Can    [0:02:54.69] 04. She    [0:03:09.45] 05. Simple Type    [0:02:48.22] 06. Sweet Ophelia    [0:03:16.64] 07. We Want To Shout It Out Loud    [0:03:10.00] 08. What Happened In The Darkness    [0:03:14.67] 09. When The Bell Rings    [0:03:11.09] 10. Simple Type (Take 2)    [0:02:49.44]

Jesus And Mary Chain Pavilion Theatre Brighton, England 2 February 1985 01. intro 02. In A Hole 03. Vegetable Man 04. You Trip Me Up 05. Ambition 06. Taste The Floor 07. outro