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Audience 9.0 - Nice and clear, with a sharply defined and articulate high end of the spectrum. During full band loud jam sections I find the guitar too low in the mix, but just fine in most of the sections where the overall band intensity is not as high (like during Zoot Allures, for instance). Overall it’s quite a tour de force this show – and brilliant on point guitar pyrotechnics abound. ZAPPA plays ZAPPA Date: 2007-12-04 Venue: Enmore Theatre, Sydney, Australia CD1: Stink Foot (FZ on video screen) Cheepnis Lonely Little Girl Eat That Question Son Of Suzy Creamcheese Brown Shoes Don't Make It Zoot Allures Pygmy Twylite CD2: Audience Participation Time Dupree's Paradise (with aussie icons Irwin Thomas [aka Jack Jones] and Johnny Diesel [aka Mark Lizotte]) Uncle Remus Willie The Pimp Andy I'm The Slime Echidna's Arf Dumb All Over (FZ on video screen) What's New In Baltimore? Advance Romance Filthy Habits City of Tiny Lights CD3: Cosmic Debris (FZ on video screen) G-Spot Tornado Muffin Man The band: Dweezil Zappa: guitar Ray White: vocals, guitar Joe Travers: drums Billy Hulting: percussion Scheila Gonzalez: keyboards, saxophone, vocals Aaron Arntz: keyboards, trumpet Pete Griffin: bass Jamie Kime: rhythm guitar With special guests: Steve Vai: guitar (from Andy onwards) Irwin Thomas [aka Jack Jones]: guitar (Dupree's Paradise) Johnny Diesel [aka Mark Lizotte] : guitar (Dupree's Paradise) -
Audience 9.5 - Outstanding! Yes, it’s just another killer quality audience tape that seems to be the hallmark for the Zappa legacy. Probably because you have devoted fans keen on preserving the experience and doing it with care, and an artist who diligently worked hard to provide a high quality audio experience. ZAPPA PLAYS ZAPPA Sentrum Scene Oslo, Norway November 24, 2013 Disc 1 01. Intro 02. The gumbo variations 03. Dweezil's intro to "Roxy and elswhere" 04. Penguin in bondage 05. Pygmy twylyte 06. Dummy up 07. Village of the sun 08. Echidna's arf (of you) 09. Don't you ever wash that thing 10. Cheepnis 11. Son of orange county 12. More trouble every day Disc 2 13. Be bop tango 14. Florentine pogen 15. Teenage wind 16. Teenage prostitute 17. The black page # 1 (drum solo) 18. The black page # 2 19. Dweezil talks 20. I come from nowhere 21. Dweezil talks 22. The duke of prunes Disc 3 23. Peaches en regalia - Intro to... 24. The torture never stops - Audience ovations 25. Encore intro 26. Watermelon in easter hay 27. Dweezil talks 28. Zombie woof 29. Muffin man Dweezil Zappa: guitar, vocals Scheila Gonzalez: saxophone, flute, keyboards & vocals Ben Thomas: vocals, trumpet, trombone, percussion Chris Norton: keyboards, vocals Kurt Morgan: bass Ryan Brown: drums -
Audience 9.3 - Again, we discover that yes some people do really know how to use stealth recording gear to great effect. Lovely balance, warm, in the pocket and thankfully so because this tour was perhaps him at his peak. That is not to say he does not perform well now, it is just that this tour seems to have them so up and enthusiastic almost every show, with great special guests and great set lists. Zappa Plays Zappa The Bridgewater Hall, Manchester, UK 2009.06.17. Disc 1. 01. -Apostrophe 02. -Purple Lagoon 03. -Magic Fingers 04. -Carolina Hardcore Ecstasy 05. -lumpy Gravy 06. -Montana 07. -Village Of The Sun 08. -Echidna's Arf 09. -Don't You Ever Wash That Thing 10. -Dirty Love 11. -Gas Station 12. -Inca Roads Disc 2 13. -Outside Now 14. -Bamboozled By Love 15. -A Pound For A Brown 16. -Zomby Woof 17. -Peaches En Regalia 18. -Cosmic Debris 19. -Yellow Snow 20. -Willie The Pimp -
Audience 9.6 - This is a special set, not just because it also contains the complete soundcheck but because it is stunning quality and off the hook performance. Like I have said before, I think this is the best Dweezil ever sounded. Zappa Plays Zappa House of Blues Cleveland, Ohio July 3, 2009 Disc 1 01 Intro / Crowd 02 I'm the Slime 03 Montana 04 Wind Up Workin' in a Gas Station 05 Village of the Sun 06 Instrumental 07 Instrumental 08 Instrumental 09 Black Page No. 1 10 Black Page (Melody) 11 Inca Roads 12 Pygmy Twilight 13 Bamboozled by Love 14 Instrumental Disc 2 15 Instrumental 16 Instr / Drum Solo 17 Lucille 18 Outside Now 19 Titties 'n Beer (Fragment) 20 Cosmik Debris 21 Peaches en Regalia 22 Trouble Every Day 23 Encore applause 24 Zombie Woof 25 Don't Eat the Yellow Snow 26 Willie the Pimp 27 Outro / Crowd Disc 3 ZPZ soundcheck (same date, venue, source) 01 guitar 02 guitar 03 guitar 04 guitar 05 instrumental 06 Wind Up Workin' in a Gas Station 07 Discussion 08 San Ber'dino 09 San Ber'dino II 10 San Ber'dino III 11 Trouble Every Day 12 Pygmy Twilight 13 Discussion 14 Penguin in Bondage 15 Inca Roads (jam) 16 St. Alphonzo's Pancake Breakfast 17 guitar 18 guitar 19 guitar 20 guitar -
Pro Recording 9.1 - The engineers for this live recording opted to not close mic so you have a live recording with lots of atmosphere and probably sounding truer to the actual event than a pure soundboard. The bass is well recorded here, normally you’d expect the sound mix to favor only guitar as that is what the fans are wanting most – but here the mix is rather democratic. Good job! Yngwie Malmsteen Live at Sun Plaza Hall Tokyo.Japan 1985-01-24 01.Intro - I'll See The Light, Tonight 02.As Above, So Below 03.Don't Let It End 04.Far Beyond The Sun 05.On The Run Again 06.Anguish And Fear 07.Icarus'Dream Suit - I Am A Viking 08.Hiroshima Mon Amour 09.Black Star 10.Jet To Jet 11.Kree Nakoorie 12.Guitar Solo 13.Disciples Of Hell Yngwie Malmsteen-Guitars Jens Johansson-Keyboards Marcel Jacob-Bass Jeff Scott Soto-Vocals Anders Johansson-Drums -
Audience 7.4 - Vocals and Guitar are audible above the denseness. Not a clear tape, but surprisingly it is very quiet meaning I believe this is VERY low generation if not from a master source. Decent for 1971, we take what we can get! -
Audience 7.7 - Thin sound but guitar and vocals very present. Not all that bad really. Can enjoy this one. -
Audience 8.0 - A good reference recording, does not deliver a palette full of dynamic sound colorization or anything like that but it is a pretty clear, one-dimensional recording. One thing I can say is that collectors will want this, as any 1972 show is well worth having in my opinion and this one is very decent even if it lacks a solid low end (not necessarily thin, just not a lot of bottom). -
Audience 9.3 - Extremely vibrant and dynamic recording. -
Audience 8.8 - I can’t fault this too much even though it is not a tape without a certain sonic limitation – but it’s not enough of a fault to be critical of what is a fantastic performance paired with a warm, energy filled tape. It’s a great capture that barely holds the intensity before it begins to break-up, albeit only slightly, as the volume overwhelms the microphone. Is that bad? Normally it spells disaster if the recording equipment is, say, a realistic or some no-name generic piece of crap but this taper is obviously using high end stuff. The point at which volume and intensity causes normal gear to fail only slightly bother this set-up. So, I recommend it as one of the better 1976 tapes out there. It’s simply great and you’ll love it. YES 1976-07-22 PNE Coliseum Vancouver, British Columbia Canada DISC 1 1.01 Siberian Khatru (9.45) 1.02 Sound Chaser (10.32) 1.03 I've Seen All Good People (6.50) 1.04 The Gates Of Delirium (21.11) 1.05 Long Distance Runaround (2.41) 1.06 Keyboard Solo (5.16) DISC 2 2.01 The Clap (4.55) 2.02 Harp Solo (4.01) 2.03 Heart Of The Sunrise (10.29) 2.04 Ritual (27.18) 2.05 Roundabout (8.49) -
Audience 7.5 - Total audience immersion. Great package but not a great recording. -
Audience 9.2 - All three shows are recorded with high end gear, with a respectful audience – and the results are decidedly excellent. It’s a joy to listen to these shows, back to back, and just marvel at the grandiosity on display. These were different times, so painfully obvious when you listen, and quite sad to realize it ain’t ever happening again. Yes 1973-03-09 Tokyo, Japan- Close To The East (LIGHTHOUSE) part2 Artist: Yes Date: 1973-03-09 Venue: Shibuya Kokaido Location: Tokyo, Japan Disc 1 3.01 Firebird Suite (1.21) 3.02 Siberian Khatru (9.59) 3.03 I've Seen All Good People (7.34) 3.04 Heart Of The Sunrise (11.40) 3.05 Mood For A Day (3.21) 3.06 The Clap (3.43) 3.07 Colours Of The Rainbow (1.12) 3.08 And You And I (9.37) Disc 2 4.01 MC (1.16) 4.02 Close To The Edge (19.06) 4.03 Rick Wakeman Solo (9.27) 4.04 Roundabout (7.58) 4.05 Yours Is No Disgrace (13.42) 4.06 Starship Trooper (11.09) -
Audience 9.2 - All three shows are recorded with high end gear, with a respectful audience – and the results are decidedly excellent. It’s a joy to listen to these shows, back to back, and just marvel at the grandiosity on display. These were different times, so painfully obvious when you listen, and quite sad to realize it ain’t ever happening again. Yes 1973-03-10 Tokyo, Japan Artist: Yes Date: 1973-03-10 Venue: Kanda Kyoritsu Kodo Location: Tokyo, Japan Disc 5 5.01 Firebird Suite (1.57) 5.02 Siberian Khatru (9.51) 5.03 I've Seen All Good People (7.19) 5.04 Sakura Sakura (1.23) 5.05 Mood For A Day (3.25) 5.06 MC (0.26) 5.07 The Clap (4.13) 5.08 Heart Of The Sunrise (12.30) 5.09 And You And I (9.51) Disc 6 6.01 Close To The Edge (20.12) 6.02 Rick Wakeman Solo (8.59) 6.03 Roundabout (11.23) 6.04 Yours Is No Disgrace (17.21) 6.05 Starship Trooper (8.58) -
Audience 9.2 - All three shows are recorded with high end gear, with a respectful audience – and the results are decidedly excellent. It’s a joy to listen to these shows, back to back, and just marvel at the grandiosity on display. These were different times, so painfully obvious when you listen, and quite sad to realize it ain’t ever happening again. Yes 1973-03-08 Tokyo, Japan Artist: Yes Date: 1973-03-08 Venue: Koseinenkin Kaikan Location: Tokyo, Japan Disc 1 1.01 Firebird Suite (2.23) 1.02 Siberian Khatru (9.20) 1.03 I've Seen All Good People (7.39) 1.04 Heart Of The Sunrise (11.03) 1.05 Mood For A Day (3.23) 1.06 The Clap (5.00) 1.07 And You And I (10.41) 1.08 Close To The Edge (18.23) Disc 2 2.01 Rick Wakeman Solo (8.33) 2.02 Roundabout (10.52) 2.03 Yours Is No Disgrace (13.05) 2.04 Starship Trooper (10.55) -
Audience 8.7 - If you took any audience tape from 1983 with an 8.7 rating, this show would still sound better because for some reason, I guess maybe it’s the microphones or something, but recordings made in the 70’s have more of a warmth, a more natural texture and quality to the sound. -
Audience 8.8 - Decent sound quality with good low end which helps immensely. The louder you crank this the more realistic it gets. Mix-wise, I hear guitar maybe a little low, but bass, drums, vocals especially present.